By Si Spencer & Dean Ormston (DC Comics)
Neil Gaiman is a big name in comics. He’s one of those guys who’s “made it” in the realer world but hasn’t completely turned his back on comics. He is also one of a small creative elite whose name liberally spread out on a book cover can bring non-comic clientele to a package, which is a long-winded way of saying that no comic title he’s been involved with will long stay in Limbo.
The latest return of The Books of Magick and super magician Tim Hunter features yet another revamp of the young, guileless innocent that Gaiman, John Bolton and a small band of painterly superstars tasked with a journey of self-discovery through all the Mystic Realms of the DC Universe back in the 1990s. Unfortunately a lot of pages have been published since then and the scrofulous young yob starring here is no kin to that waif.
This in itself is no bad thing. The adventures begin in another universe where humanity and demons are at war, a supernatural global conflict that has pushed Man to the brink of extinction. One last bastion lies besieged and Vertigo stalwart John Constantine is their embattled leader, as they await the return of their all-powerful deity, The Hunter.
The echoes of William Hope Hodgeson and C. S. Lewis are interrupted with a segue to a young adult Tim in what looks like our reality, dossing about after graduating university, doing drugs, swilling beer and shagging totty, just like anybody. As the story progresses long-time readers will realise that something is amiss, though. This life is just as out of whack as the demon war-scape and events lead to the inevitable conclusion that a deadly congruence of circumstance will catapult Tim and his coterie of reprobates into an alien Armageddon.
My poncey locution aside, this is quite an enjoyable fantasy ride. Si Spencer brings his television writing (Grange Hill, Eastenders) into the mix of earthly and unreal to great effect – let’s face it, most comics are soap-operas these days – and Dean Ormston manages to be grungy and stylish at the same time. My quibble stems from what I said earlier.
Although a re-interpretation, much of the narrative depends on a more than passing knowledge of the DC Universe (Hellblazer, Zatanna etc.) and especially the characters such as idealised girl friend Molly, from the long previous runs of Books of Magick. If those comics had sold well enough to garner a solid readership, we wouldn’t be discussing this new version at all, and to ask new readers to muddle along knowing there’s a subtext but not getting it seems at best harsh and at worst a recipe for yet another early bath.
For those Gaiman groupies, it might be an actual turn off from an otherwise useful addition to comics’ adult fantasy stable, and even comics in general.
© 2005 DC Comics. All Rights Reserved.