By Mark Zuehlke, Alexander Finbow, Niigaanwewidam James Sinclair, Claude St. Aubin, Christopher Chuckry & Todd Klein & (Renegade Arts Entertainment)
ISBN: 978-0-9921508-89-1
Win’s Christmas Gift Recommendation: An Ideal Gift for comic lovers and history buffs… 10/10
The Dominion of Canada officially came into existence on July 1st 1867 and with that anniversary rapidly approaching, what better time to look at how that event came to be…
A couple of years ago a superb graphic novel came out from a small independent creative outfit called Renegade Arts Entertainment which commemorated the anniversary and captivatingly explored how America and the British colonies clashed. The book was The Loxleys and the War of 1812: a pictorial tome for youngsters examining the facts of the clash through the eyes and experiences of a family caught up in the conflict.
After reading our review – or better yet the book itself – you simply must indulge yourself with this magnificent full-colour hardback sequel which explores the fateful first European incursion into the vast northern regions, the (mostly) shameful interactions with the native peoples there and the complex, dramatic campaign which resulted in a disparate aggregation of fiercely independent colonies finally accepting that they were all stronger together…
Written by Canadian military historian Mark Zuehlke, with story contributions from Alexander Finbow and scholar, commentator, author, and advocate on Indigenous Issues Niigaanwewidam James Sinclair, the compulsively engaging tale is illustrated by Claude St. Aubin with colours courtesy of Christopher Chuckry and lettering from Todd Klein.
The show opens with a character gallery of both the fictitious Loxleys plus notable historic personages of the period and includes an impassioned Foreword by co-writer Finbow, before the graphic elucidation begins with a Prologue set in 1534 when French explorer Jacques Cartier sails up will be later known as the St. Lawrence River and acts rather rudely towards the natives he finds there.
After that rather inauspicious start, grudging trades are made but when Cartier eventually leaves it is with the two sons of chief Donnacona. The explorer still wants treasure and intends for the native boys to direct him to a priceless valuable they call “Kanataâ€â€¦
Skipping ahead then to 1864 we find the Loxley family has grown in numbers, prosperity and influence. It is August 1st and 13-year old Lillian is recording in her journal the event of the clan’s first great gathering in many a year.
Amidst the family chat of aging, absences and ailments, the elders are preoccupied with a thorny political problem. The United States has been at war with itself for four years but that struggle is almost won, and the feeling is that many Yankee warhawks are eager to continue fighting; using the deplorable political tenet of “Manifest Destiny†to conquer and possess the entire continent, not only from East to West but also from South to North…
The only solution to such bald empire-building is a unified nation to resist them rather than the loose association of independent British colonies that now exists, but talk of Confederation has been in the air for quite awhile with little headway made in each colony’s obstinate, insular ruling assemblies…
Now, with invasion from the USA a serious prospect once more and economic pressures also working against the disunited and isolated enclaves, the move to a grand union of the regions and territories is more vital than ever and politicians are actually talking to each other.
The prospect is of particular interest to young Lillian, who is invited to accompany her illustrator mother and journalist grandfather as they journey first to Prince Edward Island, then Quebec and eventually all over the scattered colonies and even to England itself: following the movers and shakers seeking to build a safe, strong and resilient nation.
As the little group follows the torturous efforts to unify the imperilled regions, drama (and romance in the case of young Lillian) is never far off. The debates perpetually seem to take one step forward and two back as regional issues and grudges hold back the urgent drive to combine and the outer world also constantly impinges on what might seem to be a strictly colonial issue.
The Loxleys are in Washington and actual witnesses to the assassination of President Lincoln – the strongest voice against an invasion of Canada. They later witness for themselves the extent of anti-Canadian feeling which exhibits as the annulment of trade deals in the Capitol, aggression and bombast in New York which culminates in a raid on New Brunswick. The invasion is by radical activist Fenians who believe they can trade attacks on British possessions into independence for Ireland…
Of course such an invasion can be seen only one way by the colonies previously against an official union…
And thus unfolds an enchanting history lesson which traces a largely marginalised section of history, couched in absorbing human terms and rendered totally irresistible by being seen through the lens of an idealistic child’s eyes: a girl becoming a woman whilst her little home became a mighty nation…
Also woven into the tale – thanks to the input of Niigaanwewidam James Sinclair – is a telling examination and assessment of the shameful Official Policy of assimilation which legitimised the maltreatment of indigenous people throughout Canada’s history: a trend more fully probed in the Afterword: Looking for Kanata.
That sobering discussion follows further historically pertinent extracts ‘From the Dairy of Lillian Stock 1867’ which encapsulate events personal and national following the establishment of Canada as a nation state.
Informative, engaging, even-handed and intensely gripping, this account of ordinary people at the core of grand historical accomplishments is an astonishingly readable chronicle which again proves one of my most fervently held beliefs: comics are the perfect means to marry learning with fun and a well-made graphic treatise is an unbeatable mode with which to Elucidate, Educate and Enjoy.
So buy this and do so…
The Loxleys and Confederation © 2015 Renegade Arts Canmore Ltd.