Amazing Spider-Man Marvel Masterworks volume 6


By Stan Lee, John Romita, Larry Lieber, Don Heck & various (Marvel)
ISBN: 978-0-7851-1362-2 (HB)                    978-1-3023-7876-9 (HB)

After a shaky start The Amazing Spider-Man quickly became a popular sensation with kids of all ages, rivalling the creative powerhouse that was Fantastic Four. Before too long the quirky, charming, thrillingly action-packed comics soap-opera would become the model for an entire generation of younger heroes impatiently elbowing aside the staid, (relatively) old thirty-something mystery-men of previous publications and hallowed tradition.

You know the story: Peter Parker was a smart-but-alienated kid bitten by a radioactive spider during a school science trip. Discovering he’d developed astonishing arachnid abilities – which he augmented with his own natural chemistry, physics and engineering genius – the kid did what any lonely, geeky nerd would do with such newfound prowess: he tried to cash in for girls, fame and money.

Making a costume to hide his identity in case he made a fool of himself, Parker became a minor media celebrity – and a criminally self-important one. To his eternal regret, when a thief fled past him one night he didn’t lift a finger to stop him, only to find when he returned home that his guardian uncle Ben Parker had been murdered.

Crazed with a need for vengeance, Peter hunted the assailant who’d made his beloved Aunt May a widow and killed the only father he had ever known, discovering, to his horror, that it was the self-same felon he had neglected to stop. His irresponsibility had resulted in the death of the man who raised him, and the traumatised boy swore to forevermore use his powers to help others…

Since that night, the Wondrous Wallcrawler has tirelessly battled miscreants, monsters and madmen, with a fickle, ungrateful public usually baying for his blood even as he perpetually saves them…

The rise and rise of the Amazing Arachnid increased pace as the Swinging Sixties unfolded and, by the time of the tales in this sixth sterling celebration (re-presenting Amazing Spider-Man #51-61 and Annual #4, originally released between August 1967 and June 1968), Peter and his ever-expanding cast of cohorts were on the way to being household names as well as the darlings of college campuses and the media intelligentsia.

Issue #50 had introduced one of Marvel’s greatest villains in the first of a 3-part yarn that saw the blooming of romance between Parker and college classmate Gwen Stacy and re-established Spidey’s war on cheap thugs and common criminals (a key component of the hero’s appeal was that no criminal was too small for him to bother with).

The saga also saw a crisis of conscience force him to quit before resolving to take up his heroic burden once more.

This volume opens with the second chapter as the wallcrawler is trapped ‘In the Clutches of… the Kingpin!’ (by Lee & Romita), battling an army of thugs to save hostages Fred Foswell and J. Jonah Jameson but ultimately losing a fateful fight with the big boss before tragically triumphing in concluding clash ‘To Die a Hero!’

This gang-busting triptych saw Romita relinquish the inking of his art to Mike Esposito (moonlighting from DC as Mickey DeMeo).

Amazing Spider-Man Annual #4 follows as Lee – with his brother Larry Lieber & Esposito handling the art chores – crafts an epic battle-saga wherein Spidey and the Human Torch are tricked into appearing in a movie. Sadly ‘The Web and the Flame!’ is just a deviously diabolical scheme to kill them orchestrated by old enemies The Wizard and Mysterio, but the titanic teens are up to the task of trashing their attackers…

From the same issue – and all courtesy of Lieber – come pictorial fact-features ‘The Coffee Bean Barn!’ face-checking the then-current Spider-Man regulars, sartorial secrets exposed in ‘What the Well-Dressed Spider-Man Will Wear’ before superpowers are scrutinised in ‘Spidey’s Greatest Talent’.

Also included are big pin-ups of our hero testing his strength against Marvel’s mightiest good guys, a double-page spread ‘Say Hello to Spidey’s Favorite Foes!’ plus another 2-page treat as we enjoy ‘A Visit to Peter’s Pad!’

A new multi-part saga began in #53 with ‘Enter: Dr. Octopus’ as the many-tentacled madman tries to steal a devastating new piece of technology. After being soundly routed the madman goes into hiding as a lodger at Aunt May’s house in ‘The Tentacles and the Trap!’, before regrouping and finally succeeding in ‘Doc Ock Wins!’

He even convinces a mind-wiped webslinger to join him before the astonishing conclusion in ‘Disaster!’ as, even bereft of memory, the Amazing Arachnid turns on his sinister subjugator and saves the day…

Shell-shocked and amnesiac, Spider-Man is lost in New York in #57 (with lay-outs by Romita, and pencils from the reassuring reliable Don Heck) until he clashes with Marvel’s own Tarzan clone in ‘The Coming of Ka-Zar!’ whilst in the follow-up ‘To Kill a Spider-Man!’ vengeance-crazed roboticist Professor Smythe convinces Jonah Jameson to finance another murderous mechanical Spider-Slayer

With Heck still in the artist’s chair, Amazing Spider-Man #59 sees the hero regain his memory and turn his attention to a wave of street-crime in ‘The Brand of the Brainwasher!’ as a new mob-mastermind begins taking control of the city by mind-controlling city leaders and prominent cops – including Gwen’s dad.

The drama continues as the schemer is revealed to be one of Spidey’s old foes in ‘O, Bitter Victory!’ The revelation creates big problems for Peter and Gwen before concluding part ‘What a Tangled Web We Weave…!’ sees our hero save the day but still stagger away more victim than victor…

Spider-Man became a permanent and unmissable part of many teenagers’ lives at this time and did so by living a life as close to theirs as social mores and the Comics Code would allow.

Blending cultural authenticity with stunning narrative art, and making a dramatic virtue of the awkwardness, confusion and sense of powerlessness that most of the readership experienced daily resulted in an irresistibly intoxicating read, delivered in addictive soap-opera instalments, but none of that would be relevant if the stories weren’t so compellingly entertaining.

This book is Stan Lee’s Marvel and Spider-Man at their peak. You should be here too…
© 1967, 1968, 2015 Marvel Characters, Inc. All rights reserved.