By André-Francois Barbe (Volksverlag)
I’m not saying this is setting any precedent, but to be honest there’s so much great comic material I’d like to share, and it’s not just separated from us by a gulf of years and publisher’s timidity: Lots of it has simply never been collected in English language editions.
So when I rediscovered this mostly wordless little gem, packed away since our last house-move, I thought “there’s probably whole ‘nother generation of fans out there who have no idea such graphic wonders exist”… and this review of an actual foreign book is the result.
If you Google the name André Barbe you’ll probably see lots of stuff about “Shift-add correlation patterns of linear cellular automata” and the like.
I, however am talking about the other one, the artist and cartoonist fascinated both by sex and by the progression and sequencing of pictures which slowly transform from one state of meaning to another.
This André-Francois Barbe was born in Nimes on St. Valentine’s day in 1936 and became a cartoonist in 1958, selling his comedic work to Le Rire, Hara-Kiri, Charlie Mensuel and Pilote. Fascinated by science and history he was a potent political activist and produced varied pictorial works encompassing volcanism, palaeontology, cinema, opera, history and other seemingly unconnected arenas of interest. He could draw really, really well.
Barbe died on February 9th 2014.
Much of Barbe’s output is lasciviously erotic, with many overtones and similarities to the designs and vision of Vaughn Bodé, but the silent panoramas collected in this ridiculously rare tome indicate very personal obsessions.
The fascination with minute pictorial changes which lead to a total transformation, not just of the physical representations but usually also the mental or spiritual state of the subject – as well as the content – make his drawings and strips a mesmerising, languid journey of discovery. He also has a wicked, sly, sardonic sense of humour.
I honestly don’t know where or even if you can find examples of his work. Perhaps some of our European readers might be able to offer some suggestions? All I know is that this is brilliant and innovative use of the techniques that are uniquely the province of graphic narrative and sequential art, and that such visual virtuosity should be applauded, appreciated and seen as widely as possible.
Artwork © 1981 André Barbe and Volksverlag. All rights reserved or Alles Rechte vorbehalten, if you prefer…