Loveless volume 1: A Kin of Homecoming


By Brian Azzarello & Marcelo Frusin & various(Vertigo)
ISBN: 978-1-4012-1061-8 (Vertigo)             978-1845763374 (Titan Books UK edition)

As an entertainment genre, the Western is a rather odd duck which can be sub-divided into two discrete halves: a sparkly, shiny version which dominated kids’ books, comics and television for decades and best personified by heroes such as Roy Rogers and Gene Autry – and the other stuff: typified by and popularised through the celluloid efforts of Sam Peckinpah, Sergio Leone, Clint Eastwood and Lee Van Cleef or latterly in TV shows such as Deadwood

In comics, that latter kind of yarn – grimy, gritty, excessively dark and overwhelmingly nihilistic – was done best for years by Europeans in such strips as Charlier & Giraud’s Lieutenant Blueberry or Bonelli and Galleppini’s Tex Willer: iconic sagas which have only recently made their mark on US culture…

This book – available in UK and US paperback editions, but still as yet not in digital form – is that sort: recounting bleak, brutal incidents utterly unsanitised and unsuitable for kiddie consumption, but which in the end are probably far closer to historical truth than any six-gun shootout on Main Street or rhinestone spectacle…

The inspirationally iconic trappings of the Western make the milieu well-nigh irresistible to creative folk. We all want a crack at a cowboy story. When the horror-smudged eyes of Brian Azzarello and Marcelo Frusin, who did so much to revive and revitalise crime comics genre 100 Bullets and returned a razor-sharp hard edge to urban supernatural horror in Hellblazer, took a good hard look at the Western the result was sheer dynamite…

This initial volume from Vertigo gathers the first five issues (from December 2005-April 2006) and steadfastly sticks to the sound maxim that “Hell is Other People”…

Down in the battered, deprived South, Blackwater was a nasty little town even before the Secession Conflict. Now that it’s occupied by gloatingly victorious Union soldiers the place is rapidly dissolving into a cesspool and an open sore, with hate and resentment bubbling everywhere.

Moreover, for many in town and throughout the surrounding countryside, the war isn’t over until they say so…

…And then former resident and voluntary stranger Wes Cutter rides back into town with a silent brooding companion nobody recognises…

A defeated Confederate soldier, outlaw and extremely dangerous man, Cutter quickly sets about making all-new enemies to complement those he’s always had in his unwholesome home town.

Is it only coincidence that his return coincides with a growing wave of murder and destruction? And just what did happen to the wife he left behind…?

Blackly violent and relentlessly oppressive; sporting a large cast of broken and intriguing characters and patiently unfolding a dire and deadly mystery, Loveless is an adult tale of revenge powerfully reminiscent of films such as High Plains Drifter and Unforgiven, but this shockingly visceral saga has many more shades and crannies than either.

The compelling enigma of Cutter and his equally deadly companion is as engrossing as the violence is compelling. Here is a very modern Western which will enthral readers whether they like cowboys or not.
© 2005, 2006 Brian Azzarello & Marcelo Frusin. All Rights Reserved.