By Pericle Luigi Giovannetti (Macmillan)
ASIN: B0000CK63L BOO3UHYGAA
Pericle Luigi Giovannetti was a brief but transcendent star of the cartoon firmament in the years following World War II, and a prolific one who appealed to fans of all ages.
Born of Italian extraction on June 22nd 1916 in Basel, Switzerland, he was a talented draughtsman and painter who achieved vast fame after debuting – in April 1953 – his most beloved character in Britain’s most prominent satire periodical Punch.
Max was a small, round furry creature like a hamster – or maybe a marmot – whose wordless pantomimes were cute, whimsical and trenchantly self-deprecating. Don’t ask me how a beautifully rendered little puff-ball could stand for pride and pomposity punctured, but he did. It was also blissfully free of mawkish sentimentality, a funny animal icon for adults too: even stiff, ultra-reserved post-war Brits.
Imagine then how such a cartoonist’s observational acumen would bloom when he turned his dry, wry, laconic eye upon Man’s Best Friend?
Luckily you don’t have to as this 1958 hardcover is still readily available from a number of on-line vendors: a fabulous collection of 52 pooches, drawn, rendered and limned in a variety of styles, captioned in two separate languages (French and English) and, thanks to your pedigree guides and contemporary wits Mark Laurence and Richard Maury, curated in three separate comedic styles!
After enduring being a sensation on a number of continents Giovannetti all but vanished at the end of the 1950s. Unknown to most of his fans he had returned to Switzerland and retired to the artists enclave of Ascona where he spent the remainder of the century painting. Apparently, he was pretty damn good at that too, but being extremely reclusive, only purchasers would know as he never exhibited his work.
According to some reports, he never sold or showed his work to anyone, preferring to discuss his other hobbies such as homeopathy, astrology and UFOlogy.
He died in Ascona, aged 85 on August 10th 2001.
As a cartoonist, Giovannetti was a master of the pen, with a sparse and economical line, and completely au fait with all brush techniques from dry-point to tonal wash painting. The sheer variety he exhibits in this book of doggy delights would make any would-be illustrator weep with jealousy if they weren’t already splitting their sides with mirth.
To my knowledge there were six other Giovannetti books and collections between 1954 and 1961: Max, Max Presents, Nothing but Max, The Penguin Max, Birds Without Words and Hamid of Aleppo – but not one of these fabulous graphic gems is currently in print! Surely in this age of digital archives, the maestro’s mastery can all be collected, collated and brought back for a new generation of fans and aficionados?
The sheer artistic virtuosity of Giovanetti is astounding to see. That his work should be forgotten is a crime. If you ever, ever find a collection of his work don’t hesitate!
© 1958 P. L. Giovannetti. All Rights Reserved.