Niki de Saint Phalle: The Garden of Secrets

By Dominique Osuch & Sandrine Martin, translated by Joe Johnson (NBM)
ISBN: 978-1-68112-158-1

NBM’s magnificent line of European-created modern biographies always offers a treasure-trove of potent wonderment and this latest luxury hardcover release (also available in all eBook formats) is arguably one of the most beguiling graphic releases of the year.

Catherine-Marie-Agnès Fal de Saint Phalle was born on October 29th 1930 and for most of the 20th century towered over the fickle world of Avant Garde art as Niki de Saint Phalle.

She was a model, actress, writer, filmmaker, painter and sculptor, but made her greatest visual impact as a creator of gigantic assemblages and themed gardens. She was also a passionate and strident activist and advocate of cultural, political and women’s issues. She died on May 21st 2002.

That species of dry facts and lists of her creations and accomplishments you can find all over the internet – or even in books if you’re that way inclined – but in Niki de Saint Phalle: The Garden of Secrets graphic collaborators Dominique Osuch & Sandrine Martin unpick their subject’s torrid and too-often turbulent life through a procession of dreamy childlike chapter-plays and vignettes divided into the major arcana of the Tarot that so fascinated Niki.

French writer, artist and graphic novelist Dominique Osuch (Amours fragiles, Les Cinq de Cambridge, Tomoë) was born in 1962. She and took a literary degree in 1980 and an Illustration qualification from l’École Supérieure des Arts Décoratifs de Strasbourg four years later.

The script she provides for this mesmerising biographical account captures the raw relentless wonderment of a woman who always viewed the world with open-minded eyes but still sought to make it a better place…

Sandrine Martin also illustrates children’s books. She graduated from l’Ecole Nationale Supérieure des Arts Decoratifs, Paris in 2004 and began selling illustrations to Le Monde, Libération, Psychologies Magazine, Bayard and Gallimard as well as creating short stories for comics magazine Lapin.

In 2012 she released a collection of her artwork entitled La Montagne de sucre and after completing the biography I’m plugging here released a book of illustrated short stories entitled Petites Niaiseuses.

A child conflicted and shaped by abuse, neglect and a strict Catholic upbringing, Niki de Saint Phalle grew up in America and France during the Great Depression, married young and unwisely and, through broad and deep friendships and recurring life-threating physical maladies and mental illness, discovered her true calling was exploring existence through the making of art.

She created towering monumental monoliths, whimsical parks, deviously themed art gardens and iconic soft and hard statuary venerating and exposing female form and functions. The tireless virtuoso and inveterate world traveller also collaborated with many of modern art’s greatest visionaries, wrote plays and made films to address and ameliorate her own childhood traumas. Whilst always championing and raising funds for the creation of galleries and exhibitions to bolster public health and wellbeing, Niki became one of the earliest advocates of AIDS Awareness, creating a book intellectually targeted at her young son which forthrightly explained the situation. It was released to great acclaim and success worldwide.

In the same vein, she also designed colourful artistic condoms that people would be eager to wear…

This book – which also offers additional material such as a succinct yet detailed Chronology, Suggested Further Reading and Creator Biographies – is a loving and extremely enticing celebration of one of the most important female artists of all time: a champion of innovation, modern technology, timeless sensuality and unbridled honest emotion. How can you not enjoy this superb introduction to a truly unique example of humanity at its most fundamentally alive?

Trust me, you can’t.
© 2014 Casterman. © 2018 NBM for the English translation.

The True Death of Billy the Kid

By Rick Geary (NBM)
ISBN: 978-1-68112-134-5

Rick Geary is a unique talent in the comic industry not simply because of his style of drawing but especially because of his method of telling tales.

For decades he toiled as an Underground cartoonist and freelance illustrator of strange tales and wry oddments, published in locales as varied as Heavy Metal, Epic Illustrated, Twisted Tales, Bop, National Lampoon, Vanguard, Bizarre Sex, Fear and Laughter, Gates of Eden, RAW and High Times.

For these illustrious venues he honed a unique ability to create sublimely understated stories by stringing together seemingly unconnected streams of narrative to compose tales moving, often melancholy and always beguiling.

Discovering his natural oeuvre with works including biographies of J. Edgar Hoover or Trotsky and his multi-volumed Treasury of Victorian Murder series, Geary has grown into a grand master and towering presence in both comics and True Crime literature.

His graphic reconstructions of some of the most infamous murders ever committed since policing began combine a superlative talent for laconic prose, incisive observation and meticulously detailed pictorial extrapolation. These are filtered through a fascination with and understanding of the lethal propensities of humanity as his forensic eye scours police blotters, newspaper archives and history books to compile irresistibly enthralling documentaries.

In 2008 he turned to the last century for an ongoing Treasury of XXth Century Murder series, focusing on scandals which seared the headlines during the “Gilded Age” of suburban middleclass America. He has not, however, forsaken his delight in fiction nor his gift for graphic biography.

Delivered in stark monochrome in either luxurious collectors’ hardback or accessible eBook editions, his latest fact-finding expedition (originally released in 2014 as an extremely limited run private publication) diligently sifts fact from mythology to detail the demise of perhaps the most legend-laden outlaw in modern history.

The author is a unique talent not simply because of his manner of drawing but because of the subject matter and methodology in the telling of his tales. Geary always presents facts, theories and even contemporary minutiae with absorbing pictorial precision, captivating clarity and devastating dry wit, re-examining each case with a force and power Oliver Stone would envy.

“Being an Authentic Narrative of the Final Days in his Brief And Turbulent Life”, The True Death of Billy the Kid brings the last days of the killer alternatively known as Henry McCarty, Henry Antrim, William H. “Billy” Bonney or “The Kid” vividly into focus, beginning with ‘Chapter One: The Prisoner’ wherein the subject of our scrutiny languishes in cells of the Lincoln County Courthouse of the New Mexico Territory in April 1881.

Destined for the noose on May 13th, the prisoner provides reveries to encapsulate his sorry, short and blood-soaked life to date. Billy’s actions always seemed justified to him – and many others, both friends, comrades-in-arms and supporters – but nonetheless, his doom is assured.

With that thought ever foremost, The Kid determine not to die easy…

Much of the outlaw’s fame stems from the ‘His Greatest Escape’; broken down with mesmerising meticulousness in the Second Chapter and still a remarkable and spectacular feat of sheer bravado to this day, after which ‘Chapter Three: On the Dodge’ depicts his flight across vast tracts of wilderness before arriving in the rural enclave of Fort Sumner: a settlement well-known to Billy and one where he has many admirers…

In the meantime, veteran career lawman Pat Garrett reads reports and ponders before setting out to the one place he suspects his quarry will eventually hole up…

Events move inexorably in ‘Chapter Four: Death at Fort Sumner’ as Garrett and his handpicked deputies traverse the Pecos, arriving clandestinely in the peaceful hamlet on July 14th to begin surveillance before the last confrontation…

As ever supported by clear, informative maps, portraits of all major players and a copious index of sources consulted, this is a beguiling display of seductive storytelling, erudite argument and audacious drawing which makes for an unforgettable read.

Geary’s superb storytelling is a perfect exemplar of how graphic narrative can be so much more than simple fantasy entertainment. His murder masterclasses should be mandatory reading for every mystery addict and crime collector, and part of every school syllabus.
© 2014 Rick Geary.

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Monet: Itinerant of Light

By Efa & Salva Rubio, translated by Montana Kane (NBM)
ISBN: 978-1-68112-139-0

Win’s Christmas Gift Recommendation: Picture Perfect Present for Art and Comics Lovers… 10/10

Publisher NBM have struck a seam of pure gold with their growing line of European-created biographies. This latest luxury hardcover release (also available in digital formats) is one of the most engaging yet; powerfully deconstructing the hard, shockingly unconventional life, artistic torments and eventual triumph of mercilessly driven painter and truth-seeker Oscar-Claude Monet (14th November 1840 – December 5th 1926).

This treatise is crafted by Salva Rubio: an award-winning screenwriter, historian and novelist with a penchant for past times and period themes. He is besotted with the work of Monet – as is his collaborator. This is his first graphic novel.

Ricard Fenandez quit school to found the fanzine Realitat Virtual before becoming an animator and freelance illustrator. His prior comics work includes Les Icariades (with Toni Termens in 2001) and self-penned Rodriguez and L’Âme du Vin. He is passionate about art history and signs his many, many works “Efa”.

When you see the name Monet you probably think “Water Lilies”, but there was so much more that went on before those days of placid triumph. Here, with the master’s catalogue of paintings inspiring a vivid and vivacious pictorial biography, the tale of an uncompromising, obsessed genius who battles the haughty, stratified status quo with a small band of fellow world-changers unfolds…

Starting from a point in 1923 when Monet was recovering from eye cataract surgery, the man addicted to “capturing light” casts his mind back: reviewing years of abject poverty and lack of success. Struggling as a despised rebel battling a hidebound artistic intelligentsia to establish a new manner of painting and new way of seeing, suffering heartbreaking loss while raising two families, in conflict with his own allies in the Impressionist Movement as much as the reactionaries of the art world, all Monet wanted was to explain light and colour through paint and canvas.

The obsession cost him friends, family and a fortune; forcing him to move his usually-neglected loved ones from country to country one step ahead of creditors, enemies and even wars…

Despite the human cost, Monet believed it was all worth it. You can make up your own mind after reading this staggeringly lovely, uncompromisingly forthright visual synopsis of his chromatic crusade…

The scintillating history lesson leads off with a Preface from Hugues Gall (Director of the Claude Monet Foundation and the Giverny Museum) and is closed with Rubio’s Afterword ‘Monet’s Mirror: Behind the Canvas’, and additional material includes a Bibliography, Creator Biographies plus a vast illustrated text feature reproducing the dozens of paintings and photographs which informed Efa’s visual odyssey. All scenes are fully annotated and contextualised for greater understanding.

A minor masterpiece and guaranteed to be on the reading list for any art historian studying the Impressionists and modern art, Monet: Itinerant of Light is a magic window into another world and one you should seek out at your earliest convenience.
© EFA/RUBIO/Editions du Lombard (Dargaud-Lombard S.A.) 2017. © 2017 NBM for the English translation.

Monet: Itinerant of Light is published on November 1st 2017 and is available for order now.
For more information and other great reads see


By Mathilde Ramadier & Anaïs Depommier, with supplemental colour by Nawelle Saidi and translated by Peter Russella (NBM)
ISBN: 978-1-68112-101-7

Publisher NBM have struck a seam of pure gold with their growing line of European-created biographies. The latest release is certainly one of the most challenging yet, closely examining the life and career of one of the most influential and controversial figures of the 20th century.

Political activist Jean-Paul Charles Aymard Sartre (June 21 1905-April 15 1980) emerged from a mixture of humble and elevated ancestors, rejected religion, staunchly championed pure Marxism, wrote plays, novels, biographies, critiques and intellectual tracts to become one of France’s greatest literary and philosophical figures. He simultaneously refined and honed the rationalist disciplines of Phenomenology and Existentialism until they became arguably the major motivational forces of the era.

He also led a pretty racy and dangerous life…

Originally released in 2015 as Sartre – Une existence, des libertés, the introspective inspection of the man, his moments and his amazing fellows was lovingly crafted by lifelong friends Mathilde Ramadier (writer) and Anaïs Depommier (artist), and begins – after Introduction ‘A Philosopher’s Life’ by scholar Marc Crépon – with a detailed graphic genealogy all culminating in the arrival of the star of our piece: “A whole man, composed of all men and as good as all of them and no better than any”

Sartre was an extraordinary mind in extraordinary times and ‘Part One: “I was never taught to be obedient”’ scrupulously traces – through small telling incidents and vignettes of conversation – his early years and relationships with fellow star academicians-in-waiting such as Simone de Beauvoir…

‘Part Two: “The Constellation of the Beaver”’ deconstructs the pre-war years and French occupation when Sartre and fellow writers such as Albert Camus turned their particular gifts into sustained acts of rebellion as publishers of Resistance newspapers and pamphlets, even as the shockingly open relationship with Simone pulled our unlikely hero in some very strange directions…

And all the while, Sartre’s ideas were crystallising, his works multiplied and his impact took him from Europe to all corners of the world. As social unrest and political iniquity became increasing important, a next generation matured in an increasingly totalitarian Gaullist France.

‘Part Three: “Passions and Impossibility”’ traces Sartre’s increasing global station and adherence to resistance of oppression – physical or intellectual – and culminates here with the how and why of his refusal of the Nobel Prize for Literature in 1964…

There’s an uncomfortable jump then to an ‘Epilogue’ set on Saturday, April 19th 1980 when all of Paris assembled to mourn his passing – which tempts me to believe a follow-up volume is in the offing – after which the bonus features start with text-essay ‘Summary of Events from 1964-1980’ before embellishing the overall learning experience with an illustrated list of the movers and shakers in ‘About those who stood alongside Jean-Paul Sartre and Simone de Beauvoir’ and offering a ‘Selective Bibliography’ for further study…

Impassioned, engaging, sophisticate and perhaps just a little too intellectual in places (Yes; I Know! How can anything possibly be Too Intellectual?), Sartre is a superb entrée into the mind and world of an inveterate rebel. This enticing rendezvous with a singular creative individual is an unmissable treat for lovers of comics with more than mere flash and dazzle to recommend them.
© Dargaud 2015. © 2017 NBM for the English translation.
For more information and other great reads see

Comanche Moon

By Jack Jackson (Rip Off Press Inc./Last Gasp)
ISBN: 0-89620-079-5

One of post war America’s earliest graphic novels, Comanche Moon was originally published during the 1970s as interlinked comicbooks White Comanche, Red Raider and Blood on the Moon. The forward-looking publishers were Last Gasp; a regular packager of work by underground cartoonists such as Jackson. This reworked and augmented edition appeared in 1979. So far as I know it’s not currently in print, although it’s another masterful graphic epic which really should be – even if only as a digital edition….

The collection details the astounding story of Cynthia Ann Parker and her son Quanah and the course of their lives among Texas Comanches and her own – white European – people. It all begins whilst the Parkers are eking out a living on the Southern Plains of Texas in 1836, when their homestead is attacked by a Comanche raiding party. Little Cynthia Ann and her younger brother are carried off and, separated from him, she is raised as a squaw, eventually marrying a sub-chief and birthing a son.

The folksy, unvarnished matter-of-fact story-telling reinforces the powerful truth of this documentary of the final downfall of the Plains Indians under the relentless expansionist pressure of the new Americans.

Quanah grew to be the last chief of the Comanches and as the old ways died he was responsible for winning all the meagre concessions his people managed to gain from the unstoppable white men. Quanah Parker was a Judge, a Sheriff, a huckster for Teddy Roosevelt and ultimately died a loved and respected political figure among both the Comanches and the settlers.

Tragically, my dry précis does nothing to capture the mesmerising skill of Jackson as he makes these little moments of history come alive. Comanche Moon reads as easily as the best type of fiction but never strays from the heartbreaking truth that underpins it and it is all the more potent for that.

Jack Jackson’s work is powerful, charming, thoroughly authentic, astoundingly well-researched and totally captivating. If only all history books could be his good. If only all comics this good were accessible to all…
© 1979 Jack Jackson. All rights reserved.

Los Tejanos

By Jack Jackson (Fantagraphics Books)

I’m reading lot of graphic novels digitally these days, and what strikes me most is just how much superb classic material – especially genre works with war and western themes – still isn’t available. You try tracking down a The Haunted Tank or Joe Kubert Sgt. Rock and see what joy you get…

Known as ‘Jaxon’ in his underground commix days, Jack Jackson’s infectious fascination with the history of Texas was seeping through into all his work even from those early days. Portions of Los Tejanos first appeared as comicbooks Recuerden el Alamo and Tejano Exile, originally published by Last Gasp in the mid-1970s, which the author dutifully and effectively fleshed out for this extremely early prototype of the modern graphic novel.

Drawn in a captivating, cross-hatched style evoking plate-etching that simply screams “true story”, Los Tejanos delivers a breathtaking wealth of information, social texture and sheer entertainment. It will even teach you a little history you might not have known.

Los Tejanos tells the story of Juan Nepomuceno Seguin, a “Texian” of Mexican birth who sided with rebels fighting for independence. Before becoming part of the United States of America, Texas was briefly a nation unto itself, having won its freedom from a Mexican empire that was bloated, corrupt and in decline.

How Seguin turned his back on one culture, only to be eventually betrayed by another during a period when Hispanic and Anglo-Saxon cultures constantly battled for hegemony in continental America, seems to echo even now with relevance. If you listen to politicians, that battle still isn’t over…

The eventual fate of Juan N. Seguin makes for powerful reading, rich in fact, well-paced as narrative, and even delivering the occasional solid horse-laugh. But the true measure of a history book – and this most wonderful tome is certainly that – is how the material impacts on the contemporary. Here it also succeeds. The issues were germane in 1840, they were just as much so in 1982, and they still are now.

Why this epic isn’t required reading for every US history or sociology course I’ll never understand. Why it isn’t universally available is even more baffling…
© 1982 Jack Jackson. All rights reserved.

Cravan – Mystery Man of the Twentieth Century

By Mike Richardson & Rick Geary (Dark Horse Books)
ISBN: 978-1-59307-291-9                  eISBN: 978-1-62115-198-2

The old cliché about truth being stranger than fiction seemingly has a lot more force these days than it used to have. Moreover, everybody is captivated by an unsolved mystery, aren’t they?

That was clearly the case when occasional writer and full-time publisher (of Dark Horse Comics) Mike Richardson discovered he shared a small obsession with cartoonist and true crime raconteur Rick Geary…

That story is intriguing enough in itself but only constitutes a minor footnote at the back of this fascinating appraisal of one of the most infamous self-aggrandizers of the early 20th century and a man all but forgotten today.

Rick Geary is a unique talent in the comic industry, not simply because of his style of drawing but especially because of his method of telling tales.

For decades he toiled as an Underground cartoonist and freelance illustrator of strange stories, published in locales as varied as Heavy Metal, Epic Illustrated, National Lampoon, RAW and High Times, honing a unique ability to create sublimely understated stories by stringing together seemingly unconnected streams of narrative to compose tales moving, often melancholy and always beguiling.

Discovering his natural oeuvre with works including biographies of J. Edgar Hoover and Trotsky plus the multi-volumed Treasury of Victorian Murder/Treasury of XXth Century Murder series, Geary has grown into a grand master and unique presence in both comics and True Crime literature.

Here, in this captivating monochrome tome, he and Richardson weave the scanty facts, some solid supposition and a bit of bold extrapolation into a mesmerising treatise about a precursor to Jimmy Hoffa and Lord Lucan – with a hefty dose of Shergar, D.B. Cooper, Ronnie Biggs and Forrest Gump thrown in for good measure…

Arthur Cravan was but one of the names used by serial fraudster and inveterate troublemaker Fabian Lloyd, a nephew of Oscar Wilde who, after being expelled from the last of many good schools in 1903, began – at the tender age of 16 – a short and sparkling career seeking the limelight.

In a scant few years he became a star of the art world: a noted poet, Bohemian, journalist, art critic, painter, publisher, author, performer and pugilist (through a string of uncanny flukes he became Lightweight Champion of France without throwing a punch…) whilst simultaneously admitting to being a thief, forger, deserter, confidence-trickster, political subversive and agitator…

A man of many identities – for most of whom he created impeccably-crafted forged papers – Cravan numbered Jack Johnson, Leon Trotsky, Marcel Duchamp and other stellar luminaries of the Edwardian and pre-Great War era as friends. Even after admitting to manufacturing undiscovered works by Manet, Dante and his uncle Oscar whilst assiduously avoiding any involvement in the global conflagration, he was feted by America’s intellectual elite whilst being hounded by the US Secret Service…

In 1918, with the American authorities making his life miserable, he set sail from Mexico to join poet Mina Loy – wife and mother of his unborn daughter – in Buenos Aires, but was lost at sea and never seen again.

At least that’s the official version. Searches found nothing and eventually he was declared dead and mostly forgotten, but stories and sightings persisted, as they always do…

And here’s where Richardson and Geary boldly imagine and draw some admittedly convincing conclusions about Cravan’s possible fate, linking it to the short but fabled career of reclusive author B. Traven: most well known today as the enigma who penned Death Ship and The Treasure of the Sierra Madre

Beguilingly speculative and ringing with authenticity if not indisputable veracity, this fictive biography is a superb exercise in historical exploration and one packed with wholehearted fun and mercurial love of life.
©2005 Dark Horse Comics, Inc. All rights reserved.

The Fifth Beatle: Brian Epstein Story

By Vivek J. Tiwary, Andrew C. Robinson, Kyle Baker & various (M-Press/Dark Horse Books)
ISBN: 978-1-61655-835-2

Win’s Christmas Gift Recommendation: A Picture Story that truly Sings… 10/10

Graphic biographies are all the rage at the moment and this one – multi-award winning and originally released in 2013 – is probably one of the best and the most likely to reach a large mainstream audience. It certainly deserves to…

Written by Broadway Producer and author Vivek J. Tiwary and playfully illustrated by Andrew C. Robinson (Dr Blink: Super Hero Shrink, Dusty Star, JLA) – with additional material by Kyle Baker – it traces the meteoric rise of impresario Brian Epstein, who pretty much invented the role and function of modern management as he steered The Beatles from scruffy oiks playing dingy clubs and caverns to fabulous wealth and global mega-stardom in less than a decade.

The story is a pretty tragic one as Gay, Jewish record shop manager Epstein steered a trailblazing course for his charges at a time when his religion still provoked derision and prejudice and his sex life got him beaten up and threatened with prison.

In a deliciously light, enthusiastically joyous and smoothly welcoming manner this tale follows the Fab Four’s rise, as orchestrated by a man who dressed them and schooled them; sorting out tours and merchandise, toys and cartoon shows at a time when such crucial ephemera had never been seen before. He especially ensured that they got most of the money they earned…

Epstein was no one-trick wonder, but managed other star acts such as Cilla Black, Gerry and the Pacemakers and Billy J. Kramer (who provides loving Introduction ‘When I Got a Call From Brian, That’s When I Grew Wings’) and genuinely cared that his boys were left alone to make the music he loved…

If you know your history you know this tale is a proper injustice-laced tear-jerker without a happy ending, but Tiwary and Robinson – with Kyle Baker lending a superb animation-style meta-reality to the Beatles catastrophic visit to the Philippines – keep the spirits high without losing any of the edge, impact or inherent tragedies and indignities Epstein endured to succeed.

Brian Samuel Epstein first saw the Beatles perform in 1961 and by the time he died in August 1967 – of an overdose of sleeping pills – had seen them conquer the world in terms of sales and change the nature of music with the release of Sgt. Pepper’s Lonely Heart’s Club Band. He was 32.

How the world and the music industry have gradually made amends and returned him to the history he has for so long been excised from is covered in the author’s thought-provoking Afterword ‘This Feeling That Remains…’, and reiterated by pioneering cartoonist Howard Cruse in a feature on LGBTQ advocacy organisation Freedom for All Americans.

Also adding to the massive enjoyment is copious sketch and commentary section ‘With a Little Help from my Sketchbook: a Ticket to Ride to Selected Drawings, Preliminaries, Designs, and More’ by Robinson. offering insights and creative commentary plus more of the same from Kyle Baker in ‘The Places I Remember’.

Wrapping up festivities are a batch of features by Tiwary: ‘The Birth of the Beatles and Impossible Dreams’, ‘The Curtain Rising: Brian Epstein’s Induction into the Rock & Roll Hall of Fame’ and a memorabilia fan’s dream as ‘The Past Was Yours, But the Future’s Mine’ shares ticket stubs, posters, greetings card and other unique snippets of pop history.

This is an astoundingly readable and beautifully rendered treasure for comics and music fans alike: one that will resonate for all the right reasons with anybody who loves to listen and look.
Text and illustrations of The Fifth Beatle: Brian Epstein Story Expanded Edition © 2013, 2016 Tiwary Entertainment Group Ltd. All rights reserved.

Glenn Gould – A Life Off Tempo

By Sandrine Revel, translated by Montana Kane (NBM)
ISBN: 978-1-68112-065-2

Win’s Christmas Gift Recommendation: A Classical Interlude with real Artistic Appeal… 10/10

Publisher NBM have struck a seam of gold with their growing line of European biographies and their latest is one of the most impressive and thought-provoking to date.

Glenn Gould – A Life Off Tempo has been lovingly crafted by Sandrine Revel, author, cartoonist and comics artist (Jouvence la Bordelaise, Sorcellerie et dependences, Résurgences, Femmes en voie de resociabilisation, Le Jardin Autre Monde) as well as journalistic press illustrator for Sud Ouest Dimanche, Milan Presse and other magazines.

She’s also a devoted and passionate fan of the star of this elegiac and beguiling book: so much so that she’s also provided a menu of Appendices at the back to augment your appreciation and understanding of an archetypal troubled genius…

Painted in a number of extremely welcoming and effective styles, A Life Off Tempo offers up snippets from the strange, solitary and woefully short life of a Canadian musical child prodigy who hit the heights, changed the scene and left the world early as all revelatory, game-changing artists seem to do…

As you’ll see here, Gould – dubbed “the JD Salinger of the classical music world” – died in 1982 as the result of a stroke, nearly fifty years after his birth, and it’s as he dies that we share moments of his clearly difficult life, all deftly woven into a non-chronological narrative, dotted with observation from the paltry few people he allowed to get close to him.

You may or may not know he was a classical pianist with a unique style and manner who revolutionised how certain pieces were played and heard…

…Or how he opened up the Soviet Union to Western cultural arts tours despite playing less than 200 concerts in his entire career…

…And that he was either crippled by hypochondria ore suffered from a number of physical and psychological ailments as well as what might well have been undiagnosed Asberger’s Syndrome – or an ASD, to use today’s terminology. He certainly loved animals, despised cruelty and always bundled up as if he were freezing to death…

At the height of his fame Gould abandoned live performance to write music and experiment in recording techniques. He became a critic and broadcaster and invented pseudonymous identities so that he could savage his own recordings.

He was clearly a difficult man and beloved mystery to those around him, and this graphic account astutely gives you the how if not always the why…

The deliciously oversized (280 x 208 mm) full-colour, resoundingly substantial hardback is not a formal history or biography text, even though we meet Gould at various stages of his life and share key events and intimate moments.

You obviously won’t feel how his interpretations of hallowed pieces by Bach, Beethoven, William Byrd, Orlando Gibbons, Mozart and more shook up the musical world – although if you follow the aforementioned ‘Appendices’ at the back and listen to the suggested playlist, track down the recordings cited in the ‘Glenn Gould Discography’ or use the ‘Further Reading’ and ‘Further Viewing’ lists to get a firm grip on the maestro’s output you’ll experience the innovation and won’t be at all disappointed…

Impassioned, enchanting and marvellously moving, this enigmatic engagement with a singular creative individual is a fabulous treat for lovers of comics and music and will stay for all time in your head like a favourite tune.
© Dargaud 2016 © 2016 NBM for the English translation.

Glenn Gould – A Life Off Tempo will be released on December 1st 2016. It can be pre-ordered now. It is also available wherever e-books are sold.
For more information and other great reads see


By Fabrice Le Hénanff & Philippe Chanoinat, translated by Joe Johnson (NBM)
ISBN: 978-1-68112-076-8

Win’s Christmas Gift Recommendation: A Perfect Present for the One who won’t read comics… Yet 10/10

If I have to explain who Elvis Presley was this book is not going to be of much interest to you.

So… ready now? Let’s Rock…

A glorious full-colour hardback addition to NBM’s magnificent line of graphic novel biographies, this is less a critical or revelatory expose of the musician’s existence away from the cameras and microphones and more of a captivating visual celebration of the King’s life, achievements and influence.

Painted with superb design sensibilities by historical comics specialist Fabrice Le Hénanff (Les Caméleons, H. H. Holmes, Ostfront, Westfront, Amedeo Modigliani) this truncated tour from scripter Philippe Chanoinat touches all the bases – high points and low – in tracing the rise, levelling off and post-demise ascendance of Elvis Aaron Presley.

A stunning graphic aide memoir, it follows his parents’ humble beginnings through Elvis’ early days of strife and struggle. As fame came you can see the cascade of breaking cultural taboos and social barriers, experience the thrill of each record released, movie made, original bluesmen buddied-up with and mega-star met.

A joyous and surprisingly moving nostalgia ride, this beautiful book also includes a large and captivating section of Le Hénanff’s roughs, sketches, reference layouts, preliminary paintings and storyboards venerating and revealing the creation of ‘Elvis: the King’.

Ephemeral fun giving sturdy solidity through the beautiful illustration, this book is also available as an e-book, should you be making the transition to a less physical existence, so you can even store on a digital device beside your music downloads and give yourself an appropriate soundtrack whilst reading.
© 2015 Jungle. © 2016 NBM for the English translation.

For more information and other great reads see