Batman in The Brave and the Bold: The Bronze Age volume one


By Bob Haney, Mike Sekowsky, Marv Wolfman, Ross Andru & Mike Esposito, Neal Adams, Bob Brown, Nick Cardy, Irv Novick & various (DC Comics)
ISBN: 978-1-4012-7517-4 (TPB)

The Brave and the Bold began in 1955 as an anthology adventure comic featuring short complete tales about a variety of period heroes: a format that mirrored the contemporary movie fascination with historical dramas.

Written by Bob Kanigher, issue #1 led with Golden Gladiator, the Silent Knight and Joe Kubert’s now legendary Viking Prince. From #5 the Gladiator was increasingly alternated with Robin Hood, but such manly, mainly mainstream romps carried the title until the end of the decade when the burgeoning costumed character revival saw B&B transform into a try-out vehicle like sister publication Showcase.

Issue #25 (August-September 1959) featured the debut of Task Force X: Suicide Squad, followed by Justice League of America (#28), Cave Carson (#31) and Hawkman (#34). Since only the JLA hit the first time out, there were return engagements for the Squad, Carson and Hawkman. Something truly different appeared in #45-49 with the science fictional Strange Sports Stories before Brave and the Bold #50 provided a new concept that once again truly caught the reader’s imagination.

That issue paired two superheroes – Green Arrow and Martian Manhunter – in a one-off team-up, as did succeeding issues: Aquaman and Hawkman in #51, WWII combatants Sgt Rock, Captain Cloud, Mme. Marie and the Haunted Tank in #52 and Atom and Flash in #53. The next team-up – Robin, Aqualad and Kid Flash – evolved rapidly into the Teen Titans. After Metal Men/the Atom and Flash/Martian Manhunter new hero Metamorpho, the Element Man debuted in #57-58.

Then it was back to superhero pairings with #59, and although no one realised it at the time this particular conjunction (Batman with Green Lantern) would be particularly significant.

After a return engagement for the Teen Titans in #60, the next two issues highlighted Earth-2 champions Starman and Black Canary, whilst Wonder Woman met Supergirl in #63.

Then, in an indication of things to come, and in anticipation of the TV-induced mania mere months away, Batman duelled hero/villain Eclipso in #64. Within two issues, following Flash/Doom Patrol (#65) and Metamorpho/Metal Men (#66), Brave and the Bold #67 saw the Caped Crusader take de facto control of the title and the lion’s share of the team-ups. With the exception of #72-73 (Spectre/Flash and Aquaman/Atom) the comic was henceforth to be a place where Batman invited the rest of company’s heroic pantheon to come and play…

For the sake of brevity and clarity and according to the wise ones who dictate such arbitrary demarcations, it’s also the point at which Comics’ Silver Age transitioned into the Bronze Age…

This first collection of unalloyed Batman pairings with other luminaries of the DC universe reprints B&B #74-91 (spanning October/November 1967 to August/September 1970) featuring the last vestiges of a continuity-reduced DC where individual story needs were seldom submerged into a cohesive overarching scenario, and where lead writer Bob Haney crafted stories that were meant to be read in isolation, drawn by a profusion of artists with only one goal: entertainment.

The Caped Crime-crusher took full possession of Brave and the Bold with #74’s fast-paced and dryly funny ‘Rampant Run the Robots’ as the Metal Men confront human prejudice and perfidious inventors whilst in #75 The Spectre joins the Dark Knight to free Gotham City’s Chinatown from an ancient wizard and ‘The Grasp of Shahn-Zi!’; both tales drawn by the new semi-regular art team of Ross Andru & Mike Esposito.

Illustrated by Mike Sekowsky & Jack Abel, Plastic Man helped solve the mystery of plastic-obsessed maniac The Molder in #76’s ‘Doom, What Is Thy Shape?’ after which Andru & Esposito return to limn the Atom’s participation in foiling a criminal circus performer in ‘So Thunders the Cannoneer!’

The vastly underrated Bob Brown stepped in to draw ‘In the Coils of the Copperhead’ wherein Wonder Woman found herself vying with the newly-minted Batgirl for Batman’s affections. Of course, it was all a cunning plan… or was it?

Neal Adams was a young illustrator who had worked in advertising and ghosted some newspaper strips whilst trying to break into comics. With #75 he had become a cover artist for B&B and with #79 (August-September 1968) he took over the interior art for a game-changing groundbreaking run that rewrote the rulebook for strip illustration.

‘The Track of the Hook’ paired the Dark Knight Detective with a justice-obsessed ghost. Deadman was murdered trapeze artist Boston Brand who perpetually hunted his own killer, and whose earthy, human tragedy elevated the series’ campy costumed theatrics into deeper, more mature realms of drama and action. The stories matured ten years overnight and instantly became every discerning fan’s favourite read.

‘And Hellgrammite is his Name’ then finds Batman and the Creeper defying a bug-themed super-hitman, and the Flash aids the Caped Crusader in defeating an unbeatable thug in ‘But Bork Can Hurt You!’ (both inked by Dick Giordano) before Aquaman becomes ‘The Sleepwalker from the Sea’ in an eerie tale of mind-control and sibling rivalry.

Issue # 83 took a radical turn as the Teen Titans try to save Bruce Wayne’s latest foster-son from his own inner demons in ‘Punish Not my Evil Son!’ but the next team-up was one that got many fans in a real tizzy in 1969.

‘The Angel, the Rock and the Cowl’ recounted a World War II exploit where Batman and Sgt. Rock of Easy Company hunt Nazi gold and a war criminal together, only closing the case twenty-five years later. Ignoring the kvetching about relative ages and which Earth we’re on, which raised a storm in an eggcup back then, you should focus on the fact that this is a startlingly gripping tale of great intensity and beautifully realised: one which was criminally discounted for decades as “non-canonical”.

Brave and the Bold #85 is arguably the best of an incredible run. ‘The Senator’s Been Shot!’ reunited Batman and Green Arrow in a superb multi-layered thriller of politics, corruption and cast-iron integrity, wherein Bruce Wayne stands in for a law-maker and the Emerald Archer receives a radical make-over that turned him into the fiery liberal gadfly champion of the relevancy generation…

Boston Brand returned in #86, as Batman found ‘You Can’t Hide from a ‘Deadman!’: a captivating epic of death, redemption and resurrection that became a cornerstone of Bat-mythology forever after.

What follows is a decidedly different adventure written and drawn by Mike Sekowsky and starring the venerable comics icon he had made fresh and exciting all over again.

Inked by Giordano and entitled ‘The Widow-Maker’, it tells of the son of one of Batman’s old foes who attempts to add to his tally of motoring murders by luring the Caped Crusader into a rigged high-performance car race. That’s when recently de-powered Diana Prince, once and future Wonder Woman, steps in…

Following Adams’ iconoclastic and influential run was always going to be a tough act, but veteran Irv Novick – who would also unfairly tread in Adams’ mighty shadow on Batman for years to come – did sterling work here on a gritty tale of boxing and Cold War mind-games as the Caped Crusader meets golden age troubleshooter Wildcat in ‘Count Ten… and Die!’ (B&B #88, February-March 1970).

Esposito inked that tale before reuniting with long-time collaborator Ross Andru for a brief return engagement that began with a spooky suspense-thriller pitting Batman against the mystery sensation Phantom Stranger (and his rationalist rival Dr. Terry Thirteen) in #89’s ‘Arise Ye Ghosts of Gotham!’

The team then switch pace and genre for a time-bending science fiction thriller ‘You Only Die Twice!’ guest-starring interstellar champion Adam Strange and threatening to record the fall from grace and death of the Gotham Guardian.

The comics content concludes here with issue #91, as ‘A Cold Corpse for the Collector’ provides a true gem of love and death. Haney was always at his best with terse, human scale dramas, especially “straight” crime thrillers, and his pairing of the Batman with Black Canary (transplanted from Earth-2 to replace Wonder Woman in the Justice League) saw the recently-widowed heroine searching for the Earth-1 counterpart of her dead husband…

What she got was self-delusion, heartbreak and imminent death in a masterpiece of ironic melodrama. It also signalled the advent of the superb Nick Cardy as illustrator: a short run of beautifully drawn and boldly experimental assignments that are still startling to see nearly five decades later.

These are some of the best and most entertainingly varied yarns from a period of magnificent creativity in the American comics industry. Aimed at a general readership, gloriously free of heavy, cloying continuity baggage and brought to stirring, action-packed life by some of the greatest artists in the business, this is a Batman for all seasons and reasons with the added bonus of some of the most fabulous and engaging co-stars a fan could imagine. How could anybody resist? Seriously: can you…?
© 1967, 1968, 1969, 1970, 2017 DC Comics. All Rights Reserved.

The Flash: The Silver Age volume 3


By John Broome, Gardner Fox, Carmine Infantino & various (DC Comics)
ISBN: 978-1-4012-7826-7

The second Flash triggered the Silver Age of American comicbooks and, for the first ten years or so, in terms of creative quality and sheer originality, it was always the book to watch.

Following his meteoric launch in Showcase #4 (October 1956), police scientist Barry Allen – transformed by a lightning strike and accidental chemical bath into a human thunderbolt of unparalleled velocity and ingenuity – was uncharacteristically slow in winning his own title, but finally (after three more trial issues) finally stood on his own wing-tipped feet in The Flash#105 (February-March 1959).

He never looked back, and by the time of this second commemorative compilation was very much the innovation mainstay of DC/National Comics’ burgeoning superhero universe. This second Trade Paperback (and digital) collection re-presents Flash #133-147 – spanning December 1962 through September 1964 – and tracks the Vizier of Velocity as he becomes the key figure in a stunning renaissance of comicbook super-heroics.

Shepherding the Scarlet Speedster’s meteoric rise to prominence, the majority of stories are written by the brilliant John Broome and all are pencilled by the infinitely impressive Carmine Infantino: slickly polished, coolly sophisticated rapid-fire short stories set in a comfortingly suburbanite milieu constantly threatened by super-thieves, sinister spies and marauding aliens, with our affable superhero always triumphant whilst ever-expanding and establishing the broad parameters of an increasingly cohesive narrative universe.

The comicbook had gelled into a comfortable pattern of two short tales per issue leavened with semi-regular book-length thrillers. The magic begins here with an example of the double-header format as applause-addicted future conjuror Abra Kadabra takes a rather silly encore in #133 by causing ‘The Plight of the Puppet Flash!’ (Broome, Infantino & Joe Giella).

That brief and bizarre Pinocchio peril is more than compensated for by the witty and sensitive Kid Flash back-up tale ‘The Secret of the Handicapped Boys!’ as deaf, blind and mute classmates (one disability per boy, ok?) each discover the young hero’s secret identity and resolve to help the junior hero in their own manner.

In #134, Captain Cold was ‘The Man who Mastered Absolute Zero!’: in a flamboyant thriller co-starring Elongated Man, after which Iris West’s father (and Flash’s prospective father-in-law) pays an unwelcome call in the cleverly comedic ‘The Threat of the Absent-Minded Professor!’, Kid Flash then receives a beautiful new costume in the most astounding manner imaginable during the invasion thriller ‘Secret of the Three Super-Weapons!’ in #135.

‘The Mirror Master’s Invincible Bodyguards!’ – being just slow-moving light images packing ray-guns – actually weren’t, but the Scarlet Speedster had a lot more trouble when a seedy blackmailer claimed ‘Barry Allen – You’re the Flash – and I Can Prove It!’

This type of clever human-scaled story was slowly disappearing in favour of the more colourful costume epics – none more so than the wonderful Gardner Fox scripted ‘Vengeance of the Immortal Villain!’

Another incredible Earth-2 crossover, this saw the two Flashes unite to defeat 50,000-year-old Vandal Savage and save the Justice Society of America: a tale which directly led into the veteran team’s first meeting with the Justice League of America and the start of decades of trans-dimensional “Crisis” epics.

Fox also wrote ‘The Pied Piper’s Double Doom!’, a mesmeric team-up with Elongated Man, but once more the Kid Flash back-up stole the show, introducing the singular thespian Dexter Myles to the steadily growing cast in charming crime-caper comedy of errors ‘Mystery of the Matinee Idol!’

Broome was back for Flash #139, introducing the hero’s ultimate nemesis in Professor Zoom, a 25th century criminal who duplicated his super-speed to become the ‘Menace of the Reverse-Flash!’ Add in the sidebar menace of a lost-and-counting-down atomic bomb and the tension was almost suffocating…

Flash #140 (November 1963) debuts super arsonist Heat Wave in Broome’s stylish and sardonic thriller ‘The Heat is on for Captain Cold!’ before Fox pits the Monarch of Motion against ‘The Metal-Eater from Beyond the Stars!’: a bizarre energy-being able to nullify the speedster’s powers.

The majority of adventures were still produced by globetrotting scripter John Broome and the increasingly stylised and innovative art-team of Carmine Infantino & Joe Giella, and ‘The Mystery of the Flash’s Third Identity’ has them at their creative acme in a wittily absorbing super-villain yarn featuring the Top.

In another devious piece of internal comicbook logic, Broome posited that Flash’s foes looked so good because they had their own underworld bespoke tailor and armourer. This tale introduced Paul Gambi (an editorial in-joke acknowledging the dedicated contributions of über-fan and letter-writer Paul Gambaccini), setting the Vizier of Velocity on the tailor’s tail in an enticing piece of fluff that was neatly balanced by ‘Slowdown in Time’: a canny, enthralling science fiction lesson in relativity.

The real star was that most literal absent-minded professor Ira West, Barry’s prospective father-in- law and a genius who had casually deduced the civilian identity of the Flash due to discrepancies in the forensic scientist’s time-keeping…

Gardner Fox scripted the mile-a-minute romp ‘Perilous Pursuit of the Trickster!’ wherein the villain used toys stolen from children to bedevil his fast foe, whilst Broome blended legal loopholes and alien invasions to perplex the Scarlet Speedster with the ‘Puzzle of the Phantom Plunderers!’

Issue #143 featured another full-length team-up with Emerald Gladiator Hal Jordan in ‘Trail of the False Green Lanterns!’ – scripted by the ever-entrancing Fox who herein introduced future-gazing arch-foe Thomas Oscar Morrow.

The next two issues were all-Fox affairs: the eerie ‘Menace of the Man-Missile!’ pitting the Sultan of Speed against a shape-shifting atomically-mutated escaped convict whilst plucky protégé Kid Flash solo-starred in the human-interest parable ‘Lesson for a Star Athlete!’ Super-villainy resumed in Flash #145 as ‘The Weather Wizard Blows Up a Storm!’ and the normally stoic, stolid hero briefly has his head turned by captivating and inadvertently deadly visitor ‘The Girl from the Super-Fast Dimension!’

Broome scripted the wacky romp ‘The Mirror Master’s Master Stroke!’ and Frank Giacoia briefly bolstered the regular art team for Fox’s terrific terror tale ‘Fatal Fingers of the Flash!’ the kind of “high concept, big science” yarn that especially captivated kids in the age of space races and burgeoning technology – and it still enthrals today.

Issue #147 brings this third archival collection to a close with a feature length clash against two (or is it three?) of the Scarlet Speedster’s greatest foes. John Broome’s fascinating ‘Our Enemy, the Flash!’ sees schizophrenic Al Desmond attempting to reform and relinquish both his Dr. Alchemy and Mr. Element personas; only to be forcibly compelled to commit further crimes by ruthless 25th century sociopath Professor Zoom, the Reverse Flash!

These tales were crucial to the development of our art-form, but, more importantly they are brilliant, awe-inspiring, beautifully realised stories that amuse, amaze and enthral both new readers and old lags. As always, the emphasis is on brains and learning, not gimmicks or abilities, which is why these tales still work nearly half-a-century later. Coupled with the astounding art of Infantino these tales are a captivating snap-shot of when science was our friend and the universe(s) a place of infinite possibility. This wonderful compilation is another must-read item for anybody in love with the world of words-in-pictures.
© 1962, 1963, 1964, 2018 DC Comics. All Rights Reserved.

Team-Ups of the Brave and the Bold


By J. Michael Straczynski, Jesús Saíz, Chad Hardin, Justiniano, Cliff Chiang & various (DC Comics)
ISBN: 978-1-4012-2793-7 (HB)                :978-1-4012-2809-5 (TPB)

The Brave and the Bold premiered in 1955; an anthology adventure comic featuring short complete tales starring a variety of period heroes and a format mirroring and cashing in on that era’s filmic fascination with historical dramas.

Devised and written by Robert Kanigher, issue #1 led with Roman epic Golden Gladiator, medieval mystery-man The Silent Knight and Joe Kubert’s now legendary Viking Prince. Soon the Gladiator was replaced by National Periodicals/DC Comic’s iteration of Robin Hood, but the high adventure theme carried the title until the end of the decade when the burgeoning superhero revival saw B&B transform into a try-out vehicle like the astounding successful Showcase.

Used to launch enterprising concepts and characters such as Task Force X: The Suicide Squad, Cave Carson, Strange Sports Stories, Hawkman and the epochal Justice League of America, the title then evolved to create a whole sub-genre – although barely anybody noticed at the time…

That was Superhero Team-Ups.

For almost a decade DC had enjoyed great success pairing Superman with Batman and Robin in World’s Finest Comics and in 1963 sought to create another top-selling combo from their growing pantheon of masked mystery men. It didn’t hurt that the timing also allowed extra exposure for characters imminently graduating to their own starring vehicles after years as back-up features…

This was during a period when almost no costumed heroes acknowledged the jurisdiction or (usually) existence of other costumed champions. When B&B offered this succession of team-ups, they were laying the foundations for DC’s future close-knit comics continuity. Now there’s something wrong with any superstar who doesn’t regularly join every other cape or mask on-planet every five minutes or so…

That short-lived experiment eventually calcified as “Batman and…” but for a while readers were treated to some truly inspired pairings such as Metal Men and Metamorpho, Flash and The Spectre or Supergirl and Wonder Woman.

The editors even achieved their aim after Robin, Kid Flash and Aqualad remained together after their initial foray and expanded into the Teen Titans

That theme of heroes united together for a specific time and purpose was revived in 2007 for the third volume of The Brave and the Bold, resulting in many exceedingly fine modern Fights ‘n’ Tights classics, and this compilation – available in hardcover, trade paperback and digital editions – collects issues #27-33 (November 2009 – June 2010): the first seven issues scripted by TV and comics star scribe J. Michael Straczynski.

The run of easily accessible, stand-alone tales delved into some of the strangest nooks and crannies of the DCU and opens here with ‘Death of a Hero’, illustrated by Jesús Saíz wherein teenager Robby Reed visits Gotham City and soon decides to help out a Batman sorely pressed by the machinations of The Joker

The child prodigy had his own series in the 1960s as a kid who found a strange rotary device dotted with alien hieroglyphics that could temporarily transform him into a veritable army of super-beings when he dialled the English equivalents of H, E, R and O…

Here, however, after the lad dials up futuristic clairvoyant Mental Man, the visions he experiences force him to quit immediately and take to his bed…

He even forgets the Dial when he leaves, but it is soon picked up by down-&-out Travers Milton who also falls under its influence and is soon saving lives and battling beside the Dark Knight as The Star

What follows is a meteoric and tragic tale of a rise and fall…

Again limned by Saíz, B&B #28 takes us a wild trip to the ‘Firing Line’ as the Flash (Barry Allen) falls foul of a scientific experiment and winds up stranded in the middle of World War II. Injured and unable to properly use his powers, the diminished speedster is taken under the wing of legendary paramilitary aviator squadron The Blackhawks, but finds himself torn when his scruples against taking life crash into the hellish cauldron of the Battle of Bastogne and his martial love for his new comrades in arms…

Brother Power, The Geek was short-lived experimental title developed by the legendary Joe Simon at the height of the hippy-dippy 1960s (of just last week if you’re a baby booming duffer like me). He was a tailor’s mannequin mysteriously brought to life through extraordinary circumstances, just seeking his place in the world: a bizarre commentator and ultimate outsider philosophising on a world he could not understand.

That cerebral angst is tapped in ‘Lost Stories of Yesterday, Today, and Tomorrow’ as the elemental outcast crawls out of wreckage in Gotham City and clashes with Batman as they both strive to save homeless people from authoritarian brutality and greedy arsonists. Like the times it references, this story is one you have to experience rather than read about…

Straczynski & Saíz then play fast and loose with time travel in ‘The Green and the Gold’ as mystic Lord of Order Doctor Fate is helped through an emotional rough patch by Green Lantern Hal Jordan. As a result of that unnecessary kindness the mage gets to return the favour long after his own demise at the moment the Emerald Warrior most needs a helping hand…

Illustrated by Chad Hardin & Walden Wong and Justiniano, The Brave and the Bold #31 describes the ‘Small Problems’ encountered by The Atom after Ray Palmer is asked to shrink into the synapse-disrupted brain of The Joker and perform life-saving surgery. Despite his better judgement the physicist eventually agrees, but nobody could have predicted that he would be assimilated into the maniac’s memories and be forced to relive the Killer Clown’s life…

Straczynski & Saíz reunite as sea king Aquaman and hellish warrior Etrigan the Demon combine forces in a long-standing pact to thwart a revolting Cthonic invasion of ‘Night Gods’ from a hole in bottom of the ocean before this mesmerising tome concludes with a bittersweet ‘Ladies Night’ from times recently passed, illustrated by Cliff Chiang.

When sorceress Zatanna experiences a shocking dream, she contacts Wonder Woman and Batgirl Barbara Gordon, and insists that they should join her on an evening of hedonistic excess and sisterly sharing. Only Babs is left out of one moment of revelation: what Zatanna foresaw would inescapably occur to her the next day at the hands of the Joker…

Smart, moving and potently engaging, these heroic alliances are a true treat for fans of more sophisticated costumed capers, and skilfully prepared in such a way that no great knowledge of backstory is required. Team-ups are all about finding new readers and this terrific tome is a splendid example of the trick done right…
© 2009, 2010 DC Comics. All Rights Reserved.

DC’s Greatest Imaginary Stories


By Otto Binder, Bill Finger, Jerry Siegel, John Broome, Leo Dorfman, Edmond Hamilton, Jim Shooter, C.C. Beck, Dick Sprang, Kurt Schaffenberger, Curt Swan, Carmine Infantino, Bob Kane & various (DC Comics)
ISBN: 978-1-4012-0534-8

Alan Moore’s infamous epigram notwithstanding, not all comics tales are “Imaginary Stories.”

When DC Editor Mort Weisinger was expanding the Superman continuity and building the legend, he realised that each new tale was an event that added to a nigh-sacred canon: that what was written and drawn mattered to the readers. But as a big concept guy he wasn’t going to let that aggregated “history” stifle a good idea, nor would he allow his eager yet sophisticated audience to endure clichéd deus ex machina cop-outs to mar the sheer enjoyment of a captivating concept.

The mantra known to every baby-boomer fan was “Not a Dream! Not a Hoax! Not a Robot!” boldly emblazoned on covers depicting scenes that couldn’t possibly be true… even if it was only a comicbook.

Imaginary Stories were conceived as a way of exploring non-continuity plots and scenarios devised at a time when editors believed entertainment trumped consistency and knew that every comic read was somebody’s first …or potentially last.

This jolly little compilation celebrates that period when whimsy and imagination were king and stretches the point by leading with a fanciful tale of the World’s Mightiest Mortal as ‘Captain Marvel and the Atomic War’ (Captain Marvel Adventures #66, October 1946) actually hoaxes the public with a demonstration of how the world could end in the new era of Nuclear Proliferation, courtesy of Otto Binder & CC Beck.

‘The Second Life of Batman’ (Batman #127 October 1959) by Bill Finger, Dick Sprang & Charles Paris doesn’t really fit the strict definition either, but the tale of a device that predicts how Bruce Wayne’s life would have run if his parents had not been killed is superb and engaging all the same.

‘Mr. and Mrs. Clark (Superman) Kent!’ by Binder and the brilliant Kurt Schaffenberger, was the first tale of an occasional series that began in Superman’s Girlfriend Lois Lane #9 (August 1960); depicting the laughter and tears that might result if the plucky news-hen secretly married the Man of Steel. From an era uncomfortably parochial and patronizing to women, there’s actually plenty of genuine heart and understanding in this tale and a minimum of snide sniping about “silly, empty-headed girls”…

Eventually the concepts became so bold that Imaginary Stories could command book-length status. ‘Lex Luthor, Hero!’ (Superman #149, November 1961) by Jerry Siegel, Curt Swan & Sheldon Moldoff details the mad scientist’s greatest master-plan and ultimate victory in a tale as powerful now as it ever was. In many ways this is what the whole concept was made for…

No prizes for guessing what ‘Jimmy Olsen Marries Supergirl!’ (Superman’s Pal Jimmy Olsen, #57, December 1961) is about, but the story is truly a charming delight, beautifully realized by Siegel, Swan & Stan Kaye.

Once more stretching the point ‘The Origin of Flash’s Masked Identity!’ (The Flash# 128, May 1962) by John Broome, Carmine Infantino & Joe Giella, although highly entertaining, is more an enthusiastic day-dream than alternate reality, and, I suspect, added to bring variety to the mix – as is the intriguing ‘Batman’s New Secret Identity’ (Batman #151, November 1961, by Finger, Bob Kane & Paris).

‘The Amazing Story of Superman-Red and Superman-Blue!’ (Superman #162, July 1963) is possibly the most influential tale of this entire sub-genre. Written by Leo Dorfman, with art from Swan & George Klein, this startling utopian classic was so well-received that decades later it influenced and flavoured the post-Crisis on Infinite Earths Superman continuity for years. The plot involves the Action Ace being divided into two equal wonder men who promptly solve all universal problems and even the love rivalry between Lois Lane and Lana Lang!

The writer of ‘The Three Wives of Superman!’ is currently unknown to us but the ever-excellent Schaffenberger can at least be congratulated for this enchanting tragedy of missed chances that originally saw print in Superman’s Girlfriend Lois Lane #51, from August 1964.

‘The Fantastic Story of Superman’s Sons’ (Superman #166, November 1964) by Edmond Hamilton, Swan & Klein is a solid thriller built on a tragic premise (what if only one of Superman’s children inherited his powers?), and this bright and breezy book closes with the stirring and hard-hitting ‘Superman and Batman… Brothers!’, wherein orphaned Bruce Wayne is adopted by the Kents, but cannot escape a destiny of tragedy and darkness.

Written by Jim Shooter, with art from Swan & Klein for World’s Finest Comics # 172 (cover-dated December 1967) this moody thriller in many ways signalled the end of the carefree days and the beginning of a grittier, more cohesive DC universe for a less whimsical, fan-based audience.

This collection is a glorious slice of fancy, augmented by an informative introduction from columnist Craig Shutt, and bolstered with mini-cover reproductions of many tales that tragically never made it into the collection, but I do have one minor quibble: No other type of tale was more dependent on an eye-catching, conceptually intriguing cover, so why couldn’t those belonging to these collected classics have been included here, too?

Surely, it’s time for a re-issue in either print or eBook format with all those arresting covers included. Yes, it is… and don’t call me Shirley…
© 1946, 1959-1964, 1967, 2005 DC Comics. All Rights Reserved.

Flash: The Silver Age volume 2


By John Broome, Gardner Fox, Carmine Infantino & various (DC Comics)
ISBN: 978-1-4012-7088-9

Win’s Christmas Gift Recommendation: Timeless Fun, Quick as You Like… 10/10

The second Flash triggered the Silver Age of American comicbooks and, for the first ten years or so, in terms of creative quality and sheer originality – it was always the book to watch.

Following his debut in Showcase #4 (October 1956), police scientist Barry Allen – transformed by a lightning strike and accidental chemical bath into a human thunderbolt of unparalleled velocity and ingenuity – was uncharacteristically slow in winning his own title, but finally (after three more trial issues) finally stood on his own wing-tipped feet in The Flash#105 (February-March 1959).

He never looked back, and by the time of this second commemorative compilation was very much the innovation mainstay of DC/National Comics burgeoning superhero universe. This second Trade Paperback (and digital) collection re-presents Flash #117-132 – spanning December 1960 through November 1962 – and tracks the Vizier of Velocity as he becomes the key figure in a stunning renaissance of comicbook super-heroics.

Shepherding the Scarlet Speedster’s meteoric rise to prominence, the majority of stories are written by the brilliant John Broome and all are pencilled by the infinitely impressive Carmine Infantino: slickly polished, coolly sophisticated rapid-fire short stories set in a comfortingly suburbanite milieu constantly threatened by super-thieves, sinister spies and marauding aliens with our affable new superhero always triumphant whilst ever expanding and establishing the broad parameters of an increasingly cohesive narrative universe.

The magic begins here with ‘Here Comes Captain Boomerang’ (inked by Murphy Anderson), introducing a mercenary Australian marauder who turns a legitimate job opportunity into a criminal career in what is still one of the most original origin tales ever concocted.

The ‘The Madcap Inventors of Central City’ then sees Gardner Fox (creator of the Golden Age Flash) join the creative bullpen with a perhaps ill-considered attempt to reintroduce 1940s comedy sidekicks Winky, Blinky and Noddy to the modern fans. The fact that you’ve never heard of them should indicate how well that went although the yarn, illustrated by Infantino & Joe Giella, is a fast, witty and enjoyably silly change of pace.

The Flash #118 highlighted the period’s (and DC’s) fascination with Hollywood in ‘The Doomed Scarecrow!’ (Anderson inks); a sharp, smart thriller featuring a minor villain with a unique reason to get rid of our hero. after which Wally West and a friend have to spend the night in a “haunted house” in Kid Flash chiller ‘The Midnight Peril!’

The pre-teenaged nephew of Barry’s fiancée Iris West, Wally had been caught in a bizarre and suspicious replay of the lightning strike that created the Monarch of Motion. He naturally became a junior version of the Fastest Man Alive and – when not being mentored by the human thunderbolt – enjoyed his own, smaller-scaled junior adventures in and around the rural township of Blue Valley, Nebraska….

In #119, Broome, Infantino & Anderson relate the adventure of ‘The Mirror-Master’s Magic Bullet’, which our hero narrowly evades, before ‘The Elongated Man’s Undersea Trap’ debuts vivacious newlywed Sue Dibny – calling our hero’s attention to a missing spouse and alien sub-sea slavers in a mysterious and stirring tale.

These earliest tales were historically vital to the development of our industry but, quite frankly, so what? The first exploits of The Flash should be judged solely on their merit, and on those terms, they are punchy, awe-inspiring, beautifully illustrated and captivating thrillers that amuse, amaze and enthral both new readers and old devotees. The title had gelled into a comfortable pattern of two tales per issue alternating with semi-regular book-length thrillers such as the glorious example from Flash #120 (May 1961).

‘Land of Golden Giants!’ is a minor masterpiece: a fanciful science fiction drama wherein a small expedition of explorers – including Iris, Barry and his protégé Wally – are catapulted back millennia to the very moment when the primal super-continent (or at least the parts that would become Africa and South America) begin splitting apart.

Flash stories always found a way to make cutting-edge science integral and interesting. A regular filler-feature was the speed-themed “Flash-Facts” which became a component of the stories themselves via quirky little footnotes.

How many fan-boys turned a “C” to a “B” by dint of their recreational reading? I know I certainly impressed the heck out of a few nuns at the convent school I attended! (But let’s not visualise; simply move on…)

Issue #121 saw the return of a novel old foe on another robbery rampage when ‘The Trickster Strikes Back!’ after which costumed criminality is counterbalanced by Cold War skulduggery in the gripping thriller ‘Secret of the Stolen Blueprint!’ (inked by Anderson).

Another contemporary zeitgeist undoubtedly led to ‘Beware the Atomic Grenade!’, a witty yarn which premiered a new member of Flash’s burgeoning Rogues Gallery when career criminal Roscoe Dillon graduates from second-rate thief to global extortionist The Top by means of a rather baroque thermonuclear device…

In counterpoint, Kid Flash deals with smaller scale catastrophe in ‘The Face Behind the Mask!’ A pop-star with a secret identity (based on a young David Soul who began his showbiz career as a folk singer known as “the Covered Man” because he performed wearing a mask) is blackmailed by a villainous gang of old school friends until whizz kid Wally steps in…

Gardner Fox didn’t write many Flash scripts at this time, but those few he did were all dynamite. None more so than the full-length epic that literally changed the scope of American comics forever.

‘Flash of Two Worlds’ introduced the theory of alternate Earths to the continuity and by extension resulted in the pivotal multiversal structure of the DCU; Crisis on Infinite Earths and all the succeeding cosmos-shaking crossover sagas that grew from it. And, of course, where DC led, others followed…

During a charity benefit gig Flash accidentally slips into another dimension where he finds that the comicbook hero he’s based his own superhero identity upon actually exists. Every adventure Barry had absorbed as an eager child was grim reality to Jay Garrick and his mystery-men comrades on (the controversially designated) Earth-2. Locating his idol, Barry convinces the elder to come out of retirement just as three Golden Age villains – The Shade, Thinker and The Fiddler – make their own wicked comeback. And above all else, Flash #123 is a great read that still stands up today.

Still utterly unaware of the stir that was brewing in fandom’s ranks, it was business as usual with #124’s alien invasion romp ‘Space Boomerang Trap!’ featuring an uneasy alliance between the Scarlet Speedster, Elongated Man and opportunistic Captain Boomerang, before back-up ‘Vengeance Via Television!’ tests Flash’s wits after a mad scientist uses TV waves to expose his secret identity.

‘The Conquerors of Time!’ (Flash #125 December, 1961) is another mind-boggling classic exposing time-travelling aliens’ attempt to subjugate Earth in 2287AD by preventing fissionable elements from forming in 100,842,246 BC. Antediluvian lost races, another key role for Kid Flash (easily the most trusted and responsible sidekick of the Silver Age), the introduction of the insanely cool Cosmic Treadmill plus spectacular action make this a benchmark and landmark of quality graphic narrative.

The drama continues unabated in the next issue as Mirror Master resurfaces in ‘The Doom of the Mirror Flash!’ resulting in another shocking metamorphosis for the Monarch of Motion whilst the second story looks into Barry Allen’s past in ‘Snare of the Headline Huntress!’ Here childhood sweetheart Daphne Dean tries to rekindle Barry’s love to boost her flagging Hollywood profile….

In #127 ‘Reign of the Super-Gorilla!’ Grodd returns to Central City, using his telepathy to run for Governor (not as daft as it sounds, honest!) whilst Kid Flash resolved parental problems in ‘The Mystery of the Troubled Boy!’ after which Flash #128 sees the spectacular debut of time-travelling magician and psychotic egotist Abra Kadabra in ‘The Case of the Real-Gone Flash!’ yet still finds room for intriguing revelatory vignette ‘The Origin of Flash’s Masked Identity!’

Fox and Earth-2 returned in #129’s ‘Double Danger on Earth!’ as Jay Garrick ventures to Earth-1 to save his own world from a doom comet, only to fall foul of Captain Cold and the Trickster. As well as double Flash action, this tale pictorially reintroduces veteran Justice Society stalwarts Wonder Woman, Atom, Hawkman, Green Lantern, Doctor Mid-Nite and Black Canary. Clearly Editor Schwartz had something in mind…

For the meantime though it was back to basics in #130 with ‘Who Doomed the Flash?’; an intriguing mystery seemingly pooling the talents and threats of Trickster, Captain Cold, the Top, Captain Boomerang and the Mirror Master in a superb comic-conundrum, brilliantly solved by the Vizier of Velocity even as his junior partner endures his own problems with the Weather Wizard in ‘Kid Flash Meets the Elongated Man!’

RSVPing to a trendsetting guest-shot in Green Lantern #13 (‘Duel of the Super-Heroes!’ and not included here), the Emerald Crusader again joins with The Flash to defeat alien invaders in the engrossing feature-length epic ‘Captives of the Cosmic Ray!’ before this compelling compilation concludes with #132’s ‘The Heaviest Man Alive!’ – with the speedster revisiting the dimension of Gobdor (see ‘The Man Who Stole Central City’ from #116 and the previous volume).

As well as action adventure and mystery, this tense, super-scientific teaser enjoys a sly poke at the new Television generation and leads into second tale ‘The Farewell Appearance of Daphne Dean’ as the repentant starlet returns to make amends in a quirky little tearjerker…

As always in tales of this vintage, the emphasis is on brains and learning, not gimmicks or abilities, which is why these tales still work nearly half-a-century later. Coupled with the astounding Infantino art, these tales are a captivating snap-shot of when science was our friend and the universe(s) was a place of infinite possibility.

These tales were crucial to the development of our art-form, but, more importantly they are brilliant, awe-inspiring, beautifully realised thrillers to amuse, amaze and enthral both new readers and old lags. This splendid selection is another must-read item for anybody in love with the world of words-in-pictures.
© 1960, 1961, 1962, 2017 DC Comics. All Rights Reserved.

The Flash by Grant Morrison and Mark Millar


By Grant Morrison, Mark Millar, Ron Marz, Chuck Dixon, Paul Ryan, Ron Wagner, John Nyberg, Paul Pelletier, John Lowe, Will Rosado, Sal Buscema, Pop Mhan, Joshua Hood, Chris Ivy, Ariel Olivetti & various (DC Comics)
ISBN: 978-1-4012-6102-3

There are many super-speedsters in the DCU and most of them congregate in the conjoined metropolis of Keystone and Central City. Wally West, third incarnation of The Flash, lives there with his true love Linda Park, his Aunt Iris and fellow fast-fighters such as Jay Garrick. Impulse (a juvenile speedster from the future) and his mentor/keeper Max Mercury – the Zen Master of hyper-velocity – live in Alabama but often visit as they only live picoseconds away…

Created by Gardner Fox & Harry Lampert, Garrick debuted as the very first Scarlet Speedster in Flash Comics #1 (January 1940). “The Fastest Man Alive” wowed readers for over a decade before changing tastes benched him in 1951. The concept of speedsters, and indeed, superheroes in general were revived in 1956 by Julie Schwartz in Showcase #4 where and when police scientist Barry Allen became the second hero to run with the concept.

The Silver Age Flash, whose creation ushered in a new and seemingly unstoppable era of costumed crusaders, died heroically during Crisis on Infinite Earths (1985-1986) and was promptly succeeded by his sidekick Kid Flash. Of course, Allen later returned from the dead – but doesn’t everyone?

Initially Wally West struggled to fill the boots of his predecessor, both in sheer ability and, more tellingly, in confidence. Feeling a fraud, he nonetheless persevered and eventually overcame, becoming the greatest to carry the name.

At the end of the 1990s the grand, old-fashioned Fights and Tights mythology and methodology was given a bit of post-modern gloss when Caledonian wizards Grant Morrison and Mark Millar turned their considerable talents to the third incarnation of the Fastest Man Alive. Reprinting Flash (volume 2) #130-141, crossover episodes Green Arrow #130, Green Lantern #96, plus portions of The Flash 80-Page Giant #1 and JLA Secret Files #1, this rousing paperback collection (also available digitally) begins with Wally living with his one true love Linda Park, and enjoying a celebrity life as the current Scarlet Speedster.

Triptych ‘Emergency Stop’ (illustrated by Paul Ryan & John Nyberg) kicks off as a disembodied costume targets old villains. Absorbing their powers – and eventually their lives – it undertakes a sinister master-plan.

Continuing its grisly campaign in ‘Threads’ The Suit – ghost, pre-programmed super-technology or something else – proves more than a match for Keystone’s peace officers and even her superhuman guardians. Max Mercury, Jay Garrick and Impulse are not enough to save West from crippling injuries, and it takes a quantum leap in his abilities before Wally can save everybody from certain death in astounding conclusion ‘Fashion Victims’

Following that superb saga, the Celtic lads get a chance to show American writers how it’s pronounced as Scottish villain Mirror Master attacks the recuperating hero and kidnaps his lady in ‘Flash Through the Looking Glass’.

As ever the understated excellence of Ryan & Nyberg act as the perfect vehicle for all those high-speed thrills, never better than when Garrick takes centre-stage for the moving ‘Still-Life in the Fast Lane’, a poignant parable that shows how even the swiftest men can’t outrun old age and death…

During this period DC was keen on recreating and reviving old heroes, with “legacy” versions of many old stars popping up. After Hal Jordan and John Stewart stopped being Green Lantern new kid Kyle Rayner picked up the ring just as Connor Hawke inherited his father’s role as Green Arrow and Wally followed Barry Allen.

‘Death at the Top of the World’ was a 3-chapter company crossover from March 1998 that began in Green Lantern #96 with ‘Three of a Kind’ (by Ron Marz, Paul Pelletier & John Lowe). The three heirs – who don’t particularly like each – other opt for a communal Arctic cruise to break the ice (sorry!) only to stumble into a plot by super-villains Sonar, Heat Wave and Hatchet that culminates in a devastating and murderous attack on the other passengers by world-class menace Dr. Polaris in Green Arrow #130, (Chuck Dixon, Will Rosado & Sal Buscema).

The concluding chapter by Morrison, Millar, Ryan & Nyberg – played as a classic courtroom drama – tops off this thoroughly readable tale in fine style and offers a chilling prologue and cliffhanger for the next astounding epic…

‘The Human Race’ commences with ‘Radio Days’ as 10-year-old Wally plays with his Ham Radio kit, chatting to an imaginary friend before we sprint into the present-day to find the Flash seconds after his last exploit, cradling an alien super-speedster who has crashed at his feet, gasping out a warning with his dying breath…

When two god-like alien gamblers materialise and demand Earth’s fastest inhabitant replaces the dead runner in a race across all time and space the entire planet learns that if a contestant isn’t provided Earth is forfeit and will be destroyed…

With the Justice League unable to defeat the cosmic gamesters, Wally has no choice but to compete, but almost falls apart when he discovers his opponent is Krakkl, a radio-wave lifeform who used to talk to him across the cosmic ether when he was a kid.

Now Wally has to beat a cherished childhood memory he thought a mere childhood fancy to save his homeworld… and if he does, Krakkl’s entire species will die…

Ron Wagner steps in as penciller for ‘Runner’ and ‘Home Run’, as, pushed to the limits of endurance and imagination, Flash criss-crosses all reality before despondently realising he’s in a match he cannot win… until valiant, self-sacrificing radio-racer Krakkl shares a deadly and world-saving secret…

Cosmic, clever and deeply sentimental in the fashion comics fans are suckers for, this stunning saga ends with Earth enduring after a spectacular ‘Home Run’ with its victorious but ultimately oblivious hero on course for the ultimate finish…

The drama escalates in tense thriller trilogy ‘The Black Flash’ (Miller, Pop Mhan & Chris Ivy, with additional pencils from Joshua Hood) as a demonic entity that abides beyond the velocity-fuelling energy field dubbed the Speed Force comes for the exhausted, jubilant hero in ‘The Late Wally West’.

Over the decades, elder speedsters have noticed that their ultra-swift comrades have all been hunted and taken by a supernal beast before their lives ended and when the creature is captured in photos apparently stalking Wally they do all they can to thwart it. Tragically, they succeed…

Unable to kill the Flash, the thing destroys his beloved Linda instead…

Jesse Quick, second-generation hero and a legacy who lost her dad to the Black Flash, takes over Wally’s role as crushed, depressed and broken he loses his connection to the Speed Force, following Linda’s funeral. However, after weeks of shell-shocked mourning he moves on, planning a new life in a foreign country, but the Black Flash is spiteful and never gives up…

Thus, when the beast attacks powerless Wally at the airport in ‘The End’ Max Mercury, Garrick, Impulse and Jesse all confront the creature until the true Scarlet Speedster rediscovers the inner fire necessary to not only face and defeat the thing, but also bring back Linda from the Great Unknown.

That would be a perfect ending to this tumultuous tome, but there’s still hidden gem ‘Your Life is My Business’ – by Millar & Ariel Olivetti – as Wally has a few drinks in a pub with the author while laying out the next fictionalised episode of his comic book and even a Who’s Who fact page detailing the secrets of ‘The Fastest Man Alive’ to bring the high-octane fun to a close.

Fast, furious and utterly fabulous, the Flash has always epitomised the very best in costumed comic thrills and these tales are among the very best. If you haven’t seen them yet, run – do not walk – to your nearest emporium or vendor-site and catch all the breathless action you can handle, A.S.A.P!
© 1997, 1998, 2016 DC Comics. All Rights Reserved.

DC Comics Classics Library: The Flash of Two Worlds


By Gardner Fox, John Broome, Carmine Infantino, Joe Giella, Sid Greene & various (DC Comics)
ISBN: 978-1-4012-2298-7

There’s a lot of truly splendid vintage comics material around these days in a lot of impressive formats and one of the most welcoming was DC’s Comics Classics Library. A series of top-end hardbacks, the portmanteau range was a remarkably accessible and collectible range of products, and one of the best is this stunning collection gathering some of the most influential and beloved stories of the Silver Age of American comicbooks.

Super-Editor Julius Schwartz ushered in that epoch with his Showcase successes Flash, Adam Strange and Green Lantern, directly leading to the Justice League of America – and more revivals – which in turn inspired Fantastic Four and the whole Marvel Empire, and changed the way comics were made and read…

Whereas 1940s tales were about magic and macho, the Silver Age polished everything with a thick veneer of SCIENCE and a wave of implausible rationalistic concepts quickly filtered into the dawning mass-consciousness of a generation of baby-boomer kids.

The most intriguing and rewarding was, of course, the notion of parallel worlds: the very crux of this celebration gathering the first half dozen Barry Allen team-ups with his predecessor Jay Garrick; specifically the contents of The Flash #123, 129, 137, 151, 170 and 173, originally seen between September 1961 and September 1967…

The continuing adventures of the Scarlet Speedster were the bedrock of the Silver Age Revolution. After ushering in the triumphant return of the costumed superhero concept, the Crimson Comet – with key writers John Broome and Gardner Fox at the reins – set an unbelievably high standard for superhero adventure in sharp, witty tales of technology and imagination, illustrated with captivating style and clean simplicity by Carmine Infantino.

Fox didn’t write many Flash scripts at this time, but the few he did were all dynamite; none more so than the full-length epic which literally changed the scope of American comics forever, and following an Introduction from Flash-Fanatic Geoff Johns you can see why…

‘Flash of Two Worlds’ (Flash #123, September 1961 and inked by Joe Giella) introduced the theory of alternate Earths to the continuity which grew by careful extension into a multiversal structure comprising Infinite Earths. Once established as a cornerstone of a newly integrated DCU through a wealth of team-ups and escalating succession of cosmos-shaking crossover sagas, a glorious pattern was set which would, after joyous decades, eventually culminate in a spectacular Crisis on Infinite Earths

During a benefit gig Flash (police scientist Barry Allen) accidentally slips into another dimension where he finds the comicbook hero upon whom he based his own superhero identity actually exists.

Every ripping yarn he had avidly absorbed as an eager child was grim reality to Jay Garrick and his comrades on the controversially designated “Earth-2”. Locating his idol, Barry convinces the elder to come out of retirement just as three Golden Age villains make their own criminal comeback…

The floodgates were opened, and over the following months and years many Earth-1 stalwarts met their counterparts either via annual collaborations in the pages of Justice League of America or in their own series. Schwartz even had a game go at reviving a cadre of the older titans in their own titles. Public approval was decidedly vocal and he used DC’s try-out magazines to take the next step: stories set on Earth-2 exclusively featuring Golden Age characters. Of those bold sallies only The Spectre graduated to his own title…

Received with tumultuous acclaim by the readership, the Earth-2 concept was revisited months later in #129’s ‘Double Danger on Earth!’ (June 1962) which also teasingly reintroduced evergreen stalwarts Wonder Woman, Atom, Hawkman, Green Lantern, Doctor Mid-Nite and Black Canary. Clearly Editor Schwartz had something in mind…

‘Vengeance of the Immortal Villain!’ from #137 (June 1963) was the third incredible Earth-2 crossover, and saw both Flashes in action against 50,000-year-old tyrant Vandal Savage to save the shanghaied Justice Society of America: a tale which directly led into the veteran team’s first meeting with the Justice League of America and the subsequent creation of an annual team-up tradition.

When ‘Flash of Two Worlds’ introduced the concept of Infinite Earths and multiple versions of costumed crusaders, public pressure had begun almost instantly to agitate for the return of the Greats of the “Golden Age” but Editorial powers-that-be were hesitant, fearing too many heroes would be silly and unmanageable, or worse yet, put readers off. If they could see us now…

A less well-known but superbly gripping team-up tale is ‘Invader from the Dark Dimension!’ (Flash #151, March 1965,): another full-length shocker wherein demonic super-bandit The Shade ambitiously invades Earth-1 as the first step in an avaricious attempt to plunder both worlds…

Flash #170 (May 1967) was scripted by John Broome and inked by the sublime Sid Greene, reuniting the Speedsters after a gap of two years to face the ‘The See-Nothing Spells of Abra Kadabra!’ with the Earth-1 Vizier of Velocity hexed by the cunning conjuror and rendered unable to detect the villain’s actions or presence.

Sadly for the sinister spellbinder, Jay Garrick is visiting and calls on the services of JSA pals Doctors Fate and Mid-Nite to counteract the wicked wizard’s wiles…

Promptly following and concluding this cornucopia of cosmic chills, Flash #173 (September 1967, by Broome, Infantino & Greene again) featured a titanic triple team-up as Barry, Wally “Kid Flash” West and Jay were sequentially shanghaied to another galaxy as putative prey for alien hunter Golden Man in ‘Doomward Flight of the Flashes!’

However, the sneaky script slowly reveals devilish layers of intrigue since the sinister stalker’s Andromedan super-safari conceals a far more scurrilous purpose for the three speedy pawns before the wayward wanderers finally fight free and find their way home again…

Still irresistible and compellingly beautiful after all these years, the stories collected here shaped American comics for decades and are still influencing not only today’s funnybooks but also the wave of animated shows, movies and TV series which grew from them. These are tales and this is a book you simply must have.
© 1961, 1962, 1963, 1965, 1967, 2009 DC Comics. All Rights Reserved.

The Flash: The Silver Age volume 1


By John Broome, Robert Kanigher, Carmine Infantino & various (DE Comics)
ISBN: 978-1-4012-6110-8

Win’s Christmas Gift Recommendation: Timeless Wholesome Entertainment… 9/10

No matter which way you look at it, the Silver Age of the American comic book began with The Flash. It’s an unjust but true fact that being first is not enough; it also helps to be best and people have to notice. MLJ’s The Shield beat Captain America to the news-stands by over a year yet the former is all but forgotten today.

America’s comicbook industry had never really stopped trying to revive the superhero genre when Showcase #4 was released in late summer of 1956. The newsstands had already been blessed – but were left generally unruffled – by such tentative precursors as The Avenger (February-September 1955), Captain Flash (November 1954-July 1955), a revival of Marvel’s Human Torch, Sub-Mariner and the aforementioned Captain America (December 1953-October 1955). Both DC’s own Captain Comet (December 1953-October 1955) and Manhunter from Mars (November 1955 until the end of the 1960’s and almost the end of superheroes again!) had come and made little mark. What made the new Fastest Man Alive stand out and stick was … well, everything!

Once DC’s powers-that-be decided to serious try superheroes once more, they moved pretty fast themselves. Editor Julie Schwartz asked office partner, fellow editor and Golden-Age Flash scripter Robert Kanigher to recreate a speedster for the Space Age: aided and abetted by Carmine Infantino and Joe Kubert, who had also worked on the previous incarnation.

The new Flash was Barry Allen, a forensic scientist simultaneously struck by lightning and bathed in exploding chemicals from his lab. Supercharged by the accident, Barry took his superhero identity from a comicbook featuring his predecessor (a scientist named Jay Garrick who was exposed to the mutagenic fumes of “Hard Water”). Designing a sleek, streamlined bodysuit (courtesy of Infantino – a major talent rapidly approaching his artistic and creative peak), Barry Allen became point man for the spectacular revival of a genre and an entire industry.

This splendidly economical full colour paperback compilation superbly compliments Infantino’s talents and the tone of the times. These stories have been gathered many times but here the package – matt-white, dense paper stock – offers punch, clarity and the ineffably comforting texture of the original newsprint pulp pamphlets.

This is what a big book of comics ought to feel like in your eager, sweaty hands…

Collecting all four Showcase tryout issues – #4, 8, 13 and 14 – and the first full dozen issues of his own title (The Flash volume 1 #105-116, October 1956 to November 1960) the high-speed thrills begin with the epochal debut tales from Showcase #4.

‘Mystery of the Human Thunderbolt’ (scripted by Kanigher) sees Barry endure his electrical metamorphosis and promptly goes on to subdue bizarre criminal mastermind Turtle Man after which ‘The Man Who Broke the Time Barrier!’ – written by the brilliant John Broome – finds the newly-minted Scarlet Speedster batting a criminal from the future before returning criminal exile Mazdan to his own century, proving the new Flash was a protagonist of keen insight and sharp wits as well as overwhelming power. These are slickly polished, coolly sophisticated short stories introducing the comfortingly suburbanite new superhero and firmly establishing the broad parameters of his universe.

Showcase #8 (June 1957) led with another Kanigher tale. ‘The Secret of the Empty Box’, a perplexing if pedestrian mystery, saw veteran Frank Giacoia return as inker, but the real landmark was the Broome thriller ‘The Coldest Man on Earth’.

With this yarn the author confirmed and consolidated the new costumed character phenomenon by introducing the first of a Rogues Gallery of outlandish super-villains. Unlike the Golden Age, these new super-heroes would face predominantly costumed foes rather than thugs and spies. Bad guys would henceforth be as memorable as the champions of justice. Captain Cold would return time and again. Broome would go on to create every single member of Flash’s pantheon of classic super-foes.

Joe Giella inked the two adventures in Showcase #13 (April 1958). ‘Around the World in 80 Minutes’ was written by Kanigher and displayed Flash’s versatility as he tackled atomic terrorists, battled Arabian bandits, counteracted an avalanche on Mount Everest and scuttled submarine pirates in the specified time slot.

Broome’s ‘Master of the Elements’ then premiered the outlandish Mr. Element, who utilised the periodic table as his arsenal.

Showcase #14 (June 1958) opened with Kanigher’s eerie ‘Giants of the Time-World!’: a masterful fantasy thriller and a worthy effort to bow out on as Flash and girlfriend Iris West encounter extra-dimensional invaders with the strangest life-cycle imaginable.

The issue closed with a return engagement for Mr. Element sporting a new M.O. and identity – Doctor Alchemy. ‘The Man Who Changed the Earth!’ is a classic crime-caper with serious psychological underpinnings, as Flash struggles to overcome the villain’s latest weapon: mystic transmutational talisman the Philosopher’s Stone…

When the Scarlet Speedster graduated to his own title John Broome was the lead writer, supplemented eventually by Gardner Fox. Kanigher would return briefly in the mid-1960s and would later write a number of tales during DC’s ‘Relevancy’ period.

Taking its own sweet time, The Flash #105 launched with a February-March 1959 cover-date (so it was out for Christmas 1958) and opened with Broome, Infantino and Giella’s sci-fi chiller ‘Conqueror From 8 Million B.C.!’ before introducing yet another money-mad super-villain in ‘The Master of Mirrors!’

Issue #106 introduced one of the most charismatic and memorable baddies in comics history. Gorilla Grodd and his hidden race of telepathic super-simians instantly captured the fan’s attentions in ‘Menace of the Super-Gorilla!’ and even after Flash thrashed the hairy hooligan Grodd promptly returned in the next two issues.

Presumably this early confidence was fuelled by DC’s inexplicable but commercially sound pro-Gorilla editorial stance (for some reason any comic with a substantial simian in it spectacularly outsold those that didn’t in those far-ago days) but these tales are also packed with tension, action and engagingly challenging fantasy concepts.

Offering an encore here is ‘The Pied Piper of Peril!’: a mesmerising musical criminal mastermind, stealing for fun and attention rather than profit…

Issue #107 led with the ‘Return of the Super-Gorilla!’ by regular team Broome, Infantino and Giella, a multi-layered fantasy thriller that took our hero from the African (invisible) city of the Super-Gorillas to the subterranean citadel of antediluvian Ornitho-Men, and closed with ‘The Amazing Race Against Time’ which featured an amnesiac who could outrun the Fastest Man Alive in a desperate dash to save all of creation from obliteration. With every issue the stakes got higher whilst the dramatic quality and narrative ingenuity got better!

Frank Giacoia inked #108’s high-tech death-trap thriller ‘The Speed of Doom!’ featuring trans-dimensional raiders stealing fulgurites (look it up, if you want) but Giella was back for ‘The Super-Gorilla’s Secret Identity!’ wherein Grodd devises a scheme to outwit evolution itself by turning himself into a human…

The next issue saw ‘The Return of the Mirror-Master’ with the first in a series of bizarre physical transformations that would increasingly become a signature device for Flash stories, whilst the contemporary Space Race provided an evocative maguffin for a fantastic undersea adventure in the ‘Secret of the Sunken Satellite’. Here Flash encountered an unsuspected sub-sea race on the edge of extinction whilst enquiring after the impossible survival of an astronaut trapped at the bottom of the sea.

The Flash #110 was a major landmark, not so much for the debut of another worthy addition to the burgeoning Rogues Gallery in ‘The Challenge of the Weather Wizard’ (inked by Schwartz’s artistic top-gun Murphy Anderson) but rather for the introduction of Wally West, who in a bizarre and suspicious replay of the lightning strike that created the Vizier of Velocity became a junior version of the Fastest Man Alive.

Inked by Giella, ‘Meet Kid Flash!’ introduced the first teenaged sidekick of the Silver Age (cover dated December 1959-January 1960 and just pipping Aqualad who premiered in Adventure Comics #269 which had a February off-sale date).

Not only would Kid Flash begin his own series of back-up tales from the very next issue (a sure sign of the confidence the creators had in the character) but he would eventually inherit the mantle of the Flash himself – one of the few occasions in comics where the torch-passing actually stuck.

Anderson also inked ‘The Invasion of the Cloud Creatures’ in # 111, which successfully overcomes its frankly daft premise to deliver a taut, tense sci-fi thriller which nicely counterpoints the first solo outing for Kid Flash in ‘The Challenge of the Crimson Crows!’

This folksy parable has small-town kid Wally use his new powers to rescue a bunch of kids on the slippery slope to juvenile delinquency. Perhaps a tad paternalistic and heavy-handed by today’s standards, in the opening months of 1960 this was a strip about a boy heroically dealing with a kid’s real dilemmas, and the occasional series would remain concerned with human-scaled problems, leaving super-menaces and world saving for team-ups with his mentor.

In Flash #112 ‘The Mystery of the Elongated Man’ introduced an intriguing super stretchable newcomer to the DC universe – who might have been hero or villain – in a beguiling tantaliser whilst Kid Flash tackled juvenile Go-Carters and corrupt school-contractors in the surprisingly gripping ‘Danger on Wheels!’

Mercurial mania The Trickster launched his crime career in #113’s lead tale ‘Danger in the Air!’ and the second-generation speedster took a break so that his senior partner could defeat ‘The Man Who Claimed the Earth!’: a full-on cosmic epic wherein the ancient alien Po-Siden attempts to bring the lost colony of Earth back into the galaxy-spanning Empire of Zus.

Captain Cold and Murphy Anderson returned for ‘The Big Freeze’, where the smitten villain turns Central City into a glacier just to impress Barry’s girlfriend Iris. Meanwhile her nephew Wally saves a boy unjustly accused of cheating from a life of crime when he falls under the influence of the ‘King of the Beatniks!’

Then Flash #115 offered another bizarre transformation, courtesy of Gorilla Grodd in ‘The Day Flash Weighed 1000 Pounds!’, and when aliens attempt to conquer Earth the slimmed down champion needs ‘The Elongated Man’s Secret Weapon’ as well as the guest-star himself to save the day. Once again Murphy Anderson’s inking gave the over-taxed Joe Giella a breather whilst taking art-lovers’ breath away in this beautiful, fast-paced thriller.

This gloriously rewarding volume concludes with Flash #116 as ‘The Man Who Stole Central City’ sees a seemingly fool-proof way of killing the valiant hero, which took both time-tinkering and serious outwitting to avoid whilst Kid Flash returned in ‘The Race to Thunder Hill’; a father-son tale of rally driving, but with car-stealing bandits and a young love interest for Wally to complicate the proceedings.

These earliest tales were historically vital to the development of our industry but, quite frankly, so what? The first exploits of The Flash should be judged solely on their merit, and on those terms they are punchy, awe-inspiring, beautifully illustrated and captivating thrillers that amuse, amaze and enthral both new readers and old devotees. This lovely collection is a must-read item for anybody in love with our art-form and especially for anyone just now encountering the hero for the first time through his TV incarnation.
© 1956, 1957, 1958, 1959, 1960, 2016 DC Comics. All Rights Reserved.

Crisis on Multiple Earths: the Team-Ups volume 2


By John Broome, Gardner Fox, Mike Friedrich, Neal Adams, Murphy Anderson, Gil Kane, Carmine Infantino & various (DC Comics)
ISBN: 978-1-4012-1228-5

Super-Editor Julius Schwartz ushered in the Silver Age of American Comics with his Showcase successes Flash, Adam Strange and Green Lantern, directly leading to the Justice League of America which in turn inspired Fantastic Four and the whole Marvel Empire and changed the way comics were made and read…

Whereas the 1940s were about magic and macho, the Silver Age polished everything with a thick veneer of SCIENCE and a wave of implausible rationalistic concepts quickly filtered into the dawning mass-consciousness of a generation of baby-boomer kids.

The most intriguing and rewarding was, of course, the notion of parallel worlds…

It all began, naturally enough, in The Flash, flagship title of the Silver Age Revolution. After ushering in the triumphant return of the costumed superhero concept, the Crimson Comet, with key writers Gardner Fox and John Broome at the reins, set an unbelievably high standard for superhero adventure in sharp, witty tales of technology and imagination, illustrated with captivating style and clean simplicity by Carmine Infantino.

Fox didn’t write many Flash scripts at this time, but those few he did were all dynamite; none more so than the full-length epic which literally changed the scope of American comics forever.

‘Flash of Two Worlds’ (Flash #123, September 1961) introduced the theory of alternate Earths to the continuity which grew by careful extension into a multiversal structure comprising Infinite Earths. Once established as a cornerstone of a newly integrated DCU through a wealth of team-ups and escalating succession of cosmos-shaking crossover sagas, a glorious pattern was set which would, after joyous decades, eventually culminate in a spectacular Crisis on Infinite Earths

During a benefit gig Flash (police scientist Barry Allen) accidentally slips into another dimension where he finds the comic-book hero upon whom he based his own superhero identity actually exists. Every adventure he had absorbed as an eager child was grim reality to Jay Garrick and his comrades on the controversially designated “Earth-2”. Locating his idol, Barry convinced the elder to come out of retirement just as three Golden Age villains were making their own wicked comeback…

The floodgates were opened, as over the months that followed many Earth-1 stalwarts met their counterparts either in annual collaborations in the pages of Justice League of America or in their own series. Schwartz even had a game go at reviving a cadre of the older titans in their own titles. Public approval was decidedly vocal and he used DC’s try-out magazines to take the next step: stories set on Earth-2 exclusively featuring Golden Age characters.

Showcase #55 and 56 saw Doctor Fate and Hourman as a dynamic duo battling Solomon Grundy and the Psycho-Pirate and, still searching for an concept that would support its own series, Schwartz, Fox and Murphy Anderson debuted the team of Starman and Black Canary in The Brave and the Bold #61 (September-October 1965); the first of two stunning sagas which somehow led to nothing…

All those stories can be found in the previous edition (Crisis on Multiple Earths: the Team-Ups volume 1) whilst this second splendid collection – chronologically re-presenting The Atom #29 & 36, Flash #170 & 173, Green Lantern #45 & 52 and The Spectre #3 , cumulatively spanning October/November 1965 to April/May 1968 – opens with Brave & Bold #62 and a second Starman/Black Canary case wherein the resurgent champions ferociously face off against husband-and-wife criminals Huntress and Sportsmaster who had been stalking superheroes for kicks and profit. By the time Feline Fury Wildcat became their victim our heroes were on the case and ready for anything…

This compelling thriller was originally augmented by a text feature biography of the original Starman and that is reprinted here before Earth-2 Emerald Gladiator Alan Scott reunites with “our” Hal Jordan (Green Lantern #45, June 1966, by Broome, Gil Kane & Sid Greene) to thwart ‘Prince Peril’s Power Play’ as Scott’s comedy foil Doiby Dickles was romanced by an alien princess. The only fly in their ointment was a gigantic and ambitious space warrior who needed her to cement his own plans for conquest, but judicious use of green energies soon taught him that nobody likes a pushy tyrant…

Earth-2’s Tiny Titan was Al Pratt, a short man with super-strength, whilst we had size changing physicist Ray Palmer. When they met in Atom #27 (February/March 1967, by Fox, Kane & Greene) it was for an all-out cataclysmic clash between the Mighty Mites and one of the most dangerous villains of DC’s Golden Age in ‘The Thinker’s Earth-Shaking Robberies!’

With Green Lantern #52 (Broome & Kane, April 1967) Alan Scott and Doiby popped over from Earth-2 to aid Hal against the scurrilous return of his arch nemesis Sinestro in camp-crazed and frankly rather peculiar fight-frenzied fist-fest ‘Our Mastermind, the Car!’ after which a brace of Scarlet Speedsters at long last reunited in Flash #170 to face the ‘The See-Nothing Spells of Abra Kadabra!’ (May 1967 by Broome, Infantino & Greene) which found the Vizier of Velocity hexed by the cunning conjuror and rendered unable to detect the villain’s actions or presence.

Sadly for the sinister spellbinder, Jay Garrick was visiting and called on the services of JSA pals Doctors Fate and Mid-Nite to counteract the wicked wizard’s wiles…

Promptly following, Flash #173 (September 1967 by Broome, Infantino & Greene again) featured a titanic team-up as Barry, Wally “Kid Flash” West and Jay were sequentially shanghaied to another galaxy as putative prey for alien hunter Golden Man in ‘Doomward Flight of the Flashes!’

However, the sneaky script slowly revealed devilish layers of intrigue and his Andromedan super-safari concealed a far more arcane purpose for the three speedy pawns, before the wayward wanderers finally fought free and found their way home again…

Eventually Schwartz finally achieved the ambition of launching a Golden Age hero into his own title; sadly just as the superhero bubble was bursting and supernatural stories were again on the rise…

After three Showcase appearances and many guest-shots, The Spectre won his own book at the end of 1967. From #3 (March/April 1968) comes this all Earth-2 team-up by neophyte scripter Mike Friedrich and artistic iconoclast Neal Adams which exposed the ‘Menace of the Mystic Mastermind’ wherein pugilistic paragon Wildcat confronted head-on the inevitable prospect of age and infirmity even as an inconceivable force from another universe possessed petty thug Sad Jack Dold and turned him into a nigh-unstoppable force of cosmic chaos…

This fabulous peek into forgotten worlds and times concludes with one of the very best team-up tales of the Silver Age as the Earth-2 Atom returns in ‘Duel Between the Dual Atoms’ (April/May 1968, by Fox, Kane & Greene) wherein a radiation plague plays hob with victim’s ages on both worlds simultaneously. Sadly the deadly situation also turns normally hyper-rational Ray Palmer into an enraged maniac and almost more than his aging counterpart can handle…

Still irresistible and compellingly beautiful after all these years, the stories collected here shaped the American comics industry for decades and are still influencing not only today’s funnybooks but also the wave animated shows, movies and TV series which grew from them. These are tales and this is a book you simply must have.

© 1965-1968, 2007 DC Comics. All Rights Reserved.

Showcase Presents the Trial of the Flash


By Cary Bates, Carmine Infantino, Frank McLaughlin, Dennis Jensen & various (DC Comics)
ISBN: 978-1-4012-3182-8

Barry Allen was the second comicbook comet to carry the name of Flash, and his debut was the Big Bang which finally triggered the Silver Age of American comicbooks after a series of abortive remnant revivals (Stuntman in 1954 and Marvel’s “Big Three”, Human Torch, Sub-Mariner and Captain America from 1953 to 1955). There were also a few all-original attempts such as Captain Flash, The Avenger and Strongman from 1954-1955.

Although none of those – or other less high-profile efforts – had restored or renewed the popularity of masked mystery-men, they had presumably piqued readers’ consciousness, even at conservative National/DC. Thus the revived human rocket wasn’t quite the innovation he seemed: after all, alien crusader Martian Manhunter had already cracked open the company floodgates with his low-key launch in Detective Comics #225, November 1955.

However in terms of creative quality, originality and sheer style The Flash was an irresistible spark and after his landmark first appearance in Showcase #4 (October 1956) the series – eventually – became a benchmark by which every successive launch or reboot across the industry was measured.

Police Scientist – we’d call him a CSI today – Allen was transformed by a simultaneous lightning strike and chemical bath into a human thunderbolt of unparalleled velocity and ingenuity. Yet with characteristic indolence the new Fastest Man Alive took three more try-out issues and almost as many years to win his own title. However when he finally stood on his own wing-tipped feet in The Flash #105 (February-March 1959), he never looked back…

The comics business back then was a faddy, slavishly trend-beset affair, however, and following a manic boom for superhero tales prompted by the Batman TV show the fickle global consciousness moved on to a fixation with supernatural themes and merely mortal tales, triggering a huge revival of spooky films, shows, books and periodicals. With horror on the rise again, many superhero titles faced cancellation and even the most revered and popular were threatened. It was time to adapt or die: a process repeated every few years until the mid-1980s when DC’s powers-that-be decided to rationalise and downsize the sprawling multi-dimensional multiverse the Flash had innocently sparked into existence decades previously…

Barry had been through the wringer before: in 1979 (Flash #275 to be precise) his beloved wife Iris was brutally murdered and thereafter the Scarlet Speedster became a darker, grittier, truly careworn hero. Gradually over four years the lonely bachelor recovered and even found love again but a harshly evolving comics industry, changing fashions and jaded fan tastes were about to end his long run at the top…

The Vizier of Velocity was still a favoured, undisputed icon of the apparently unstoppable Superhero meme and a mighty pillar of the costumed establishment, but in times of precarious sales and with very little in the way of presence in other media like films, TV or merchandise, that just made him a bright red target for a company desperate to attract a larger readership.

It soon became an open secret that he was to be one of the major casualties of the reality-rending Crisis on Infinite Earths. The epic maxi-series was conceived as an attention-grabbing spectacle on every level and to truly succeed it needed a few sacrifices which would make the public really sit up and take notice…

With such knowledge commonplace, long-time scripter Cary Bates went to extraordinary lengths to ensure that the Crimson Comet and the comic title which inspired a super-heroic revolution went out in a totally absorbing blaze of glory…

This momentously massive stand-alone monochrome collection gathers the pertinent chapters of an astonishingly extended and supremely gripping serial which charted the triumphs and tragedies of the Monarch of Motion’s last months and savoured the final moments of the paramount hero and symbol of the Silver Age.

Contained herein are Flash #323-327, 329-336 and 340-350, spanning July 1983 to October 1985, written throughout by Bates and pencilled by originating artist Carmine Infantino, opening on the day Barry is supposed to marry his new sweetheart Fiona Webb.

As the nervous groom dresses for the ceremony, however, an Oan Guardian of the Universe appears with appalling news. Professor Zoom, the Reverse-Flash has escaped from the timeless hell the vengeful Vizier of Velocity banished him to for murdering Iris…

Inked by Rodin Rodriguez, ‘Run Flash – Run for your Wife!’ sees the distraught hero pursuing and battling his ultimate enemy on the run all over he world as the clock ticks down, culminating in #324’s ‘The Slayer and the Slain’ (Dennis Jensen inks) with the police issuing a missing persons alert for the vanished Barry Allen.

Crushed Fiona finally gives up on her man and is leaving the church just as Zoom dashes in with Flash hard on his winged heels. The maniac has boasted that he will repeat himself by slaughtering his archenemy’s second love, but with femto-seconds to spare Barry goes into overdrive and grabs his foe by the neck…

When the dust settles the wedding guests see Flash trying to comfort the bride-to-be but Police Captain Darryl Frye and Detective Frank Curtis are distracted by something the speedster has not noticed: Zoom’s lifeless corpse…

The media circus begins in #325 as ‘Dead Reckoning’ sees the guilt-racked speedster go into heroic overdrive all around the world but somehow never quite outrunning the Press or his own remorse.

As friends and allies wonder where they stand, the vile miscreants of The Flash Rogues’ Gallery come together to steal Zoom’s cadaver. Captains Cold and Boomerang, Pied Piper, Weather Wizard and The Trickster actually despised the Reverse-Flash and need to desecrate his corpse for the utter embarrassment he has brought upon their association: letting himself get killed by the scarlet Boy Scout…

Their heartbroken foe meanwhile has stopped running, and Barry visits Fiona where she lies in hospital. The shock of Barry’s abandonment has traumatised and perhaps even deranged her, but worse is in store. After leaving her room in his Flash persona, the hero is reluctantly arrested by Captain Frye on a charge of Manslaughter…

‘Shame in Scarlet’ (inked by Gary Martin) opens on the arrest and arraignment but the madhouse of raving pressmen and downhearted cops is just what the recently captured Weather Wizard needs to mask a bold getaway scheme.

Ever dutiful, Flash eludes custody long enough to stop the rogue before surrendering himself again…

Fiona’s doctors refuse to believe the still-missing Barry Allen came to see her and diagnose a delusional breakdown, whilst out on the streets Frank Curtis is further distracted by teenaged Angelo Torres; a kid barely surviving in a tough gang-controlled area of Central City

Released on his own recognizance, Flash sneaks into his own apartment but as the realisation of his destroyed life finally sinks in, he loses control and trashes the place in an explosive outburst. By the time his terrified neighbours break in he has gone and the suspicion that someone has targeted the missing Police Scientist seems confirmed…

Roaming the streets the Crimson Comet sees Angelo fleeing from a mugging but is appalled to realise he has tackled the wrong guy. Torres was chasing the real thief…

Still reeling at how far he has fallen, the shell-shocked speedster is barely aware that he is bleeding badly (from self-inflicted wounds incurred when destroying his home), and allows a cop to take him to hospital. The good deed does not go unpunished. When he arrives, Fiona is there and suddenly flares into a state of total hysteria…

The horrors pile on in ‘Burnout’ (#327, inked by Jensen) as Flash reconciles with Angelo, unaware that the kid has been targeted by the malign Super-Gorilla Grodd as part of a convoluted vengeance scheme.

Flash is too preoccupied by his next personal crisis as the Justice League of America holds a special session to judge his actions and conduct. A nail-bitingly close vote of his crestfallen best friends will determine whether he can remain a member of the august group…

Flash #328 is a partial reprint exploring the Flash/Professor Zoom vendetta and not included here, so the saga resumes with ‘What is the Sinister Secret of Simian and Son?’ (#329, with new regular inker Frank McLaughlin picking up the pens the brushes). Grodd uses Angelo and other kids to perpetrate series of bold raids even as, in front of the maddened media cameras, unscrupulous, publicity-hungry celebrity criminal defense attorney Nicholas D. Redik attempts to insert himself into the “Case of the Century”, claiming to be Flash’s lawyer and only chance of acquittal…

The oblivious, troubled human thunderbolt has other ideas. He has already contacted “Barry’s” old friend Peter Farley to act on his behalf, blithely unaware that back home Grodd has taken over Angelo and Fiona has succumbed to a total mental breakdown…

The final confrontation with the über-ape begins in ‘Beware the Land of Grodd!’ (scripted by Joey Cavalieri over Bates’ plot) as Redik manipulates the media to force Flash to switch lawyers and Captain Frye pushes the ongoing search for the missing Barry to new heights. With all these distractions the Vizier of Velocity is easily ambushed by Grodd before Angelo, at the moment of truth in #331’s ‘Dead Heat!’, has a change of heart and mind. With a supreme effort of will the remorseful lad breaks the super-ape’s conditioning, allowing the speedster to triumph.

Returning the renegade to futuristic Gorilla City, Flash leaves the mental monster in the custody of his old comrade Solovar, returning to America just in time to hear Farley being murdered during a phone conference…

Bates rejoins Infantino & McLaughlin as ‘Defend the Flash… and Die?’ sees the Scarlet Speedster hurtle across the country to save his lawyer from a colossal explosion, but even he is not fast enough to prevent the victim incurring massive injuries.

As speculation runs riot in the media that someone is targeting Flash’s defenders, old enemy Rainbow Raider take advantage of the chaos to instigate a string of robberies, but even at his lowest ebb the hero is too much for the multicoloured malefactor…

Redik is now publicly offering to take the case for free, but Farley’s absentee business partner has already taken up her ailing associate’s celebrity caseload…

In issue #333, as inexplicably hostile attorney Cecile Horton confers with her newly inherited client, ‘Down with the Flash!’ reveals how certain elements of Central City have seemingly turned on their former champion. Fiona too is still drawing trouble, as a petty thug and his crazy brother break into the asylum treating her, looking for a little one-stop emergency therapy. Sadly for them the Monarch of Motion is still keeping an eye on his tragic fiancée…

N.D. Redik then attempts to bribe and/or bully Horton off the case, but despite clearly despising her crimson client, Cecile is determined to honour Peter’s wishes and save the speedster.

The mastermind stirring up anti-Flash sentiment is revealed in ‘Flash-Freak-Out!’ Just as the pre-trial manoeuvrings begin, the formerly supportive Mayor suddenly becomes the disgraced hero’s biggest detractor.

Pied Piper’s mind-altering influence even manages to make the hero apparently go berserk on live TV in ‘How to Trash a Flash!’, leaving even his most devoted fans wondering if their beloved champion has in fact gone crazy…

…And whilst Flash is trying to save the Mayor, at her secluded retreat Cecile Horton is caught in an explosive blast like the one that took out her partner…

‘Murder on the Rocks’ in #336 finds Flash arriving too late for once, but the ecstatic speedster is astounded to discover his lawyer has saved herself through sheer quick thinking – although another woman has been killed. The tabloid reporter had been bugging the supposed “safe house” and accidentally fallen foul of a couple of killers-for-hire…

The trail of death leads the forensically trained Flash inexorably to a man whose arrogant determination to be a star in the tragedy costs him everything…

Rather annoyingly the next three chapters are absent here. They would have shown how Flash finally finished the Piper and incurred the wrath of the Rogues who subsequently turned a hulking simpleton into a programmed super killer dubbed Big Sir before unleashing him on the Scarlet Speedster…

We rejoin the story with Flash #340 to ‘Reach Out and Waste Someone!’ as the hurtling hero turns the tables on Cold, Boomerang, Weather Wizard, Trickster and Mirror Master by befriending Big Sir. The danger averted, the Flash then surrenders himself to the courts.

After many months #341 sees proceedings finally open in ‘Trial and Tribulation!’ only for the weary defendant to discover that go-getting District Attorney Anton Slater has dropped the charges. The wily attention-seeker has abandoned his manslaughter case in favour of a charge of Second Degree Murder…

With the still at-large Rogues rampaging through the city, the opening arguments quickly start to make the stunned Flash appear like a cunning killer and, whilst he reels in court, Captain Cold and Co again brainwash the now docile Big Sir. When the shattered speedster leaves after his first bruising day the Brobdingnagian brute ambushes him, wrecking his face with a massive mace…

Maimed, dazed and reeling Flash flees in unconscious panic leaving Sir to assault the gathered media in ‘Smash-Up!’ Barely thinking, the wounded warrior heads for Gorilla City where the super simians’ miraculous medical technology saves his life. Recovered and ready to return, Flash is certain he has made the right decision by asking Solovar to use their advanced science to enact a certain alteration for him…

Upon his return the Vizier of Velocity again deprograms Big Sir and the odd couple make sure the Rogues can’t hurt anyone any more…

Flash #343 kicks the drama into even higher gear in ‘Revenge and Revelations!’ as the secret of why Cecile hates her crimson-clad client is exposed and merciless mobster monster Goldface attacks, even as in the far future another Flash foe escapes an unbeatable prison and heads for the present, intent on adding to the doomed hero’s historic woes…

‘Betrayal!’ in #344 is a partial reprint (by Bates & John Broome, Infantino, McLaughlin & Joe Giella) which combines the first appearance and an early exploit of Kid Flash with that devoted protégé’s devastating expert testimony under oath on the witness stand.

The reluctant lad’s damaging evidence is then compounded when Cecile makes an explosive mistake which exposes ‘The Secret Face of the Flash!’ to the courtroom and the world…

Confusion reigns in #346 as the shocking revelation is upstaged by reports that the actual victim might not be dead. A merciless yellow-and-red blur has been spotted all over Central City attacking civilians and destroying police records in ‘Dead Man’s Bluff!’

The Reverse-Flash has escaped certain death many times before but as he mercilessly attacks the other Rogues – with even the Jurors narrowly escaping certain doom – there is a sure and certain feeling that something is not right…

The trial concludes in #347’s ‘Back from the Dead!’ but even with the thoroughly thrashed Rogues and Police Captain Fry attesting the victim is still alive, more than one malign presence in the courtroom is affecting the jurors and ‘The Final Verdict!’ comes back “guilty”…

However the story is not over and #349 unleashes a cascade of staggering revelations revealing clandestine agents acting both for and against the harried Human Hurricane in ‘…And the Truth Shall Set him Free!’ before the extended extravaganza of #350 begins by declaring ‘Flash Flees’ and thereafter shows the Scarlet Speedster defeating his ultimate nemesis, clearing his name and even living happily ever after… until that fore-destined final moment in Crisis on Infinite Earths.

Staggering in scope, gripping in execution and astoundingly suspenseful, these last days of a legend make for stunning reading: a perfect example of the kind of plot-driven Fights ‘n’ Tights fiction we just don’t see enough of these days.

If you feel a need for a traditionally thrilling kind of speed reading, this is a chronicle you must not miss.

© 1983, 1984, 1985, 2011 DC Comics. All Rights Reserved.