Jonah Hex volume 8: The Six Gun War


By Justin Gray, Jimmy Palmiotti, Cristiano Cucina, Rob Schwager & Rob Leigh (DC Comics)
ISBN: 978-1-4012-2587-2

When Justin Grey & Jimmy Palmiotti resurrected DC’s western wild-man Jonah Hex, they cunningly incorporated an even more mordant, blackly ironic streak of wit than originators John Albano and Tony DeZuñiga to amplify the already sanguine view of morality and justice that permeates the feature. The gritty – often macabre – narratives thus result in some of the most accessible and enjoyable comics fiction ever.

The writers also had the services of extremely talented people like colourist Rob Schwager and letterer Rob Leigh plus their pick of top artists such as Italian maestro Cristiano Cucina (Dragonero) who illustrates this entire uncompromising eighth trade paperback (or digital edition, should you be so inclined) compilation from 2010.

The contents comprise issues #44-49 of this much-missed iteration of the greatest gunman of all time: this go-round generally down-playing sly wit and slick satire in favour of a brutal, wide-ranging saga of death and vengeance…

The Six Gun War begins in the middle of a Texas tornado as Hex blithely stumbles into a cunning trap set by long-term nemeses Quentin Turnbull and El Papagayo.

The plutocratic southern millionaire has bedevilled Hex for more than a decade, mistakenly blaming the former Confederate soldier for the betrayal of his battalion to Union troops and consequent death of Turnbull’s son and heir Jeb.

Alternatively, the flamboyant Mexican bandit, border raider and rabid parrot-fancier is simply a psychotic madman who has had many murderous schemes frustrated by the bounty hunter and yearns to teach the goddam freak a painful final lesson…

Revelling in holding the upper hand, the human monsters do their worst and depart. Left for dead, Hex is miraculously saved by a most unlikely duo and sets off upon the trail of his unsuccessful murderers as they gleefully head back to Mexico.

Turnbull and El Papagayo have a secret joint venture in play. Far from American oversight, the Virginian aristocrat has restored his faded fortunes by enslaving an entire Mexican region and forcing the populace to mine gold for him. The bandit chief’s men act as enforcers and get their cut, as do local government officials…

As the villains head ever southward, they encounter Hex’s sometime allies Tallulah Black and Bat Lash and savagely take them captive for later fun and games…

Hex still has one creepy colleague to call on. Aging bank teller Lazarus Lane is unwilling host to injustice-stalking demon-spirit El Diablo who eagerly joins the coldly furious bounty killer upon the promise of many evil souls to reprimand…

The growing army of retribution is further bolstered by a war-party of Comanche braves trailing a band of whites and Mexicans who lately butchered an encampment of women, children and old men…

The quest quickly results in the grim pursuers liberating Lash and Tallulah – and even taking El Papagayo out of the picture – but after these setbacks, the rich man switches to wealth as his weapon of choice: hiring the world’s seven greatest assassins to stop Hex and Co by any means necessary…

An angry Jonah Hex is more elemental than human, however, and they won’t be nearly enough…

Sharp, smart, fast-paced, deliciously convoluted and staggeringly violent, The Six Gun War is a spectacular explosive epic showing the darkest side of the West’s greatest antihero and the depths to which his enemies will stoop. This is another intoxicating and unmissable yarn no fan of the genre or first tier comicbook wonder will want to miss.
© 2010 DC Comics. All Rights Reserved.

Jonah Hex volume 7: Lead Poisoning


By Justin Gray, Jimmy Palmiotti, Jordi Bernet, Rafa Garres, David Michael Beck, Rob Schwager & Rob Leigh (DC Comics)
ISBN: 978-1-4012-2485-1

When Justin Grey & Jimmy Palmiotti reinvigorated modern Western legend Jonah Hex they deftly blended a blackly ironic streak of wit with a sanguine view of morality and justice to produce some of the most accessible and enjoyable comics fiction available from the period. They also had the services of extremely talented people such as colourist Rob Schwager and letterer Rob Leigh and the pick of top artists such as European maestro Jordi Bernet who illustrates fully half the gritty tales in seventh trade paperback (or digital, should you be so inclined) compilation from 2009. The contents comprise issues 37-42 of the superb and much-missed iteration…

I first recognised Jordi Bernet’s work on The Legend Testers. By “recognised” I mean that very moment when I actually understood that somebody somewhere drew the stuff I was adoring, and that it was better than the stuff either side of it.

This was 1966 when British comics were mostly black and white and never had signatures or credits so it was years before I knew who had sparked my interest…

Jordi Bernet Cussó was born in Barcelona in 1944, son of a prominent and successful humour cartoonist. When his father died suddenly Jordi, aged 15, took over his father’s strip Doña Urraca (Mrs. Magpie).

A huge fan of Alex Raymond, Hal Foster and particularly expressionist genius Milton Caniff, Bernet yearned for less restrictive horizons and left Spain in the early 1960s to chance his hand at dramatic storytelling.

He worked for Belgium’s Spirou, Germany’s Pip and Primo, before finding work on English weeklies. Bernet toiled on British publishers between 1964 and 1967, and as well as the Odhams/Fleetway/IPC anthologies Smash, Tiger and War Picture Library he also produced superlative material for DC Thomson’s Victor and Hornet.

He even illustrated a Gardner Fox horror short for Marvel’s Vampire Tales #1 in 1973, but mainstream America was generally denied his mastery (other than some translated Torpedo volumes and a Batman short story) until the 21st century reincarnation of Jonah Hex.

His most famous strips include thrillers Dan Lacombe (written by his uncle Miguel Cussó), Paul Foran (scripted by José Larraz) the saucy Wat 69 and spectacular post-apocalyptic barbarian epic Andrax (both with Cussó again).

When General Franco died Bernet returned to Spain and began working for Cimoc, Creepy and Metropol, collaborating with Antonio Segura on the sexy fantasy Sarvan and dystopian SF black comedy Kraken. His other job was collaborating with Enrique Sánchez Abulí on gangster and adult themes tales that have made him one of the world’s most honoured artists, and which culminated on the incredibly successful crime saga Torpedo 1936

The rawhide dramas commence with Bernet in top form as Hex tangles and torridly tussles with a trio of female former circus performers who take up bounty hunting and prove that ‘Trouble Comes in Threes’, after which ‘Hell or High Water’ finds the gritty gunslinger enduring horrific tortures at the hands of a sheriff he once shamed.

The brutal psychopath has no idea what real vengeance feels like until Jonah gives him a fast and final lesson…

Baroque stylist Rafa Garres supplies art and colours for a grim parable examining ‘Cowardice’ wherein a rookie sheriff gets life lessons in doing his job after Hex tracks murderous escaped convicts to a quiet country backwater, after which David Michael Beck depicts a gruesome two-part tale of savage madness.

When Hex and sometime ally/constant foil Tallulah track a serial-killing civil war surgeon teaching other perverts his bloody discoveries, the red-handed butcher displays enough body-shredding acumen to almost end them both. However, even his gory assaults and inclinations to devil-worship of the ‘Sawbones’ are no match for Jonah Hex in a mood to display his all-consuming displeasure and irritation…

Bernet wraps things up in inimitable blackly comedic style as ‘Shooting the Sun’ offers a shocking glimpse at the bounty hunter’s formative years with parental sadist Woodson Hex

Apparently, the abusive behaviour made Jonah the man he is: someone able to turn an inescapable death-trap into a private shooting gallery offering the added attraction of long-deferred vengeance on the bullies who garnished little Jonah’s hellish childhood with extra misery…

With captivating covers from Bernet, Garres and Beck, Lead Poisoning is another explosively grim, yet bleakly hilarious outing for the very best Western anti-hero ever created: an intoxicating blend of action and social commentary no fan of the genre or cream-of-the-crop comics magic will want to miss.
© 2009 DC Comics. All Rights Reserved.

Jonah Hex volume 6: Bullets Don’t Lie


By Justin Gray, Jimmy Palmiotti, Paulo Siqueira, Jordi Bernet, Darwyn Cooke, Mark Sparacio, J.H. Williams III, Rafa Garres & various (DC Comics)
ISBN: 978-1-4012-2157-7

Always savvy enough to apply a broad variety of experimental approaches to this grittiest of human heroes, the assembled string of all-star artists working with scripters Justin Grey & Jimmy Palmiotti on this incarnation of Jonah Hex deftly blended a blackly ironic streak of wit with a sanguine view of morality and justice to produce some of the most accessible and enjoyable comics fiction available from the period.

In this sixth paperback (or digital, should you be so inclined) collection, reprinting issues #31-36 of the comic book series from 2006, these six stand-alone sagas serve to show the ravaged and determinedly dissolute bounty hunter yet again facing the worst that humanity can offer… or sink to…

Coloured by Rob Schwager and Dave Stewart, the six-gun sextet starts with a wry and devious manhunt illustrated by Paulo Siqueira & Amilton Santos wherein the greatest bounty hunter in the west is hired to bring in infamous outlaw ‘The Red Mask’.

Sadly, the entire affair is a set-up from start to finish – a fact Hex is aware of almost from the start…

Murder-mystery gives way to exotic macho mayhem and a deft tribute – limned by the legendary Jordi Bernet – to Sergio Leone’s signature “Spaghetti-Westerns” as Jonah is enticed to visit Mexico by a rich man who wants him to kill ‘The Matador’ who seduced his wife.

Having made the mistake of refusing the job, Hex endures the millionaire’s sadistic displeasure before uniting with his original target to hand out some US-style retribution…

Much-missed hyper-stylist Darwyn Cooke illustrates the shocking trials of sub-arctic survivalism as ‘The Hunting Trip’ takes Hex deep into Canada and up against vicious, corrupt Mounties, inadvertently teaching a young orphan boy the cruellest facts of life…

Even a cold-hearted killer like Jonah Hex has a breaking point and ‘Outrunning Shadows’ – with rather stiff and static painted art by Mark Sparacio – sees the bounty killer turn his back on slaughter to peacefully settle down.

Sadly, greed and human nature never change and before long he’s forced to drop his dreams and pick up his guns again…

After another particularly bloody job, Hex lets his guard down enough to accept the hospitality of the local lawman. After envying the childless couple’s domestic bliss, Jonah’s refusal of ‘A Crude Offer’ on their part leads to a situation gunplay won’t fix in a tense thriller pictured by J.H. Williams III.

Wrapping up the hard-hitting feast of thrills is a grimly uncompromising examination of racism and self-loathing illustrated by Rafa Garres. Wearing Confederate grey in the aftermath of the war always brought Hex trouble but never as much as this time when the sight of him terrifies a young negro girl into killing herself.

When the appalled, guilt-ridden gunslinger is lynched by her outraged kin and friends, Hex is saved by the recently-convened Ku Klux Klan who also attribute far too much to the clothes he wears and not the beliefs he holds…

After dealing with the white marauders in a manner they so richly deserve, Hex makes the sole survivor dig ‘Seven Graves Six Feet Deep’

With captivating covers from Richard Corben, Bernet, Cooke, Andy Kubert & Pete Carlsson, Williams III and Garres, Bullets Don’t Lie is an explosively grim, yet blackly comedic collection starring the very best Western anti-hero ever created: doling out a fabulously intoxicating blend of action and social commentary no fan of the genre or top-notch comics magic will want to miss.
© 2006, 2007 DC Comics. All Rights Reserved.

Jonah Hex volume 2: Guns of Vengeance


By Justin Gray, Jimmy Palmiotti, Luke Ross, Dylan Teague, Val Semeiks, Phil Noto, Tony DeZuñiga, David Michael Beck, Paul Gulacy & various (DC Comics)
ISBN: 978-1-4012-1249-0

Confident enough to apply fantasy concepts to this grittiest of human heroes, the assembled string of all-star artists working with scripters Justin Grey & Jimmy Palmiotti on this recent incarnation of Jonah Hex deftly blended a blackly ironic streak of wit with a sanguine view of morality and justice to produce some of the most accessible and enjoyable comics fiction available from the period.

In this collection, reprinting issues #7-12 of the comic book series from 2006, six stand-alone sagas serve to show the ravaged and determinedly dissolute bounty hunter yet again facing the worst that humanity can offer, and even includes a deliciously wry face off with the devil himself…

Illustrated by Luke Ross, the red-handed slaughter opens in Blood Creek, Texas as Hex genteelly crashes a matrimonial affair in search of an absconded felon, only to witness a scene of callous catastrophe perpetrated by a jilted former suitor and his army of hirelings. Resolves to teach the killers their final lesson to assuage the bride’s loss, even Hex’s apocalyptic brand of vengeance-taking is not enough for her after enduring ‘One Wedding and Fifty Funerals’

The lone gunman is usually able to handle everything the universe can throw at him with the same irascible aplomb, but when an old friend comes looking for help Hex realises far too late that he’s on the wrong side of a fight and helping a monster in ‘Never Turn a Blind Eye’ (with art by Dylan Teague, Val Semeiks & Dan Green)…

Another raw exposure of the inner core of righteousness that drives Hex – whatever his aspect and actions might hint to the contrary – underpins the eerie ‘Gettin’ Un-Haunted’ (rendered by legendary Hex co-creator Tony DeZuñiga).

Here a chance and tragic encounter with a little girl results in years of heartbreak until the scarred shootist devises a cunning scheme to exorcise his demons and lay some mutual ghosts at the same time…

It’s a short ride from guilty misery to Grand Guignol as the misshapen manhunter fetches up in Black Swamp, Louisiana, forced to deal with a family of people-stealing cannibals (and worse). Although they intended him to be ‘Gator Bait’ (Phil Noto art), the ornery Galahad has a few ideas of his own on the subject of making the punishment fit the crime…

Whilst displaying the addictive thread of black humour that runs through these stories Grey, Palmiotti and inspired draughtsman David Michael Beck reunite the surly bounty hunter with ensorcelled Spirit of Justice and sometime ally El Diablo for a fun time at ‘The Hangin’ Tree’.

Despite being almost murdered by a troop of circus freaks, the ghostly avenger’s unsubtle prodding of Hex convinces him to go gunning for a pack of crazed pistoleros intent on eradicating the perfidious performers…

Concluding this odyssey of ordeals is a sub-arctic argosy ranging through the depths of a Utah winter. When Hex sets out to save a colony of Mormons from prejudice and maniacal bounty killers, he soon discovers that yet again few things are simply black and white in the ‘Bloodstained Snow’ (limned by Paul Gulacy): a dark confection of outrage and revenge which is conceptually the most adult and complex in this book.

With covers by Giuseppe Camuncoli & Lorenzo Ruggiero, Beck, DeZuñiga, Noto, Art Thibert and Ross, Guns of Vengeance is an explosively grim, yet wickedly funny collection starring the very best Western anti-hero ever created: offering a sly blend of action and social commentary no fan of the genre or top-notch excitement will want to miss.
© 2006, 2007 DC Comics. All Rights Reserved.