Jeph Loeb, Ed McGuinness and Dexter Vines (DC Comics)
For many years Superman and Batman worked together as the “World’s Finest” team. They were friends and the pairing made financial sense as DC’s top heroes should cross sell and cross pollinate their combined readerships.
When the characters were redefined for the post-Crisis 1980s they were remade as respectful co-workers who did the same job but deplored each other’s methods and preferred to avoid contact whenever possible (except when they were in the Justice League – but for the sake of your sanity don’t fret that right now!). Here they have reformed as friends for the style-over-content twenty-first century, and this is the story of their first outing together. Outlawed by Presidential decree and hunted by their fellow heroes, they find themselves accused of directing a country-sized chunk of Kryptonite to crash into Earth! To save Superman, the world and their own reputations they are forced to attempt the overthrow of the President himself.
In so many ways this compilation is everything I hate about the modern comics industry. Plot is reduced to an absolute minimum in favour of showy set-pieces. Previously established characterisation is hostage to whatever seems the easiest way to short-cut to action (mortal foes Captain Atom and Major Force work together to capture our heroes because US President Lex Luthor tells them to?). The story length is artificially extended to accommodate lots of guest stars, and yet large amounts of narrative occur off-camera or between issues, presumably to facilitate a faster, smoother read. Also, there was an unholy rush to a collected edition, presumably because of demand, but that didn’t prevent the publishers releasing the reprint as an expensive hardback before getting round to releasing a trade paperback collection a good few months after that. This is no way to service or expand an already diminishing customer base.
On the plus side however is the fact that I’m an old fart. There is obviously a market for snazzy looking, stripped down, practically deconstructed comic fare. There must be, or Image Comics wouldn’t have lasted three months, let alone the length of time many of the perpetrators managed. Public Enemies does look good, and if much of the scenario is obvious and predictable it is big and immediate and glossy like a summer action film. Perhaps there’s room for those alongside the Will Eisners, Dave Sims, Alan Moores, Robert Crumbs and Frank Millers of the world.
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