By Mark Waid & Mike Wieringo, with Howard Porter, Norm Rapmund, Karl Kesel & Paul Smith (Marvel)
ISBN: 978-0-7851-5657-4
The Fantastic Four is widely regarded as the most pivotal series in modern comics history, introducing both a new style of storytelling and a strikingly fresh manner of engaging readers’ imaginations and attention. The heroes are felt by fans to be more family than team and, although the roster has temporarily changed many times over the years, the line-up always inevitably returns to the original core group of maverick genius Reed Richards, wife Sue, trusty friend Ben Grimm and Sue’s younger brother Johnny; all survivors of a privately-funded space-shot which went horribly wrong when Cosmic Rays penetrated their ship’s inadequate shielding.
After crashing back to Earth, the quartet found they had all been hideously mutated into outlandish freaks. Richards’ body became astoundingly elastic, Sue gained the power to turn invisible and project force-fields, Johnny could turn into living flame, and poor, tormented Ben was transformed into a horrifying brute who, unlike his comrades, could not reassume a semblance of normality on command.
This particular compilation gathers issues #503-513, highlighting more of the spectacular run by writer Mark Waid and much-missed illustrator Mike Wieringo, gloriously celebrating their “back-to-basics†approach which utterly rejuvenated the venerable property, beginning in 2003.
Waid’s greatest gift is his ability to embed hilarious moments of comedy into tales of shattering terror and poignant drama, but that’s sensibly suppressed here for the story-arc ‘Authoritative Action’ (illustrated by guest artists Howard Porter & Norm Rapmund) which sees the team return to Latveria following their spectacular defeat of Dr. Doom (for which see Fantastic Four by Waid & Wieringo Ultimate Collection book 2).
Arguably the most dangerous man alive, their arch foe was also supreme ruler of the tiny Balkan nation, his deadly inventions and ruthless reputation holding his subjects in an all-enveloping security cocoon whilst simultaneously keeping at bay every country surrounding the Ruritanian holdover.
Now, with the Iron Dictator gone,Hungaryis only the first of a dozen states seeking to forcibly annexe the territory and seize Doom’s lethal arsenal of technological terrors…
Maimed and potentially crazy following that fateful final clash, Reed has brought the FF back to the kingdom to keep the far-from-grateful citizens safe until the Latverians themselves can decide their future. Unfortunately the responsibility-wracked Reed Richards has neglected to inform the United Nations and his own government of this arbitrary action. In the eyes of the world it looks like the heroes have simply staged a coup…
Most Latverians are equally suspicious. To them their aloof, autocratic, media-controlling former ruler was a paternalistic despot who provided a paradise free from hunger, crime and strife with all the benefits of full employment and cradle-to-grave healthcare…
As the team break into Doom’s castle they find his robots removing their master’s creations and Reed orders his increasingly uneasy comrades to stop them, destroy the trash and store any devices that might be useful. They are even more disturbed when their leader hangs their logo from a flagpole and tells them that the team is staying to run the country…
The deed precipitates an international crisis and the UN calls in super-spy Nick Fury (leader of the organisation’s peacekeeping force S.H.I.E.L.D.) to take charge asHungary,Serbia and Symkaria all mobilise their armies to take back “their†territory.America too is incensed, fearing the FF’s actions will be construed as Yankee imperialism.
In the beleaguered principality Reed is clearly losing it. All his efforts to show the people what a monster Doom was go awry and he is slowly uniting the culture-shocked citizens against him. Even his devoted friends and family have their doubts – at least until Richards uncovers Doom’s hidden nuclear arsenal and underground intercontinental missile base…
Resorting to a media blitz, Reed opens Doom’s Fortress to the Latverians but only succeeds in provoking a suicide attack by ultra-nationalists, even as the UN issues an ultimatum: unless the FF vacate the country within 48 hours a “Coalition of the Willing’ comprising 39 nations including Russia and China, will declare war on them and America, liberating Latveria – and Doom’s arsenal…
In the postage-stamp kingdom, Ben and Johnny, frightened that Reed’s recent traumas have tipped him over the edge, try to negotiate with the Latverian resistance before the situation worsens, but are caught in a police sweep of deadly Doombots controlled by the now clearly insane Mr. Fantastic…
With Fury compelled to lead the coalition to proveAmerica’s innocence, Reed finally drives away his family just as the massed armies utterly surrounding the kingdom attack. But of course he has always had a plan. It involved plucking Doom from the torments of Hell and exacting a truly horrific and proper punishment upon the dictator and himself, but it’s all ruined when Sue, Ben and Johnny return to save him, allowing the dictator’s soul to escape and possess the Fantastic Four…
Even after that debacle is successfully concluded, Doom dispatched back to Hell and Latveria finally free to chart her own course, the FF are international pariahs awaiting trial for treason…
The battle also cost Ben’s life.
The team return to America in ‘Hereafter’ (illustrated by the returning Wieringo & Karl Kesel) which saw the ultimate inventor push his intellect to the limits of imagination and create a device to take Richards – and his unbelieving wife and brother-in-law – to Heaven and bring Ben back…
Spectacular and truly cosmic in scope, this bold tribute to the unlimited imagination of Jack Kirby acts as an inspirational re-set button for the series and this volume ends with a bunch of far lighter tales celebrating the team’s past and highlighting that comedy touch Waid, Wieringo & Kesel were famed for.
Fantastic Four #512 and 513 led with a 2-part action romp ‘Spider Sense’ as in the wake of the Latveria incident, self-promoting “playa†Johnny Storm went wild after his old frenemy Spider-Man surrendered (after five straight years) the title of “New York’s Least Eligible Batchelor†to the Human Torch…
Unable to handle the prospect of being unpopular Johnny became even more unconsciously obnoxious, demanded satisfaction of the arachnid avenger and got into a battle at a water park that deprived him of his confidence, his dignity and his pants – and that was before the hilariously Z-list villain Hydro-Man attacked…
This outrageous exploration of super-heroic Bromanticism was supplemented by a brace of superb and gently affectionate short stories rendered by the masterful Paul Smith. ‘Gone Fishin” peeked into the restored relationship of Reed and Sue as both dwelt upon old potential paramours, whilst the last teamed the Invisible Woman and her husband’s college girlfriend Alyssa Moy in a telling time-travel yarn which disturbingly hinted that some things were ‘Best Left Forgotten’…
With a full cover gallery by Tony Harris & Tom Feister, Wieringo & Karl Kesel
and Paul Mounts, this power-packed primer also includes
Superbly entertaining, immensely exciting and genuinely challenging, this run of tales was a sublime renaissance for the “World’s Greatest Comics Magazine†and this collection also includes bonus material comprising deleted scenes, the ‘E-mail Exchange’ resulting from the proposal to go political and also add God to the list of luminaries who have guest-starred in the series, notes of the art tribute to Kirby in #511 and unused pencil art and promotional designs.
Utterly absorbing, top quality Fights ‘n’ Tights mastery from some of the greatest creators in modern comics, this is another book no aficionado should ignore …
© 2003, 2004, 2011 Marvel Characters, Inc. All rights reserved.