Obscura


By Luke Cartwright & Lukasz Wnuczek (Marcosia)
ISBN:978-1-64764-746-9 (HB)

We haven’t looked at a really engrossing horror yarn for simply ages, so it’s a good thing that this stunning dose of macabre graphic gothic mania plunked down in my review copies vestibule…

Obscura comes from and is about the Land Down Under (Tasmania actually!): an act of love and perseverance begun in 2012 but finally perfected and released last year by author Luke Cartwright and illustrator Lukasz Wnuczek. It’s presented here for your delectation and elucidation (and probably trepidation)…

Set on the island of Van Diemen’s Land (a former Crown prison colony and site of one of the British Empire’s most appalling atrocities: just look up the Black War if you have the stomach), it opens in 1870 with the rather outré preoccupations of master William Morier. The 12-year old is already a gifted cosmetician and mortician like his father, but his odd-yet-comfortable life is ruined by a double blow: meeting with the spiritualist children Catherine and Annabel White and a scandal involving body-snatching and the local medical school.

The White girls are controversial celebrities in the township, a place even more death-obsessed than most Victorian enclaves. When Annabel ends up on the Morier mortuary slab, dead from causes unknown, William’s path in life is forever altered…

A crafty tale within a tale, the drama resumes a decade later. As well as burying bodies, William is a gifted photographer and, after discussing the profitability of his wife’s childhood scams, sets upon a new enterprise, for his need is great and urgent.

Catherine Morier (nee White) suffers a dire medical malady and her doting husband needs plenty of cash to pay for an operation. His solution is Spirit Photography: combining portraits of living clients with the ghosts of departed loved ones who still cling unseen to them.

Sadly, not everyone’s a believer. A certain policeman keeps hanging around, especially after one of the captured phantasms is seen working in a local shop…

As William gets deeper and deeper into the fraudulent hole he’s dug for himself, the walls between chicanery, criminality, murder and the inescapable horror of the true Unknown start to blur and bleed together…

Mordant and compelling, this bleak tale is rendered in mesmerising monochrome tones and washes (almost like daguerreotypes, maybe?), building a noir edifice of stark choices and unlikely outcomes for the protagonists whom it’s simply impossible to dislike. Especially effective is the period language, which is authentic sounding, remarkably restrained and deliciously sparse. Cartwright is a writer who knows when to let Wnuczek’s pictures do the talking.

A decidedly effective dalliance with the dark and one no lover of period thrillers and slyly witty horror should miss.
Text & illustrations © Luke Cartwright & Lukasz Wnuczek 2019