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October 21, 2012October 18, 2012

Ultimate Spider-Man: Venom

By Brian Michael Bendis, Mark Bagley, Art Thibert & Rodney Ramos (Marvel)
ISBN: 978-0-7851-2873-1

After Marvel’s financial – and indeed creative – problems in the later 1990s, the company came back swinging. A key new concept was the remodelling and modernising of their core characters for the new youth culture. The ‘Ultimate‘ imprint abandoned the monumental continuity which had always been Marvel’s greatest asset, and the company’s major characters were given a separate universe to play in, with varying degrees of radical makeover to appeal to a contemporary 21st century audience.

Peter Parker was once again a nerdy high-school geek, brilliant but bullied by his physical superiors, and there was a fresh and fashionable, more modern and scientifically feasible rationale for the spider bite which imparted impossible arachnoid abilities.

Uncle Ben still died because of his lack of responsibility. The Daily Bugle was still there as was the outrageous J. Jonah Jameson. But now in a more cynical, litigious world, well-used to cover-ups and conspiracy theories, arch-foe Norman Osborn – a corrupt, ruthless billionaire businessman – was behind everything.

Any gesture towards the faux-realism of traditional superhero fare was surrendered to a tried-and-tested soap-opera melodrama that inevitably links all characters together in invisible threads of karmic coincidence and familial consanguinity, but, to be honest, it seldom hurt the narrative. After all as long as internal logic isn’t contravened, subplots don’t have to make sense to be entertaining.

By reworking key moments of Lee & Ditko’s Spider-Man – and their myriad successors – writer Brian Michael Bendis and illustrator Mark Bagley succinctly captured the core values of the original and certainly re-cast in it terms that newer readers readily assimilated. The Ultimate Peter Parker spoke to modern teen readers in the same way the 1960s incarnation spoke to me and my peersâ€¦

Collecting issues #33-39 of Ultimate Spider-Man from 2003, this premiere hardcover edition introduces an alternative vision for the web-spinner’s most memorable foe of recent vintage, and upped the angst-quotient by revealing untold connections with Peter’s long-dead parents.

The convoluted, clotted web of coincidence and continuity which had eventually bogged down the original Spider-Man was just beginning to creep into these tales, but perhaps that’s unavoidable if you’re concocting contemporary super-heroics.

What you need to know: Parker is the perennial hard-luck loser kid, a brilliant geek just trying to get by in a world where daily education is infinitely more scary than monsters and villains. His alter ego’s already shaky reputation has been destroyed by a burglar, who impersonated Spider-Man, went on a very public crime-spree and murdered Police Captain George Stacy.

Whilst Peter was dealing with the deadly doppelganger his widowed Aunt May was inviting Stacy’s orphaned daughter Gwen to move into the Parker household. In the aftermath Pete’s girlfriend and confidante Mary Jane Watson dumped him, unable to deal with the constant stress of having an underage superhero and perpetually potential corpse for a loverâ€¦

Shell-shocked and emotionally gutted by his bad break-up, Peter broods and mopes around the house until he finds an old box of junk which contains notes and video tapes of his 5-year old self and his parents; dead for a decade in a plane crash.

The idyllic scenes show a picnic in the park, attended by geneticists Richard and Mary Parker, their research partners the Brocks, Uncle Ben and Aunt May. Although he had forgotten, Eddie Brock Jr., despite being an older kid, was young Pete’s best friend for years â€“ almost a brotherâ€¦

Eddie’s folks had also died in the crash and the boy had been forced to leave the city and live with his grandparents.

All fired up, Peter tracks down Eddie and, discovering he’s now a student at Empire State University, resolves to find his old buddy and show him the tapes. So eager is the Arachnid kid that he doesn’t even glance at the notes and files in the box: enigmatic records pertaining to an incredible, radical cancer-cure code-named the Venom Projectâ€¦

Under the tutelage of Dr. Curt Connors (whom Spidey once battled when the scientist temporarily mutated into a sentient Lizard), Eddie has grown into the coolest guy imaginable: a science student carrying on their father’s work and a player with lots of great-sounding advice about girlsâ€¦

At the end of a great day on Campus, Eddie takes Peter to the labs and shows his bro-besotted pal â€œthe workâ€ – a shared inheritance from their departed fathers which will change the world foreverâ€¦

The miracle-cure is a gloopy black liquid based on Ray Parker’s DNA: designed to coat a cancer sufferer’s entire body in a living bio-suit that would boost the victim’s system and repair organic malfunctions, and as Eddie shows it off he also discloses how corporate skulduggery scuttled the bold project even before the groundbreaking technologists died in that mysterious crashâ€¦

The suspicious and embittered Brock has spent years reconstructing the project using notes and samples kept by his grandfather. Now the student is close to total, vindicating successâ€¦

Back in High School Pete wants to confront Mary Jane, but Gwen advises against it. However when college-guy Eddie shows up in flashy sports car she joins the distracted Parker in another jaunt to ESUâ€¦

Fuming for hours at the imagined cause of his parents’ death and how well Gwen is getting on with Eddie, Parker breaks into the university labs to â€œobtainâ€ his own test samples of the Venom prototype and is horrified when the goo attacks and utterly envelops his bodyâ€¦

That night, a new Spider-Man rampages through New York, clad in deepest black. Stronger, faster, tougher, far more reckless and wild and spectacularly crushing crimes big and small. After brutally foiling a celebrity kidnapping and easily trashing super-villain the Shocker, the dark Spider tackles a petty thief who reminds him of Uncle Ben’s killer and, lost in an emotional flashback, mutates into a fanged horror which tries to eat the gun-toting thugâ€¦

Petrified and aghast, Peter comes to his senses in time and tries to escape but the suit won’t let him go until the panicked lad blunders into high tension power cables and crashes to earth in the cemetery where his parents are buriedâ€¦

Eddie is far from the cool guy he seems. After trying to take advantage of Gwen the frustrated frat boy sees TV footage of the Black Spider-Man and puts the pieces together. Rushing to the lab he finds Peter with the Venom sample and demands to know everything. Peter’s desperate warnings seem to hit home and he allows Parker to destroy the potentially homicidal sludge. Returning home he finds the still-shaking Gwen who tells him what Eddie did and slowly realises that his childhood friend might not be the paragon he imaginedâ€¦

Brock meanwhile has retrieved another sample in his ongoing series of Venom experiments and activated it with his own bodyâ€¦

Plagued by nightmares, Peter seeks out Mary Jane who again rejects him and his dangerous lifestyle, whilst at ESU Eddie’s rash act has already cost the life of the cleaning woman who tried to help the mewling ebony mess on a lab floor.

Next day at Midtown High, Peter’s Spider-Sense alerts him to incredible peril and he realises that the suit has copied his memories and passed them on. Eddie has become a ravening, shape-shifting carnivorous version of Spider-Man, fuelled by a now unsuppressed psychotic paranoia and hatredâ€¦

With Richard Parker’s video-taped fears and misgivings on the Venom Project and life in general echoing in his head, Peter confronts the exultant, mutated Eddie and is soundly thrashed. The big black beast is going wild: slaughtering cops and civilians, whilst only really craving Peter. The savage suit is madly trying to reunite with Peter’s memories and Parker DNA…

In the pointless battle that follows, the monstrous avatar is vaporised by lightning and Peter flees. Dodging cops who want to arrest him for his various impostors’ crimes, the totally traumatised kid runs straight into the formidable Nick Fury.

The Director of covert security agency S.H.I.E.L.D. is the government’s go-to guy: responsible for superhuman affairs and crises. Moreover he had previously threatened to draft Spider-Man once he turned eighteenâ€¦

Despondent and dejected, the boy surrenders and begs to be cured of the curse of Arachnid powers, but instead receives an unexpected and life-changing pep-talkâ€¦ Bewildered Peter again breaks into the ESU lab and meets Dr. Connors, wearily examining the vaults from which all the remaining Venom samples have been removedâ€¦

This version of the Wondrous Wall-crawler is very close to the movie iteration – surely a welcome benefit for all converts from celluloid to paper adventuring – and this book also includes added value features ‘Venom Arc Outline’ and 8 pages of beautiful Bagley pencils for the assorted comics and collection covers.

Moody and scary, but far more-concerned with angst-ridden melodrama than Fights ‘n’ Tights action, this thriller ends on a pensive, low-key and unsatisfactorily inconclusive note, deferring the eventual, inevitable showdown with the Venom-Brock amalgam to another day and leaving tragic Peter Parker even more conflicted and confused than beforeâ€¦

And that’s probably the point. Frenetic and compelling, the geeky charisma of the misunderstood alienated outsider fuels and permeates this readable pot-boiler of turbulent teen-tribulation and fashionable school-daze. Light yet addictive, this glossy super-soap brings great comics entertainment to the post-literate generation.
Â© 2003, 2007 Marvel Characters, Inc. All Rights Reserved.

October 20, 2012October 20, 2012

Marvels – Eye of the Camera

By Kurt Busiek, Roger Stern, Jay Anacleto & Brian Haberlin (Marvel)
ISBN: 978-0-7851-1386-7

The poignant story of New York photo-journalist Philip Aaron Sheldon, whose career was inextricably intertwined with the rise of meta-humanity, continues in this long-delayed sequel by writers Kurt Busiek & Roger Stern, illustrated by Jay Anacleto and coloured by Brian Haberlin.

Before the generational saga concludes however, this chronicle – collecting the 6-issue miniseries from 2009-2010 – commences with a Stern reflection on the series in ‘Looking Through the Viewfinder’ after which the reportage returns as ‘Just One Little Thing’ finds the independent but aging photo-journalist considering a more sedentary job as photo editor for a great metropolitan newspaper – just as the first reports of the Fantastic Four leak out at the beginning of the 1960s.

In a world filled with reports of alien invasions and atomic monsters like the Hulk, people are far more scared by the prospect of mutants – aberrant evolutionary offshoots of humanity destined to replace us – superseding mankind. Phil’s daughters are plagued with nightmares. So are many adultsâ€¦

Soon after the X-Men went public and Captain America returned, the world somehow became a constantly accelerating rollercoaster of incredible wonder and constant peril. Now years later, seeking some sense of perspective, Sheldon visits the site of the rocket-launch which took Reed Richards, Ben Grimm and Sue Storm and her little brother Johnny into space and returned them as cosmic-powered Marvels.

For the photo-journalist this is the key event and first page of the new chapter in history, but the visit doesn’t afford him much insight or perspective and he returns home to discover fate has a far more intimate surprise in store. A visit to the doctor reveals that Phil has lung cancerâ€¦

In ‘Making Sense of the World’ the prospect of imminent, mundane death shakes Sheldon. Determination to provide for his family galvanises the ailing journalist, and he vigorously pursues a long-delayed sequel to his book Marvels but he’s revolted by his publisher’s suggestion that he should concentrate on the darker aspects of the metahuman phenomenon – rogues, villains and monstersâ€¦

In a world peppered with flamboyant champions battling atomic crazies and even supernatural horrors like the Son of Satan, Phil can’t get past the incredible paralysing irony that his own doctors want to shoot him full of chemicals and radiationâ€¦

One scary night, after being saved from muggers by Spider-Man, Sheldon decides that this book – if it’s going to be his last – will accentuate the positive and not glorify the worst of the Marvels’ universe. His legacy will be to show the world that there’s nothing to be scared ofâ€¦

He begins to think twice in ‘Making Sense of the World’ as brutally merciless vigilantes such as the Punisher, Wolverine and Ghost Rider monopolise the news and his illness slowly grinds him down. However after meeting his old assistant Marcia Hardesty working for a TV network his bounce-back begins, especially after the chemotherapy pushes his disease into remission. Prowling the streets of New York however, catching great shots of new guys like Iron Fist, Yellowjacket and a host of new Avengers, Phil can’t help but see how few exploits are clear-cut and simple.

The staggering collateral damage from superhero incidents is increasing: homes destroyed and families traumatised, and one battle involving the X-Men even devastated much of JFK airport. Many new heroes are indistinguishable from actual monstersâ€¦

In ‘Shadows Within’ whilst Phil is out carousing, with old reporter pals when Jonah Jameson is kidnapped and the veteran photo-journalist sees with his own eye Spider-Man collaborating with and apparently actively condoning the murderous tactics of wanted felon The Punisher.

Horrified and disgusted, Sheldon collapsesâ€¦

The disappointment and disillusion continue in ‘Deep Wounds’. Everywhere Sheldon looks he sees his beloved, admired Marvels betraying their principles and even becoming subject to tawdry celebrity scandals. It all comes to a head when Bugle journalist Ben Urich is stabbed by enigmatic warrior Elektra and founding Avenger Henry Pym is indicted for stealing radioactive materialsâ€¦

The World rolls inexorably on and Phil struggles to complete his book, but when almost every hero and many of the villains vanish for a week, their return is followed by the advent of an unbelievably powerful being called the Beyonder. Huge swathes of the Earth are transformed and the planet is mere days from utter obliteration. When the Bugle’s Now Magazine begs the retired veteran to go and take the last pictures of Armageddon, the consummate professional acquiesces and is present when the Marvels impossibly repair the damage and achieve their greatest triumphâ€¦

Inspired anew and surfing a wave of public approval, Phil returns: forging ahead with his much-delayed sequel. Things are going great, and then one day he finds the cancer is backâ€¦

In ‘A Whole Lot of Paper’ Phil faces his final deadline, with wife Doris and the girls pitching in, even looking for new material as the metahumans and mutants constantly proliferate. Impatient and dying, Phil is heartened when Marcia turns up offering her services but his determination is fading even as his body succumbs to the mundane horror eating it from within. Dictating his copy from a hospital bed, his strength is failing fast and his thoughts are inextricably drawn to the past.

He wakes to find a stranger in his room and is reunited with a now grown Maggie, the Homo Superior child the Sheldons sheltered during the worst of the early anti-mutant unrest.

As a team of X-Men very publicly sacrifice their lives to save the world in Dallas, Texas, Phil finally discovers how his bravely generous act had not only saved one life but also created a modern-day saint in a forgotten corner of the world. As Doris, Jenny and Beth are joyfully reunited with Maggie, the recorder of Marvels passes away quietly in ‘Closing the Book’, content and secure in the knowledge that his legacies will be carried forwardâ€¦

Although steeped as ever in the cosy minutiae of mainstream Marvel continuity, Busiek and Stern have performed a canny magician’s trick in generalising moments of comicbook detail until new readers can absorb and accept the events as parts of a greater narrative, whilst for slavish fanboys like me, offhand remarks and references have all the added weight of a shared if distanced history, like the Kennedy Shooting, Live Aid, the fall of the Berlin Wall, Who Shot JR and so much moreâ€¦

Eye of the Camera also relentlessly trades on the fact that there’s no more sentimental creature than a comics reader and this small sequel, whilst lacking the impact of the original blockbuster, offers a moving and insightful end to the most human and approachable Watcher in the Marvel Universe.

This collection also includes a copious ‘Sources’ section, detailing the assorted comics which are referenced throughout the tale, and Busiek’s extended commentary in ‘Marvels: Eye of the Camera -The Outlines’ recounting the original plot before time, distance and changing fashion evolved the story.

That development is also included in ‘Marvels: Eye of the Camera Revised – the Look Ma, no Flashbacks Edition’ and the book ends with a peek at the ‘Art Process’ from Anacleto’s layouts and full pencils to Haberlin’s finished digital paint colours.
Â© 2009, 2010 Marvel Characters. Inc. All rights reserved.

October 19, 2012October 17, 2012

Superman Secret Origin

By Geoff Johns, Gary Frank & Jon Sibal (DC Comics)
ISBN: 978-1-4012-3299-3

One of the perennial dangers of comicbook longevity is the incessant â€“ and, as you get older, apparently hyper-accelerated – revisionism afflicting origin stories. Characters with any measure of success are continually reinvented to appeal to new readers and generally appal or gradually disaffect veteran aficionados. Moreover, nowadays it seems to happen sooner and sooner into a rebooted hero’s run.

Batman and Superman in particular are cursed by this situation, as much because of their broad mass-media appeal as their perfectly simple bedrock concepts. In recent years DC has been sedulously and assiduously editing, in-filling and cross-fertilising its icons until whether through movies, animated cartoons, TV shows, video games or the comics themselves, followers of the World’s Finest heroes can be assured that the ephemera and backstory always remain consistent and reliably reconcilable.

The upside of this is that as long as we fanboys can stifle our chagrin and curb our umbrage, every so often we can enjoy a fresh but not condescending, vivacious but not fatuous re-imagining of our best-beloved childhood touchstonesâ€¦

In 2009-2010 Geoff Johns and Gary Frank remastered the Man of Tomorrow with their 6-issue miniseries Superman: Secret Origin which, whilst reinstating many formerly-erased elements of the classic Silver Age mythology, also incorporated much of John Byrne’s groundbreaking 1986 reboot (as collected in the Man of Steel tpb volumes) with Mark Waid, Lenil Francis Yu & Gerry Alanguilan’s 2003 (Smallville TV-show inspired) Superman: Birthright.

Moreover the tale also legitimised and fully absorbed the Christopher Reeve Superman movies into the canon, with Frank’s supremely authentic renditions making the actor’s appearance and demeanour as both Action Ace and klutzy Clark Kent the definitive comicbook look of the Caped Kryptonian.

This particularly well-known folk-tale-retold opens with an introduction by screenwriter, producer and occasional comics scribe David S. Goyer after which ‘The Boy of Steel’ hones in on Clark Kent’s formative years as the Kansas farmboy begins to realise just how truly different he is from his friends and classmates.

Traumatised when he accidentally breaks best pal Pete Ross‘ arm playing football, Clark’s only confidante is Lana Lang – who has long known about his incredible strength and durability – but even she can offer no solace. The strange boy’s abilities are growing every day and his father is increasingly advising him to distance himself from ordinary kids.

When Lana kisses Clark, his eyes blast forth heat rays and nearly set the school on fire, prompting Jonathan and Martha Kent to reveal the truth to their troubled son. Buried under the barn is a small spaceship, and when Clark touches it a recorded hologram message from his birth-parents Jor-El and Lara shockingly discloses the orphan’s incredible origins as Kal-El, the Last Son of the dead planet Kryptonâ€¦

As the stunned and traumatised youth flees into the night, in another part of Smallville an equally unique youngster discovers a glowing green meteor fragmentâ€¦

In the days that follow Clark, weighed down by a new sense of responsibility and isolation, begins the life-long masquerade that will forever deflect attention from the being he really is. Meanwhile Martha, using materials from the fallen star-ship, makes her son a suit based on the garments she saw in the alien’s message and bearing the proud family crest of the House of Elâ€¦

On the day of the County Fair Clark meets Lex Luthor and feels sick for the first time in his life when the arrogantly abrasive boy-genius shows him the green rock he had found in the fields. At that moment a tornado strikes the little town and Lana is swept to her doom in the skies until impossiblyClark chases after her and flies her to safetyâ€¦

Issue #2 features ‘Superboy and the Legion of Super-Heroes’ and reveals how Smallville is seemingly protected by an invisible guardian angel who mysteriously saves people and property. Clark is lonelier than ever and, with only Lana and his folks to talk to, tries to strike up a friendship with Lex, but the aggressively disdainful and disparaging prodigy can only dream of escaping the revoltingly provincial backwater and moving to the big city of Metropolisâ€¦

Everything changes when the boy from Krypton meets a trio of super-powered strangers from the future. Saturn Girl, Lightning Lad and Cosmic Boy have travelled back to meet the youth who inspired a thousand years of heroism and show it by taking the Boy of Steel on a breathtaking vacation into the fabulous future.

â€¦And when he eventually returns home there’s one more glorious surprise when Superboy intercepts an extraterrestrial projectile and is reunited with his long-lost Kryptonian petâ€¦

Things are looking up for Luthor too: his despised but fully-insured father having just died, the brilliant boy and his little sister are now on their way to bigger and better thingsâ€¦

‘Mild-Mannered Reporter’ begins as, after years of travelling, bumbling Clark Kent begins work at the Metropolis Daily Planet; a once-great newspaper on the verge of bankruptcy in a once-great city. The venerable rag was slowly dying; suffering and expiring by degrees for the crucial mistake of trying to expose the billionaire plutocrat who owned most of the vast conurbation – the swaggering self-styled philanthropist Lex Luthor.

Even so, Editor Perry White, intern and aspiring photo-journalist Jimmy Olsen and particularly lead reporter Lois Lane were determined to go down fightingâ€¦

Every day Luthor appears on the balcony of his corporate HQ and deigns to grant the tawdry request of one of the fawning desperate rabble, but his gloating is spoiled when Lane and her new stooge Kent break through security and disrupt the demonstration of a new high-tech fighting-suit. In the melee Lois and a helicopter are knocked off the skyscraper roof and impossibly saved by a flying blue and red Adonisâ€¦

Fully revealed to the world, the mysterious Superman captures humanity’s imagination and soon exclusive reports and Olsen’s photos in the Planet turn the paper’s fortunes around. Luthor instinctively knows he has a rival for Metropolis’ attention and approbation and savagely dedicates all his vast resources to destroying his foeâ€¦

An early opportunity comes when destitute and grasping janitor Rudy Jones accepts Luthor’ daily benison and is accidentally mutated by exposure to Green Rock waste into a life-absorbing energy-leeching monster. ‘Parasites’ sees the Man of Tomorrow’s spectacular victory thrown in his face by Luthor who publicly brands the hero an alien spy and vanguard of invasionâ€¦

Tension escalates in ‘Strange Visitor’ as Lois’s estranged father General Sam Lane collaborates with Luthor to capture Superman, using the military man’s pet psycho Sgt. John Corben (a creepy stalker the elder Lane selected and groomed to marry Lois and â€œset her straightâ€) in an armoured war-suit powered by the mysterious Green Rock.

When the naÃ¯ve Kryptonian hero agrees to be interviewed by the army he is ambushed by crack attack units and Corben. Valiantly fighting his way free, the Caped Crimebuster critically injures the war-suit pilot in the process and, sensing a unique opportunity, Luthor then rebuilds the broken soldier, inserting Green Rock into his heart and creating a relentless, anti-Superman cyborg weapon: Metalloâ€¦

The drama concludes in ‘Man of Steel’ as the desperate hero, hunted by Lane’s troops through the city, faces the berserk Cyborg in the streets and wins over the fickle public with his overweening nobility, instilling in the venal masses who were once Luthor’s cowering creatures a new spirit of hope, optimism and individualityâ€¦

The Adventure Beginsâ€¦ Againâ€¦

Inspiring and suitably mythic, this epic retelling (containing also a baker’s dozen of covers, variants and an unused extra) combines modern insights with unchanging Lore: paying lip service to the Smallville TV show and venerating the movies, whilst still managing to hew closely to many of the fan-favourite idiosyncrasies that keep old duffers like me coming back for more.

This is another sterling reinvigoration and visually intoxicating reworking that shouldn’t offend the faithful whilst providing an efficient jump-on guide for any newcomers and potential converts.
Â© 2009, 2010, 2011 DC Comics. All Rights Reserved.

October 18, 2012October 18, 2012

Marvels

By Kurt Busiek & Alex Ross (Graphitti Designs/Marvel)
ISBN: 0-936211-47-4

Every so often a series, miniseries or story-arc comes along in mainstream comics which irrevocably alters the landscape of the art-form, if not the business. After each such event the medium is never quite the same againâ€¦

One such work was the 4-issue Prestige Format miniseries Marvels by jobbing scripter Kurt Busiek and then just-breaking illustrative artist Alex Ross.

I’m usually quite reticent in suggesting people read stuff I know damn well they’ve probably already seen, but as I actually want to review the long, long, long-delayed sequel it’s probably best to start at square one, right?

â€¦And just for clarity’s sake my copy is the 1994 Deluxe, Signed and Numbered Limited Hardcover edition produced under license by Graphitti Designs. It’s pretty spiffy and has, I gather, a few little extras not included in other editions, but is of course far from the only version availableâ€¦

This tale is all about history and human perspective and follows the working life of photo-journalist Phil Sheldon, whose career closely paralleled the dawn of the modern heroic era; when science, magic, courage and overwhelming super-nature gave birth to an Age of Marvelsâ€¦

After a lovely painted plate containing those aforementioned signatures and a heartfelt dedication to Jack Kirby, writer Kurt Busiek offers his light-hearted reminiscences and mis-rememberings on how the project came about, liberally illustrated with pictures, designs and sketches from the meticulous Alex Ross’ art files, after which the saga opens with ‘A Time of Marvels’â€¦

In 1939 a gaggle of ambitious young newspapermen are discussing the War in Europe. Brash J. Jonah Jameson is trying to dissuade his shutterbug pal Phil Sheldon from heading overseas, claiming there’s plenty of news still inNew Yorkâ€¦

Unconvinced, Phil heads to his next assignment: a press conference with scientific crackpot Professor Phineas T. Horton. The photographer’s head is filled with thoughts of journalistic fame and glory on distant battlefields and he almost misses the moment Horton unveils his artificial man: a creature that bursts into flame like a Human Torchâ€¦

From that moment Sheldon’s life changes forever. His love-hate fascination with the fantastic miracles which rapidly, unceasingly follow in the fiery wake of the inflammatory inhumanoid is used to trace the history of superhumanity and monstrous menace which comprises the entire canon of what we know as the Marvel Universe.

Soon the android is accepted as a bona fide hero, frequently battling with aquatic invader Sub-Mariner like elemental gods in the skies above the city whilst the seemingly-human vigilante supermen like The Angel constantly ignore the law and daily diminish Phil’s confidence and self-worth. It’s as if by their well-meaning actions these creatures are showing that mere men are obsolete and insignificant.

The photographer’s feelings of ineffectuality and inadequacy having crushed his spirit, Phil turns down the War correspondent assignment and descends into a fearful funk. He even splits up with his fiancÃ©e Doris Jaquet: after all, what kind of man brings children into a world with such inhuman horrors in it?

Nevertheless Sheldon cannot stop following the exploits of the phenomenons he’s dubbed â€œMarvelsâ€â€¦

It all changes with the arrival of patriotic icon Captain America. With theLand ofLiberty in the War at last, many once-terrifying titans have become the nation’s allies and secret weapons, turning their awesome power against the Axis foe and winning the fickle approval of a grateful public.

However, some were always less dutiful than others and when the tempestuous Sub-Mariner again battled the Torch, Prince Namor of Atlantis petulantly unleashed a tidal wave against New York and Phil was injured snapping the event.

Even after the loss of an eye, Phil’s newfound belief in the Marvels doesn’t waver and he rededicates himself to his job and Doris; happily going to Europe where his pictures of America’s superhuman Invaders crushing the Nazi threat become part of the fabric of historyâ€¦

The second chapter skips to the 1960s where Sheldon, wife Doris and daughters Jenny and Beth are, like most New Yorkers, at the epicentre of another outbreak of meta-humanity – a second Age of Marvelsâ€¦

Two new bands of costumed heroes are operating openly: a Fantastic Foursome comprising Reed Richards, Ben Grimm and Sue and Johnny Storm and another masked, anonymous team who hide their identities and call themselves Avengers. There are also numerous independent costumed characters streaking across the skies and hogging the headlines, which Jonah Jameson – now owner and publisher of the newspaper he once wrote for – is none too happy about. After all he has never trusted masks and is violently opposed to this new crop of masked mystery-menâ€¦

Phil is still an in-demand freelancer, but has had a novel idea and signs a deal for a book of his photos just as the first flush of popular fancy begins to wane and the increasing anxiety about humanoid mutants begins to choke and terrify the man in the streetâ€¦

When the mysterious X-Men are spotted, Sheldon is caught up in a spontaneous anti-mutant race-riot and is appalled to find himself throwing bricks with the rest of the out-of control mob. He’s even close enough to hear their leader dismissively claim â€œThey’re not worth itâ€â€¦

Shocked and dazed, he goes home to his nice, normal family but the incident won’t leave him, even as he throws himself into his work and his book. He worries that his daughters seem to idolise the Marvels. â€œNormalâ€ people seemed bizarrely conflicted, dazzled and besotted by the celebrity status of the likes of Reed Richards and Sue Storm as they prepared for their upcoming wedding, yet prowling the streets in vigilante packs lest some ghastly mutant show its disgusting faceâ€¦

Events come to a head when Phil finds his own children harbouring a mutant in the cellar. During WWII Phil photographed the liberation of Auschwitzand looking into the huge deformed orbs of â€œMaggieâ€ he sees what he saw in the eyes of those pitiful survivors. His basic humanity eventually wins out and Phil lets her stay, but he can’t help dreading what his friends and neighbours might do if they find such a creature mere yards from their own precious familiesâ€¦

The hysteria just keeps on growing and the showbiz glitz of the Richards/Storm wedding is almost immediately overshadowed by the catastrophic launch of anthropologist Bolivar Trask‘s Sentinels. At first the mutant-hunting robots seem like humanity’s boon but when they usurp their programming and attempt to take over Earth it is the despised and dreaded Homo Superior who save all mankind.

Of course the man in the street knows nothing of this and all Phil sees is more panicked mobs rioting and destroying their own homesâ€¦

In fear for his family he rushes back to Doris and the girls, only to find that Maggie has vanished: the unlovely little child had realised how much her presence had endangered her benefactors. They never saw her againâ€¦

Chapter 3 focuses on the global trauma of ‘Judgement Day’ as the shine truly starts coming off the apple. Even though crises come thick and fast and are as quickly dealt with, vapid, venal humanity begins to become jaded with its burgeoning costumed community and once-revered heroes are plagued by scandal after scandal. Exhausted, disappointed and dejected, Phil shelves his book project, but fate takes a hand when the skies catch fire and an incredible shiny alien on a sky-borne surfboard announces the end of life on Earthâ€¦

The planet-devouring Galactus seems unstoppable and the valiant, rapidly-responding Fantastic Four are humiliatingly defeated. Phil, along with the rest of the world, embraces the end and wearily walks home to be with his loved ones, repeatedly encountering humanity at its best and nauseating, petty, defeated worst.

However, with the last-minute assistance of the Silver Surfer, who betrays his puissant master and endures an horrific fate, Reed Richards saves the world, but within days he is accused of faking the entire episode and Sheldon, disgusted with his fellow men, explodes in moral revulsionâ€¦

Some time later Phil’s photo-book is finally released in the concluding ‘The Day She Died’. Now an avowed and passionate proponent of masked heroes, humanity’s hair-trigger ambivalence and institutionalised rushes to judgement constantly aggravate him even as he meets the public and signs countless copies of â€œMarvelsâ€.

The average American’s ungrateful and ingracious attitudes rankle particularly since the mighty Avengers are currently lost in another galaxy defending Earth from collateral destruction in a war between the rival galactic empires of the Kree and the Skrulls, but the most constant bugbear is old associate Jonah Jameson’s obsessive pillorying of the mysterious Spider-Man.

Phil particularly despises a grovelling, ethically-deprived young freelance photographer named Peter Parker who constantly curries favour with the Daily Bugle’s boss by selling pictures that deliberately make the Wall-crawler look badâ€¦

Phil’s book has brought a measure of success, and when the aging photographer hires young Marcia Hardesty as a PA/assistant whilst he works on a follow-up, he finds a passionate kindred spirit. Still, everywhere Sheldon looks costumed champions are being harried, harassed and hunted by two-faced citizens and corrupt demagogues, although even he has to admit some of the newer heroes are hard to likeâ€¦

Ex-Russian spy the Black Widow is being tried for murder, protesting students are wounded by a Stark Industries super-armoured thug and in Times Square a guy with a murky past is touting himself as a Hero for Hireâ€¦

When respected Police Captain George Stacy is killed during a battle between Spider-Man and Doctor Octopus, Jameson is frantic to pin the death on the Web-spinner but hero-worshipping Phil digs deeper. He interviews many witnesses, including the murderously malign, multi-limed loon himself, and consequently strikes up a friendship with Stacy’s lovely daughter Gwen, a truly sublime young lady who is inexplicably dating that unscrupulous weasel Parkerâ€¦

One evening, hoping for another innocuous chat with the vivacious lass, Phil sees her being abducted by the Green Goblin and, desperately giving chase, watches as his vaunted hero Spider-Man utterly fails to save her from death. Her murder doesn’t even rate a headline; that’s saved for industrialist Norman Osborn who was found mysteriously slain that same nightâ€¦

Gutted, worn out and somehow betrayed, Sheldon chucks it all in, but seeing that Marcia still has the fire in her belly and wonder in her eyes, leaves her his camera and his missionâ€¦

Immediately following is a fulsome Appendix section which reprints Ross’ preliminary origin of the Golden Age Human Torch as first seen in Marvels issue #0 and his laudatory Afterword and Acknowledgements, before a wealth of Images begins, consisting of promotional art pages and a stunning double-page pin-up of ‘X-Women’.

There are also model sheets and studies for Namor, Ben Grimm, Dr. Doom, Tony Stark and Iron Man, the Black Widow, Gwen Stacy, Black Panther and others.

Even more artistic treats include illos for a proposed Iron Man 2020 series, the Inhumans, Hobgoblin, more X-Women, the cover to Marvels #0 and a lavish painted recreation of Amazing Fantasy #15 which served as a cover for Heroes Illustrated.

Although this titanic tale traces the history of Marvel continuity, the sensitive and evocative journey of Phil Sheldon is crafted in such a way that no knowledge of the mythology is necessary to understand the plot; and would indeed be a hindrance to sharing the feelings of an ordinary man in extraordinary times.

One of Marvel’s and indeed the genre’s greatest.

But you probably already know that and if you don’t what are you waiting forâ€¦?
Â© 1994 Marvel Entertainment Group, Inc. All rights reserved.

October 17, 2012October 16, 2012

Life Through the Lens

By Kent Olson & Sabine Ten Lohuis
No ISBN:

One of the greatest things about comics is the simple, overwhelming fact that you don’t need the riches of Croesus and a cast of thousands to produce an effective and even top-rate creative outcome. As a means of delivering drama, comedy, passion, heartbreak and spectacle, nothing tops sequentially arranged words and pictures on a flat surface.

With such a plastic medium there’s literally no tale that can’t be told – and at the exact undiluted pace and intensity the authors intended, with no interference from bean counters, hucksters, Health and Safety cops or the laws of physics.

The first part of a much larger tale, Life Through the Lens is a slim but fascinating self-published work by Philosophy and Film School graduate Kent Olsen and artist Sabine Ten Lohuis created with the aid of a grant from the Kamloops, British Columbia Film Society that seeks to examine the role of the addictive power of fiction in a world of mere realityâ€¦

You’d think that money, success, public approbation, a wonderland of drugs and a string of compliant, willing women would be enough for most men, but TV movie pundits Richard Winston and Jerald Freestone are painfully hungry for more: something ineffable and unobtainableâ€¦.

In Chicago as one year ends and the next begins, the great friends saturate themselves again with sex, drugs and films old and new, inarticulately wishing they were there and dreading that life and the future only holds more of the sameâ€¦

That increasingly aching creative void is slowly poisoning their lives. Richard and Jerald are only enthralled and engaged when absorbed in other peoples’ fictional realities, and only come alive when furiously debating the meaning and merit of what they’re watching.

In this arena – and usually in front of adoring small screen masses – they release their true selves: Richard the academic intellectual Ego, viewing everything through layers of organisation and the heartfelt accepted wisdoms of others, whilst raw, unschooled Jerald is all Id, allowing his visceral instinctual first response full rein over his critical sensibilities.

As their miserable success inexorably leads to greater excess, their unyielding friendship draws them deeper into an inescapable, shared yet polarised passion. Tragically there’s no cue for a stabilising, moralising Super Ego on their celluloid horizonsâ€¦

To Be Continuedâ€¦

Teasing and tantalising, valuing subtlety over splashy booms or bangs and carefully pacing itself to create the maximum tension – even in the midst of the moving buddy-movie moments – this is an intriguing and superbly inviting walk off comics’ beaten track that will hopefully find an age-appropriate audience far above and beyond its self-admitted crossover film-fan target market.
No copyright or trademark so let’s assume Story Â© 2012 Kent Olsen & Illustrations Â© 2012 Sabine Ten Lohuis until advised otherwise. All rights reserved.

Copies of an extremely limited run are available from the marvellous High Octane Comics and Collectables in Kamloops if you’re ever in the vicinity, or direct from Kent Olsen via cheque or paypal ($8 in Canada, or $10 US, which I suspect includes shipping) with further details obtainable by contacting blankpaint@gmail.com or through Sabine’s lovely webpage at http://tenlohuis.com/

October 16, 2012October 15, 2012

Everything Together – Collected Stories

By Sammy Harkham (Picturebox)
ISBN: 978-0-98515-950-4

Win’s Christmas Gift Recommendation: the only gift a real comics lover will need this yearâ€¦ 9/10

Some cartoonists, like some rock-stars, movie-makers – and indeed exponents of every art-form – make big headlines and meteorically hit the public attention early in their careers whilst others soldier on in the background, relishing the untroubled obscurity and assiduously building a body of brilliant, well-regarded work that the even the shooting stars are envious of.

Such a creator is Sammy Harkham. Born in Los Angelesin 1980, he spent his teen-age years in Australiaand developed a pathological love of the comics medium which first surfaced after he created the astounding and multi-award winning anthology Kramers Ergot in the opening moments of the 21^st century.

Since the 1980s, â€œUndergroundâ€ creators and cartoonists of adult and mature English-language comics have begun to find mainstream and popular acceptance by re-branding themselves as alternative or Avant Garde: crafting European-style personal tales rather than chasing mass-entertainment goals.

Soon self-published mini-comics and fanzines were augmented if not supplanted by groundbreaking anthologies which served to disseminate the best of the best in challenging, no-holds-barred sequential art.

Following on the groundbreaking heels of Raw and its descendants, Kramers Ergot launched as a 48-page mini-comic in 2000. Harkham nurtured the publication over 8 years, as it evolved a vari-format, anything-goes visual and intellectual banquet equal-billing talented newcomers and many of the world’s greatest pencil-pushers old and new. In 2008, the hard-working editor suspended publication with #7 – a huge-scaled (536x414mm) 96-page deluxe hardback featuring 60 of the art-form’s most beguiling stars. Harkham recently returned to his billion megawatt baby with an 8^th volume in 2011.

The occasional compendium offered to artists an utterly free intellectual outlet and more nurturing creative environment and featured superb works by a multitude of graphic storymakers, but was also an outlet for Harkham’s own fabulously eclectic and enthralling comic strips. Now his many of his sublimely rendered, addictively intriguing, creatively-inspirational cartoons stories are gathered in an entrancing softcover collection no mature aficionado should be without.

Everything Together comprises superbly challenging cartoon opuses and short pieces plus some quirky, ultra-brief vignettes, and the only grudging criticism I can offer is that some of the very best of them are printed, really, really small – but even that’s not an insurmountable problem since he’s an artist’s artist, capable of stunning line-economy and clear narrative and, as a bit of an old doodler too (quite, quite venerable, in fact), I possess a magnifying lens in my battered old art boxâ€¦

Always a master of understated nuance and the necessarily unsaid, with an uncanny ability to find stories in any place, Harkham’s Finest Comics originally appeared in Vice, Mome, Drawn & Quarterly Showcase, Kramers Ergot, Crickets and elsewhere, and kick off here with the quietly hilarious art-challenged world-conqueror and sup-par cartoonist ‘Napoleon!’

Next, Harkham deliciously demythologises the Biblical Jewish experience with the wry, dry ‘Elisha’ and then changes pace by packing in a bunch of those teeny-weeny tales on a single page of ‘Indicia Comics’ that includes Attack of the Frankensteins!, Cab Ride, Cartoonist, Pickton Grocery Line and more.

A longer exploration of life in South Australia in 1995 follows as bemused idle kid Iris fretfully whiles away another dull summer with cadged cigarettes, illicit booze, unwise boyfriends and basic buddy-bonding in the eerily laconic and mesmerising ‘Somersaulting’. Immediately after the uncompromising single-pager, ‘Mother Fucker’ focuses on a day-trip with Iris’s absentee dad and ‘Maximum Destruction’ offers a furiously delightful tribute to Sendak’s Where the Wild Things Areâ€¦

Most of the stories are in assorted limited half-tones (black, white and another colour) but – and only when he thinks it appropriate – Harkham delves splendidly into his glorious full-spectrum palette, beginning with the idyllic ‘Knut Hamsen Dept:’ and the surreal desert crime caper ‘Give Up’ before concluding with the oddly lyrical ‘Golem Comics’.

In black and blue and white ‘Poor Sailor’ details how frustrated dreams, daily routine and dissatisfaction can destroy a perfect life, ‘Cartoonists in Cars’ provides a portmanteau of telling revelations and ‘Frank S. Santoro, Sr.’ details the non-events of a cold night in Pittsburgh.

A telling moment of domesticity and ancestral history is examined in the poor, hard-pressed Jewish Shtetl of ‘Lubavitch, Ukraine, 1876’ whilst contemporary ennui informs the creepy ‘Sitting Outside, Watching Baby’ after which ‘Free Comics’ bundles together another batch of spellbinding mini-cartoon moments such Gary Panter, I am Happy Every Moment of Every Day, Clowes + Huizenga, Pregnant Alley and this tantalising tome concludes with ‘The New Yorker Story’, a darkly enticing literary romance of diluted passion and ascendant aestheticsâ€¦

Punctuated with loads of evocative pin-ups and easily blending love, absurdity, mania, wry wit, hate, indifference, reportage, apathy, resignation, whimsy and honest hope when nothing else is left, Everything Together perfectly showcases the deep thought and carefully considered visual elucidation of a master craftsman whose renown is at last catching up with his diligence and sheer talent.
Â© 2012 S. Harkham. All rights reserved.
Everything Together is published in the UK on October 25^th 2012

October 15, 2012October 12, 2012

Mighty Avengers: Earth’s Mightiest

By Dan Slott, Khoi Pham, Rafa Sandoval, Stephen Segovia, Paco Diaz, Harvey Tolibao & various (Marvel)
ISBN: 978-0-7851-3746-7

One of the most momentous events in Marvel Comics history occurred in 1963 when a disparate array of individual heroes banded together to stop the Incredible Hulk. The Mighty Avengers combined most of the company’s fledgling superhero line in one bright, shiny and highly commercial package.

Over the decades the roster has continually changed until now almost every character in their universe has at some time numbered amongst their colourful ranks.

In recent years, Norman Osborn (the original Green Goblin) had, through various machinations, replaced Tony Stark asAmerica’s Security Czar: the â€œtop copâ€ in sole charge of a beleaguered nation’s defence and freedom, especially in regard to ultra-technological threats and all metahuman influencesâ€¦

Under Stark’s tenure a Superhuman Registration Act had resulted in a divisive Civil War amongst the costumed community with tragic repercussions, but the nation and the world were no safer.

At one stage the planet was almost lost to an insidious Secret Invasion by alien Skrulls leading to Osborn’s succession and the former villain’s exerting overt control over America by instigating an oppressive â€œDark Reignâ€ which saw the World’s Mightiest Heroes driven underground. To cement his position Osborn actually replaced the Avengers with his own hand-picked team of criminals and impostors.

From that particularly troubled time comes this fast and furious compilation collecting issues #21-26 of Mighty Avengers (2009) and material from Secret Invasion: Requiem wherein Stark/Iron Man’s lack of leadership and poor judgement during the crisis has led returned founding-member Henry Pym to seize control of the Avengers.

What You Need to Know: the Skrulls are shape-shifting aliens who’ve bedevilled Earth ever since Fantastic Four #2 and they’ve long been a pernicious cornerstone of the Marvel Universe. After years of humiliation and defeat the metamorphic malcontents finally hit on a winning plan, and to this end they gradually replaced a number of key Earth denizens – most notably superheroes and other metahumans.

When the plot was first uncovered it led to a confrontation between Earth’s champions and a Skrull ship full of what appeared to be old friends – some of whom had been dead for years. Were they escaped humans or yet another army of newly undetectable super-Skrulls? With no defender of the Earth knowing who to trust the planet almost fell to a determined massed onslaughtâ€¦

With all stories written by Dan Slott, ‘How I’ll Remember You’ (illustrated by Khoi Pham & colourist Chris Sotomayor) opens proceedings as robotic Avenger Jocasta looks through the copious wardrobes of Janet Van Dyne whose ultimate sacrifice ended the Skrull assaults. Although the Wasp died, her memory patterns were encoded in the very confused robot and the conflicting data is beginning to cause a few problemsâ€¦

For a start she is increasingly drawn to Pym, a man Jan was married to for years and a bi-polar genius who has just changed his powers and identity again. In the past Dr. Pym created the roles of Ant-Man, Giant-Man, Goliath and Yellowjacket, but now he’s calling himself the Waspâ€¦

The 3-part ‘Earth’s Mightiest’ begins with ‘The Smartest Man in the Room’ (inked by Crimelab Studios’ Allen Martinez & Danny Miki) and sees two survivors of the decimated Young Avengers sifting through the rubble of the group’s iconic Mansion when the long-gone Scarlet Witch appears. The last time she was seen her madness caused the deaths of many team-mates and the dissolution of the Avengers, but now the enigmatic figure seems intent on putting the band back together.

As well as now commanding all of America’s covert agencies and military resources under his umbrella organisation H.A.M.M.E.R., Osborn also has his own suit of super-armour. As Iron Patriot he leads a hand-picked team which includes Greek War-God Ares, golden superman Sentry, a new Marvel Boy and seemingly familiar heroes Hawkeye, Ms. Marvel, Spider-Man and Wolverine (played by criminal killers Bullseye, Moonstone, Venom and the clawed mutant’s deeply disturbed son Daken) on high profile missions as part of a prolonged charm offensive.

Whilst Iron Patriot leads his ersatz team in media-hogging missions, the juvenile Vision and Stature are manipulated by the Scarlet Witch into joining Hercules, child genius Amadeus Cho, U.S.Agent, the Hulk and even faithful butler Edwin Jarvis as they petition Pym to reorganise and revitalise the Avengers.

She even approaches the out-of-favour Iron Manâ€¦

The boy Cho – â€œseventh smartest person on the planetâ€ has deduced that a Chaos Cascade is warping the laws of physics and threatens humanity but whilst Osborn’s Avengers are wasting time fighting the catastrophic symptoms, the young genius has come to someone potentially even sharper to help tackle the causeâ€¦

Pym deduces that the crisis has originated in the mystic provinceof Transia and he’s right. On haunted Mount Wundagore the cursed mystic Modred has been working to bring Cthon, god of Chaos to Earth through the terrifyingly puissant tome the Darkhold.

By the time the scratch-team reach the Balkan ground zero however, the mage has succeeded in his task and the demon deity strides the Earth in the once-comatose body of the Witch’s brother Quicksilverâ€¦

‘The Writing on the Wall’ opens with a Cthonic crisis slowly wrecking the planet, even as the extremely unwelcome Iron Man strong-arms his way onto the team and straight into a knock-down, drag-out tussle with the ever-irascible Hulk. Pym and the rest of his ill-fitting squad ignore them and instead brave Modred’s lair where the size-shifting scientist gleans a possible solution.

It all has to do with Quicksilver’s mind and soul which are now trapped in the pages of the discarded Darkholdâ€¦

The first epic concludes with ‘Three Little Words’ when, in final battle with the disunited defenders, the smugly omnipotent Cthon stupidly underestimates the devious subtlety of the Shrinking Man’s scienceâ€¦

In the happy aftermath with the demon-god banished and both Quicksilver and the World restored, the Scarlet Witch disappears again, taking with her a dark and very damaging secretâ€¦

On a high, the Mighty Avengers decide to stick together in ‘Chasing Ghosts’ (with art by Rafa Sandoval, Roger Bonet Martinez & John Rauch) as the provocatively intransigent Witch orchestrates a distracting clash with Nazi bee hive-mind Swarm whilst her obsessed mutant speedster brother Quicksilver desperately tries to catch a few moments alone with his estranged and oddly acting sister.

Meanwhile Osborn (who is also secretly conspiring with a Cabal of super-villains including Asgardian God Loki, gang-boss The Hood, mutant Emma Frost, Taskmaster, Sub-Mariner and Doctor Doom) finally acts to remove his Avenging rivals by sending H.A.M.M.E.R. troops to shut down Pym’s trans-dimension laboratory/citadelâ€¦

With the lab slowly detaching from the Real World and Pym’s impossible, hush-hush dream project critically endangered, the embattled heroes split up as the final story-arc ‘Mighty/Fantastic’ (illustrated by Stephen Segovia, Paco Diaz, Harvey Tolibao, Noah Salonga, Jean-Francois Beaulieu & June Chung) finds The Wasp forced into conflict with one of his oldest friends and allies.

By most people’s standards Reed Richards is the Smartest Man Alive, but when he is asked by Pym to return a device which could save the dissolving extra-dimensional lab, the leader of the Fantastic Four makes a big mistake by saying no and even questioning the erstwhile Ant-Man’s intellect and stability.

Of course you realise this means warâ€¦.

Desperate and really ticked off, Pym and his team launch an assault on the FF to regain the urgently needed doodad in a tension-drenched caper dubbed ‘The Baxter Job’ which culminates in a spectacular, impossibly even-matched fracas and a delightfully off-beat but apropos ending in ‘You Can’t Get There from Here’â€¦

Remarkably self-contained and clear-cut for a book so mired in multiple complex continuities, Earth’s Mightiest offers a huge amount of fun, thrills and tense suspense which will delight fans of Costumed Dramas.

This sterling tome also offers a gallery of covers used and unused from Khoi Pham, Marko Djurdjevic, Crimelab Studios’ Allen Martinez, Dave McCaig, Danny Miki, Dean White, Jason Keith, and a Dark Reign teaser ad by Daniel AcuÃ±a.
Â© 2009 Marvel Characters, Inc. All rights reserved.

October 14, 2012October 12, 2012

Showcase Presents the Legion of Super-Heroes

By James Shooter, E. Nelson Bridwell, Cary Bates, Curt Swan, J. Winslow Mortimer, George Tuska, Dave Cockrum, Murphy Anderson, & various (DC Comics)
ISBN: 978-1-4012-2185-0

Once upon a time, a thousand years from now, a band of super-powered kids from a multitude of worlds took inspiration from the greatest legend of all time and formed a club of heroes. One day those Children of Tomorrow came back in time and invited their inspiration to join themâ€¦

Thus began the vast and epic saga of the Legion of Super-Heroes, as first envisioned by writer Otto Binder & artist Al Plastino when the many-handed mob of juvenile universe-savers debuted in Adventure Comics #247 (April 1958) just as the revived superhero genre was gathering an inexorable head of steam in America. Since that time the fortunes and popularity of the Legion have perpetually waxed and waned, with their future history tweaked and rebooted, retconned and overwritten over and over again to comply with editorial diktat and popular fashion.

This sturdy, drama-drenched fourth massive monochrome compendium gathers a chronological parade of futuristic delights from June 1968 to September 1970, originally seen in Adventure Comics #369-380 and the reprint issue #403, plus back-up tales from Action Comics #378-392 – a time when the superhero genre again dipped in popularity. Also included in this enchanting tome are the tentative first forays of the team’s slow revival as an alternating back-up feature in Superboy with game-changing exploits from issues #172-173, 176, 183-184, 188 190 and 191, covering March 1971 to October 1972.

During this period the youthful, generally fun-loving and carefree Club of Champions peaked; having only just evolved into a dedicated and driven dramatic action series starring a grittily realistic combat force in constant, galaxy-threatening peril. Although now an overwhelming force of valiant warriors ready and willing to pay the ultimate price for their courage and dedication, science itself, science fiction and costumed crusaders all increasingly struggled against a global resurgence in spiritual questioning and supernatural fictionâ€¦

The main architect of the transformation was teenaged sensation Jim Shooter, whose scripts and layouts (generally finished and pencilled by the astoundingly talented and understated Curt Swan) made the series accessible to a generation of fans growing up with their heads in the Future but as the fashions shifted, the series was unceremoniously ousted from its ancestral home and full-length adventures to become a truncated back-up feature in Action Comics. Typically, that shift occurred just as the stories were getting really, really good and truly matureâ€¦

The tense suspense begins with Adventure Comics #369’s ‘Mordru the Merciless!’ (Shooter, Swan & Jack Abel) when the Legion was attacked by their most powerful enemy, a nigh-omnipotent sorcerer the entire assemblage had only narrowly defeated once before.

A sneak attack had shattered the team and only four escaped, using a time bubble to flee to the remote and archaic time-period where Superboy lived. With him came Mon-El, Shadow Lass and Duo Damsel, the last remnants of a once-unbeatable force.

Mordru’s magic was stronger though and even the time-barrier could not daunt himâ€¦ Even disguised as mere mortals, the fugitive Legionnaires’ courage shone through. When petty gangsters took over Smallville, the teen heroes quashed the parochial plunderers and then opted to return to the 30^th century and confront Mordru, only to discover that he’d found them firstâ€¦

The saga concluded in #370 and ‘The Devil’s Jury!’ wherein the band again broke free and hid in plain sight by temporarily wiping their own memories to thwart the Dark Lord’s probes. Against appalling odds and with only Clark Kent‘s best friend Pete Ross and Insect Queen Lana Lang to aid them, the heroes’ doomed last stand only succeeded when Mordru’s overbearing arrogance caused his own downfall.

Then when the exhausted fugitives got back the future they joyously discovered that Dream Girl and benign sorceress White Witch had undone the deluded Dark Lord’s worstâ€¦

Extortion and espionage were the order of the day in #371’s ‘The Colossal Failure!’ when a Legionnaire’s parents were abducted and the hero was forced to botch missions. Ordered to retrain at the high security Legion Academy Colossal Boy was subsequently caught selling the team’s training secrets and cashiered from the organisationâ€¦

This issue then offered ‘When Superboy Walked Out on the Legion!’ illustrated by George Papp, wherein hyper-advanced and snobbish aliens threatened Smallville unless Superboy left Earth and joined their band of press-ganged heroes. It took ingenuity, a faux civil war and massive destruction to finally convince the alien autocrats to let the assembled champions return to their own home-worldsâ€¦

Colossal Boy’s tale of woe concluded in Adventure #372 when his still-loyal buddies uncovered the cause of the expelled giant’s dilemma and tracked him to a ‘School for Super-Villains!’ (Shooter, Swan & Abel), where the fallen hero was compelled to teach a horde of metahuman rogues all the LSH’s secrets.

Luckily and thanks to the expedited induction of apprentice – ergo unknown – heroes Timber Wolf and Chemical King, the good guys were able to infiltrate and shut down this first incarnation of the Legion of Super-Villainsâ€¦

Golden Age veteran J. Winslow Mortimer replaced Swan from #373 onwards as ‘The Tornado Twins!’ Don and Dawn Allen ran rings around and generally humiliated the assembled heroes – but all for a very good cause, before ‘Mission: Diabolical!’ in #374 focussed on the future equivalent of organised crime when most of the Legionnaires were ambushed and held hostage by the insidious Scorpius gang.

Hard-pressed by rival outfit Taurus, the mobsters had decided to â€œrecruitâ€ a team of heroes to equal their enemies’ squad of hyper-powered goons, Rogarth, Mystelor, Shagrek, Quanto and Black Mace. Of course, after infiltrating and defeating their foes, the press-ganged kids – Supergirl, Element Lad, Dream Girl, Ultra Boy and Matter-EaterLad – were double-crossed by Scorpius and would have died if not for a fortuitous intervention by the Legion of Substitute Heroesâ€¦

Next followed a powerful and devious 2-part thriller in #375-376 which introduced galactic-roving heroes The Wanderers and saw those temporarily-insane-and-evil alien champions battle the United Planets’ metahuman marvels – who were far more concerned with determining who would be crowned ‘The King of the Legion!’

The matter was only relevant because a trans-dimensional challenger had demanded a duel with the â€œmightiest Legionnaireâ€, but when the dust settled the only hero left standing was chubby comic relief Bouncing Boyâ€¦

When the triumphant winner was spirited away to another cosmos he arrived in a feudal wonderland – complete with comely princess – menaced by a terrifying invader. Unfortunately the hero was soon exposed as shape-shifting Durlan Legionnaire Reep Daggle and not the human Chuck Taine, but he manfully overcame his abductors’ initial prejudice and defeated the usurper threat Kodar. The freakish victor even won the heart of Princess Elwinda before being tragically rescued and whisked back across a permanently sealed dimensional barrier by his legion buddies who mistook a Royal Wedding for ‘The Execution of Chameleon Boy!’

A welcome edge of dark and bitter cynicism was creeping into Shooter’s stories, and ‘Heroes for Hire!’ (pencilled by Mortimer and inked by Jack Abel) saw the team begin charging for their unique services, but it was only a brilliant ploy to derail the criminal career of Modulus, an avatar of sentient living planet Modo who had turned the world into an unassailable haven for the worst villains of the galaxyâ€¦

Issue #378 started another tense and moving 2-parter which began when Superboy, Duo Damsel, Karate Kid, Princess Projectra and Brainiac 5 were poisoned and found themselves with only ‘Twelve Hours to Live!’

With no cure possible the quintet separated to spend their last day in the most personally satisfying ways they could – from sharing precious moments with soon-to-be bereaved family to K-Kid’s one-man assault on the Fatal Five – only to reunite in their final moments and die togetherâ€¦

The incredible conclusion began when a hyper-advanced being calling itself a Seeron froze time and offered to cure the practically dead victims – but only if new arrivals Ultra Boy, Phantom Girl, Chameleon Boy, Timber Wolf, Star Boy, Lightning Lad and Chemical King returned to his universe and defeated an invasion by brutes invulnerable to all the mighty mental powers of the intellectual overlordsâ€¦

However even as the shanghaied Legionnaires triumphed and returned, their comrades had been found and afforded the honour of ‘Burial in Space!’â€¦

Happily a brilliant last-minute solution enabled the dead to rise just in time to lose their long-held position in Adventure Comics as changing tastes and shrinking sales prompted an abrupt change of venue.

‘The Legion’s Space Odyssey!’ (# 380 dated May 1969, by Shooter, Mortimer & Abel) saw a select band of Legionnaires teleported to the barren ends of the universe and laboriously battle their way home against impossible odds, which included the â€œdeathâ€ of Superboy and persistent sabotage by the Legion of Super-Pets.

Of course there was a perfectly rational and reasonable excuse for the devious scheme and the tale is best remembered by fans for being the mission on which Duo Damsel and Bouncing Boy first got togetherâ€¦

From #381 onwards Adventure was filled with the 20^th century exploits of Supergirl whilst the LSH took over her secondary spot in Action Comics, beginning with a reprint in #377 which is not included here.

Original shorter ‘Tales of the Legion of Super-Heroes’ began in #378 (July 1969) with ‘The Forbidden Fruit!’ by Shooter, Mortimer & Mike Esposito wherein Timber Wolf was deliberately addicted to a hyper-narcotic lotus in a bold scheme to turn the entire team into pliable junkies. Fortunately the hero’s true love for Light Lass allowed him to overcome his awful burden, whilst in #379’s ‘One of us is an Impostor’, E. Nelson Bridwell, Mortimer & Murphy Anderson offered a clever mystery yarn to baffle Mon-El, Dream Girl, Element Lad, Shadow Lass and Lightning Lad when thermal thug Sunburst and a clever infiltrator threatened to tear the team apart from withinâ€¦

Duo Damsel declared war on herself in #380 when her other body fell under the sway of an alien Superboy and turned to crime, leaving only Bouncing Boy to clean up the psychological mess of ‘Half a Legionnaire?’ (Shooter, Mortimer & Abel) whilst in #381, Matter-Eater Lad revealed his lowly origins and dysfunctional family to lonely Shrinking Violet and ended up ‘The Hapless Hero!’ battling her absurdly jealous absentee boyfriend Duplicate Boy – the mightiest hero in the universeâ€¦

In #382 a covert team comprising Ultra Boy, Karate Kid, Light Lass, Violet and Timber Wolf attempted to quell a potential super-robot arms-race and found that to succeed they might have to ‘Kill a Friend to Save a World!‘, after which the still-heartbroken Durlan found an Earthly double of his lost love Elwinda.

However when he morphed into her ideal man he quickly saw the folly of ‘Chameleon Boy’s Secret Identity!’ – a true tear-jerker with the hint of a happy ending from Bridwell, Mortimer & Abel.

Shooter left his perfect job with #384 but signed off in style with his landmark ‘Lament for a Legionnaire!’ With art misattributed to Mortimer but in fact a welcome fill-in job by the superb Curt Swan & Abel, it told how Dream Girl’s infallible prophecy of Mon-El’s demise came true whilst his shocking resurrection introduced a whole new thrilling strand to the Lore of the Legion.

Bridwell, Mortimer & Abel showed a vengeance-crazed killer’s quest for ultimate retribution fail in ‘The Fallen Starboy!’ and then crafted Action Comics #386’s ‘Zap Goes the Legion!’ wherein cunning female foe Uli Algor believed she had outthought and outfought the juvenile agents of justice but had forgotten one crucial detailâ€¦

Then in #387 the creators delightfully added a touch of wry social commentary when the organisation had to downsize and lay off a Legionnaire for tax purposes after the government declared that the team had ‘One Hero Too Many!’

Action #388 was an all-reprint Supergirl giant, but the now revenue-compliant Club of Heroes returned in #389 with ‘The Mystery Legionnaire!’ by Cary Bates, Mortimer & Abel, which explained how robot dictator Klim was defeated by a hero who didn’t exist, whilst Bridwell’s ‘The Tyrant and the Traitor’ in #390 reflected the political turmoil of the 1970’s with a tale of guerrilla atrocity, destabilising civil war and covert regime change.

The Legion Espionage Squad was tasked with doing the dirty work, but even Chameleon Boy, Timber Wolf, Karate Kid, Brainiac 5 and Saturn Girl were out of their depth and only ‘The Ordeal of Element Lad!’ in the next issue saved the undercover unit from ignominious failure and certain death.

Action #392 (September 1970) temporarily ended the feature’s unbroken run in a low-key but gripping yarn from Bates, Mortimer & Abel which included alternate dimensions and preposterous testing of ‘The Legionnaires that Never Were!’

The Frantic Futurians weren’t gone too long. In 1971 a concerted push to revive the Teen Tomorrow Warriors began with the March-dated Superboy # 172 and ‘Brotherly Hate!’ by Bridwell & George Tuska. The sharp, smart yarn detailed the convoluted origins of twins Garth and Ayla Ranzz AKA Lightning Lad and Light Lass and their troubled relationship with older brother Mekt – the deadly outlaw Lightning Lordâ€¦

At the same time Adventure Comics #403 (April 1971) was released; an all-Legion reprint special which also included new ‘Fashions from Fans’ reinterpreted by Bridwell, Ross Andru & Esposito as well as a comprehensive ‘Diagram of Legion Headquarters Complex’, included here for your delight and delectationâ€¦

Some of those fan-costumes – generally the skimpier ones designed for the girl heroes – were adopted for the ongoing backups appearing in Superboy, which continued the comeback with ‘Trust Me or Kill Me!’ in #173 by Bates & Tuska. In that tense tale Superboy had to devise a way to determine which Cosmic Boy was his true friend and which a magical duplicate wrought by malefic Mordruâ€¦

The origin of Invisible Kid and the secrets of his powers were examined when a crook duplicated the boy genius’ fadeaway gifts in #176’s ‘Invisible Invader!’, whilst Bates, Tuska & Vince Colletta reported on the ‘War of the Wraith-Mates!’ in #183 when energy entities renewed an eons-old war of the sexes by possessing Mon-El, Shadow Lass, Karate Kid and Princess Projectra.

Superboy #184 hinted at the days of greatness to come with ‘One Legionnaire Must Go!’ Matter-Eater Lad was framed and replaced by his own little brother in a tale by Bates, but the big advance was the inking of LSH fanatic Dave Cockrum over Murphy Anderson’s pencils. The neophyte artist would gradually transform the look, feel and fortunes of the Legion before moving to Marvel and doing the same with an almost forgotten series entitled X-Menâ€¦

With issue #188’s Bates scripted ‘Curse of the Blood-Crystals!’ (July 1972), Anderson began inking Cockrum; the sixth stunning back-up tale of a now unstoppable Legion revival that would eventually lead to the team taking over the entire comicbook. This clever yarn of cross-and-double-cross found a Legionnaire possessed by a magical booby-trap and forced to murder Superboy – but which of the two dozen heroes is actually the prospective killerâ€¦?

Superboy #190 featured ‘Murder the Leader!’ as the Fatal Five attacked during the election of a new Legion Commander and rival candidates Saturn Girl and Mon-El had to work together if either was to take the top job, after which this volume concludes with the stunning thriller ‘Attack of the Sun-Scavenger!’ by Bates & Cockrum from #191.

In a staggering burst of comics brilliance, the manic solar scoundrel Dr. Regulus again attacked Sun Boy and his Legion comrades, using his own death as the key to ultimate victoryâ€¦

The Legion is unquestionably one of the most beloved and bewildering creations in funnybook history and largely responsible for the growth of the groundswell movement that became American Comics Fandom. Moreover, these scintillating and seductively addictive stories – as much as Julie Schwartz’s Justice League or Marvel’s Fantastic Four– fired up the interest and imaginations of generations of readers and underpinned the industry we all know today.

October 13, 2012October 12, 2012

X-Men: Worlds Apart

By Christopher Yost, Diogenes Neves & Ed Tadeo, Priest, Sal Velluto & Bob Almond, Chris Claremont & John Byrne & various (Marvel)
ISBN: 978-0-7851-3533-3

In 1963 The X-Men #1 introduced Cyclops, Iceman, Angel, Marvel Girl and the Beast: very special students of Professor Charles Xavier, a wheelchair-bound telepath dedicated to brokering peace and integration between the masses of humanity and the emergent off-shoot race of mutants: Homo Superior.

After years of eccentric and spectacular adventures the mutant misfits disappeared at the beginning of 1970 as mystery and all things supernatural once more gripped the world’s entertainment fields and provoked a sustained downturn in costumed hero comics.

Although their title was revived at the end of the year as a cheap reprint vehicle, the missing mutants were reduced to guest-stars and bit-players throughout the Marvel universe and the Beast was transformed into a monster to cash in on the horror boom, until Marvel editor-in-chief Roy Thomas green-lighted a bold one-shot in 1975 as part of the company’s line of Giant-Sized specials.

Giant Size X-Men #1 detailed how the classic team had been lost in action, leaving Xavier to scour the Earth for a replacement team. Recruiting old foes-turned-friends Banshee and Sunfire and one-shot Hulk villain Wolverine, most of the savant’s time and attention was invested in newcomers Kurt Wagner, a demonic German teleporter who would be codenamed Nightcrawler, Russian farmboy Peter Rasputin, who could transform into a living steel Colossus, embittered, disillusioned Apache superman John Proudstar who was cajoled into joining the makeshift squad as Thunderbird and a young woman who comported herself as an African weather goddess.

Ororo Munroe AKA Storm was actually the lost daughter of African royalty and an American journalist, and after joining Xavier’s team spent years fighting the world’s most deadly threats as part – and often leader – of the outlaw unloved, distrusted mutant hero horde, but eventually left her second home to marry a boy she had met whilst trekking across the Dark Continent decades previously.

In Fantastic Four #52 (August 1966) an incredible individual calling himself the Black Panther tested himself against the Cosmic Quartet and disclosed in the next issue how, as a child, he had lost his father to a ruthless scientist’s mercenary army when they invaded his hidden African homeland Wakanda.

The young Prince T’Challa had single-handedly avenged the murder of his father T’Chaka and driven off the raiders, and inherited the role of king and spiritual leader of his people. Eventually The Black Panther became a member of the Mighty Avengers and introduced his country to the world, with technologically-advanced Wakanda swiftly advancing to the forefront of nations by trading its scientific secrets and greatest natural resource – the incredible alien mineral Vibranium.

Whilst a boy wandering the plains of Africa, he had met a beautiful young girl with incredible powers trekking from Egypt to West Africa and years later found her again as one the X-Men. Slowly rediscovering old feelings the pair married and Storm became the First Lady of Wakandaâ€¦

This compilation, collecting the 4-issue miniseries X-Men: Worlds Apart from 2008-2009 plus Black Panther volume 3, #26 (January 2001) and material from Marvel Team-Up #100 (December 1980), follows the African Queen through her darkest hours and affords a little space to examine key moments in her tempestuous relationship with the earthly agent of the very-real Panther God.

The romance commences with the eponymous ‘Worlds Apart’ crafted by Christopher Yost, Diogenes Neves, Ed Tadeo & Raul TreviÃ±o with the action opening in New York’s sewers where Storm and some-time comrade Scott â€œCyclopsâ€ Summers seek to convince hidden Morlock refugees to join the West Coast mutant enclave and safe-haven known as Utopia. When she suddenly called back toAfrica, Ororo’s erstwhile friend contentiously questions her loyaltiesâ€¦

Even as the august and elevated co-ruler of a fabulous kingdom, Ororo iq adi T’Challa is still painfully aware of humanity’s – and more specifically her own subjects’ – bigotry regarding the genetic offshoot politely dubbed Homo Superior, so when one of her protÃ©gÃ©s – young Wakandan mutant Nezhno Abidemi – is accused of murder she rushes to defend him.

â€¦But the evidence is overwhelming, incontrovertible and damningâ€¦

Nevertheless, she knows something is amiss and when she arbitrarily frees him the entire country turns against her: even her husband wants her bloodâ€¦

The cause soon smugly reveals himself as Amahl Farouk, a sinister, corrupting telepath she and Charles Xavier had killed years ago, when Ororo was only an orphan child-thief in Cairo. Sadly the monster evolved then into a malign body-stealing psychic force; an untouchable Shadow King feeding on hatred and polluting everything it touchesâ€¦

Biding its time the Shadow King has insinuated itself into Wakanda, stoking ill-feeling throughout. Now wearing her beloved T’Challa, it plans on extracting a much-postponed final vengeanceâ€¦

As the poisonous presence gloats Ororo realises it is not just her at risk: the Shadow King has simultaneously taken Cyclops in America and is using her fellow X-Man as a weapon to kill the only earthly threat to Farouk’s power – the supreme telepath Emma Frost who is also Scott Summers’ loverâ€¦

With an entire nation and the precious body of her beloved mercilessly hunting her and Nezhno, the wondrous weather-warrior must first direct her powers half-a-world away to stop Cyclops whatever the cost, before somehow destroying a foe no power on Earth can touch.

Happily the Spiritual co-ruler of Wakanda has her own direct line to the country’s cat god – or is that goddess?

Short, sharp, spectacularly action-packed and wickedly satisfying – especially the climactic battles with the assembled X-Men and friendly rival Cyclops – this bombastic Fights ‘n’ Tights adventure is bafflingly complemented with ‘Echoes’ (from Black Panther #26, created by Priest, Sal Velluto & Bob Almond and the first part of a longer epic entitled ‘StÃ¼rm und Drang – a Story of Love and War’).

Here T’Challa’s childhood friendship with Ororo is slowly and painfully re-cultivated during an incursion into Wakanda by alien-hunting US Federal Agents and a barely-civil embassy from the secret race known as Deviants, all seeking possession of an unearthly parent and child and eventually forcing a drastic reaction from the sympathetic African heroesâ€¦

As an orphaned part of an ongoing storyline this interlude, though smart and pretty, is pretty baffling and aggravating too, ending as it does on an unsatisfying cliffhanger, and unless you already know the greater tale, is far more annoying than elucidatingâ€¦

This intriguing safari into the unknown concludes with the far more pleasing story of Ororo and T’Challa’s first meeting as kids in the wilds of Africa. This tale first appeared as a back-up in Marvel Team-Up #100 in 1980 and cleverly revealed how the kids enjoyed an idyllic time on the veldt (reminiscent of Henry De Vere Stacpoole’s 1908 novel The Blue Lagoon) until a South African commando team tried to kidnap the Wakandan prince as a bargaining chip.

Now as adults in America they are hunted by the vicious Afrikaner Andreas de Ruyter who has returned, attempting to assassinate Ororo, before seeking to exact final revenge upon the Black Panther. Cue long-delayed lover’s reunion and team-raid on an automated House of Horrorsâ€¦

Always designed as an outreach project to draw in audience demographics perceived to be short-changed by mainstream Marvel, Storm and the Black Panther have proved to be a winning combination in terms of story if not sales, and Worlds Apart is the kind of tale that should please most fans of the genre and followers of the film franchise.
Â© 1980, 2001, 2008, 2009 Marvel Characters, Inc. All rights reserved.

October 12, 2012October 11, 2012

Limits book 1

By Keiko Suenobu, translated by Mari Morimoto (Vertical)
ISBN: 978-1-93565-456-8

Travelling a little off the beaten ShÅjo or â€œgirl’s comicâ€ path is a newly translated work by the marvellous Keiko Suenobu, whose latest series Limit has just been released byNew York publisher Vertical.

Born in KitakyÅ«shÅ«, Fukuokain March 1979, Suenobu graduated from the Universityof Tsukubabefore beginning her creative career with the school romance Happy Tomorrow, before gravitating towards darker themes of conformity, social pressure and bullying in Vitamin and the moving, controversial and award-winning Raifu – translated as Life by TokyoPop in 2006.

The author took her interest in the nastier side of school life to imaginative extremes in 2009 when Limit began serialisation in Kodansha’s Bessatsu Friend. Now this rather dark and exceptionally grim tale – which will definitely appeal to a readership far beyond the general ShÅjo target-market of young girls – is available in English and might well be a future classic.

Mizuki Konno is lucky – and wise – enough to fit with the â€œIn-Crowdâ€ at her all-girls school. Acceptably cute and suitably smart, she has learned to make no waves and accept that the ways things work is the way things should be. The popular girls – like undisputed teen goddess Sakura Himezawa – make the rules, and the rest conform. It’s a simple matter of survivalâ€¦

If you’re physically different or interested in odd things, like dumpy manga-fan and tarot reader Arisa Morishige, life can be hell. Only the strongest personalities, such as bookish, decent and determinedly wound-tight non-conformist Chieko Kamiya have any chance of standing up to the constant bitchy pressure to comply, accept and keep your place in the hierarchy of ‘A Perfect World’â€¦

Everything changes however when Sakura’s class drives off for an extended visit to an Exchange Camp in the wilderness. Every class spends a week roughing it with nothing more than a communal scythe and their ever-present cell-phones to hold back the horrors of nature, but with this last trip of the semester things go tragically wrong.

High in the mountains the coach driver has a heart attack and the vehicle, packed with excited girls and their harried teacher, plunges catastrophically into a wooded hidden valley.

Only five girls survive, and undisputed queen of the modern world Sakura isn’t one of themâ€¦

As Konno drags the shell-shocked Haru Ichinose (Sakura’s devoted deputy, utterly unable to function without her) out of the wreckage some time later, she sees smoke from a fire. Tracking the signal they find middle-ranking Chikage Usui with her leg splinted and bandaged outside a cave. The wounded lass has been saved and succoured by the coldly efficient Kamiya, who has also scavenged everything potentially useful from the crash site.

At the back of the cave Morishige sits inside a pentagram, casting the cardsâ€¦

Kamiya has brusquely taken charge, organising resources and outlining options until the girls can be found and rescued, but introspective Konno can barely grasp the strange situation and the new rules of survival. Events take an even nastier turn when the Tarot reader suddenly explodes in jubilation, claiming her prayers have been answered and her tormentors all punishedâ€¦

Indifferent, ambiguous pragmatist Konno is forced to confront a new world order in ‘The Strong vs. the Weak’ as the increasingly unstable Morishige takes control.

After panicking and unsuccessfully failing to climb out of the box valley, Konno returns to find the bereft Haru attacking the former class pariah but Morishige’s big and burly frame – which brought her such cruel treatment in school – is now the most valuable asset in this new environment and moreover she has also found that wickedly lethal scytheâ€¦

The new queen easily defeats her attacker and then regales the horrified girls with a litany of all the cruel acts she saw the perfect princesses constantly inflict upon each other during their wonderful school days.

Haru is unable to accept the change of status and even refuses Konno’s overtures to become allies just as the ascendant Morishige casts the cards again and sees a future where only the strong will surviveâ€¦

With food already running out, events spiral towards deadly conflict as Konno recalls better days that weren’t actually that great, only to be dragged back to reality when Morishige decides to split the remaining rations four ways. The clearly unstable would-be witch has established her own social hierarchy with the pragmatically compliant Kamiya as â€œRoyaltyâ€, Usui a â€œCommonerâ€ and the roles of â€œServantâ€ and â€œSlaveâ€ still to be determined by her under ‘The Empress’ Rules’â€¦

Haru is provisionally a Slave but since they don’t get food she must fight Konno to determine who gets the final privileged – and rewarded – role of Servant… to the deathâ€¦

To Be Continuedâ€¦

Rather inaccurately likened to Michael Lehmann’s 1988 cult black comedy Heathers (although perhaps influenced by Koushun Takami’s novel Batoru Rowaiaru or Kinji Fukasaku’s filmic adaptation Battle Royale) but certainly deriving much of its energising concepts from William Golding’s landmark tale Lord of the Flies, this bleak, viciously introspective and effectively chilling tale marries beautiful illustration to fearsome examination of what civilised folk consider acceptable behaviour and asks some entertainingly challenging questions.

This book – which also includes a charming glance at the author’s methodology in the mini-feature My Workroom – is printed in the traditional Japanese right to left, back to front format.
Â© 2012 Keiko Suenobu. All rights reserved.

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