Marvel Masterworks: The Amazing Spider-Man 1965

Marvel Masterworks: The Amazing Spider-Man 1965

By Stan Lee & Steve Ditko (Marvel/Panini UK)
ISBN: 978-1-905239-80-1

This third volume of the chronological Spider-Man sees the World’s Most Misunderstood Hero begin to challenge the dominance of the Fantastic Four as Marvel’s top comic book both in sales and quality. Steve Ditko’s off-beat plots and superlative art had gradually adapted to the slick and potent superhero house-style that Jack Kirby was developing (at least as much as such a unique talent ever could), with less line-feathering and more bombastic villains, and although still very much his baby, Spider-Man had attained a sleek pictorial gloss. Stan Lee’s scripts were perfectly in tune with the times, and although his assessment of the audience was probably the correct one, the disagreements with the artist over the strip’s editorial direction were still confined to the office and not the pages themselves.

Thematically, there’s still a large percentage of old-fashioned crime and gangsterism here. The dependence on costumed super-foes as antagonists was still nicely balanced with thugs, hoods and mob-bosses, but those days were coming to an end too…

The collection (reprinting Amazing Spider-Man #20-31 and Amazing Spider-Man Annual #2) kicks off with ‘The Coming of the Scorpion!’ wherein J. Jonah Jameson lets his obsessive hatred for the arachnid hero get the better of him, hiring scientist Farley Stillwell to give a private detective Scorpion-based superpowers. Unfortunately the process drives the subject mad before he can capture Spidey, leaving the wall-crawler with yet another super-nutcase to deal with.

Issue #21 guest-starred the Human Torch. ‘Where Flies The Beetle’ features a hilarious love triangle as the Torch’s girlfriend uses Peter Parker to make the flaming hero jealous. Unfortunately the Beetle, a villain with a high-tech suit of insect armour (no sniggering) is planning to use her as bait for a trap. As usual Spider-Man is in the wrong place at the right time, resulting in a spectacular fight-fest.

‘The Clown, and his Masters of Menace’ is a return engagement for the Circus of Crime (see Marvel Masterworks: The Amazing Spider-Man 1964 ISBN: 978-1-905239-58-0 for their first appearance) and #23 was a superb thriller blending the ordinary criminals that Ditko loved to feature with the arcane threat of a super-villain attempting to take over the Mob. ‘The Goblin and the Gangsters’ is both moody and explosive, a perfect contrast to ‘Spider-Man Goes Mad!’ This psychological thriller finds a delusional hero seeking psychiatric help, but there’s more to the matter than simple insanity, as an old foe makes an unexpected return…

Issue #25 once again saw the obsessed Daily Bugle publisher taking matters into his own hands: ‘Captured by J. Jonah Jameson!’ introduces Professor Smythe, whose robotic Spider-Slayers would come to bedevil the Web-Spinner for years to come, hired by the newsman to remove Spider-Man for good.

Issues #27 and 28 form a captivating two-part mystery saga featuring a hot duel between The Green Goblin and an enigmatic new criminal. ‘The Man in the Crime-Master’s Mask!’ and ‘Bring Back my Goblin to Me!’ comprise a perfect Spider-Man tale, with soap-opera melodrama and brilliant comedy leavening tense thrills and all-out action. ‘The Menace of the Molten Man!’ (#28) is a tale of science gone bad and is remarkable not only for the action sequences and possibly the most striking Spider-Man cover ever produced but also as the story where Peter Parker graduated from High School.

‘Never Step on a Scorpion!’ sees the return of that lab-made villain, hungry for vengeance against not just the Wall-Crawler but also Jameson for turning him into a monster. Issue #30 is another quirky crime-thriller which lays the seeds for future masterpieces. ‘The Claws of the Cat!’ features the hunt for an extremely capable cat-burglar, (way more exciting than it sounds, trust me!) and sees the introduction of an organised mob of thieves working for the mysterious Master Planner. The sharp-eyed will note that scripter Lee mistakenly calls their boss “The Cat” in one sequence, but really, let it go. That’s the kind of nit-picking that gives us comic fans a bad name and so little chance of meeting girls…

‘If This Be My Destiny…!’ ends the year as the as the Master Planner’s high-tech robberies lead to a confrontation with Spider-Man. The next volume will feature the concluding episodes – in my opinion Lee and Ditko’s best work ever, anywhere, but that’s then not now, so be content (if you can) with Peter at College, the introduction of Harry Osborn and Gwen Stacy, and Aunt May on the edge of death…

However the volume doesn’t end here due to the odd trick of placing the summer Annual’s contents after the December issue. In 1965 Steve Ditko was blowing away audiences with another oddly tangential superhero. ‘The Wondrous World of Dr. Strange!’ introduced the Web-Slinger to a whole other reality when he teamed up with the Master of the Mystic Arts to battle a power-crazed wizard named Xandu in a phantasmagorical, dimension-hopping gem. After this story it was clear that the Spider-Man concept could work in any milieu.

This cheap and cheerful compendium is a wonderful way to introduce or reacquaint readers with the early Spider-Man. The brilliant adventures and glorious pin-ups are superb value and this series of books should be the first choice of any adult with a present to buy for an impressionable child. Or for themselves…

© 1965, 2008 Marvel Characters, Inc. All Rights Reserved.

The Complete Sky Masters of the Space Force

The Complete Sky Masters of the Space Force

By Jack Kirby, Dick & Dave Wood, Wally Wood & Dick Ayers (Pure Imagination Publishing)
ISBN: 1-56685-009-6

Sky Masters of the Space Force is a beautiful strip with a chequered and troubled back-story, which you can discover for yourself when you buy the book. Even comics-god Jack Kirby spent decades trying to forget the grief caused by this foray into the newspaper strip market during the height of the Space Race before finally relenting in his twilight years and giving his blessing to collections and reprints.

I’m glad that he did because the collected work is one of his greatest achievements, even with the incredible format restraints of one tier of tiny panels per day, and a solitary page every Sunday. Fifty years later this hard-science space adventure is still the business!

Against a backdrop of international and ideological rivalry turned white-hot when the Soviets successfully launched Sputnik in 1957, the staid George Matthew Adams syndicate decided to finally enter the 20th century with a newspaper feature about space. After approaching a reluctant DC Comics (then known as National Periodicals Publications) a deal was brokered, and Jack Kirby, inked by Wally Wood – later to be replaced by Dick Ayers – and initially fed scripts by the brothers Dick and Dave Wood (no relation to Wally), began bringing the cosmos into our lives via an all-American astronaut and his trusty team of stalwarts.

The daily strip debuted on September 8th 1958 and ran until February 25th 1961 (a scant few months before Alan Shepherd became the first American in Space on May 5th), and the Sunday colour page told its five long tales (The Atom Horse, Project Darkside, Mister Lunivac, Jumbo Jones and The Yogi Spaceman) in a separate continuity from February 8th 1959 until 14th February 1960.

Sky Masters, burly Sgt. Riot, astronaut’s daughter Holly Martin and her feisty brother Danny (who do they remind me of?) were all introduced in The First Man in Space and the human tragedy of that moody tale informs all the following stories, even as grim yet heady realism slowly grew into exuberant action and fantastic spectacle. Sabotage, Mayday Shannon, The Lost Capsule, Alfie, Refugee, Wedding in Space, Weather Watchers and finally The Young Astronaut form a meteoric canon of wonderment that no red-blooded armchair adventurer could possibly resist.

This volume also contains an abundance of essays, commentary and extras such as sketches and unpublished art, which more than compensates for the Sunday pages being printed in black and white.

Quite honestly I can’t be totally objective about Sky Masters. I grew up during this period and the “Conquest of Space” is bred into my sturdy yet creaky old bones. That it is also thrilling, challenging and spectacularly drawn is almost irrelevant to me, but if any inducement is needed for you to seek this work out let it be that this is one of Kirby’s greatest accomplishments. Now go enjoy it…

© 2000 Pure Imagination.

Grifter & Midnighter

Grifter & Midnighter

By Chuck Dixon, Ryan Benjamin & Salem Crawford (Wildstorm/DC Comics)
ISBN13: 978-1-84576-729-7

No-nonsense, high speed fun and thrills is what this uncomplicated, beautifully illustrated grim ‘n’ gritty heroes versus monsters yarn offers, and if that’s your preference then you won’t be disappointed.

Grifter is a gun-toting special operative with psionic powers he considers a curse. Midnighter is an augmented human street-fighter with the iconoclastic super-team The Authority, where, despite his reputation as the deadliest man alive, he feels himself to be the weakest link. When the team has to rescue him from an alien abduction, he isolates himself to sulk, only to become embroiled in an extraterrestrial plot to destroy the Earth. Moreover he has to team up with old rival Grifter, with whom he has long shared a hate/hate relationship.

Lots of guns, lots of fights, a naked alien chick, world-eating monsters and non-stop buddy-movie testosterone-fuelled badinage keep this high-velocity eye-candy popping and sparking. If that’s your addiction, or if you simply want a change of pace from worthier, weightier material this could be the book for you.

© 2007, 2008 WildStorm Productions, an imprint of DC Comics. All rights reserved.

The Daily Mirror Book of Garth 1976

(GARTH ANNUAL 1976)

Book of Garth 1976

By Jim Edgar & Frank Bellamy (Fleetway/IPC)
No ISBN/book number 85037-204-6

When Frank Bellamy was drawing the Daily Mirror strip Garth, it caught the public attention in a way seldom seen. I even recall having passionate conversations with school friends who normally sneered or at best uncomprehendingly accepted my strange addiction to comics over the two unmissable strips of the day (the other being Maurice Dodd and Dennis Collin’s unbelievably wonderful The Perishers – also in the Mirror and which I must get around to covering). Was it less the mind-melting adventure stories with eye-popping graphics and more that the stories contained, without exception, the most beautiful women ever seen in pictures, and that they were usually naked?

Whatever the reason for first looking, the strips soon made dedicated fans out of many who previously weren’t; a fact the publishers seemed to acknowledge with a couple of reprint editions during the traditional Christmas Annuals release period.

Whereas the first of these – The Daily Mirror Book Of Garth 1975 – was an A-4 format, full-sized book in the traditional manner, the second volume switched to a landscape edition with only two tiers of strip per page, possibly to bring it more into line with other cartoon-reprint paperbacks such as The Gambols, Fred Bassett or the aforementioned Perishers. For fans that meant fewer stories in the book.

This volume collects The Mask of Atacama and The People of the Abyss (both of which I’ve covered in Titan Books’ Garth: Book 2 – The Women of Galba, ISBN: 0-907610-49-8) but sandwiched between them is the rare and spectacular space-thriller ‘The Beast of Ultor’, which originally ran from February 19th to June 5th 1974. In it a pot-holing Garth discovers a strange egg deep underground that hatches into a stunning (and yes – naked) alien woman who reunites him with the Goddess Astra in a battle against Cosmic Evil on a faraway world.

Visually this is one of the most exciting stories Bellamy drew in his too short career, and is worth any difficulty you might have in tracking it down. But even if Personal Shoppers or Private Detectives are out of your reach perhaps enough chatter might induce a publisher (such as Titan – who have so successfully brought back other classic British comics masterpieces in recent years) to finally bring the British Superman back for good.

© IPC Magazines 1975.

Batman: Harvest Breed

Batman: Harvest Breed
Batman: Harvest Breed

By George Pratt (DC Comics)
ISBN: 1-56389-775-X

Sometimes even the best of intentions don’t quite produce a great result. Master illustrator George Pratt returned tangentially to the Vietnam War for the back story of this supernatural thriller starring the Dark Knight but the overall results are vastly below his superb par as established with the landmark Enemy Ace: War Idyll (ISBN: 978-0-9302- 8978-2).

Bruce Wayne is tortured by bloody nightmares of devils and sacrifices as a killer tries to re-enact a murder-ritual based on the points of a cross. Such ritual has been attempted many times throughout history, but on this particular occasion the stakes seem much higher – and much more personal. Only a girl named Luci Boudreaux, escapee and survivor of the Hell of Viet Nam seems to have any answers to the dilemma…

Although painted with astounding passion and skill, the story seems to have been sadly neglected and is a bit of a mess, with war veterans, voodoo priests, faith-healers, demons and an uncomfortable misunderstanding of the relationship between Batman and Commissioner Gordon muddying a rather tired old plot. If you love dark and moody style above content give it a shot but otherwise this pretty much a completist-only book.

© 2000 DC Comics. All Rights Reserved.

Dream Watcher

Dreamwatcher

By Aleksandar Zograf (Slab-O-Concrete)
ISBN: 1-899866-13-2

Aleksandar Zograf is a fiercely creative artist, and very dedicated. During the Balkan conflict that scarred the end of the last century he ignored all entreaties to leave his home in Panchevo, Serbia, preferring to remain, suffer and share the privations that tested his countrymen and record his life, impressions and dreams in a series of astoundingly powerful mini-comics and cartoons.

This slim collection gathers not just strips of an autobiographical nature, but also many pieces garnered from the author’s interest in Dreams, The Unconscious and Hypnagogic states.

Rather than dilute the absorbing power of his moody artwork and unique story-telling perspective I’ll simply state that his particular graphic narratives and his gripping, heavy art are some of the most enthralling I’ve ever encountered, and if you’re at all interested in the alternative and cutting edge in comics, you need to tack down Zograf’s work.

© 1992-1998 Aleksandar. Zograf. All Rights Reserved.

Hellblazer: Damnation’s Flame

Hellblazer: Damnation's Flame

By Garth Ennis, Steve Dillon, William Simpson & Peter Snejbjerg (Vertigo)
ISBN13: 978-1-84023-096-3

This collection of modern horror-thrillers follows the episodic Tainted Love collection (ISBN: 978-1-5638-9456-5) which deals with John Constantine’s descent into drunken dissolution and recovery following his break-up with love of his life Kit Ryan (see also Hellblazer: Bloodlines – ISBN: 978-1-84576-650-4). Now back on track, if not fully up to snuff, the modern Magus decides to visit New York City for a break but is too busy kicking back to remember just how many enemies he’s made over the years.

Caught napping, he is ensorcelled by Voodoo Overlord Papa Midnite (see Original Sins ISBN 1-84576-465-X and Papa Midnite ISBN 1-84576-265-7), his consciousness sent on an allegorical trip through a hellish metaphorical America accompanied by the corpse of John F. Kennedy, whilst his physical body is left to the tender mercies of the NYC Social Services system.

This sharp, satirical shocker is by Ennis and Steve Dillon, originally seeing print in issues #72-75, which also produced the gently elegiac short flashback tale ‘Act of Union’, illustrated by William Simpson, which describes the first meeting of Kit and Constantine, back when she was the girlfriend of the charming dipsomaniac Brendan Finn.

Steve Dillon returned for ‘Confessions of an Irish Rebel’, another soft tale (but with a few sharp edges concealed within) which sees a reminiscing Constantine on one last pub-crawl in Dublin with the ghost of Finn, before the book ends with ‘And the Crowd Goes Wild’, drawn by Peter Snejbjerg, (Hellblazer #77) a tense and funny portmanteau yarn that clears the deck for the final confrontation with the demonic First of the Fallen, who’s been lurking menacingly since his defeat and humiliation at the end of Dangerous Habits (ISBN: 1-56389-150-6).

Garth Ennis had a long, impressive and humanising run on Vertigo’s nastiest hero. This captivating, irreverent, chilling compendium perfectly shows why it is so fondly remembered.

© 1993, 1994 DC Comics. All Rights Reserved.

Babar’s Travels

Babar's Travels

By Jean de Brunhoff (Egmont)
ISBN: 978-1-4052-3820-5

Jean de Brunhoff’s beautiful, whimsical characters return in Babar’s Travels (first published in France in 1932 as Le Voyage de Babar). Newly crowned King and just married to Celeste, Babar and his bride set off on honeymoon in a glorious yellow balloon only to be trapped in a terrible storm and blown to an island where they are attacked by savages.

In an era where it seems any journalist or lawyer with an eye to the main chance seems to lurk outside bookshops or libraries waiting to scream “Foul!”, it’s heartening to see a publisher respect the historical context of old material from less-enlightened times without bowdlerising the content. Kids today don’t pick up racist or sexist attitudes from books about talking animals, they get them from other people, so it’s great that Egmont are prepared to risk a potential publicity storm here.

Rescued by a friendly whale, Babar and Celeste are once again marooned before being picked up by an ocean-going liner and mistakenly sold to a circus. Meanwhile back at home mischievous young cousin Arthur has played a trick on Rataxes the Rhinoceros which has terrible consequences.

Escaping from the circus, Babar and Celeste make their way to the house of the Old Lady who first befriended Babar long ago (The Story of Babar, ISBN: 978-1-4052-3818-2). She takes them in, and they all go on a skiing holiday before Babar invites her to join them in the land of Elephants. But when they arrive they find Arthur’s pranks have provoked a war with the Rhinoceros’ which has ravaged the country! Now King Babar must save his nation from defeat by a mighty foe…

These are immortal children’s tales, gloriously illustrated and winningly told. They combine adventure and comfort in equal measure, thrilling children without frightening them, displaying values of boldness, ingenuity and fraternity by simply using them to entertain.

2008 Edition. All Rights Reserved.

Spider-Man: Spirits of the Earth

A MARVEL GRAPHIC NOVEL

 Spider-Man: Spirits of the Earth

By Charles Vess (Marvel)
ISBN: 0- 87135-692-9

Correct me if I’m wrong but I don’t think this truly beautiful painted graphic novel has been re-issued since it first came out in 1990. If that is the case then it’s an appalling oversight as Spirits of the Earth is one of the prettiest graphic novels ever produced, not to say one of the most entertaining Spider-Man adventures ever told.

Newlyweds Mary Jane and Peter Parker are astounded and delighted to discover that an unknown relative has left her a castle deep in the Scottish Highlands. Setting off for a second honeymoon they soon become embroiled in ancient magic and high-tech abominations courtesy of the Celtic branch of the perfidious Mutants and Millionaires organisation The Hellfire Club…

Ghoulies, Ghosties and villainous super-criminals combine with some of the best artwork you’ve ever seen for a truly wonderful adventure that desperately needs to be on your bookshelf. My copy also contains a lovely pictorial travelogue by Vess entitled “A Scottish Journey”. Hopefully yours will too once you track down this little gem.

© 1990 Marvel Entertainment Group/Marvel Characters, Inc. All Rights Reserved.

Green Arrow: Heading into the Light

Green Arrow: Heading into the Light

By Judd Winick, Ron Garney, Tom Fowler & Paul Lee (DC Comics)
ISBN 1-84576-344-0

Collecting issues #52, 54-59 of the monthly series this is a non-stop action bath, meant as part of the build-up to the Infinite Crisis, so all your enjoyment centres can focus on the craft and skill of the creators, because by the end of the book it won’t matter since that mega-crossover event will unmake and cancel out everything that has gone before.

The plot concerns the hunt by Green Arrow and Black Lightning for serial rapist and super-psycho Dr. Light who wants to torture and kill the loved ones of all the heroes he can find. This is because he is a very psycho super-psycho, but also because he was lobotomised by the Justice League (see Identity Crisis, ISBN: 1-34576-126-X) and since his recovery has been a bit tetchy.

The hunt escalates into an all-out battle with imported super-villains Mirror Master and Killer Frost as well as old rival Merlyn, an assassin who hates being the World’s Second Greatest Archer. Whilst they occupy the good guys Light stalks Mia, (Green Arrow’s latest sidekick) who he thinks of as just a teen-aged girl…

The action is intense, and the dialogue wonderful, but the story won’t appeal or even be understandable to new readers and the power of the cliffhanger ending is negated by the Cosmic Reset button of Infinite Crisis. The next volume will begin with the first One Year Later story-arc…

After a sterling run of truly superb costumed-hero adventures this total surrender to mindless violence makes for a dreadfully unsatisfactory conclusion, but writers Judd Winick and J. Calafiore, plus artists Tom Fowler, Ron Garney, Ron Lim, Paul Lee, Dan Davis, Rodney Ramos and Bill Reinhold can’t be blamed for that. Page by page and scene by scene this is great stuff, but the imposed conclusion renders all their fine work irrelevant. This is one for completists only, I’m afraid.

© 2005, 2006 DC Comics. All Rights Reserved.