Up Front

Up Front

By Bill Mauldin (W.W. Norton)
ISBN13: 978-0-39305-031-8

During World War II a talented and thoughtful young man named William Henry “Bill” Mauldin (29/10/1921 -22/01/2003) fought “Over There” with the 45th Division of the United States Infantry as well as many other fine units of the army. He learned to hate war and love his brother soldiers – and the American fighting man loved him back. During his service he began creating cartoons for Stars and Stripes, the US Armed Forces newspaper and his cartoons were reproduced in papers in Europe and America.

They mostly featured two slovenly “dogfaces” – a term he popularised – giving a trenchant and laconic view of the war from the very tip of the Sharp End. Willie and Joe, much to the dismay of the brassbound, spit-and-polish military doctrinaires, became the permanent and lasting image of the ordinary soldier, and they showed the conflict in ways the upper echelons of the army would prefer remained secret. Willie and Joe even became the subject of two films (Up Front -1951 and Back at the Front – 1952) whilst Willie made the cover of Time magazine in 1945, the year 23 year old Mauldin won his first Pulitzer Prize.

In 1945 a collection of his drawings, accompanied by a powerfully understated and heartfelt documentary essay, was published by Henry Holt and Co. Up Front was a sensation, telling the American public about the experiences of their Sons, Brothers, Fathers and Husbands in a way no historian would or did. This volume (with a new forward by Stephen Ambrose) is an anniversary re-issue of that publication. A biography, Back Home, followed in 1947. A Liberal and free-thinker, Mauldin’s anti-war, anti-idiots-in-charge-of-War views became increasingly unpopular in Cold War America.

Up Front

Despite being a War Hero his increasingly political cartoon work drifted out of favour and he left the business to become a journalist and illustrator. He was a film actor for awhile (appearing in Red Badge of Courage with Audie Murphy among other movies) and after an unsuccessful try for a seat in Congress in 1956 returned to newspaper cartooning in 1958. He retired in 1991, after a long and glittering career. He only ever drew Willie and Joe four times in that entire period (for an article on the “New Army” in Life magazine, for the funerals of “Soldiers Generals” Omar Bradley and George C. Marshall and to eulogize Milton Caniff). His fondest wish had been to kill the iconic dogfaces off on the final day of World War II, but Star and Stripes vetoed it.

Up Front is one of the most powerful statements about war ever to come out of America. The Willie and Joe cartoons and characters are some of the most enduring and honest symbols of all military history. Every Veterans Day in Peanuts from1969 to 1999, fellow veteran Charles Schulz would have Snoopy turn up at Mauldin’s house to drink Root beers and tell war stories with an old pal. When you read Sgt. Rock you’re looking at Mauldin’s legacy.

The issues, mordant wit and desperate camaraderie of his work is more important than ever in an age where increasingly cold and distant brass-hats and politicians send ever-more innocent lambs to further foreign fields for slaughter. With this volume and the forthcoming Fantagraphics Willie & Joe: The WWII Years, we should be well on the way to restoring the man and his works to the forefront of graphic consciousness, because tragically, his message is never going to be out of date…

Illustrations © 1944 United Features Syndicate. Text © 1945, 2005 the Estate of Bill Mauldin. All Rights Reserved.

Rip in Time

Rip in Time

By Bruce Jones and Richard Corben (Fantagor Press)
ISBN: 0-9623841-1-9

This spectacular B-Movie pastiche from two veteran comics creators has all the elements of a blockbuster thrill-ride and rattles along like a roller coaster. L.A. cop Rip Scully is out with his millionaire fiancé when he stumbles across a liquor store hold-up. Although he subdues the female robber, her psychopathic partner manages to escape with the fiancé as a hostage.

In hot pursuit with the female bandit in tow, Rip and his quarry burst into a US Military project at just the wrong moment and all four are catapulted through a hole in time. Trapped millions of years in the past relationships might break down but the hatred of men remains immutable. And the dinosaurs only care about filling their bellies…

As if they weren’t in enough trouble, the project commander is under orders to leave no witnesses and has dispatched an insane bounty hunter to ensure that no one comes back from this Lost World…

Lovingly airbrushed artwork in Corben’s outrageous signature style, rendered in moody monochrome perfectly augments Jones’ racy, pacy dialogue in this delightfully visceral thriller to make this another classic long, long overdue for a revisit.

© 1986, 1987, 1990 Richard Corben and Bruce Jones. All Rights Reserved.

Sherlock Holmes Mysteries, Volume 1

Sherlock Holmes Mysteries, Volume 1

By Martin Powell & Seppo Makinen (Moonstone)
ISBN13: 978-0-97216-686-7

Writers and fans alike share an oddly perverse and seemingly overwhelming desire to “mix and match” their favourite literary figures, especially from the Victorian Era; that birthplace of so many facets of popular culture. Sherlock Holmes is so much a household name that his inclusion in any venture is a virtual guarantee of commercial success, but often no guarantee of quality.

Mercifully that’s not the case in this instance. This volume collects two intriguing cases originally released as comic-book miniseries published by Eternity Comics and collected as petite graphic novels at the end of the 1980s. This more conventionally sized tome bundles them together and I must admit they’ve lasted rather well.

Scarlet in Gaslight: An Adventure in Terror is an intriguing if workmanlike battle of wits between the Great Detective and Bram Stoker’s Lord of the Undead. The teaming of Holmes and Abraham Van Helsing is a delight and the uneasy alliance of Count Dracula and the more truly evil Professor Moriarty, as much as its dramatic severance, delivers a memorable thrill for neophytes and purists alike.

A Case of Blind Fear returns the Great Detective to his mystery-solving roots when Scotland Yard enlists his aid to explain a series of bizarre occurrences that have left London gripped in terror. When the incidents lead to impossible murders and all logical solutions have been exhausted, Holmes can only conclude that the culprit must be an Invisible Man! H.G. Well’s scientific romances are a perfect playground for Conan Doyle’s ultimate rationalist and this moody thriller is engaging in concept and effective in delivery.

Nearly twenty years before The League of Extraordinary Gentlemen (ISBN: 1-56389-858-6) these tales gripped and enchanted comic readers, and whilst not quite matching the impressive standard of Moore and O’Neill’s graphic masterpiece, they are infinitely superior to the truly appalling film it inspired.

Great fun, honestly crafted and well worthy of your attention.

™ & © 1988, 1989, 2003 Martin Powell and Seppo Makinen. All Rights Reserved.

Peter Pank

Peter Pank

By Max (Knockabout Comics)
ISBN 0-86166-079-X

Come back with me to the 1980s. It’s the first time that the cultural phenomenon of Punk Rock experienced a wave of Nostalgic Wistfulness – if not a full revival. Back then a rowdy and raucous strip from Europe was collected into a saucy, strident album that reads terribly well in our Post-Post-Modern Twenty-First Century.

Peter Pank is a sexy, sexist, ultra-violent and in-your-face-and-up-your-nose pastiche of J.M. Barrie’s immortal classic with the eponymous Oik who never grew up luring a much more physically mature Wendy and her two brothers to the fabulous realm of Punkland to have adventures with Hippies, nymphomaniac Sirens and the dreaded Captain Quiff and his desperate band of Teddy Boys.

Fast-paced, well drawn, irreverent, obnoxious and very, very rude this guilty graphic secret is a daft but readable treat for any adult that “had to be there, Man”, or even actually was…

© 1987 Max & Ediciones La Cupula. All Rights Reserved.

At Home With Rick Geary — Collected Stories from 1977-1985

At Home With Rick Geary — Collected Stories from 1977-1985

By Rick Geary (Fantagraphics)
ISBN: 0-930193-14-8

Rick Geary is a unique talent in the comic industry not simply because of his style and manner of drawing but especially because of his method of telling tales. He possesses a rather incomprehensible ability to create stories by stringing together seemingly unconnected streams of narrative to compose a moving, often melancholy and bemusing whole.

It’s as if he meticulously constructs graphic snapshots and candid Polaroids, arranges them on a page and then simply ‘free-associates’ captions to accompany them. Yet seen in progression the surreal and absurd, not to mention grotesque and morbid, achieve a subtle clarity that emphasises the very human humour of his work.

This collection of his earliest work shows his progression from Underground cartoon-influenced freelancer to his current august condition by reprinting many of the strips from National Lampoon that first brought him to the world’s attention. Also included are works from Heavy Metal, Epic Illustrated, Twisted Tales, Bop, Vanguard, Bizarre Sex, Fear and Laughter, Gates of Eden, RAW, and High Times, plus eight pages of new material.

Among the 66 strips collected here, five in full painted colour, are histories, mysteries and stuff that’s just plain twisted, and modern fans will be delighted to see the first dabblings with his current passion in ‘A Gentleman’s Occupation’ (1981), ‘An Unsettling Incident’ (1984) and ‘A Victorian Murder’ (1981) besides more autobiographical pieces like ‘Communal Life’ and ‘Adventures in Art’ included amongst the hilariously uncatagorizable ‘The Fabulous Miracle House’, ‘The Age of Condos’ or ‘Dachshund Nuptials’.

In an industry over-stuffed with posturing costumes and dark dramas, and cursed with bland cartooning in every paper, it’s a shame this kind of studied lunacy isn’t more readily available.

© 1985 Rick Geary. All Rights Reserved.

Star Trek: The Next Generation — The Star Lost

Star Trek: The Next Generation: The Star Lost

By Michael Jan Friedman, Peter Krause & Pablo Marcos (Titan Books)
ISBN: 1-85286-482-6

Many companies have published comic book adventures based on the exploits of Gene Roddenberry’s legendary brainchild, and the run from the 1980s produced under the DC banner were undoubtedly some of the finest. Never flashy or sensational, they embraced the same storytelling values as the shows and movies, and were strongly character- and plot-driven. A fine example can be found in this epic tale of survival by long-time writer Michael Jan Friedman, illustrated by Peter Krause and the underrated Pablo Marcos, collected from issues #20-24 of the monthly comic-book.

When a routine shuttle flight encounters an energy vortex that warps it halfway across the galaxy, the Enterprise crew believes it destroyed. As they movingly come to terms with the grief of losing family and comrades, Commander Riker, Lieutenant Worf and Wesley Crusher must shepherd an untried crew of medical personnel back from the brink of infinity in a crippled ship.

Their stress increases when the marooned shuttle encounters warring alien factions in a ‘space-Sargasso’ where survivors previously trapped by the vortex have congregated. Dangerously unstable, the derelict station is failing, and the Star Fleet crew must save not only themselves but the desperate, disparate beings who would as soon kill each other as save their own lives…

This is a good, solid read, combining tension and personal drama with more traditional action and adventure. Entertaining and competent, The Star Lost is a delight for old fans and quite liable to make some new ones too.

™ & © 1993 Paramount Pictures. All Rights Reserved.

Rio Rides Again

A MARVEL GRAPHIC NOVEL

Rio Rides Again

By Doug Wildey (Marvel)
ISBN: 0-87135-656-2

Moving to a more luscious and painterly colour palette, Doug Wildey transferred his iconic lone rider from the wilderness to the very borders of the creeping Civilisation he so patently abhorred in this sequel to his original tale of Bad Man Gone Good.

Now finally pardoned by President Grant, Rio is invited to become sheriff of Limestone City, a burgeoning metropolis less than 100 miles from Kansas City yet somehow a town with no crime! Whist considering the offer, he finds old friends already living there; Frank and Jesse James and their families are respectable if incognito citizens of the progressive paradise.

But when a botched bank raid exposes the retired outlaws, human nature and petty spite lead to disastrous chaos and a spiral of bloody tragedy…

Gripping, authentic, and satisfyingly mythic, these tales from a master of his subject and his craft are some of the best western comics America has ever produced.

© 1990 Strip Art Features. All Rights Reserved.

Iron Man: The Armor Wars

Iron Man: The Armor Wars

By David Michelinie and various (Marvel)
ISBN13: 978-0-7851-1250-8

Anthony Stark is the modern Thomas Edison, a glamorous genius-inventor and billionaire who secretly moonlights as a super-hero. As Iron Man he wears a suit of armour packed with technological marvels that make him the master of any situation. The innovations he has created to build his armour are so ground-breaking that he has never dared patent them because his innovations have the potential to cause great harm. But when he examines the battle-suit of a defeated foe he discovers that it is based on his own top-secret technology.

Researching further he discovers that not only do a number of tech-based villains use his discoveries but so do many government and military units. Plagued with guilt at the untold blood spilled with his inventions, Stark resolves to make amends by reclaiming or destroying all incidences of his stolen secrets, bringing him into conflict with his country, his friends and his comrades in the Avengers. Unwilling to compromise, unable to accept the new status quo, Iron Man’s attempts to salve his conscience can only lead to tragedy and disaster…

This above average yarn (reprinting issues #225-232 of the monthly comic-book) is a compelling examination of honour, heroism and sacrifice showing the dark side of vigilantism, tightly scripted by David Michelinie, and superbly illustrated by Mark Bright and Bob Layton, with an entrancing epilogue drawn by comics legend Barry Windsor-Smith.

Deeply embedded in Marvel continuity, with lots of guest-stars and plenty of action, this is a solid example of what super-hero comics are all about.

©1987, 2007 Marvel Characters, Inc. All Rights Reserved.

Attu, Book 1: The Forbidden Cave

Attu, Book 1: The Forbidden Cave

By Sam Glanzman (4Winds Publishing Group)
ISBN: 0-922173-04-4

Shamefully, Sam Glanzman is one of the least highly-regarded creators in American comics, despite having one of the longest careers and certainly one of the most unique styles. His work, in genres from war to mystery to fantasy to graphic autobiography, is raw, powerful, subtly engaging and irresistibly compelling.

On titles such as Kona, Voyage to the Deep, Jungle Tales of Tarzan, Hercules, Haunted Tank and especially his two graphic novels A Sailor’s Story and Wind, Dreams and Dragons he produced magnificent action-adventure tales that fired the imagination and stirred the blood, selling copies and winning a legion of fans amongst his fellow artists if not from the small but over-vocal fan-press.

In later years he worked with Tim Truman’s 4Winds company, and as well as high profile projects like The Lone Ranger and Jonah Hex, drew the wonderful fantasy volume featured here. Attu is a caveman in Gondwana – the super-continent of 137 million B.C. Known as the Truth Seeker, he troubles the rest of his mountain-dwelling tribe and is banished to the lowlands, a place of giant tigers, terrible beasts and even dinosaurs. He also finds a cave where a beautiful woman sleeps in a tube of clear, warm ice…

An unrepentant fabulist adventure combining pre-history, monsters, super-science and even time-travel, this is a magical slice of old-fashioned comics fun, rendered in stark, savage black and white; a brilliant paean to a bygone style and age. Moreover, it’s still not too late to urge this wonderful graphic master to sort out the next volume…

© 1989 Sam Glanzman. All Rights Reserved.

Silver Surfer: Rebirth of Thanos

Silver Surfer: Rebirth of Thanos

By Jim Starlin, Scott Edelman, Ron Lim, Mike Zeck & various (Marvel)
ISBN13: 978-0-7851-2046-9

The Silver Surfer was always a pristine and memorable character when handled well – and sparingly – yet once he gained and sustained a regular comic book presence he became somewhat diminished; less… special. After a strong start his adventures became formulaic and even dull.

Thanos, the death-obsessed master-villain of the 1970’s was a critical and commercial success in his battles with Captain Marvel, the Avengers, the Thing and Spider-Man, and his destruction at the hands of Adam Warlock was an absolute highpoint in superhero storytelling. So why trample on such a classic by reviving him?

But it happened anyway. Brought back from the beyond, Thanos sets about redressing an imbalance between the Living and the Dead to please his mistress, the personification of Death, for whom he intends to kill one half of all living things. Opposed at first just by the Silver Surfer, this mission escalated into an all-out war for control over all reality when the demented villain set out to obtain six mystic gems that would give him absolute control over every aspect of creation, and in effect make him the Supreme Being.

Reprinting issues #34-38 of Silver Surfer and Thanos Quest #1-2, plus a vignette from the back of Logan’s Run #6 (a battle with Drax the Destroyer), the tome is very much a re-run of the Mad Titan’s first attempt to conquer (see The Life of Captain Marvel, ISBN: 0-87135-635-X), but without that saga’s fresh-faced energy and infectious enthusiasm.

Unable to stop Thanos alone the Surfer gathers a band of heroes to defeat the villain and it all ends up in a tremendous punch-up. It also leads to the Cosmic Crossovers Infinity Gauntlet, Infinity War and Infinity Crusade.

Which answers the ‘motive’ part of the question: Publishing is a business and this outing was an obvious way to stir interest in a moribund series which actually paid off big. But as to why it worked…?

By no means Jim Starlin’s best writing, and with mediocre art (I’m being charitable here) from Ron Lim, the first part of the book has very little to recommend it yet is highly regarded by fans – and I must admit that it is inexplicably readable. The latter Quest for the Infinity Gems is marginally better but still not material of any quality, yet it still fired up the fans enough to buy the massive crossovers and subsequent tie-ins that followed.

The strip narrative medium is an odd thing. Stories and characters often achieve a popularity despite rather than because of themselves, and bizarrely, some stories attain favour without any apparent or even discernable merit. This book simply isn’t very good (and is the kind of comic book that sends adult newcomers away screaming and sneering) but there’s some indefinable something that makes it impossible to wholeheartedly condemn…

©1990, 1992, 1993 Marvel Entertainment Group/Marvel Characters, Inc. All Rights Reserved.