![\"\"](\"http:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2013\/04\/Dead-Air-150x227.jpg\")
\nBy M. Dalton Allred<\/b> with Laura Allred (Slave Labor Books)
\nNo ISBN, ASIN: B000GLP8JG<\/p>\n
\nBy M. Dalton Allred<\/b> with Laura Allred (Slave Labor Books)
\nNo ISBN, ASIN: B000GLP8JG<\/p>\n
Major comicbook creative force M. Dalton (‘we call him \u00e2\u20ac\u0153Mike\u00e2\u20ac\u009d’) Allred’s many comicbook writer\/artist triumphs include Madman<\/b>, The Atomics<\/b>, and Red Rocket 7<\/b> as well as notable collaborative runs on Marvel’s X-Force<\/b> and X-Statix<\/b> with Peter Milligan and Vertigo thriller iZombie<\/b> with Chris Roberson, but unlike almost everyone else in the industry to reach an exalted status, most of his early work was – and remains – extremely readable\u00e2\u20ac\u00a6<\/p>\n
After switching from a career in the media to funnybooks, he commenced his unique brand of tale-telling (aided as always by wife Laura) with a dreamily paranoid, visually symphonic suspense shocker very much in the mould of classic 1960s Rod Serling Twilight Zone<\/b> mystery tales.<\/p>\n
Originally designed as a black and white 4-issue miniseries, Dead Air<\/b> was instead released by independent publisher Slave Labor <\/i>as a complete Original Graphic Novel and reintroduced comics to the thrills of uncanny, inexplicable paranoiac peril through the channelled artistic sensibilities of modern design legend Patrick Nagel (upon whose remorselessly pared-down stylisations Allred based his own early drawing).<\/p>\n
Following The End of the World, the poignant personal horror begins in ‘Shapes of Things’ <\/i>as, in the small American town of Roseburg, Oregon<\/i>, radio DJ Calvin Lennox<\/i> stares at the blue glow coming from over the mountains and wonders\u00e2\u20ac\u00a6 <\/i><\/p>\n
One night all communication with the outside world was completely lost. All the TV channels blinked out to static and there was nothing but dead air on the radio. Soon Mayor Leroy Black<\/i> had declared Martial Law and instigated a curfew: nobody out and nobody in, and order viciously imposed by the sheriff’s bully-boys.<\/p>\n
Everybody knew it had to have been the long-deaded nuclear war, but Lennox didn’t care. His wife Sydney<\/i> and their two boys Michael<\/i> and Connor<\/i> were miles away in Eugene when the disaster – whatever it actually was – had struck, and Calvin was going crazy trying to get to them.<\/p>\n
Asking Black to let him leave only resulted in a savage beating, so Lennox carefully laid plans with lifelong pals Charlie Custen<\/i>, Warren Goodrich<\/i> and Kevin Zelch<\/i> to escape from the captive population, all the while barely holding off the bubbling madness, desperation of loss and agony of not knowing\u00e2\u20ac\u00a6<\/p>\n
Their moment came in ‘Anyway, Anyhow, Anywhere’<\/i> as the determined quartet made their break with the unexpected assistance of an unsuspected ally. The attempt led to a desperate car-chase and an exchange of gunfire which permanently scarred the frantic family man and badly wounded Warren, but soon they were all on their way, riding <\/i>on an open empty highway that was somehow, subtly\u00e2\u20ac\u00a6 wrong.<\/p>\n
Warren was the one who spotted it.<\/p>\n
Everything looked fine, with no sign of atomic – or any other physical – destruction, but the road no longer had any turn-offs or exits\u00e2\u20ac\u00a6<\/p>\n
Freaked out, the fugitives continued on and began to notice that the scenery, landscape and mountains now seemed altered and oddly different. It was like they’d been transported to another world\u00e2\u20ac\u00a6.<\/p>\n
With reality reeling, they stop to assess their situation and, after some discussion, decide to push on and find Sydney and the kids. Switching to the motorbikes, they travel on – far, far further than the normal distance to Eugene.<\/p>\n
The horror starts to hit home in ‘Over the Hills and Far<\/i> Away’<\/i> when the interminable highway is interrupted by a beach and sea-shore miles from where it should be. Nonplussed, Calvin breaks into an empty lighthouse and sees his destination just over a ridge. Somehow Eugene was just there, but there was something not right about the city’s edges and outskirts\u00e2\u20ac\u00a6<\/p>\n
Baffled and combative, the freaked out friends move on to find a familiar city filled with forgotten childhood treasures but utterly devoid of life. As they separate to explore, Calvin discovers he can now see through John’s eyes just as a glowing blue cloud begins to dissolve all the buildings\u00e2\u20ac\u00a6<\/p>\n
Only Warren and Calvin escape the all-enveloping mist and the heartsick, bereft family man is filled with a terrifying partial understanding as he turns their vehicle back towards Roseburg for the incredible answers to all mysteries in ‘A Sort of Homecoming’<\/i>. Even then only Calvin Lennox makes it, to finally confront the agent of all his woes and find the answers he’s been seeking\u00e2\u20ac\u00a6<\/p>\n
Stylish, wry, moving, quirkily lyrical and inundated with iconic islands of popular culture, Dead Air<\/b> is a beguiling puzzle picture and decidedly different love story which still packs a punch for fantasy fans and comics lovers to enjoy over and over again.
\n\u00c2\u00a9 1989 M. Dalton Allred. All rights reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"
By M. Dalton Allred with Laura Allred (Slave Labor Books) No ISBN, ASIN: B000GLP8JG Major comicbook creative force M. Dalton (‘we call him \u00e2\u20ac\u0153Mike\u00e2\u20ac\u009d’) Allred’s many comicbook writer\/artist triumphs include Madman, The Atomics, and Red Rocket 7 as well as notable collaborative runs on Marvel’s X-Force and X-Statix with Peter Milligan and Vertigo thriller iZombie … <\/p>\n