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By Steve Ditko<\/strong> and various (DC Comics) Steve Ditko is possibly comics’ most unique stylist. Love him or hate him, you can’t mistake his work for anyone else’s. His career began in the early 1950’s and, depending on whether you’re a superhero fan or prefer the deeper and more visually free and experimental work, peaked in either the mid-1960’s or 1970’s.<\/p>\n Leaving the Avenging World<\/em>, Mr. A<\/em> and his other philosophically derived creations for another time, the super-hero crowd should heartily celebrate this deluxe collection of the first costumed do-gooder that Ditko handled. Although I’m a huge fan of his linework – which is best served by black and white printing \u00e2\u20ac\u201c the crisp, sharp colour of this Archive edition is still much better than the appalling reproduction on bog-paper that first displayed Charlton Comics’ Atomic Ace to the kids of Commie-obsessed America, circa 1960.<\/p>\n Captain Adam is an astronaut accidentally atomised in a rocketry accident. Eerily \u00e2\u20ac\u201c and the way it’s drawn spooked the short pants off me when I first read it more than forty years ago \u00e2\u20ac\u201c he reassembles himself on the launch pad, gifted with astounding powers. Reporting to the President, he swiftly becomes the USA’s secret weapon.<\/p>\n In those simpler times the short, terse adventures of Captain Atom seemed somehow more telling than the anodyne DC fare, and Marvel was still promoting monsters in underpants; their particular heroic revolution was still months away. Ditko’s hero was different and we few who read him all knew it.<\/p>\n Mostly written or co-written with Joe Gill, the first wonderful, addictive run of 18 stories from Space Adventures<\/strong> #33-42 (and three of those were drawn by the uninspired and out-of-his-depth Rocke Mastroserio), are a magnificent example of Ditko’s emerging mastery of mood, pacing, atmosphere and human dynamics.<\/p>\n In 1961, as Ditko did more and more work for the blossoming \u00e2\u20ac\u201cand better paying \u00e2\u20ac\u201c Marvel, Charlton killed the series. But when Dick Giordano created a superhero line for Charlton in late 1965, Captain Atom was revived. Space Adventures<\/strong> was retitled, and the Captain’s first full length issue was numbered #78.<\/p>\n As he was still drawing Amazing<\/strong> Spider-Man<\/strong> and Doctor Strange<\/em>, Ditko could only manage pencils for the Captain and Mastroserio was recruited to ink the series, resulting in an oddly jarring finish. With #79 Ditko became lead writer too, and the stories took on an eccentric, compelling edge and tone that lifted them above much of the competition’s fare. Eventually the inker adapted to Ditko’s style and much of the ungainliness had disappeared from the figurework, although so had the fine detail that had elevated the early art.<\/p>\n This volume ends with issue #82, leaving six more published issues and a complete unpublished seventh for another time.<\/p>\n It’s impossible to describe the grace, finesse, and unique eclectic shape of Steve Ditko’s art. It should be experienced. And this is as good a place to start as any, and probably a lot easier to obtain than much of this lost genius’ back catalogue.<\/p>\n \u00c2\u00a9 1960, 1961, 1965, 1966, 2004 DC Comics. All Rights Reserved.<\/p>\n","protected":false},"excerpt":{"rendered":" \u00c2\u00a0 By Steve Ditko and various (DC Comics) ISBN 1-4012-0302-7 Steve Ditko is possibly comics’ most unique stylist. Love him or hate him, you can’t mistake his work for anyone else’s. His career began in the early 1950’s and, depending on whether you’re a superhero fan or prefer the deeper and more visually free and … <\/p>\n
\nISBN 1-4012-0302-7<\/p>\n