{"id":12668,"date":"2014-11-02T12:02:18","date_gmt":"2014-11-02T12:02:18","guid":{"rendered":"http:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=12668"},"modified":"2014-11-02T12:02:18","modified_gmt":"2014-11-02T12:02:18","slug":"the-power-of-tank-girl","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2014\/11\/02\/the-power-of-tank-girl\/","title":{"rendered":"The Power of Tank Girl"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2014\/11\/Tank-Girl-Power-of-150x224.jpg\" alt=\"\" width=\"150\" height=\"224\" class=\"alignnone size-medium wp-image-12669\" srcset=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2014\/11\/Tank-Girl-Power-of-150x224.jpg 150w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2014\/11\/Tank-Girl-Power-of-250x374.jpg 250w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2014\/11\/Tank-Girl-Power-of-200x300.jpg 200w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2014\/11\/Tank-Girl-Power-of.jpg 446w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><br \/>\nBy <strong><\/strong><strong>Alan Martin<\/strong>, <strong><\/strong><strong>Rufus Dayglo<\/strong>, <strong><\/strong><strong>Ashley Wood<\/strong> &amp; (Titan Comics)<br \/>\nISBN: 978-1-78276-064-1<\/p>\n<p><strong>Win&#8217;s Christmas Gift Recommendation: \u00e2\u20ac\u00a6 8\/10<\/strong><\/p>\n<p>By golly, doesn&#8217;t time &#8211; and the occasional burst of bullets &#8211; fly! It&#8217;s hard to believe that our recent past is so far away. Back in the garishly gritty 1980s when I was tea-boy on <strong>Warrior<\/strong> magazine (still one of the most influential independent comics ever produced) there was a frantic buzz of feverish creativity in the British comics scene which seemed to say that any young upstart could hit the big time.<\/p>\n<p>Possibly the most upstarty of all were art-students Jamie Hewlett &amp; Alan Martin (and, tangentially, Phillip Bond) who prowled the local convention circuit impressing the hell out of everybody with their photocopied fanzine <strong>Atomtan<\/strong>. At the back of issue #1 was a pin-up\/ad for a dubious looking young lady with a big, Big, BIG gun and her own armoured transport. And now it&#8217;s suddenly 30 years later\u00e2\u20ac\u00a6<\/p>\n<p>Commissioned by Brett Ewins and Steve Dillon for their new publishing venture <strong>Deadline<\/strong> (a pop-culture magazine with loads of cool comics strips), the absurdist tales of a feisty, well-armed chick roaming the wilds of a futuristic Australia with her Kangaroo boy-friend <em>Booga<\/em> caught the imagination of a large portion of the public. There was even a movie\u00e2\u20ac\u00a6<\/p>\n<p>After many years dallying with a sordid plethora of different publishers, the salty, soldierly slapper found her way to Titan Books &#8211; self-appointed custodian of the Best of British strip art &#8211; who comprehensively remastered her old adventures and spin-offs into a series of unmissable volumes.<\/p>\n<p>Now as Tank Girl continues to periodically sneak out for further frantic capers, they&#8217;ve added another tome to the canon as <strong><\/strong><strong>The Power of Tank Girl<\/strong> gathers recent serial exploits <strong>The Gifting<\/strong>,<strong> Visions of Booga <\/strong>and<strong> The Royal Escape<\/strong> (published in the USA by IDW between November 2007 and September 2010) into one stunning pocket &#8211; or is that pouch? &#8211; sized compendium of exuberant excess and blood-drenched hilarity\u00e2\u20ac\u00a6<\/p>\n<p>Scripted throughout by Martin, the mucky-mouthed mania begins with a dash of poesy in <em>&#8216;The Power&#8217;<\/em> and a pulsating pin-up before a transcendental epic <em>&#8216;The Royal Escape&#8217; <\/em>(with art by the incomparable Rufus Dayglo) opens with <em>&#8216;Part One: The Golden Egg&#8217;<\/em> wherein Tank Girl, paramour <em>Booga<\/em> (a most manly and lovable kangaroo) and gal pals <em>Jackie<\/em> (<em>Boat Girl<\/em>), <em>Barney<\/em> and <em>Jet Girl<\/em> are moments from death at the guns (and bombs, bayonets, RPGs etc\u00e2\u20ac\u00a6) of an extremely pissed off but much depleted army.<\/p>\n<p>With their backs to the shattered walls and ammo gone, Jet Girl is forced to throw the last thing she possesses: a mysterious golden egg she has owned since childhood\u00e2\u20ac\u00a6<\/p>\n<p>The deed somehow turns her semi-catatonic and the mismatched team are forced to split up. As the gritty warriors hunker down, Barney and Jackie go on a mystic quest to recover the egg. The trek takes them up a mountain to meet skeevy shaman <em>Wanka<\/em> in <em>&#8216;The Bulldog Breed&#8217;<\/em> who guides them to an eagle&#8217;s nest with a broken eggshell containing a teeny-tiny, very confused Jet Girl\u00e2\u20ac\u00a6<\/p>\n<p>While they yomp back to the battle, the hard-pressed hold-out heroes are reduced to defending themselves with little more than a <em>&#8216;Dead Man&#8217;s Sandwich&#8217;<\/em> even as their returning friends stumble across a gigantic statue deep in the Bush.<\/p>\n<p>The monolith looks like Jet Girl and when the weeny wonder finds herself compelled to crawl into it, the statue comes to terrifying life\u00e2\u20ac\u00a6<\/p>\n<p>Now possessed of an awesome unstoppable walking weapon, the wanderers return in time to make <em>&#8216;A Terrible Souffle&#8217;<\/em> of the invading army in a shattering spectacle of intense and sustained carnage\u00e2\u20ac\u00a6<\/p>\n<p>After a potpourri of covers and groovy pics, odd ode &#8216;<em>Last of the Jensen Interceptors&#8217;<\/em> leads into a nostalgic nightmare when Tank Girl determines to attend at all costs a reunion gig by her fave girlhood manufactured Boy-Band in <em>&#8216;The Funsters Will Play&#8217;<\/em> (with art by Ashley Wood)\u00e2\u20ac\u00a6<\/p>\n<p>A procession of fearsome fashion pages comes next as <em>&#8216;Keys to the Tank&#8217;, &#8216;Booga in Extreme Jungle Wear&#8217;<\/em>, <em>&#8216;Jet Girl in Stealth Flying Gear&#8217;<\/em>, <em>&#8216;Barney in Urban Camouflage&#8217;<\/em> and <em>&#8216;Cruiser Tank in full Racing Livery&#8217;<\/em> depict how the most stylish mass-murderers make the scene whilst <em>&#8216;Tank Girl in Bad Camouflage&#8217;<\/em> and the concluding chapter <em>&#8216;Uncle Smiffy&#8217;s Tombstone&#8217;<\/em> returns to strip storytelling to deliver a daft drama disclosing the bloodstained origins of Boat Girl\u00e2\u20ac\u00a6<\/p>\n<p>Dayglo resumes the arty stuff for<strong> Visions of Booga <\/strong>which finds the lovers sucked into a Mafia plot and sent to prison in <em>&#8216;Falling Angel Blues&#8217;<\/em>. Unfortunately they&#8217;re also caught up in the daring escape of the Don&#8217;s favourite brother from the prison transport and have to go on the lam from both the cops and the mob.<\/p>\n<p>The best disguise seems to be switching genders but perhaps they haven&#8217;t really thought it through\u00e2\u20ac\u00a6<\/p>\n<p>The pursuit continues and intensifies when they kill one of the Mafioso, accidentally acquiring in the process ultimate mystic panacea the <em>&#8216;Book of Hipster Gold&#8217;<\/em> and stumbling onto unhappy diner waitress Barney who just happens to have an old <em>SDKFZ 251 Mittlerer Schutzenpanzerwagen <\/em>parked out back\u00e2\u20ac\u00a6<\/p>\n<p>On the run again (but now in a perfectly working Nazi armoured halftrack) the fugitives head for the West Coast where a seasoned hippy dwells. He&#8217;s the only person on Earth who can be trusted with the eldritch tome of peace and perfection but as <em>&#8216;Letters to Earth&#8217;<\/em> shows, The Mob never quit and hippies &#8211; even the sublime and most cool <em>Spanky Smith<\/em> &#8211; aren&#8217;t what they used to be.<\/p>\n<p>Still, he does find time to marry Tank Girl and Booga before the bad guys turn up for the blistering and bizarre conclusion <em>&#8216;Which Cuts the Finest, the Sabre or the Blade of Grass?&#8217;<\/em>\u00e2\u20ac\u00a6<\/p>\n<p>Following some more covers, <strong>The Gifting<\/strong> opens with a batch of illustrated Beat poems extolling <em>&#8216;Digging the Lonely Eternity&#8217;<\/em>, before a bit of girl goss gets all scatological whilst solving the pressing mystery of <em>&#8216;The Dogshit in Barney&#8217;s Handbag&#8217;<\/em> (Wood art) after which Martin &amp; Dayglo spin us back to the 1970s for <em>&#8216;Tank Girl and Friends in Our Glam Day Out&#8217;<\/em> revisiting such iconic treats as Evel Knievel, Chopper Bikes, Pub Lunches and much, much more, whilst Wood&#8217;s go on the art encompasses a &#8216;<em>Barney Pull-out Poster&#8217;<\/em> and extended paean to days past <em>&#8216;X2-38&#8217;<\/em> which sees Booga lose his heart to a toy raygun from his childhood which becomes his <em>&#8216;Reason for Living&#8217;<\/em>, before pausing for a brief <em>&#8216;Tank Girl Haiku&#8217;<\/em><\/p>\n<p>Dayglo&#8217;s smartly rendered <em>&#8216;Bonko Patrol&#8217;<\/em> explains the downside of truly heavy ordnance before Wood wanders back to limn another extended battle against evil and ill manners in <em>&#8216;The Innocent Die First&#8217;<\/em>.<\/p>\n<p>This sterling parable finds Tank Girl and Booga at a luxurious hotel they&#8217;ve just purchased, happily whiling away their days insulting the clientele and starting fights until they offend the wrong punter and start a full scale war in <em>&#8216;Easy Action&#8217;<\/em>. The conflict naturally escalates until the cataclysmic <em>&#8216;Attack on the Foreskin Bridge Hotel&#8217;<\/em> ends the dispute in a most unlikely manner\u00e2\u20ac\u00a6<\/p>\n<p><em>&#8216;Barney and Jet Girl in Stone Fox Chase&#8217;<\/em> (Dayglo) then pairs the dynamic duo with Style Icon <em>Adam Ant<\/em> for a bout of carnage and chaos after which <em>&#8216;Tank Girl Tat&#8217;<\/em> offers the kind of merchandise you&#8217;ll never see anywhere else and Wood illuminates a quiet night in with nothing to do but <em>&#8216;Kill Jumbo&#8217;<\/em>\u00e2\u20ac\u00a6<\/p>\n<p>Booga then plays stage magician to entertain &#8216;<em>The Kids from 23A&#8217;<\/em> with horrific results before getting stuck trying to buy lingerie in <em>&#8216;The Gifting&#8217;<\/em> and everything wraps up nicely with another selection of moodful poetic meanderings comprising <em>&#8216;Like a Roast Potato in a Pick-Up Truck&#8217;<\/em>, <em>&#8216;The Sunshine of Your Arse&#8217;<\/em>, <em>&#8216;The Ox&#8217;<\/em> and <em>&#8216;You Are Loved&#8217;<\/em>\u00e2\u20ac\u00a6<\/p>\n<p>Never too wedded to the concept of internal logic, chronological order, narrative consistency, linguistic restraint or spelling (so if you&#8217;re pedantic be warned!), this latest compote of outrageous and hilarious cartoon phantasmagoria revels in a glorious mud-bath of social iconoclasm, in-yer-face absurdity, decades of British Cultural Sampling and the ever-popular addictive sex &#8216;n&#8217; violence.<\/p>\n<p>Wildly absurdist, intoxicatingly adorable and packed to the gills with covers, spot art and other pictorial pleasures, <strong><\/strong><strong>The Power of Tank Girl<\/strong> is an ever-so-cool rollercoaster thrill-ride and lifestyle touchstone for life&#8217;s incurable rebels and undying Rude Britannians, so if you&#8217;ve never seen the anarchic, surreal and culturally soused peculiarity that is Tank Girl, bastard love child of <strong>2000AD<\/strong> and <strong>Love and Rockets<\/strong>, you&#8217;ve missed a truly unique experience\u00e2\u20ac\u00a6 and remember, she doesn&#8217;t care if you like her, just so long as you notice her.<br \/>\nTank Girl and all related characters are \u00e2\u201e\u00a2 &amp; \u00c2\u00a9 2014 Jamie Hewlett and Alan Martin. All rights reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Alan Martin, Rufus Dayglo, Ashley Wood &amp; (Titan Comics) ISBN: 978-1-78276-064-1 Win&#8217;s Christmas Gift Recommendation: \u00e2\u20ac\u00a6 8\/10 By golly, doesn&#8217;t time &#8211; and the occasional burst of bullets &#8211; fly! It&#8217;s hard to believe that our recent past is so far away. Back in the garishly gritty 1980s when I was tea-boy on Warrior &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2014\/11\/02\/the-power-of-tank-girl\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The Power of Tank Girl&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[42,90,125,105],"tags":[],"class_list":["post-12668","post","type-post","status-publish","format-standard","hentry","category-best-of-british","category-cartooning-classics","category-humour","category-mature-reading"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4AFj-3ik","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/12668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/comments?post=12668"}],"version-history":[{"count":0,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/12668\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/media?parent=12668"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/categories?post=12668"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/tags?post=12668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}