{"id":1390,"date":"2007-11-08T17:55:06","date_gmt":"2007-11-08T17:55:06","guid":{"rendered":"http:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=1390"},"modified":"2007-11-08T17:59:41","modified_gmt":"2007-11-08T17:59:41","slug":"hellblazer-freezes-over","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2007\/11\/08\/hellblazer-freezes-over\/","title":{"rendered":"Hellblazer: Freezes Over"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2007\/11\/hellblazer-freezes-over.jpg\" alt=\"Hellblazer: Freezes Over\" \/><\/p>\n<p>By <strong>Brian Azzarello<\/strong>, <strong>Marcelo Frusin<\/strong>, <strong>Guy Davis<\/strong> &amp; <strong>Steve Dillon<\/strong> (Vertigo)<br \/>\nISBN 1-84023-531-4<\/p>\n<p>Brian Azzarello continues his blending of Noir and urban horror in this collection of tales reprinted from issues #157-163 of the monthly comic from DC&#8217;s Vertigo imprint, and as usual in his world, the human heart is still the nastiest place of all.<\/p>\n<p>Making his way across the American hinterlands after the unsettling events in the hillbilly hellhole of Doglick (<strong><a target=\"_blank\" href=\"\/nowreadthis\/?p=1336\">Good Intentions<\/a><\/strong> &#8211; ISBN: 1-84023-433-4), Machiavellian magician Constantine walks into a bar and finds Agent Turro, the Fed who sprung him from prison (<strong><a target=\"_blank\" href=\"\/nowreadthis\/?p=1298\">Hard Time<\/a><\/strong> ISBN: 1-84023-255-2). Their loaded conversation determines Constantine&#8217;s next destination. The Scouse of Mystery is headed for a showdown in <a target=\"_blank\" href=\"\/nowreadthis\/?p=144\"><strong>Highwater<\/strong> <\/a>(ISBN: 1-84023-861-5) but for the most part he fades into the background of this sharp shaggy dog story of dark suspense as three guilty bar-flies steal the show, waiting for an inexorable doom to find them. <em>&#8216;\u00e2\u20ac\u00a6And Buried&#8217;<\/em> is by Azzarello and Steve Dillon, a powerful exercise in diversion and suggestion that acts as set-up and prologue for the tense main feature.<\/p>\n<p><em>&#8216;Freezes Over&#8217;<\/em> is a tale of claustrophobic bondage. A bunch of ordinary folks are trapped in a diner by heavy snows and just pass the time until the weather clears. The idle chatter softens as a young family staggers in, though, as nobody wants to upset their little girls. In this weather, nobody&#8217;s able to drive, so when the scary Englishmen walks in the nervous patrons are pretty spooked. But he&#8217;s the least of their problems\u00e2\u20ac\u00a6<\/p>\n<p>There&#8217;s a car in the parking lot. In it is a corpse, with a four-foot long icicle driven through his chest. The panic that ensues is not that of a simple murder though. This wilderness country has a legendary heritage. &#8216;The Iceman&#8217; is a mythical bogeyman who has legendarily killed and vanished over the years. Is he real after all, or is the problem just a common or garden psychopath?<\/p>\n<p>The final nail in this cold coffin comes in the shape of three hard desperate men who have their own secret, which they&#8217;re prepared to protect with guns even as their boss is slowly bleeding to death\u00e2\u20ac\u00a6<\/p>\n<p>Marcelo Frusin draws a moody, tense time-bomb of a tale, and similarities to Archie Mayo&#8217;s classic 1936 movie masterpiece <strong>The Petrified Forest<\/strong> aside, this cold concoction is an edgy delight even without the supernatural overtones that keep the reader guessing until the very end.<\/p>\n<p>The volume concludes with an exhilarating look into the punk-rock days of young Johnny Constantine, courtesy of Azzarello and Guy Davis. <em>&#8216;Lapdogs and Englishmen&#8217;<\/em> is a frantic flashback to London at the end of the 1970s. John and his nearly-men band-mates from \u00e2\u20ac\u0153Mucous Membrane\u00e2\u20ac\u009d become involved with a crazy American millionaire who wants a clock that can predict the future. For the young, drunk and stupid kids, the caper seems like a doddle, but the sinister undercurrent that pervades the scene escapes all the participants, and the real key to the future is safe where no one wants to look\u00e2\u20ac\u00a6 until it&#8217;s too late. This pacy, poignant two-parter is loaded with revelation and foreboding, making it by far the best thing in this book.<\/p>\n<p>The horror and power in this volume is all derived from the various deadly effects of anticipation. Azzarello used his run on <strong>Hellblazer<\/strong> to dissect the working principles of the graphic horror narrative and thus moved it beyond the simple clich\u00c3\u00a9s of goblins and beasties. <strong>Hellblazer<\/strong> is one of the best graphic series in print. If you&#8217;re not a fan you should give it a try and thus become one.<\/p>\n<p>\u00c2\u00a9 2001 DC Comics. All Rights Reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Brian Azzarello, Marcelo Frusin, Guy Davis &amp; Steve Dillon (Vertigo) ISBN 1-84023-531-4 Brian Azzarello continues his blending of Noir and urban horror in this collection of tales reprinted from issues #157-163 of the monthly comic from DC&#8217;s Vertigo imprint, and as usual in his world, the human heart is still the nastiest place of &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2007\/11\/08\/hellblazer-freezes-over\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Hellblazer: Freezes Over&#8221;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1,8],"tags":[],"class_list":["post-1390","post","type-post","status-publish","format-standard","hentry","category-graphic-novels","category-hellblazer"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4AFj-mq","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/1390","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/comments?post=1390"}],"version-history":[{"count":0,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/1390\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/media?parent=1390"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/categories?post=1390"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/tags?post=1390"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}