{"id":14475,"date":"2016-01-11T08:00:35","date_gmt":"2016-01-11T08:00:35","guid":{"rendered":"http:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=14475"},"modified":"2016-01-10T17:34:41","modified_gmt":"2016-01-10T17:34:41","slug":"as-you-were-volume-4-living-situations","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2016\/01\/11\/as-you-were-volume-4-living-situations\/","title":{"rendered":"As You Were volume 4: Living Situations"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2016\/01\/As-You-Were-4-bk-150x229.jpg\" alt=\"\" width=\"150\" height=\"229\" class=\"alignnone size-medium wp-image-14476\" srcset=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2016\/01\/As-You-Were-4-bk-150x229.jpg 150w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2016\/01\/As-You-Were-4-bk-250x382.jpg 250w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2016\/01\/As-You-Were-4-bk-197x300.jpg 197w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2016\/01\/As-You-Were-4-bk.jpg 414w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2016\/01\/As-You-Were-4-frt-150x228.jpg\" alt=\"\" width=\"150\" height=\"228\" class=\"alignnone size-medium wp-image-14477\" srcset=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2016\/01\/As-You-Were-4-frt-150x228.jpg 150w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2016\/01\/As-You-Were-4-frt-250x380.jpg 250w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2016\/01\/As-You-Were-4-frt-197x300.jpg 197w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2016\/01\/As-You-Were-4-frt.jpg 414w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><br \/>\nBy various, compiled and edited by <strong><\/strong><strong>Mitch Clem<\/strong> &amp; <strong><\/strong><strong>Avi Ehrlich<\/strong> (Silver Sprocket Bicycle Club\/Last Gasp)<br \/>\nISBN: 978-0-86719-822-5<\/p>\n<p>Speaking as a doddering survivor of the first Punk Uprising, I admit to still hankering for those frenzied days of youthful indiscretion, impatient passions, a sense of being completely tangential to most folk around me and a clear idea of who \u00e2\u20ac\u0153The Enemy\u00e2\u20ac\u009d was.<\/p>\n<p>At least I&#8217;m still utterly angry and discontented over inequality, political arrogance, corporate smugness, bigotry of every type and the First World&#8217;s poisonous assumption\u00c2\u00a0 that we all adhere to their vile philosophy of I&#8217;m-all-right-Jackery\u00e2\u20ac\u00a6<\/p>\n<p>So it&#8217;s bloody wonderful to see some of those attitudes still surviving into this century: even if the issues are more about personal liberty and freedom of expression and lifestyle, rather than Fighting the Power or just being listened too\u00e2\u20ac\u00a6<\/p>\n<p><strong><\/strong><strong>As You Were<\/strong> is a periodic collection of strips by contemporary cartoonists who self-identify as \u00e2\u20ac\u0153punk\u00e2\u20ac\u009d and this fourth instance is dedicated to the precarious prospect of daily existence, gathered under one cardboard roof by Mitch Clem (creator of <strong><\/strong><strong>Nothing Nice to Say<\/strong> &#8211; arguably the first online punk comic) and Avi Erlich, designated adult of San Franciscan arts collective <em>Silver Sprocket Bicycle Club<\/em>, who worked in conjunction with Last Gasp to produce this starkly monochrome digest-sized anthology collection.<\/p>\n<p>Behind the Kriss Stress cover and following a fabulously illuminated contents section embroidered with a border by Autumn Ballard, the domestic diatribes (produce of more than one country) open with a frenetic depiction of &#8216;<em>Tuesday Night at the Rad House&#8217;<\/em> from Liz Suburbia after which Ben Passmore details the fantastic rules controlling all dealings with <em>&#8216;The Punklord&#8217;<\/em> and Shannon Knox examines the lives of the poor, abused cleaning utensils so seldom used by any house occupant in <em>&#8216;Takes from the Kitchen Sink&#8217;<\/em>.<\/p>\n<p><em>&#8216;I Grew Up in a Haunted House&#8217;<\/em> relates Liz Prince&#8217;s odd preoccupation with one room in a certain home after which James the Stanton visually and viscerally recalls a party which was out of this world in <em>&#8216;Gnartoons&#8217;<\/em>, Brad Dwyer and his partner find some <em>&#8216;Common Ground&#8217;<\/em> in the raising of their kids and Evan Wolff vs Campus P.D. finds the author not-so nostalgic about college housing and student crash-pads in <em>&#8216;One Time at the Hot Tub House&#8217;<\/em>\u00e2\u20ac\u00a6<\/p>\n<p>Wondering if it&#8217;s booze or Ska music making everything so swirly in Mel&#8217;s <em>&#8216;This Only Works When Everyone is Drunk&#8217;<\/em>, we stagger on to enjoy Jim Kettner&#8217;s gleefully elegiac <em>&#8216;Tales from the Bookhouse&#8217;<\/em>, recounting the unique selling points of past temporary dwellings before Meg Has Issues realises <em>&#8216;All Roommates are Asshole&#8217;<\/em> and Chris (<strong><\/strong><strong>Comics of Mass Distraction<\/strong>) Mindtree details a happy ending resulting from<em> &#8216;2 Guys 1 Apartment&#8217;<\/em>\u00e2\u20ac\u00a6<\/p>\n<p><em>&#8216;Homecore&#8217;<\/em> by Josh PM Frees reveals the trials of two gentle scholarly souls searching for shelter whilst Andra Passen exposes herself in <em>&#8216;Crowded thoughts and crooked teeth&#8217;<\/em> before the perennial new-student dilemma (no contraceptives!!!) surely evokes pained, fond memories for many of us as Steve Thueson remembers <em>&#8216;July 2009&#8217;<\/em>\u00e2\u20ac\u00a6<\/p>\n<p>Sam Grinberg shares a rowdy party experience in <em>&#8216;Quiet&#8217;<\/em> before Rick V hilariously <em>&#8216;Draws A Comic About Every Human He Has Lived With&#8217;<\/em> and Nomi Kane totally steals the show with <em>&#8216;Nightmare on Milwaukee Avenue&#8217;<\/em> as the housemates have to deal with \u00e2\u20ac\u0153that guy\u00e2\u20ac\u009d: the lazy, shiftless one who has problems with the very concept of menstruation and other girl stuff\u00e2\u20ac\u00a6<\/p>\n<p>Steve Larder offers a uniquely British outlook whilst recalling his time staying in <em>&#8216;The Hippy House&#8217;<\/em> and Emily \u00e2\u20ac\u0153Buckwheat\u00e2\u20ac\u009d Timm scales flights of fantasy in<em> &#8216;A Girl Can Dream&#8217;<\/em> with Joshum sustaining the escapism in fabulous pantomimic sci fi fable <em>&#8216;Coming Home&#8217;<\/em>.<\/p>\n<p>World traveller Aim\u00c3\u00a9e Pijpers thoughtfully details her <em>&#8216;Living Arrangements: a Timeline&#8217;<\/em> before true Brit Rob Cureton amuses and outrages with his <em>&#8216;INFOMERCIAL&#8217;<\/em> for a very special old folks home after which Alex Barrett exposes the idiocy of the Tallahassee cops in <em>&#8216;GCF&#8217;<\/em> and Rachel Dukes depicts a moment of pure romance in <em>&#8216;Good Morning, Dracula&#8217;<\/em>\u00e2\u20ac\u00a6<\/p>\n<p>Alex Krokus then shares a<em> &#8216;House Meeting&#8217;<\/em> like so very many others and Sarah Graley intimately recalls <em>&#8216;Elly&#8217;s Room&#8217;<\/em> after which Wyeth Yates gloriously predicts a happy future in the <em>&#8216;Horse Latitudes&#8217;<\/em> before Ben Snakepit apologises for his many sins as a <em>&#8216;Roomate from Hell&#8217; <\/em><\/p>\n<p><em>&#8216;Buying the Baron&#8217;s House&#8217;<\/em> is Erin K. Wilson&#8217;s silent tale told in two timeframes, relating the history of a home and its fate today whilst <em>&#8216;There and Back Again&#8217;<\/em> finds Carolina Porras daydreaming as she packs up for another move. After Andy Warner graphically catalogues a <em>&#8216;House Party&#8217;<\/em>, Will Laren recapitulates a modern manifesto with &#8216;<em>The People&#8217;s System&#8217;<\/em> before Lindsay Anne Watson pantomimically advocates that we <em>&#8216;Settle Down&#8217;<\/em> to close this conference of cartoons.<\/p>\n<p>With a full biography\/contact section (for when you want to see more\u00e2\u20ac\u00a6 and where) this is a wonderful collaborative colloquium of cartoon free expression to delight lovers of the comics game, but if your new to all this, British and of a certain age or maybe simply a devotee of anarchic comedy, the (long and disinfectant-dosed) handle you&#8217;re reaching for regarding much of this material is Mayall &amp; Edmonton&#8217;s <strong><\/strong><strong>The Young Ones<\/strong> or <strong><\/strong><strong>Bottom<\/strong>, possibly by way of John Belushi in<strong><\/strong><strong> Animal House<\/strong>\u00e2\u20ac\u00a6<\/p>\n<p>However, whatever your age, stance or orientation, this splendid collection of funny, raucous, whimsical and thought-provoking graphic narrative is a delicious way of seeing how those kids you claim not to understand think &#8211; and surely that&#8217;s no bad thing?<br \/>\nCollection \u00c2\u00a9 2015 Silver Sprocket. Contributions \u00c2\u00a9 2015 by the individual authors.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By various, compiled and edited by Mitch Clem &amp; Avi Ehrlich (Silver Sprocket Bicycle Club\/Last Gasp) ISBN: 978-0-86719-822-5 Speaking as a doddering survivor of the first Punk Uprising, I admit to still hankering for those frenzied days of youthful indiscretion, impatient passions, a sense of being completely tangential to most folk around me and a &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2016\/01\/11\/as-you-were-volume-4-living-situations\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;As You Were volume 4: Living Situations&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3,104,105],"tags":[],"class_list":["post-14475","post","type-post","status-publish","format-standard","hentry","category-comics","category-graphic-autobiography","category-mature-reading"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4AFj-3Lt","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/14475","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/comments?post=14475"}],"version-history":[{"count":0,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/14475\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/media?parent=14475"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/categories?post=14475"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/tags?post=14475"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}