{"id":16751,"date":"2017-04-28T07:00:55","date_gmt":"2017-04-28T07:00:55","guid":{"rendered":"http:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=16751"},"modified":"2017-04-28T08:25:32","modified_gmt":"2017-04-28T08:25:32","slug":"thrrp-2","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2017\/04\/28\/thrrp-2\/","title":{"rendered":"THRRP!"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16752\" src=\"http:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2017\/04\/Baxendale.-150x210.jpg\" alt=\"\" width=\"150\" height=\"210\" srcset=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2017\/04\/Baxendale.-150x210.jpg 150w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2017\/04\/Baxendale.-250x350.jpg 250w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2017\/04\/Baxendale.-214x300.jpg 214w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2017\/04\/Baxendale..jpg 356w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><br \/>\nBy <strong>Leo Baxendale <\/strong>(Knockabout Comics)<br \/>\nISBN: 978-0-86166-051-3<\/p>\n<p>Whilst tapping away at my keyboard, I&#8217;ve just heard on the radio (I&#8217;m real old school, me) that the irrepressible, irreplaceable Leo Baxendale passed away earlier this week. Thus, I&#8217;m postponing today&#8217;s posting to re-run this old saw. The book is still readily available and if you haven&#8217;t seen it you bloody well should.<\/p>\n<p>Leo Baxendale was educated at Preston Catholic College, served in the RAF and was born on 27<sup>th<\/sup> October 1930, in Whittle-le-Woods, Lancashire &#8211; but not in that order. His first paid artistic efforts were drawing ads and cartoons for <strong>The Lancashire Evening Post<\/strong> but his life and the entire British comics scene changed in 1952 when he began freelancing for DC Thomson&#8217;s star weekly <strong>The Beano<\/strong>.<\/p>\n<p>Leo took over moribund <em>Lord Snooty and his Pals<\/em> and created anarchically surreal strips <em>Little Plum<\/em>, <em>Minnie the Minx<\/em>, <em>The Three Bears<\/em> and <em>When the Bell Rings<\/em> &#8211; which metamorphosed into the legendary, lurgie-packed <strong>Bash Street Kids<\/strong> thereby altering the realities of millions of readers.<\/p>\n<p>Baxendale also contributed heavily to the creation of <strong>The Beezer<\/strong> in 1956, after editorial and financial disputes, moved to the London-based Harmsworth conglomerate Odhams\/Fleetway\/IPC in 1962.<\/p>\n<p>South of the border his humorous creations included <em>Grimly Feendish<\/em>, <em>Sweeny Toddler<\/em>, <em>General Nitt and his Barmy Army<\/em>, <em>Bad Penny<\/em> and a whole host of other sparkling oiks, yobs and weirdoes who made the \u00e2\u20ac\u0153Power Comics\u00e2\u20ac\u009d era such a joy to behold.<\/p>\n<p>During the 1970s and 80s he foisted <strong>Willy the Kid<\/strong> on the world and created his own publishing imprint &#8211; Reaper Books. He also sued DCT for rights to his innovative inky inventions: a seven-year struggle that was eventually settled out of court.<\/p>\n<p>Other notable graphic landmarks include his biography <strong>A Very Funny Business: 40 Years of Comics <\/strong>and <em>I Love You, Baby Basil<\/em> in <strong>The Guardian<\/strong>.<\/p>\n<p>Leo was a one-of-a-kind, hugely influential and much-imitated master of pictorial comedy and noxious gross-out escapades whose work deeply affected (some would say warped) generations of British and Commonwealth kids. We&#8217;ll not see his like again.<\/p>\n<p>I&#8217;ll return to him with a more considered appreciation later in the year, but for now why don&#8217;t you think about picking up <strong>THRRP!<\/strong>?<\/p>\n<p>Released in 1987 this oversized (292 x 206 mm) softcover monochrome tome is something of a lost classic: a gloriously grotesque, pantomimic splurt-fest of broken winds, oozy organs, drippy bits and broad, basic belly-laughs which depends less on narrative convention than on warped-yet-timeless juvenile invention and forward progression to revel in the most lunatic slapstick ever to grace the music-hall or comic page.<\/p>\n<p>Whilst not as groundbreaking as <em>Plum<\/em>, <em>Minnie<\/em>, or <em>The Bash Street Kids<\/em> nor as subversive as <strong>Wham<\/strong>, <strong>Smash<\/strong> and <strong>Pow <\/strong>creations such as <em>Eagle Eye<\/em>, <em>Junior Spy<\/em>, <em>The Swots and the Blots<\/em> or <em>The Tiddlers<\/em>, or indeed, as outlandish as <em>George&#8217;s Germs <\/em>or <em>Sam&#8217;s Spook<\/em>, nevertheless our premiering pulsating protagonist <em>Spotty Dick<\/em> and the stomach-churning, utterly repulsive inhabitants of <em>Planet Urf<\/em> unforgettably cavort through a cartoon-mire of silent adventures &#8211; like mimes made of mucus &#8211; in a manner no snotty, grotty school-kid of any age could resist.<\/p>\n<p>An absolute treat from the absolute master of British tomfoolery. Let&#8217;s get this back in print now.<br \/>\n\u00c2\u00a9 1987 Leo Baxendale. All rights reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Leo Baxendale (Knockabout Comics) ISBN: 978-0-86166-051-3 Whilst tapping away at my keyboard, I&#8217;ve just heard on the radio (I&#8217;m real old school, me) that the irrepressible, irreplaceable Leo Baxendale passed away earlier this week. Thus, I&#8217;m postponing today&#8217;s posting to re-run this old saw. The book is still readily available and if you haven&#8217;t &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2017\/04\/28\/thrrp-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;THRRP!&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[42,113,111],"tags":[],"class_list":["post-16751","post","type-post","status-publish","format-standard","hentry","category-best-of-british","category-comedy","category-satirepolitics"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4AFj-4mb","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/16751","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/comments?post=16751"}],"version-history":[{"count":0,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/16751\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/media?parent=16751"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/categories?post=16751"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/tags?post=16751"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}