{"id":17511,"date":"2017-11-13T08:00:51","date_gmt":"2017-11-13T08:00:51","guid":{"rendered":"http:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=17511"},"modified":"2017-11-12T16:53:28","modified_gmt":"2017-11-12T16:53:28","slug":"ms-marvel-masterworks-volume-2","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2017\/11\/13\/ms-marvel-masterworks-volume-2\/","title":{"rendered":"Ms. Marvel Masterworks volume 2"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2017\/11\/MsM-2-250x355.jpg\" alt=\"\" width=\"250\" height=\"355\" class=\"alignnone size-large wp-image-17512\" srcset=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2017\/11\/MsM-2-250x355.jpg 250w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2017\/11\/MsM-2-150x213.jpg 150w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2017\/11\/MsM-2.jpg 351w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><br \/>\nBy<strong> Chris Claremont<\/strong>, <strong>Simon Furman<\/strong>,<strong> Jim Shooter<\/strong>, <strong>George P\u00c3\u00a9rez<\/strong>, <strong>Bob Layton<\/strong>, <strong>David Michelinie<\/strong>, <strong>Jim Mooney<\/strong>,<strong> Carmine Infantino<\/strong>,<strong> Dave Cockrum<\/strong>, <strong>Mike Vosburg<\/strong>, <strong>Mike Gustovich<\/strong>, <strong>Michael Golden<\/strong>,<strong> David Ross <\/strong>&amp; various (Marvel)<br \/>\nISBN: 978-0-7851-9575-7<\/p>\n<p>Until relatively recently American comics and especially Marvel had very little in the way of positive female role models and almost no viable solo stars. Although there was a woman starring in the very first comic of the Marvel Age, <em>Invisible Girl<\/em> <em>Susan Storm<\/em> took years to become a potent and independent character in her own right. They&#8217;ve come a long way since then\u00e2\u20ac\u00a6<\/p>\n<p><strong>Ms. Marvel<\/strong> launched in her own title, cover-dated January 1977. She was followed by the equally copyright-protecting <strong>Spider-Woman<\/strong> in <strong>Marvel Spotlight<\/strong> #32 (February 1977, and securing her own title 15 months later) and <strong>Savage She-Hulk<\/strong> (#1, February 1980). Then came the music-biz sponsored <strong>Dazzler <\/strong>who premiered in <strong>Uncanny X-Men <\/strong>#130 the same month, before inevitably graduating to her own book.<\/p>\n<p>Once upon a time <strong>Ms. Marvel<\/strong> was <em>Carol Danvers<\/em>, a United States Air Force security officer. She was first seen in <strong>Marvel Super-Heroes<\/strong> #13 (March 1968): the second episode of the saga of Kree warrior <em>Mar-Vell <\/em>AKA <strong>Captain Marvel<\/strong>, who had been dispatched to Earth as a spy after the <em>Fantastic Four <\/em>repulsed the alien Kree twice in two months\u00e2\u20ac\u00a6<\/p>\n<p>That series was written by Roy Thomas and illustrated by Gene Colan with the immensely competent Carol perpetually investigating Mar-Vell&#8217;s assumed and tenuous cover-identity of <em>Walter Lawson<\/em> for many months.<\/p>\n<p>This was until Danvers was collateral damage in a devastating battle between the now-defecting alien and his nemesis <em>Yon-Rogg <\/em>in <strong>Captain Marvel<\/strong>#18 (November 1969).<\/p>\n<p>Caught in a climactic explosion of alien technology, she pretty much vanished from sight until revived as and in <strong>Ms. Marvel <\/strong>#1 (January 1977), heralding a new chapter for the company and the industry\u00e2\u20ac\u00a6<\/p>\n<p>This second sturdy hardcover volume (or enthralling eBook if you prefer), collects <strong>Ms. Marvel<\/strong> volume 1#15-23, relevant portions of <strong>Marvel Super-Heroes Magazine<\/strong> #10-11, <strong>Avengers<\/strong> #197-200, <strong>Avengers Annual<\/strong> #10 and material from <strong>Marvel Fanfare<\/strong> #24, circuitously spanning March 1978 to October 1992, and leads off with an effusive <em>Introduction<\/em> from latter-day Danvers writer Kelly Sue DeConnick before the game-changing dramas commence\u00e2\u20ac\u00a6<\/p>\n<p>Never having fully recovered from her near-death experience, Danvers had left the military and drifted into writing, slowly growing in confidence before relocating to New York City to work for publisher <em>J. Jonah Jameson<\/em> on his new project <em>Woman Magazine<\/em>.<\/p>\n<p>During this time Carol learned that she had gained Kree-based abilities, psychic powers and partial amnesia: creating the role of Ms. Marvel without her own knowledge. Eventually her personality split was healed and she became a fully conscious and ferociously competent costumed champion\u00e2\u20ac\u00a6<\/p>\n<p>With Chris Claremont scripting and Jim Mooney &amp; Tony DeZu\u00c3\u00b1iga providing the art, <em>&#8216;The Shark is a Very Deadly Beast!&#8217; <\/em>opens this edition as the two-fisted titan clashes with undersea villain <em>Tiger Shark<\/em>. The action begins after Carol stumbles over him abducting the <em>Sub-Mariner<\/em>&#8216;s teenaged cousin <em>Namorita<\/em>. Despite a brief side trip to Avengers Mansion, only Ms. Marvel is on hand to provide succour in cataclysmic concluding <em>&#8216;The Deep Deadly Silence!&#8217; <\/em>(inked by Frank Springer).<\/p>\n<p><em>&#8216;Shadow of the Gun!&#8217; <\/em>(Mooney &amp; DeZu\u00c3\u00b1iga) then enhances the <em>X-Men<\/em> connection by introducing shape-shifting mutant <em>Mystique <\/em>in a raid on S.H.I.E.L.D. to purloin a new super-weapon which then sees impressive service in #18&#8217;s <em>&#8216;The St. Valentine&#8217;s Day\/Avengers Massacre!&#8217;<\/em> (inked by Ricardo Villamonte): a blockbuster battle featuring the beginnings of a deadly plot originating at the heart of the distant Kree Imperium.<\/p>\n<p>The scheme swiftly culminates in <em>&#8216;Mirror, Mirror!&#8217;<\/em> (art by Carmine Infantino &amp; Bob McLeod) as the Kree <em>Supreme Intelligence<\/em> attempts to reinvigorate his race&#8217;s stalled evolutionary path by kidnapping Earth\/Kree hybrid Carol Danvers. However, with both her and Captain Marvel hitting hard against his emissary <em>Ronan the Accuser<\/em>, eventually the Supremor and his plotters take the hint and go home empty-handed\u00e2\u20ac\u00a6<\/p>\n<p><strong>Ms. Marvel<\/strong> #20 highlights a huge makeover as Danvers dumps her Mar-Vell-inspired uniform and finally finds her own look and identity in <em>&#8216;The All-New Ms. Marvel&#8217;<\/em> courtesy of Claremont, Dave Cockrum &amp; Bob Wiacek.<\/p>\n<p>Here the utterly re-purposed hero tackles a hidden kingdom of predatory, intelligent, post-atomic dinosaurs infesting the American deserts, leading to a catastrophic clash with <em>&#8216;The Devil in the Dark!&#8217;<\/em> (inked by Al Milgrom) in the following issue.<\/p>\n<p>Now one of the most hands-on, bombastic battlers in the Marvel pantheon, Ms. M is more than ready for a return match with <em>Death-Bird<\/em> in <em>&#8216;Second Chance!&#8217;<\/em> (art by Mikes Vosburg &amp; Zeck) but thrown for a total loop in her personal life after being fired from Woman Magazine.<\/p>\n<p>All these bold changes came too late as the series&#8217; dwindling sales had earmarked it for cancellation. <em>&#8216;The Woman Who Fell to Earth&#8217;<\/em> (inked by Bruce D. Patterson) resolves a long-running plot thread involving the disappearance of old friend <em>Salia Petrie<\/em> in a tale guest-starring the time-travelling <em>Guardians of the Galaxy<\/em>, just in time for the end of the road.<\/p>\n<p>The series stopped there but two more stories were in various stages of preparation. They eventually saw print in 1992 (the Summer and Fall issues of oversized anthology publication <strong>Marvel Super-Heroes Magazine<\/strong> #10-11). Here they are presented in an originally untitled yarn dubbed <em>&#8216;Sabretooth Stalks the Subway&#8217;<\/em>: a ferocious fight against the feral mutant maniac by Claremont &amp; Vosburg, followed by <em>&#8216;Cry, Vengeance!&#8217; <\/em>(Claremont, Simon Furman, Vosburg &amp; Mike Gustovich) as Ms. Marvel, now a card-carrying Avenger, faces off against Mystique and her <em>Brotherhood of Evil Mutants<\/em>.<\/p>\n<p>This tale incorporates an additional section explaining how Carol is later attacked by young mutant <em>Rogue<\/em>, permanently loses her powers and memory and is eventually reborn as the cosmic-powered adventurer <em>Binary<\/em>: which is all well and good but somewhat takes the punch out of the later tales in this collection\u00e2\u20ac\u00a6<\/p>\n<p>Relegated to an ensemble role in the Avengers, Danvers&#8217; life took a strange and disturbing turn in <strong>Avengers<\/strong> 197-199 (July to September 1980 and represented here by pertinent extracts from those issues).<\/p>\n<p>Written by David Michelinie with art from Infantino &amp; Brett Breeding and George P\u00c3\u00a9rez &amp; Dan Green, these snippets follow a strange and terrifyingly rapid transformation as Carol finds herself impossibly pregnant and bringing an unknown baby to term in a matter of days\u00e2\u20ac\u00a6<\/p>\n<p>The mystery is solved in <em>&#8216;The Child is Father To\u00e2\u20ac\u00a6?&#8217;<\/em> (<strong>Avengers<\/strong> #200, October 1980 by plotters, Jim Shooter, P\u00c3\u00a9rez &amp; Bob Layton, scripter Michelinie, illustrated by P\u00c3\u00a9rez &amp; Green). The baby is born and hyper-rapidly matures as time goes wild, with different eras overwriting the present. The unearthly child begins building a machine to stabilise the chaos but the heroes misunderstand his motives.<\/p>\n<p>\u00e2\u20ac\u0153Marcus\u00e2\u20ac\u009d claims to be the son of time-master <em>Immortus<\/em>, trying to escape eternal isolation in other-dimensional Limbo by implanting his essence in a mortal tough enough to survive the energy required for the transfer.<\/p>\n<p>Literally reborn on Earth, his attempts to complete the process are foiled by the World&#8217;s Most Confused Heroes and he is drawn back to his timeless realm. Carol, declaring her love for Marcus, unexpectedly goes with him\u00e2\u20ac\u00a6<\/p>\n<p>Ms. Marvel only plays a peripheral role in <em>&#8216;By Friends\u00e2\u20ac\u00a6 Betrayed!&#8217;<\/em> (<strong>Avengers Annual<\/strong> #10 (1981, by Claremont, Michael Golden &amp; Armando Gil), as powerless, amnesiac Carol is rescued from drowning by <em>Spider-Woman<\/em>, prior to Mystique launching an all-out attack on the World&#8217;s Mightiest Heroes whilst attempting to free the Brotherhood from custody.<\/p>\n<p>In that attack Danvers&#8217; mind and abilities are taken by power-leaching mutant <em>Rogue<\/em>, seemingly ending her adventuring life, and in the aftermath, the Avengers learn the horrific truth of her relationship with Marcus and their part in his doom\u00e2\u20ac\u00a6<\/p>\n<p>One final sentimental moment comes with Claremont, David Ross &amp; Wiacek&#8217;s <em>&#8216;Elegy&#8217;<\/em> (<strong>Marvel Fanfare<\/strong> #24, January 1986) as Carol &#8211; now high-energy warrior Binary &#8211; returns to Earth to catch up with old friends and learns of the tragic death of Captain Mar-Vell\u00e2\u20ac\u00a6<\/p>\n<p>Extras in this stellar compendium include a full cover gallery, a Ross alternative cover; <em>&#8216;The RE-Making of Ms. Marvel&#8217;<\/em> promo article from <strong>F.O.O.M.<\/strong> #22, house ads for her 1978 makeover relaunch and biographies of all the creators involved.<\/p>\n<p>Always entertaining, often groundbreaking and painfully patronising (occasionally at the same time), the early <strong>Ms. Marvel<\/strong>, against all odds, grew into the modern Marvel icon of capable womanhood we see today.<\/p>\n<p>These stories are a valuable grounding of the contemporary champion but also still stand up on their own as intriguing examples of the inevitable fall of even the staunchest of male bastions &#8211; superhero stories\u00e2\u20ac\u00a6<br \/>\n\u00c2\u00a9 1978, 1979, 1981, 1992, 2014 Marvel Characters, Inc. All rights reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Chris Claremont, Simon Furman, Jim Shooter, George P\u00c3\u00a9rez, Bob Layton, David Michelinie, Jim Mooney, Carmine Infantino, Dave Cockrum, Mike Vosburg, Mike Gustovich, Michael Golden, David Ross &amp; various (Marvel) ISBN: 978-0-7851-9575-7 Until relatively recently American comics and especially Marvel had very little in the way of positive female role models and almost no viable &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2017\/11\/13\/ms-marvel-masterworks-volume-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Ms. Marvel Masterworks volume 2&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[94,18,71,79,224],"tags":[],"class_list":["post-17511","post","type-post","status-publish","format-standard","hentry","category-avengers","category-captain-marvel","category-marvel-essentials","category-marvel-superheroes","category-ms-marvel"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4AFj-4yr","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/17511","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/comments?post=17511"}],"version-history":[{"count":0,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/17511\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/media?parent=17511"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/categories?post=17511"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/tags?post=17511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}