{"id":1903,"date":"2008-03-03T06:26:32","date_gmt":"2008-03-03T06:26:32","guid":{"rendered":"http:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=1903"},"modified":"2008-03-02T12:27:30","modified_gmt":"2008-03-02T12:27:30","slug":"marvel-masterworks-the-amazing-spider-man-1965","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2008\/03\/03\/marvel-masterworks-the-amazing-spider-man-1965\/","title":{"rendered":"Marvel Masterworks: The Amazing Spider-Man 1965"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2008\/03\/marvel-masterworks-amazing-spider-man-1965.jpg\" alt=\"Marvel Masterworks: The Amazing Spider-Man 1965\" \/><\/p>\n<p>By <strong>Stan Lee<\/strong> &amp; <strong>Steve Ditko<\/strong> (Marvel\/Panini UK)<br \/>\nISBN: 978-1-905239-80-1<\/p>\n<p>This third volume of the chronological <strong>Spider-Man<\/strong> sees the World&#8217;s Most Misunderstood Hero begin to challenge the dominance of the Fantastic Four as Marvel&#8217;s top comic book both in sales and quality. Steve Ditko&#8217;s off-beat plots and superlative art had gradually adapted to the slick and potent superhero house-style that Jack Kirby was developing (at least as much as such a unique talent ever could), with less line-feathering and more bombastic villains, and although still very much his baby, Spider-Man had attained a sleek pictorial gloss. Stan Lee&#8217;s scripts were perfectly in tune with the times, and although his assessment of the audience was probably the correct one, the disagreements with the artist over the strip&#8217;s editorial direction were still confined to the office and not the pages themselves.<\/p>\n<p>Thematically, there&#8217;s still a large percentage of old-fashioned crime and gangsterism here. The dependence on costumed super-foes as antagonists was still nicely balanced with thugs, hoods and mob-bosses, but those days were coming to an end too\u00e2\u20ac\u00a6<\/p>\n<p>The collection (reprinting <strong>Amazing Spider-Man<\/strong> #20-31 and <strong>Amazing Spider-Man Annual<\/strong> #2) kicks off with <em>&#8216;The Coming of the Scorpion!&#8217;<\/em> wherein J. Jonah Jameson lets his obsessive hatred for the arachnid hero get the better of him, hiring scientist Farley Stillwell to give a private detective Scorpion-based superpowers. Unfortunately the process drives the subject mad before he can capture Spidey, leaving the wall-crawler with yet another super-nutcase to deal with.<\/p>\n<p>Issue #21 guest-starred the Human Torch. <em>&#8216;Where Flies The Beetle&#8217;<\/em> features a hilarious love triangle as the Torch&#8217;s girlfriend uses Peter Parker to make the flaming hero jealous. Unfortunately the Beetle, a villain with a high-tech suit of insect armour (no sniggering) is planning to use her as bait for a trap. As usual Spider-Man is in the wrong place at the right time, resulting in a spectacular fight-fest.<\/p>\n<p><em>&#8216;The Clown, and his Masters of Menace&#8217;<\/em> is a return engagement for the Circus of Crime (see <a target=\"_blank\" href=\"\/nowreadthis\/?p=175\">Marvel Masterworks: The Amazing Spider-Man 1964<\/a> ISBN: 978-1-905239-58-0 for their first appearance) and #23 was a superb thriller blending the ordinary criminals that Ditko loved to feature with the arcane threat of a super-villain attempting to take over the Mob. <em>&#8216;The Goblin and the Gangsters&#8217;<\/em> is both moody and explosive, a perfect contrast to <em>&#8216;Spider-Man Goes Mad!&#8217;<\/em> This psychological thriller finds a delusional hero seeking psychiatric help, but there&#8217;s more to the matter than simple insanity, as an old foe makes an unexpected return\u00e2\u20ac\u00a6<\/p>\n<p>Issue #25 once again saw the obsessed Daily Bugle publisher taking matters into his own hands: <em>&#8216;Captured by J. Jonah Jameson!&#8217;<\/em> introduces Professor Smythe, whose robotic Spider-Slayers would come to bedevil the Web-Spinner for years to come, hired by the newsman to remove Spider-Man for good.<\/p>\n<p>Issues #27 and 28 form a captivating two-part mystery saga featuring a hot duel between The Green Goblin and an enigmatic new criminal. <em>&#8216;The Man in the Crime-Master&#8217;s Mask!&#8217;<\/em> and<em> &#8216;Bring Back my Goblin to Me!&#8217;<\/em> comprise a perfect Spider-Man tale, with soap-opera melodrama and brilliant comedy leavening tense thrills and all-out action. <em>&#8216;The Menace of the Molten Man!&#8217;<\/em> (#28) is a tale of science gone bad and is remarkable not only for the action sequences and possibly the most striking Spider-Man cover ever produced but also as the story where Peter Parker graduated from High School.<\/p>\n<p><em>&#8216;Never Step on a Scorpion!&#8217;<\/em> sees the return of that lab-made villain, hungry for vengeance against not just the Wall-Crawler but also Jameson for turning him into a monster. Issue #30 is another quirky crime-thriller which lays the seeds for future masterpieces. <em>&#8216;The Claws of the Cat!&#8217;<\/em> features the hunt for an extremely capable cat-burglar, (way more exciting than it sounds, trust me!) and sees the introduction of an organised mob of thieves working for the mysterious Master Planner. The sharp-eyed will note that scripter Lee mistakenly calls their boss \u00e2\u20ac\u0153The Cat\u00e2\u20ac\u009d in one sequence, but really, let it go. That&#8217;s the kind of nit-picking that gives us comic fans a bad name and so little chance of meeting girls\u00e2\u20ac\u00a6<\/p>\n<p><em>&#8216;If This Be My Destiny\u00e2\u20ac\u00a6!&#8217;<\/em> ends the year as the as the Master Planner&#8217;s high-tech robberies lead to a confrontation with Spider-Man. The next volume will feature the concluding episodes &#8211; in my opinion Lee and Ditko&#8217;s best work ever, anywhere, but that&#8217;s then not now, so be content (if you can) with Peter at College, the introduction of Harry Osborn and Gwen Stacy, and Aunt May on the edge of death\u00e2\u20ac\u00a6<\/p>\n<p>However the volume doesn&#8217;t end here due to the odd trick of placing the summer Annual&#8217;s contents after the December issue. In 1965 Steve Ditko was blowing away audiences with another oddly tangential superhero. <em>&#8216;The Wondrous World of Dr. Strange!&#8217;<\/em> introduced the Web-Slinger to a whole other reality when he teamed up with the Master of the Mystic Arts to battle a power-crazed wizard named Xandu in a phantasmagorical, dimension-hopping gem. After this story it was clear that the Spider-Man concept could work in any milieu.<\/p>\n<p>This cheap and cheerful compendium is a wonderful way to introduce or reacquaint readers with the early Spider-Man. The brilliant adventures and glorious pin-ups are superb value and this series of books should be the first choice of any adult with a present to buy for an impressionable child. Or for themselves\u00e2\u20ac\u00a6<\/p>\n<p>\u00c2\u00a9 1965, 2008 Marvel Characters, Inc. All Rights Reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Stan Lee &amp; Steve Ditko (Marvel\/Panini UK) ISBN: 978-1-905239-80-1 This third volume of the chronological Spider-Man sees the World&#8217;s Most Misunderstood Hero begin to challenge the dominance of the Fantastic Four as Marvel&#8217;s top comic book both in sales and quality. Steve Ditko&#8217;s off-beat plots and superlative art had gradually adapted to the slick &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2008\/03\/03\/marvel-masterworks-the-amazing-spider-man-1965\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Marvel Masterworks: The Amazing Spider-Man 1965&#8221;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1,39],"tags":[],"class_list":["post-1903","post","type-post","status-publish","format-standard","hentry","category-graphic-novels","category-spider-man"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4AFj-uH","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/1903","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/comments?post=1903"}],"version-history":[{"count":0,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/1903\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/media?parent=1903"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/categories?post=1903"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/tags?post=1903"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}