{"id":20000,"date":"2019-04-24T08:00:06","date_gmt":"2019-04-24T08:00:06","guid":{"rendered":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=20000"},"modified":"2019-04-23T13:20:52","modified_gmt":"2019-04-23T13:20:52","slug":"the-rolling-stones-in-comics","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2019\/04\/24\/the-rolling-stones-in-comics\/","title":{"rendered":"The Rolling Stones in Comics"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2019\/04\/Stones-bk-250x348.jpg\" alt=\"\" width=\"250\" height=\"348\" class=\"alignnone size-large wp-image-20001\" srcset=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2019\/04\/Stones-bk-250x348.jpg 250w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2019\/04\/Stones-bk-150x209.jpg 150w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2019\/04\/Stones-bk-768x1068.jpg 768w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/> <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2019\/04\/Stones-frt-250x346.jpg\" alt=\"\" width=\"250\" height=\"346\" class=\"alignnone size-large wp-image-20002\" srcset=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2019\/04\/Stones-frt-250x346.jpg 250w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2019\/04\/Stones-frt-150x207.jpg 150w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2019\/04\/Stones-frt-768x1062.jpg 768w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><br \/>\nBy <strong>C\u00c3\u00a9ka<\/strong>, <strong>Marin Trystam<\/strong>,<strong> Patrick Lacan<\/strong>, <strong>Dimitri Piot<\/strong>, <strong>Kyung-Eun Park<\/strong>, <strong>Domas<\/strong>, <strong>Cl\u00c3\u00a9ment Baloup<\/strong>, <strong>Dominique Hennebaut<\/strong>, <strong>Amandine Puntous<\/strong>,<strong> Lapuss<\/strong>, <strong>Bast<\/strong>, <strong>Pat\u00c3\u00a8s<\/strong>, <strong>Filippo N\u00c3\u00a9ri &amp; Piero Ruggeri<\/strong>, <strong>Anthony Audibert<\/strong>, <strong>Bruno Loth<\/strong>, <strong>Aur\u00c3\u00a9lie Neyret<\/strong>, <strong>Sanzito<\/strong>, <strong>Sarah Williamson<\/strong>, <strong>Jo\u00c3\u00abl Alessandra &amp; Carine Becker<\/strong>, <strong>Mao Suy-Heng<\/strong> &amp; various: translated by <strong>Montana Kane <\/strong>(NBM)<br \/>\nISBN: 978-1-68112-198-7 (HB)<\/p>\n<p>Graphic biographies are all the rage at the moment and this one &#8211; originally released on the continent in 2017 &#8211; is another instant classic likely to appeal to a far larger mainstream audience than comics usually reach. It certainly deserves to\u00e2\u20ac\u00a6<\/p>\n<p>Like its thematic companion and predecessor featuring <strong>The Beatles<\/strong>, <strong>The Rolling Stones in Comics<\/strong> is designed to evoke the same nostalgic excitement via cannily repackaged popular culture factoids, contemporary quotes and snippets of celebrity history &#8211; accompanied by a stunning assemblage of candid photographs, posters and other memorabilia &#8211; in brief, themed essays with cartoon vignettes chronologically highlighting key moments in the development of a band comprising remarkable men of wealth and taste\u00e2\u20ac\u00a6<\/p>\n<p>Scripted throughout by author and advertising copywriter C\u00c3\u00a9ka (with the strips illustrated by an army of top talent) the saga begins with a brief biography of Michael Phillipe Jagger, Keith Richards, Brian Jones, Bill Wyman and Charlie Watts in featurette <em>&#8216;The Stones, Before the Stones&#8217;<\/em>, before Marin Trystam takes us back to Kent in June 1960 where two youngsters with a love of American Blues albums meet on a train in<em> &#8216;Blessed Be the Vinyl&#8217;<\/em>\u00e2\u20ac\u00a6<\/p>\n<p><em>&#8216;Make Way, Here Come the Blues Boys!&#8217;<\/em> then details the music scene in England at that time and offers a definition of R&amp;B, after which Patrick Lacan takes us back further in time to reveal the slave roots of a name and the <em>&#8216;Rollin&#8217; Stones Blues&#8217;<\/em>, whilst <em>&#8216;Rags Before Riches&#8217;<\/em> recalls the band&#8217;s early poverty, scarce gigs and squalid first creative den, vividly realised in Dimitri Piot&#8217;s strip depiction of life in August 1962 at <em>&#8216;102, Edith Grove&#8217;<\/em>.<\/p>\n<p>The early line-up solidifies in 1963 as <em>&#8216;Crank Up the Amp!&#8217; <\/em>covers the contributions of Charlie and Bill, with Kyung-Eun Park limning Brian Jones&#8217; attempts at being a manager in <em>&#8216;Screw You!&#8217; <\/em>before Publicist Supreme and Soho Svengali Andrew Loog Oldham takes the band in hand in photo-essay <em>&#8216;The Man Who Created the Stones&#8217;<\/em>, with Domas recapturing in comics form a defining moment from September 1963 when Stones met Beatles in <em>&#8216;I Wanna Be Your Man&#8217;<\/em>\u00e2\u20ac\u00a6<\/p>\n<p>With Oldham as manager, the climb begins in earnest as the band meet the man who infamously turned down the Beatles and seal a record deal in <em>&#8216;Make Mine Decca&#8217;<\/em>, whilst illustrator Cl\u00c3\u00a9ment Baloup reveals the secrets of Ian Stewart\u00e2\u20ac\u00a6 <em>&#8216;The Sixth Stone&#8217;<\/em>.<\/p>\n<p>The story of how Jagger and Richards evolved from musicians into songwriters is covered in <em>&#8216;Singer, Songwriter&#8217;<\/em>, with Dominique Hennebaut capturing that struggle pictorially with the harsh debut of <em>&#8216;The Glimmer Twins&#8217;<\/em>, after which the dark side manifests in a recapitulation of felonies and misdemeanours in <em>&#8216;Drug City&#8217;<\/em>, as Amandine Puntous illustrates the police raid on the band now known as <em>&#8216;The Redlands Affair&#8217;<\/em>.<\/p>\n<p>The band&#8217;s growing status as rebels of youth culture is dissected <em>&#8216;Rock and Role?&#8217;<\/em>, with Lapuss capturing a few shameful truths about the seductive power of wealth and the \u00e2\u20ac\u0153Richest Hippie in England\u00e2\u20ac\u009d in cartoon vignette <em>&#8216;Rebel in a Bentley&#8217;<\/em>, after which the tragic life and death of Brian is explored in <em>&#8216;Light Hair and Dark Thoughts&#8217;<\/em>, before Bast illuminates the 1969 demise of the <em>&#8216;Fallen Angel&#8217;<\/em>\u00e2\u20ac\u00a6<\/p>\n<p>The arrival of Mick Taylor and the search for a new sound is covered in <em>&#8216;Back to the Future&#8217;<\/em>, and Pat\u00c3\u00a8s accompanying strip explains the intricacies of guitar chord techniques for Keith&#8217;s invention of <em>&#8216;Open Tuning&#8217;<\/em>, even as <em>&#8216;The End of the Sixties&#8217;<\/em> manifests in more death and tragedy as Filippo N\u00c3\u00a9ri &amp; Piero Ruggeri recapture the shocking debacle of rock festival <em>&#8216;Altamont&#8217;<\/em>\u00e2\u20ac\u00a6<\/p>\n<p>After Drugs and Rock and Roll, the Sex part of the unholy trinity comes under the spotlight in photo-essay <em>&#8216;Some Girls&#8217;<\/em>, whilst Anthony Audibert illustrates the bizarre practices of Jagger&#8217;s filmic debut in Nick Roeg&#8217;s <em>&#8216;Performance&#8217;<\/em>, before winding back to making music withy explorations of <em>&#8216;Harmonica, Sitar, etc.&#8217;<\/em>, as Bruno Loth traces the ultimate love story in <em>&#8216;Keith and his Electric Guitars&#8217;<\/em>.<\/p>\n<p>The bad times are spotlighted in <em>&#8216;Smog Over Stone Land&#8217;<\/em>, with Aur\u00c3\u00a9lie Neyret encapsulating the release of \u00e2\u20ac\u0153the Greatest Slow Song of All Time\u00e2\u20ac\u009d in <em>&#8216;Summer of &#8217;73&#8217;<\/em> before another momentous personnel change occurs as detailed in <em>&#8216;Bye Bye The Kid, Hello Ronnie!&#8217;<\/em>, after which Sanzito illumines the most important aspect of the newcomer&#8217;s contribution in <em>&#8216;Dr. Wood&#8217;<\/em>\u00e2\u20ac\u00a6<\/p>\n<p>Individual &#8211; and often ignominious &#8211; career paths are traced in <em>&#8216;Oh, Solo Mio&#8217;<\/em>, and Sarah Williamson draws us into the infamous Jagger\/Jeff Beck Nassau album in <em>&#8216;Erase It!&#8217;<\/em>, before reconciliation and the era of live touring is tackled in <em>&#8216;Thrills and Chills&#8217;<\/em>, with Jo\u00c3\u00abl Alessandra &amp; Carine Becker capturing the band&#8217;s rituals and coping mechanisms in strip catalogue <em>&#8216;Sex, Drugs and\u00e2\u20ac\u00a6 Ping Pong&#8217;<\/em>.<\/p>\n<p>The death of Ian Stewart and resignation of Bill Wyman are marked in <em>&#8216;The Rolling Stones, Minus Two&#8217;<\/em>, after which Sanzito explores the mind of Wyman in <em>&#8216;Stone Alone&#8217;<\/em>, whilst silent, diffident Jazz wizard Charlie Watts gets his solo moment in essay <em>&#8216;Who&#8217;s the Guy in the Back?&#8217;<\/em> and Pat\u00c3\u00a8s illustrative tribute to <em>&#8216;The Silent Stone&#8217;<\/em>, before the saga culminates in a status check and a few prognostications in <em>&#8216;The Stones, Are STILL Rolling&#8217;<\/em>, and Mao Suy-Heng&#8217;s strip glorifying the <em>&#8216;Century Tour&#8217;<\/em>.<\/p>\n<p>This engrossing time capsule concludes on a suitably whimsical note as <em>&#8216;Nine Fun Facts About This Legendary Band!&#8217; <\/em>offers engaging anecdotes and factlets to delight &#8211; but surely not surprise? &#8211; everyone who loves to hear of classic Rock &amp; Roll hedonism. <strong>The Rolling Stones in Comics <\/strong>is an astoundingly readable and craftily rendered treasure for comics and music fans alike: one that resonates with anybody who loves to listen and look. Sometimes, you can actually get what you want\u00e2\u20ac\u00a6<\/p>\n<p>It&#8217;s only ink on paper but I like it\u00e2\u20ac\u00a6 and so will you. Satisfaction guaranteed.<br \/>\n\u00c2\u00a9 2017 Editions Petit as Petit. \u00c2\u00a9 2019 NBM for the English translation.<\/p>\n<p>Most NBM books are also available in digital formats. For more information and other great reads see <a href=\"http:\/\/www.nbmpub.com\/\">http:\/\/www.nbmpub.com\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By C\u00c3\u00a9ka, Marin Trystam, Patrick Lacan, Dimitri Piot, Kyung-Eun Park, Domas, Cl\u00c3\u00a9ment Baloup, Dominique Hennebaut, Amandine Puntous, Lapuss, Bast, Pat\u00c3\u00a8s, Filippo N\u00c3\u00a9ri &amp; Piero Ruggeri, Anthony Audibert, Bruno Loth, Aur\u00c3\u00a9lie Neyret, Sanzito, Sarah Williamson, Jo\u00c3\u00abl Alessandra &amp; Carine Becker, Mao Suy-Heng &amp; various: translated by Montana Kane (NBM) ISBN: 978-1-68112-198-7 (HB) Graphic biographies are all &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2019\/04\/24\/the-rolling-stones-in-comics\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The Rolling Stones in Comics&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[115,119,122,105,127],"tags":[],"class_list":["post-20000","post","type-post","status-publish","format-standard","hentry","category-biography","category-comicsacademic","category-historical","category-mature-reading","category-nostalgia"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4AFj-5cA","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/20000","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/comments?post=20000"}],"version-history":[{"count":0,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/20000\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/media?parent=20000"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/categories?post=20000"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/tags?post=20000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}