{"id":20443,"date":"2019-07-19T08:00:42","date_gmt":"2019-07-19T08:00:42","guid":{"rendered":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=20443"},"modified":"2019-07-18T16:24:44","modified_gmt":"2019-07-18T16:24:44","slug":"why-art-fourth-edition","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2019\/07\/19\/why-art-fourth-edition\/","title":{"rendered":"Why Art? (Fourth Edition)"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2019\/07\/Why-Art-bk-250x303.jpg\" alt=\"\" width=\"250\" height=\"303\" class=\"alignnone size-large wp-image-20445\" srcset=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2019\/07\/Why-Art-bk-250x303.jpg 250w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2019\/07\/Why-Art-bk-150x182.jpg 150w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2019\/07\/Why-Art-bk.jpg 717w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/> <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2019\/07\/Why-Art-frt-250x302.jpg\" alt=\"\" width=\"250\" height=\"302\" class=\"alignnone size-large wp-image-20444\" srcset=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2019\/07\/Why-Art-frt-250x302.jpg 250w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2019\/07\/Why-Art-frt-150x181.jpg 150w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2019\/07\/Why-Art-frt.jpg 718w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><br \/>\nBy <strong>Eleanor Davis<\/strong> (Fantagraphics Books)<br \/>\nISBN: 978-1-68396-082-9 (PB)<\/p>\n<p>Probably everybody here will agree that comics is art sequentially wedded to pictures. However, when asked to define what constitutes \u00e2\u20ac\u0153Art\u00e2\u20ac\u009d, the answers become a little more nuanced and open to debate. What&#8217;s needed is someone sharp, talented and well-travelled &#8211; preferably a practitioner &#8211; who can give us all a full and final assessment\u00e2\u20ac\u00a6<\/p>\n<p>Eleanor Davis is one of those rare sparks that just can&#8217;t help making great comics. Born in 1983 and growing up in Tucson, Arizona, she was blessed with parents who immersed their child in classic strip literature such as <strong>Little Nemo<\/strong>, <strong>Little Lulu<\/strong> and <strong>Krazy Kat<\/strong>.<\/p>\n<p>Following unconventional schooling and teen years spent making minicomics, Davis studied at Georgia&#8217;s prestigious Savannah College of Art and Design, where she now teaches. Her own innovative works have appeared in diverse places such as <strong>Mome<\/strong>, <strong>Nobrow<\/strong> and <strong>Lucky Peach<\/strong>.<\/p>\n<p>A life of glittering prizes began after her award-winning easy reader book <strong><a href=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2016\/11\/24\/stinky\/\" target=\"_blank\" rel=\"noopener noreferrer\">Stinky<\/a><\/strong> was released in 2008. Davis subsequently followed up with gems such as <strong>The Secret Science Alliance and the Copycat Crook<\/strong> (with her husband Drew Weing), <strong>You &amp; a Bike &amp; a Road<\/strong> and<strong> How to be Happy<\/strong>. Who better, then, to lay to rest possibly the most infuriating conundrum of the modern age?<\/p>\n<p>In 2018, Fantagraphics released <strong>Why Art?<\/strong>, based on elements of her presentation for ICON: The Illustration Conference 9. The result is a whimsical exploration of what the term means &#8211; albeit seen through the lens of one of the slyest, driest and most cultured senses of humour in the business\u00e2\u20ac\u00a6<\/p>\n<p>If you can keep your own wits about you, in this deliriously addictive paperback\/eBook you will glean potential solutions to perennial mysteries all de- and re-mystified in chapters on <em>&#8216;Color&#8217;<\/em> as interpreted through scale; <em>&#8216;What is our audience searching for&#8217;<\/em> via an examination of Masks; how to use physical and metaphorical <em>&#8216;Mirrors&#8217;<\/em> and how some art is <em>&#8216;Edible&#8217;<\/em>\u00e2\u20ac\u00a6<\/p>\n<p>Narrative fully enters the frame in a section on <em>&#8216;Concealment artworks&#8217;<\/em> and the liberational force of <em>&#8216;Shadowbox&#8217;<\/em> creations. which serves to introduce a repertory cast of creatives who work in different media and then take us on their shared journey of catastrophic revelation\u00e2\u20ac\u00a6 <\/p>\n<p>Wry and surreal, strong>Why Art? is a delicious tease and poker of hornets&#8217; nests that slickly tackles loads of old, overused questions while offering a few new queries you never thought of\u00e2\u20ac\u00a6<\/p>\n<p>It&#8217;s also beautifully drawn and rendered: A brilliant diversion combining wit and wisdom in a manner every self-accused intellectual and unrepentant picture lover can revel in.<br \/>\n\u00c2\u00a9 Eleanor Davis 2018. This edition \u00c2\u00a9 2018 Fantagraphics Books, Inc. All rights reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Eleanor Davis (Fantagraphics Books) ISBN: 978-1-68396-082-9 (PB) Probably everybody here will agree that comics is art sequentially wedded to pictures. However, when asked to define what constitutes \u00e2\u20ac\u0153Art\u00e2\u20ac\u009d, the answers become a little more nuanced and open to debate. What&#8217;s needed is someone sharp, talented and well-travelled &#8211; preferably a practitioner &#8211; who can &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2019\/07\/19\/why-art-fourth-edition\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Why Art? (Fourth Edition)&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[81,119,102,105,83],"tags":[],"class_list":["post-20443","post","type-post","status-publish","format-standard","hentry","category-art-books","category-comicsacademic","category-fantasy","category-mature-reading","category-modern-classics"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4AFj-5jJ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/20443","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/comments?post=20443"}],"version-history":[{"count":0,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/20443\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/media?parent=20443"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/categories?post=20443"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/tags?post=20443"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}