{"id":22646,"date":"2020-09-03T08:00:24","date_gmt":"2020-09-03T08:00:24","guid":{"rendered":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=22646"},"modified":"2020-09-01T16:05:05","modified_gmt":"2020-09-01T16:05:05","slug":"mother-come-home-2","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2020\/09\/03\/mother-come-home-2\/","title":{"rendered":"Mother Come Home"},"content":{"rendered":"

\"\" \"\"
\nBy Paul Hornschemeier<\/strong> (Fantagraphics Books)
\nISBN: 978-1-56097-973-9 (HB) 978-1593070373 (PB)<\/p>\n

Paul Hornschemeier is a Californian author, artist, musician and film maker whose non-comics work has appeared as far afield as in Life Magazine<\/strong> to The Wall Street Journal<\/strong> to McSweeney’s<\/strong>. He’s produced animations for TV, lectures on YouTube<\/strong> and is part of the Creative Writing Faculty of the University of Chicago. He is internationally renowned for his lectures on the philosophy of narrative and art creation.<\/p>\n

Mother, Come Home<\/strong> originally ran in marvellous indie publication Forlorn Funnies,<\/strong> before being gathered into a lyrically stunning and dreamily magnetic exploration of grief and coping mechanisms in a soft cover collection in 2004. In 2009 Fantagraphics produced a beautiful and magnificent deluxe hardback edition of one of the best, most emotionally complex and graphically symbolic tales ever to grace our medium.<\/p>\n

Tom<\/em> is a seven-year old boy whose mother has just died. As his father David<\/em> – a deeply intellectual college professor of symbolic logic – slowly retreats into a nervous collapse, the youngster assumes the household duties as much as he is able. Throughout his trials, the boy is bolstered by his love and sense of duty, as well as the innate half-world of fantasy that is the rightful domain of the very young.<\/p>\n

Empowered by a dime-store lion-mask his mother bought him, Tom becomes the head of his diminished clan and guardian of the home\u00e2\u20ac\u00a6 until his aunt and uncle discover how ill his father has become.<\/p>\n

When David voluntarily commits himself to an institution, Tom goes to live with them, but dreams of reuniting with his true family; even planning a meticulous escape and joyous reunion. However, when he takes action the consequences are painfully revelatory, inevitably tragic and hauntingly real\u00e2\u20ac\u00a6<\/p>\n

Rendered in a number of simple, powerful styles, utilising a mesmeric, muted colour palette to bind ostensibly neutral images (that nevertheless burn with a highly charged intensity) with a simplified heavy line, this subtle, seductive, domestic tragedy is a perfect example of how our medium can so powerfully layer levels of meaning and abstract a personal reality until it becomes greater than itself.<\/p>\n

Deeply moving, monstrously deep and overwhelmingly simple, Mother, Come Home<\/strong> is a true classic and ranks beside such noteworthy pictorial novels as Maus<\/strong>, Barefoot<\/strong> Gen<\/strong>, Stuck Rubber Baby<\/strong>, Pride of Baghdad<\/strong>, Persepolis<\/strong> or<\/strong> My Favorite Thing is Monsters.<\/strong> This is a tale nobody could ever be embarrassed about reading, but they should feel ashamed if they haven’t\u00e2\u20ac\u00a6
\n\u00c2\u00a9 2002, 2003, 2004, 2009 Paul Hornschemeier. All Rights Reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"

By Paul Hornschemeier (Fantagraphics Books) ISBN: 978-1-56097-973-9 (HB) 978-1593070373 (PB) Paul Hornschemeier is a Californian author, artist, musician and film maker whose non-comics work has appeared as far afield as in Life Magazine to The Wall Street Journal to McSweeney’s. He’s produced animations for TV, lectures on YouTube and is part of the Creative Writing … <\/p>\n

Continue reading “Mother Come Home”<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[239,105,83],"tags":[],"class_list":["post-22646","post","type-post","status-publish","format-standard","hentry","category-drama","category-mature-reading","category-modern-classics"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4AFj-5Tg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/22646","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/comments?post=22646"}],"version-history":[{"count":0,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/22646\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/media?parent=22646"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/categories?post=22646"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/tags?post=22646"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}