{"id":24655,"date":"2021-08-19T08:00:16","date_gmt":"2021-08-19T08:00:16","guid":{"rendered":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=24655"},"modified":"2021-08-18T17:07:53","modified_gmt":"2021-08-18T17:07:53","slug":"the-flash-the-silver-age-volume-one","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2021\/08\/19\/the-flash-the-silver-age-volume-one\/","title":{"rendered":"The Flash: The Silver Age Volume One"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2021\/08\/8BA310B8-E872-42C5-B878-01BD6630CDCA-250x388.jpeg\" alt=\"\" width=\"250\" height=\"388\" class=\"alignnone size-large wp-image-24656\" srcset=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2021\/08\/8BA310B8-E872-42C5-B878-01BD6630CDCA-250x388.jpeg 250w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2021\/08\/8BA310B8-E872-42C5-B878-01BD6630CDCA-150x233.jpeg 150w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2021\/08\/8BA310B8-E872-42C5-B878-01BD6630CDCA-768x1192.jpeg 768w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2021\/08\/8BA310B8-E872-42C5-B878-01BD6630CDCA-990x1536.jpeg 990w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2021\/08\/8BA310B8-E872-42C5-B878-01BD6630CDCA-1320x2048.jpeg 1320w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2021\/08\/8BA310B8-E872-42C5-B878-01BD6630CDCA.jpeg 1650w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/> <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2021\/08\/3EE3E408-5172-4B20-9920-09715B3F467F-250x387.jpeg\" alt=\"\" width=\"250\" height=\"387\" class=\"alignnone size-large wp-image-24657\" srcset=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2021\/08\/3EE3E408-5172-4B20-9920-09715B3F467F-250x387.jpeg 250w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2021\/08\/3EE3E408-5172-4B20-9920-09715B3F467F-150x232.jpeg 150w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2021\/08\/3EE3E408-5172-4B20-9920-09715B3F467F-768x1190.jpeg 768w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2021\/08\/3EE3E408-5172-4B20-9920-09715B3F467F-991x1536.jpeg 991w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2021\/08\/3EE3E408-5172-4B20-9920-09715B3F467F-1322x2048.jpeg 1322w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2021\/08\/3EE3E408-5172-4B20-9920-09715B3F467F.jpeg 1652w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><br \/>\nBy <strong>John Broome<\/strong>, <strong>Robert Kanigher<\/strong>, <strong>Carmine Infantino<\/strong> &amp; various (DC Comics)<br \/>\nISBN: 978-1-4012-6110-8 (TPB)<\/p>\n<p><em>The actual Silver Age of US comics is formally and forever tied to <strong>Showcase<\/strong> #4 and the rebirth of <strong>the Flash<\/strong>. The epochal issue was released in the late summer of 1956 and from it stems all today&#8217;s print, animation, games, collector cards, cos-play, TV and movie wonderment. Let&#8217;s all shout a hearty Happy 65<sup>th<\/sup> Anniversary to the entire modern comics phenomenon\u00e2\u20ac\u00a6<\/em><\/p>\n<p>No matter which way you look at it, the Silver Age of American comic books began with <strong>The Flash<\/strong>, but it&#8217;s an unjust yet true fact that being first is not enough: it also helps to be best and people have to notice. MLJ&#8217;s <strong>The Shield<\/strong> beat <strong>Captain America<\/strong> to the news-stands by over a year yet the former is all but forgotten today.<\/p>\n<p>America&#8217;s comic book industry had never really stopped trying to revive the superhero genre when <strong>Showcase<\/strong> #4 was released in 1956. Readers had already been blessed &#8211; but were left generally unruffled by &#8211; such tentative precursors as <strong>The Avenger<\/strong> (February-September 1955); <strong>Captain Flash<\/strong> (November 1954-July 1955) and a full revival of Marvel&#8217;s 1940s \u00e2\u20ac\u0153Big Three\u00e2\u20ac\u009d &#8211; <strong>the<\/strong> <strong>Human Torch<\/strong>, <strong>Sub-Mariner<\/strong> and aforementioned <strong>Captain<\/strong> <strong>America<\/strong> from December 1953 to October 1955. Both DC&#8217;s own <em>Captain Comet<\/em> (December 1953-October 1955) and <em>Manhunter from Mars<\/em> (November 1955 until the end of the 1960&#8217;s and almost the end of superheroes again!) had come and been barely noticed. What made the new Fastest Man Alive stand out and stick was \u00e2\u20ac\u00a6 well, everything!<\/p>\n<p>Once DC&#8217;s powers-that-be decided to seriously try superheroes once more, they moved pretty fast themselves. Editor Julie Schwartz asked office partner, fellow editor and Golden-Age Flash scripter Robert Kanigher to recreate a speedster for the Space Age: aided and abetted by Carmine Infantino &amp; Joe Kubert, who had also worked on the previous incarnation.<\/p>\n<p>The new Flash was <em>Barry Allen<\/em>, a forensic scientist simultaneously struck by lightning and bathed in exploding chemicals from his lab. Supercharged by the accident, Barry took his superhero identity from a comic book featuring his notional predecessor (a scientist named <em>Jay Garrick<\/em> who was exposed to the mutagenic fumes of \u00e2\u20ac\u0153Hard Water\u00e2\u20ac\u009d).<\/p>\n<p>Designing a sleek, streamlined bodysuit (courtesy of Infantino &#8211; a major talent rapidly approaching his artistic and creative peak), Barry Allen became point man for the spectacular revival of a genre and an entire industry.<\/p>\n<p>This splendid trade paperback and digital compilation superbly compliments Infantino&#8217;s talents and the tone of the period. These stories have been gathered many times but still offers punch, clarity and the ineffably comforting yet thrilling tone of those now-distant times. Conversely, you might be as old as me and it was only the day before yesterday\u00e2\u20ac\u00a6<\/p>\n<p>This is what a big book of comics ought to feel like in your eager, sweaty hands.<\/p>\n<p>Collecting all four try-out issues (<strong>Showcase<\/strong> #4, 8, 13 and 14) &#8211; and the first dozen issues of his own title (<strong>The Flash<\/strong> volume 1 #105-116, spanning October 1956 to November 1960) the high-speed thrills begin with <strong>Showcase<\/strong> #4&#8217;s <em>&#8216;Mystery of the Human Thunderbolt!&#8217;<\/em><\/p>\n<p>Scripted by Kanigher, it sees Barry endure his electrical metamorphosis and promptly go on to subdue bizarre criminal mastermind and \u00e2\u20ac\u0153Slowest Man Alive\u00e2\u20ac\u009d <em>Turtle<\/em> <em>Man<\/em>, after which <em>&#8216;The Man Who Broke the Time Barrier!&#8217;<\/em> &#8211; scripted by the brilliant John Broome &#8211; finds the newly-minted Scarlet Speedster batting a criminal from the future before returning penal exile <em>Mazdan<\/em> to his own century, proving the new Flash was a protagonist of keen insight and sharp wits as well as overwhelming power.<\/p>\n<p>These are all slickly polished, coolly sophisticated short stories introducing the comfortingly ordinary, suburbanite superhero and firmly establishing the broad parameters of his universe. <strong>Showcase<\/strong> #8 (June 1957) opens with another Kanigher tale. <em>&#8216;The Secret of the Empty Box&#8217;<\/em> is a perplexing if pedestrian mystery, with veteran Frank Giacoia returning as inker, but the real landmark is Broome&#8217;s thriller <em>&#8216;The Coldest Man on Earth&#8217;<\/em>.<\/p>\n<p>With this yarn the author confirmed and consolidated the new costumed character reality by introducing the first of a Rogues Gallery of outlandish super-villains. Unlike the Golden Age, modern superheroes would face predominantly costumed foes rather than thugs and spies. Bad guys would henceforth be as memorable as the champions of justice.<\/p>\n<p><em>Captain Cold<\/em> would return time and again and Broome would go on to create every single member of Flash&#8217;s pantheon of classic super-foes.<\/p>\n<p>Joe Giella inked both adventures in <strong>Showcase<\/strong> #13 (April 1958). Kanigher&#8217;s<em> &#8216;Around the World in 80 Minutes&#8217;<\/em> displayed Flash&#8217;s versatility as he tackles atomic terrorists, battles Arabian bandits, counters an avalanche on Mount Everest and scuttles submarine pirates in the specified time slot. Broome&#8217;s <em>&#8216;Master of the Elements&#8217;<\/em> then premiers outlandish <em>Mr. Element<\/em>, who utilises the periodic table as his formidable, innovative arsenal\u00e2\u20ac\u00a6<\/p>\n<p><strong>Showcase<\/strong> #14 (June 1958) opens with Kanigher&#8217;s eerie <em>&#8216;Giants of the Time-World!&#8217;<\/em>: a masterful fantasy thriller and a worthy effort to bow out on as Flash and girlfriend <em>Iris West<\/em> encounter extra-dimensional invaders with the strangest life-cycle imaginable.<\/p>\n<p>The issue closed with a return engagement for Mr. Element, sporting a new M.O. and identity: <em>Doctor Alchemy<\/em>. <em>&#8216;The Man Who Changed the Earth!&#8217; <\/em>is a classic crime-caper with serious psychological underpinnings as Flash struggles to overcome the villain&#8217;s latest weapon: mystic transmutational talisman the Philosopher&#8217;s Stone\u00e2\u20ac\u00a6<\/p>\n<p>When the Scarlet Speedster graduated to his own title, Broome became lead writer, supplemented by Gardner Fox. Kanigher would return briefly in the mid-1960s and later write a number of tales during DC&#8217;s &#8216;Relevancy&#8217; period. Taking its own sweet time, <strong>The Flash<\/strong> #105 launched with a February-March 1959 cover-date (so it was out for Christmas 1958) and opened with Broome, Infantino &amp; Giella&#8217;s sci-fi chiller <em>&#8216;Conqueror From 8 Million B.C.!&#8217;<\/em> before introducing yet another money-mad super-villain in <em>&#8216;The Master of Mirrors!&#8217;<\/em><\/p>\n<p>Issue #106 premiered one of the most charismatic and memorable baddies in comics history. <em>Gorilla Grodd<\/em> and his hidden race of telepathic super-simians instantly captured fan attention in <em>&#8216;Menace of the Super-Gorilla!&#8217;<\/em> and even after Flash soundly thrashed the hairy hooligan, Grodd promptly returned in the next two issues.<\/p>\n<p>Presumably this early confidence was fuelled by DC&#8217;s inexplicable but commercially sound pro-Gorilla editorial stance (in those far-ago days for some reason any comic with a substantial simian in it spectacularly outsold those that didn&#8217;t) but these tales are also packed with tension, action and challenging fantasy concepts. By way of encore here is <em>&#8216;The Pied Piper of Peril!&#8217;<\/em>: a mesmerising musical criminal mastermind, stealing for fun and attention rather than profit\u00e2\u20ac\u00a6<\/p>\n<p>Issue #107 led with the <em>&#8216;Return of the Super-Gorilla!&#8217;<\/em> by regular team Broome, Infantino &amp; Giella: a multi-layered fantasy taking our hero from the African (invisible) city of the Super-Gorillas to the subterranean citadel of antediluvian <em>Ornitho-Men<\/em>, before closing with <em>&#8216;The Amazing Race Against Time&#8217;<\/em>, featuring an amnesiac who could outrun the Fastest Man Alive in a desperate collaborative dash to save all of creation from obliteration. With every issue the stakes got higher whilst the dramatic quality and narrative ingenuity got better!<\/p>\n<p>Frank Giacoia inked #108&#8217;s high-tech death-trap thriller <em>&#8216;The Speed of Doom!&#8217;<\/em> with trans-dimensional raiders stealing fulgurites (look it up, if you want) but Giella was back for &#8216;<em>The Super-Gorilla&#8217;s Secret Identity!&#8217;<\/em> wherein Grodd devises a scheme to outwit evolution itself by turning himself into a human\u00e2\u20ac\u00a6<\/p>\n<p>The next issue saw <em>&#8216;The Return of the Mirror-Master&#8217;<\/em> with the first in a series of bizarre physical transformations that would increasingly become a signature device for Flash stories, whilst the contemporary Space Race provided an evocative maguffin for a fantastic undersea adventure in the <em>&#8216;Secret of the Sunken Satellite&#8217;<\/em>. Here Flash encountered an unsuspected sub-sea race on the edge of extinction whilst enquiring after the impossible survival of an astronaut trapped at the bottom of the sea.<\/p>\n<p><strong>The Flash<\/strong> #110 was a major landmark, not so much for the debut of another worthy addition to the burgeoning Rogues Gallery in <em>&#8216;The Challenge of the Weather Wizard&#8217;<\/em> (inked by Schwartz&#8217;s incredibly versatile artistic top-gun Murphy Anderson) but rather for the introduction of <em>Wally West<\/em>, who in a bizarre and suspicious replay of the lightning strike that created the Vizier of Velocity became a junior version of the Fastest Man Alive.<\/p>\n<p>Inked by Giella, <em>&#8216;Meet Kid Flash!&#8217;<\/em> introduced the first teenaged sidekick of the Silver Age (cover dated December 1959-January 1960 and just pipping <strong>Aqualad<\/strong> who premiered in <strong>Adventure Comics<\/strong> #269 with a February off-sale date).<\/p>\n<p>Not only would <strong>Kid Flash<\/strong> begin his own series of back-up tales from the very next issue (a sure sign of the confidence the creators had in the character) but he would eventually inherit the mantle of the Flash himself &#8211; one of the few occasions in comics where such torch-passing actually stuck.<\/p>\n<p>Anderson inked #111&#8217;s<em> &#8216;The Invasion of the Cloud Creatures&#8217;<\/em> which successfully overcomes its frankly daft premise to deliver a taut, tense sci-fi thriller nicely counterpointing the first solo outing for Kid Flash in <em>&#8216;The Challenge of the Crimson Crows!&#8217;<\/em><\/p>\n<p>This folksy parable has small-town kid Wally use his new powers to rescue a gang of kids on the slippery slope to juvenile delinquency. Perhaps a tad paternalistic and heavy-handed by today&#8217;s standards, in the opening months of 1960 this was a strip about a boy heroically dealing with a kid&#8217;s real dilemmas. This occasional series would concentrate on such human-scaled problems, leaving super-menaces and world-saving for team-ups with his mentor.<\/p>\n<p><strong>Flash<\/strong> #112 &#8211; <em>&#8216;The Mystery of the Elongated Man&#8217;<\/em> &#8211; introduced an intriguing super-stretchable newcomer to the DC universe, who might have been hero or villain in a beguiling tantaliser, after which Wally tackled juvenile Go-Karters and corrupt school contractors in the surprisingly gripping <em>&#8216;Danger on Wheels!&#8217;<\/em><\/p>\n<p>Mercurial maniac <em>The Trickster<\/em> launched his crime career in #113&#8217;s lead tale &#8216;<em>Danger in the Air!&#8217; <\/em>and the second-generation speedster took a break so that his senior partner could defeat &#8216;<em>The Man Who Claimed the Earth!&#8217;<\/em>: a full-on cosmic epic wherein ancient alien <em>Po-Siden<\/em> attempts to bring the lost colony of Earth back into the galaxy-spanning <em>Empire of Zus<\/em>.<\/p>\n<p>Captain Cold and Murphy Anderson returned for &#8216;<em>The Big Freeze&#8217;<\/em>, where the smitten villain turns Central City into a glacier just to impress Barry&#8217;s girlfriend Iris. Meanwhile, her nephew Wally saves a boy unjustly accused of cheating from a life of crime when the despondent student falls under the influence of the <em>&#8216;King of the Beatniks!&#8217;<\/em><\/p>\n<p><strong>Flash<\/strong> #115 offered another bizarre transformation, courtesy of Gorilla Grodd in <em>&#8216;The Day Flash Weighed 1000 Pounds!&#8217;<\/em>, and when aliens attempt to conquer Earth, the slimmed-down champion needs <em>&#8216;The Elongated Man&#8217;s Secret Weapon&#8217;<\/em> as well as the guest-star himself to save the day. Once again Anderson&#8217;s inking gave over-taxed Joe Giella a breather whilst taking art-lovers&#8217; breath away in this beautiful, fast-paced thriller.<\/p>\n<p>This gloriously satisfying volume concludes with <strong>Flash<\/strong> #116 as <em>&#8216;The Man Who Stole Central City&#8217;<\/em> sees a seemingly fool-proof way to kill the valiant hero, which takes both time-tinkering and serious outwitting to avoid, whilst Kid Flash returns in <em>&#8216;The Race to Thunder Hill&#8217;<\/em>: a father-son tale of rally driving, but with car-stealing bandits and a young love interest for Wally to complicate the proceedings.<\/p>\n<p>These earliest tales were historically vital to the development of our industry but, quite frankly, so what? The first exploits of <strong>The Flash<\/strong> should be judged solely on merit, and on those terms they are punchy, awe-inspiring, beautifully illustrated and captivating thrillers that amuse, amaze and enthral both new readers and old devotees. This lovely collection is a must-read item for anybody in love with our art-form and especially for anyone just now encountering the hero for the first time through his TV incarnation.<br \/>\n\u00c2\u00a9 1956, 1957, 1958, 1959, 1960, 2016 DC Comics. All Rights Reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By John Broome, Robert Kanigher, Carmine Infantino &amp; various (DC Comics) ISBN: 978-1-4012-6110-8 (TPB) The actual Silver Age of US comics is formally and forever tied to Showcase #4 and the rebirth of the Flash. The epochal issue was released in the late summer of 1956 and from it stems all today&#8217;s print, animation, games, &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2021\/08\/19\/the-flash-the-silver-age-volume-one\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The Flash: The Silver Age Volume One&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[76,91,127],"tags":[],"class_list":["post-24655","post","type-post","status-publish","format-standard","hentry","category-dc-superhero","category-flash","category-nostalgia"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4AFj-6pF","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/24655","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/comments?post=24655"}],"version-history":[{"count":7,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/24655\/revisions"}],"predecessor-version":[{"id":24664,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/24655\/revisions\/24664"}],"wp:attachment":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/media?parent=24655"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/categories?post=24655"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/tags?post=24655"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}