{"id":25749,"date":"2022-05-03T08:00:14","date_gmt":"2022-05-03T08:00:14","guid":{"rendered":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=25749"},"modified":"2022-06-14T14:03:28","modified_gmt":"2022-06-14T14:03:28","slug":"mighty-marvel-masterworks-doctor-strange-volume-1-the-world-beyond","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2022\/05\/03\/mighty-marvel-masterworks-doctor-strange-volume-1-the-world-beyond\/","title":{"rendered":"Mighty Marvel Masterworks Doctor Strange volume 1: The World Beyond\u00c2\u00a0"},"content":{"rendered":"

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\nBy <\/span>Stan Lee<\/span><\/b> & <\/span>Steve Ditko<\/span><\/b>, with <\/span>Don Rico<\/span><\/b>, <\/span>George Roussos<\/span><\/b> & various (Marvel)<\/span>\u00c2\u00a0<\/span>
\nISBN: 978-1-3029-3438-5 (PB\/Digital edition)<\/span>\u00c2\u00a0<\/span><\/p>\n

When the budding House of Ideas introduced a warrior wizard to their burgeoning pantheon in the summer of 1963 it was a bold and curious move. Bizarre adventures and menacing monsters were still incredibly popular, but most mature mention of magic or the supernatural (especially vampires, werewolves and their eldritch ilk) were harshly proscribed by a censorship panel which dictated almost all aspects of story content. Almost a decade after a public witchhunt led to Senate hearings on the malign influences of words and pictures in sequence, comics were ferociously monitored and adjudicated by the draconian Comics Code Authority. Even though some of the small company’s strongest sellers were still mystery and monster mags, their underlying themes and premises were almost universally mad science and alien wonders, not necromantic or thaumaturgic horrors.<\/span>\u00c2\u00a0<\/span><\/p>\n

Companies like ACG, Charlton and DC – and Atlas\/Marvel – got around the edicts against mystic thrills and chills by making all reference to magic benign or even humorous\u00e2\u20ac\u00a6 the same tone adopted by massively popular TV series <\/span>Bewitched<\/span><\/b> about a year after <\/span>Doctor Strange<\/span><\/b> debuted. That eldritch embargo probably explains writer\/editor Stan Lee’s low key introduction of Steve Ditko’s mystic adventurer: an exotic, twilight troubleshooter inhabiting the shadowy outer fringes of society.<\/span>\u00c2\u00a0<\/span><\/p>\n

Capitalising on of the runaway success of<\/span> The Fantastic Four<\/span><\/b>, Lee had quickly spun off the youngest, most colourful member of the team into his own series, hoping to recapture the glory of the 1940s when <\/span>The Human Torch<\/span><\/i> was one of the company’s untouchable \u00e2\u20ac\u0153Big Three\u00e2\u20ac\u009d superstars. Within a year of <\/span>FF<\/span><\/b> #1, long-lived anthology title <\/span>Strange Tales<\/span><\/b> became home for the blazing boy-hero (from #101, cover-dated October 1962), launching <\/span>Johnny Storm<\/span><\/i> on a creatively productive but commercially unsuccessful solo career.<\/span>\u00c2\u00a0<\/span><\/p>\n

Soon after, in <\/span>Tales of Suspense<\/span><\/b> #41 (May 196), latest sensation <\/span>Iron Man<\/span><\/b> battled a crazed scientific wizard dubbed <\/span>Doctor Strange<\/span><\/i>, and with the name successfully and legally in copyrightable print (a long-established Lee technique: <\/span>Thorr<\/span><\/i>, <\/span>The Thing<\/span><\/i>, <\/span>Magneto<\/span><\/i>, <\/span>The Hulk<\/span><\/i> and others had been disposable Atlas \u00e2\u20ac\u0153furry underpants monsters\u00e2\u20ac\u009d long before they became in-continuity Marvel characters), preparations began for a truly different kind of hero.<\/span>\u00c2\u00a0<\/span><\/p>\n

The company had already published a quasi-mystic precursor: balding, trench-coated savant <\/span>Doctor Droom<\/span><\/i> – later rechristened (or is that re-pagan-ed?) <\/span>Dr. Druid<\/span><\/i> – had an inconspicuous short run in <\/span>Amazing Adventures<\/span><\/b> (volume 1 #1-4 & #6: June-November 1961).\u00c2\u00a0<\/span>\u00c2\u00a0<\/span><\/p>\n

He was a psychiatrist, sage and paranormal investigator tackling everything from alien invaders to Atlanteans (albeit not the ones <\/span>Sub-Mariner<\/span><\/b> ruled). Droom was subsequently retro-written into Marvel continuity as an alternative candidate and precursor for\u00e2\u20ac\u00af<\/span>Stephen Strange<\/span><\/i>‘s ultimate role as Sorcerer Supreme\u00e2\u20ac\u00a6<\/span>\u00c2\u00a0<\/span><\/p>\n

After a shaky start, the Master of the Mystic Arts became an unmissable icon of the cool counter-culture kids who saw, in Ditko’s increasingly psychedelic art, echoes and overtones of their own trippy explorations of other worlds\u00e2\u20ac\u00a6<\/span>\u00c2\u00a0<\/span><\/p>\n

That might not have been the authors’ intention but it certainly helped keep the mage at the forefront of Lee’s efforts to break comics out of the \u00e2\u20ac\u0153kids-stuff\u00e2\u20ac\u009d ghetto\u00e2\u20ac\u00a6<\/span>\u00c2\u00a0<\/span><\/p>\n

This enchanting full colour paperback compilation – also available as a digital download – gathers the spectral sections of <\/span>Strange Tales<\/span><\/b> #110, 111 and 114-129: spanning cover-dates July 1963 to February 1965. Moreover, although the Good Doctor didn’t rate a cover blurb until #117 or banner insert visual until #118 and was barely cover-featured until issue #130, it also magnanimously includes every issue’s stunning frontage: thus offering an incredible array of superbly eye-catching Marvel masterpieces from the upstart outfit’s formative heyday by Jack Kirby, Dick Ayers, Chic Stone and George Roussos, John Severin and others. In case you were wondering: Strange’s first shared split-cover came with <\/span>Strange Tales<\/span><\/b> #121 (June 1964)\u00e2\u20ac\u00a6<\/span>\u00c2\u00a0<\/span><\/p>\n

Our first meeting with the man of mystery comes courtesy of a quiet little chiller which has never been surpassed for sheer mood and imagination. <\/span>‘Doctor Strange Master of Black Magic!’<\/span><\/i> by Lee & Ditko debuted at the back of <\/span>Strange Tales<\/span><\/b> #110 and saw a terrified man troubled by his dreams approach an exceptional consultant in his search for a cure\u00e2\u20ac\u00a6<\/span>\u00c2\u00a0<\/span><\/p>\n

That perfect 5-page fright-fest introduces whole new realms and features deceit, desperation, double dealing and the introduction of both a mysterious and aged oriental mentor and devilish dream demon <\/span>Nightmare<\/span><\/i> in an unforgettable yarn that might well be Ditko’s finest moment\u00e2\u20ac\u00a6<\/span>\u00c2\u00a0<\/span><\/p>\n

A month later in #111 he was back, <\/span>‘Face-to-Face with the Magic of Baron Mordo!’<\/span><\/i> which introduced a player on the other side. The esoteric duel with such an obviously formidable foe established Strange as a tragic solitary guardian tasked with defending the world from supernatural terrors and uncanny encroachment whilst introducing his most implacable enemy, a fellow sorcerer with vaulting ambition and absolutely no morals. In the astounding battle that ensued, it was also firmly confirmed that Strange was the smarter man\u00e2\u20ac\u00a6<\/span>\u00c2\u00a0<\/span><\/p>\n

Then things went quiet for a short while until the letters started coming in\u00e2\u20ac\u00a6<\/span>\u00c2\u00a0<\/span><\/p>\n

Strange Tales<\/span><\/b> #114 (November 1963) was one of the most important issues of the era. <\/span>Not only did it highlight the return of another Golden Age hero – <\/span>Captain America<\/span><\/b> – but it contained the fabulously moody resurrection of Doctor Strange: permanently installed in a<\/span>n eccentric and baroque little corner of the growing unified universe where Ditko let his imagination run wild\u00e2\u20ac\u00a6<\/span>\u00c2\u00a0<\/span><\/p>\n

With #114, the Master of the Mystic Arts took up monthly residence behind the Torch as <\/span>‘The Return of the Omnipotent Baron Mordo!’ <\/span><\/i>(uncredited inks by George Roussos) finds the Doctor lured to London and into a trap, only to be saved by unlikely adept <\/span>Victoria Bentley<\/span><\/i>: an abortive stab at a romantic interest who would periodically turn up in years to come.<\/span>\u00c2\u00a0<\/span><\/p>\n

The forbidding man of mystery is at last revealed in all his frail mortality as <\/span>Strange Tales<\/span><\/b> #115 offered <\/span>‘The Origin of Dr. Strange’<\/span><\/i>: disclosing how Strange was once America’s greatest surgeon. A brilliant man, yet greedy, vain and arrogant, he cared nothing for the sick except as a means to wealth and glory. When a self-inflicted, drunken car-crash ended his career, Strange hit the skids.<\/span>\u00c2\u00a0<\/span><\/p>\n

Then, fallen as low as man ever could, the debased doctor overheard a barroom tale which led him on a delirious odyssey or, perhaps more accurately, pilgrimage to Tibet, where a frail and aged mage changed his life forever. It also showed his first clash with the <\/span>Ancient One<\/span><\/i>‘s other pupil Mordo: thwarting a seditious scheme and earning the Baron’s undying envious enmity\u00e2\u20ac\u00a6<\/span>\u00c2\u00a0<\/span><\/p>\n

Eventual enlightenment through daily redemption transformed Stephen the derelict into a solitary, dedicated watchdog at the fringes of humanity, challenging every hidden danger of the dark on behalf of a world better off not knowing what dangers lurk in the shadows\u00e2\u20ac\u00a6<\/span>\u00c2\u00a0<\/span><\/p>\n

‘Return to the Nightmare World!’<\/span><\/i> sees the insidious dream predator trapping earthly sleepers in perpetual slumber until the doubtful authorities ask Strange to investigate. The subsequent invasion of his oneiric enemy’s stronghold is a masterpiece of moody suspense, followed by <\/span>‘The Many Traps of Baron Mordo!’<\/span><\/i>: showing the malign mage devising an inescapable doom, which once more founders after Strange applies a little logic to it\u00e2\u20ac\u00a6<\/span>\u00c2\u00a0<\/span><\/p>\n

The wild and infinite variety of Strange’s universe offered Ditko tremendous opportunities to stretch himself visually and as plotter of the stories. In <\/span>ST<\/span><\/b> #118 the Master of Magic travels to Bavaria to combat <\/span>‘The Possessed!’<\/span><\/i>; finding humans succumbing to extra-dimensional invaders neither fully mystic nor mundane, whilst <\/span>‘Beyond the Purple Veil’<\/span><\/i> has Strange rescue, from ray-gun wielding slaver-tyrants, the burglars who stole one of his arcane curios\u00e2\u20ac\u00a6<\/span>\u00c2\u00a0<\/span><\/p>\n

Strange Tales<\/span><\/b> #120 plays with the conventions of ghost stories as a reporter vanishes during a live broadcast from <\/span>‘The House of Shadows!’<\/span><\/i> before the Doctor diagnoses something unworldly but certainly not dead\u00e2\u20ac\u00a6<\/span>\u00c2\u00a0<\/span><\/p>\n

Mordo springs yet another deadly trap in <\/span>‘Witchcraft in the Wax Museum!’<\/span><\/i> but is once more outsmarted and humiliated after stealing his rival’s body whilst Strange wanders the world in astral form, after which Roussos returned as an uncredited inker for #122’s <\/span>‘The World Beyond’ <\/span><\/i>as Nightmare nearly scores his greatest victory after the exhausted Strange falls asleep before uttering the nightly charm shielding him from attack through his own dreams.<\/span>\u00c2\u00a0<\/span><\/p>\n

Strange hosts his first Marvel guest star in #123 whilst meeting <\/span>‘The Challenge of Loki!’<\/span><\/i> (August 1964 by Lee, Ditko & George Roussos as George Bell) as the god of Mischief tricks the earthly mage into briefly stealing Thor’s hammer before deducing where the emanations of evil he senses really come from\u00e2\u20ac\u00a6<\/span>\u00c2\u00a0<\/span><\/p>\n

Strange battles a sorcerer out of ancient Egypt to save <\/span>‘The Lady from Nowhere!’<\/span><\/i> from time-bending banishment and imprisonment, and performs similar service to rescue the Ancient One after the aged sage is kidnapped in <\/span>‘Mordo Must Not Catch Me!’<\/span><\/i>, after which Roussos\/Bell moved on whilst Lee & Ditko geared up for even more esoteric action.<\/span>\u00c2\u00a0<\/span><\/p>\n

Strange Tales<\/span><\/b> #126 brings the Master of the Mystic arts to <\/span>‘The Domain of the Dread Dormammu!’<\/span><\/i> as an extra-dimensional god seeks to subjugate Earth. In a fantastic realm, Strange meets an enigmatic, exotic woman who reveals the Dread One operates by his own implacable code: giving the overmatched Earthling the edge in the concluding <\/span>‘Duel with of the Dread Dormammu!’ <\/span><\/i>which saw Earth saved, the Ancient One freed of a long-standing curse and Strange given a new look and mystic weapons upgrade\u00e2\u20ac\u00a6<\/span>\u00c2\u00a0<\/span><\/p>\n

Restored to his homeworld and Sanctum Sanctorum in Greenwich Village, Strange solves <\/span>‘The Dilemma of\u00e2\u20ac\u00a6 the Demon’s Disciple!’<\/span><\/i> by saving a luckless truth-seeker from an abusive minor magician and – after a stunning pin-up by Ditko -\u00c2\u00a0wraps up this initial volume with one more done-in-one delight.<\/span>\u00c2\u00a0<\/span><\/p>\n

Scripted by Golden Age Great Don Rico (<\/span>Bulletman<\/span><\/b>; <\/span>Human Torch<\/span><\/b>, <\/span>Captain<\/span><\/b> America<\/span><\/b>; <\/span>Jann of the Jungle<\/span><\/b> and more), #129’s <\/span>‘Beware\u00e2\u20ac\u00a6 Tiborro! The Tyrant of the Sixth Dimension!’<\/span><\/i> sees Strange tackling a demonic deity of decadence stealing TV guests and execs from a show debunking magic and mysticism\u00e2\u20ac\u00a6<\/span>\u00c2\u00a0<\/span><\/p>\n

But wait, there’s still more: a page of original art from <\/span>ST<\/span><\/b> #125 and that rarest of all artefacts, un-inked Ditko pencils in the form of a preliminary sketch for an unused Strange\/Ancient One pin-up.<\/span>\u00c2\u00a0<\/span><\/p>\n

These stories are timeless and have been gathered many times before, but let’s for a moment focus on format. <\/span>The Mighty Marvel Masterworks<\/span><\/b> line launched with economy in mind: classic tales of Marvel’s key creators and characters re-presented in chronological order. It’s been a staple since the 1990s, but always before in lavish, hardback collectors editions. These modern editions are cheaper, on lower quality paper and – crucially – smaller (about the dimensions of a paperback book). Your eyesight might be failing and your hands too big and shaky, but at 152 x 227mm, they’re perfect for kids. If you opt for the digital editions, that’s no issue at all\u00e2\u20ac\u00a6<\/span>\u00c2\u00a0<\/span><\/p>\n

Doctor Strange<\/span><\/b> has always been the coolest of outsiders and most accessible fringe star of the Marvel firmament. This glorious grimoire is a magical method for old fans to enjoy his world once more and the perfect introduction for recent acolytes or converts created by the movie iteration to enjoy the groundbreaking work of two thirds of the Marvel Empire’s founding triumvirate at their most imaginative.<\/span>\u00c2\u00a0<\/span>
\n\u00c2\u00a9 2022 MARVEL\u00c2\u00a0<\/span>\u00c2\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

By Stan Lee & Steve Ditko, with Don Rico, George Roussos & various (Marvel)\u00c2\u00a0 ISBN: 978-1-3029-3438-5 (PB\/Digital edition)\u00c2\u00a0 When the budding House of Ideas introduced a warrior wizard to their burgeoning pantheon in the summer of 1963 it was a bold and curious move. Bizarre adventures and menacing monsters were still incredibly popular, but most … <\/p>\n

Continue reading “Mighty Marvel Masterworks Doctor Strange volume 1: The World Beyond\u00c2\u00a0“<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[158,72,144],"tags":[],"class_list":["post-25749","post","type-post","status-publish","format-standard","hentry","category-dr-strange","category-marvel-masters-masterworks","category-steve-ditko"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4AFj-6Hj","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/25749","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/comments?post=25749"}],"version-history":[{"count":4,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/25749\/revisions"}],"predecessor-version":[{"id":25990,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/25749\/revisions\/25990"}],"wp:attachment":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/media?parent=25749"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/categories?post=25749"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/tags?post=25749"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}