{"id":26034,"date":"2022-06-25T08:00:47","date_gmt":"2022-06-25T08:00:47","guid":{"rendered":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=26034"},"modified":"2022-06-23T17:32:48","modified_gmt":"2022-06-23T17:32:48","slug":"stumptown-volume-1-the-case-of-the-girl-who-took-her-shampoo-but-left-her-mini","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2022\/06\/25\/stumptown-volume-1-the-case-of-the-girl-who-took-her-shampoo-but-left-her-mini\/","title":{"rendered":"Stumptown volume 1: The Case of the Girl Who Took her Shampoo (But Left her Mini)"},"content":{"rendered":"

\"\" \"\" \"\"
\nBy Greg Rucka<\/strong>, Matthew Southworth<\/strong> & various (Oni Press)
\nISBN: 978-1-93496-437-8 (HB) 978-1-62010-440-8 (TPB) eISBN: 978-1-62010-068-4<\/p>\n

Plenty of superhero, supernatural and sci fi comics make the jump to TV and movies these days, but not so many straightforward down to earth crime sagas. One that did came from the ever-entertaining, prodigiously prolific, multi award-winning Greg Rucka: a screenwriter (The Old Guard<\/strong>) and novelist (Atticus Kodiak<\/strong> crime sequence, Jad Bell<\/strong> series and half a dozen general thrillers).<\/p>\n

Rucka has also crafted astounding graphic thrillers like Whiteout<\/strong>, Queen & Country<\/strong> and Lazarus<\/strong> and excelled working on prime properties and characters Star Wars<\/strong>, Superman<\/strong>, Batman<\/strong>, Gotham Central <\/strong>(co-scripted by Ed Brubaker), Wonder<\/strong> Woman<\/strong>, Grendel<\/strong>, Elektra<\/strong>, the Punisher<\/strong> and Wolverine<\/strong> and been a major contributor to epic events such as 52<\/strong>, No Man’s Land<\/strong>, Infinite Crisis<\/strong> and New Krypton<\/strong>.<\/p>\n

One of HIS most engaging concepts features a private eye barely getting by in the writer’s own backyard: Portland Oregon – AKA \u00e2\u20ac\u0153Stumptown\u00e2\u20ac\u009d\u00e2\u20ac\u00a6<\/p>\n

The series launched in November 2009 as a 6-issue miniseries from Oni Press, with modern day Portland locales a vibrant and integral part of the story. A huge hit, the series was indefinitely extended and ran until #19. The TV show launched September 25, 2019 and was equally entertaining and initially successful, before dying after one superb season during the worst days of the pandemic.<\/p>\n

Preceded by Matt Fraction’s Introduction ‘On Stumptown’<\/em>, and illustrated by Matthew Southworth (Savage Dragon<\/strong>, Ares<\/strong>, Infinity Inc.<\/strong>) with additional colour from Lee Loughridge & Rico Renzi, ‘The Case of the Girl Who Took her Shampoo (But Left her Mini)’<\/em> introduces Dexadrine Callisto Parios<\/em>, private detective and sole owner of Stumptown Investigations.<\/p>\n

She’s struggling with bills, two mortgages, a gambling problem, and dangerous impulses whilst looking after dependent brother Ansel<\/em> and ignoring other people’s constant grief because of her bisexuality – or more likely her attitude to them shoving their noses into problems she doesn’t want to confront yet\u00e2\u20ac\u00a6<\/p>\n

Here, things kick off with Dex being executed by two low grade thugs before we spin back 27 hours to the Whispering Winds casino, where her latest binge and sky high tab have won her a face-to-face meeting with the owner Native American matriarch Sue-Lynne<\/em> Suppa<\/em>.<\/p>\n

The bosslady also has problems. Wayward granddaughter Charlotte <\/em>has gone missing – probably with a girl this time – and Dex’s unique skillset, unusual connections and urgent need makes her the perfect hunter to track down and bring home the truant. In return, the casino will forgive the PI’s entire debt.<\/p>\n

Its easy to decide what to do if you’ve got no choice\u00e2\u20ac\u00a6<\/p>\n

However, as soon as Dex finishes checking out Charlotte’s apartment, she’s roughed up by moronic thugs Dill<\/em> and Whale<\/em>, who also want to find the missing bad girl. Message delivered, the idiots drive off, and Dex is immediately abducted by far more professional goons working for hugely wealthy (don’t ask how<\/em><\/strong> he made his pile) Hector Marenco<\/em>.<\/p>\n

Hector has pressing family problems too, but he’s not talking about his sexually-predatory firebrand daughter Isabel<\/em> or ambitious idiot son Oscar<\/em>. He needs Charlotte found too, and is willing to pay twice what Sue-Lynne’s offering\u00e2\u20ac\u00a6 but only if Dex tells him first when she finds the lost girl.<\/p>\n

Checking in with Ansel (Rucka’s superbly positive and inclusive take on a neuro-atypical character – he has Downs Syndrome but is a realistically rendered, sensitively realised actor who fully participates in the stories), Dex gets a late call from a terrified Charlotte and cautiously arranges a secret meeting\u00e2\u20ac\u00a6<\/p>\n

The staggered flashbacks catch up to now as Dex’s body is dragged out of the river. Her foresight in wearing body armour pays off in more aches, pains and arrest by the Portland Police Bureau, but at least now she knows how serious Charlotte’s problem is and has a good idea who’s involved, if not why\u00e2\u20ac\u00a6<\/p>\n

Diligent research provided by close friend police detective Tracy Hoffman<\/em> – and an unpleasant but mercifully brief reunion with precinct captain Volk<\/em> – gives Dex the identity of one of her would-be killers, but as she doggedly proceeds, ambush interviews with the evermore intrusive Marenco siblings lead to a big break. At least it’s not a missing persons gig anymore\u00e2\u20ac\u00a6<\/p>\n

Now helplessly enmired in a federal crime scenario and escalating civil war within a ruthless family trapped in centuries-old bigotries, face-saving and macho posturing, Dex has to negotiate her way out and keep her meagre supply of friends safe as ancient prejudice and modern crime meet head-on and a father ruthlessly resolved to maintain his position and defend the old ways goes into merciless clean-up mode.<\/p>\n

Thankfully, Parios is tough, thinks fast and has a gift for making plans on the fly\u00e2\u20ac\u00a6<\/p>\n

A superbly stylish thriller perfectly exploiting changing society and the nature of Oregon myth and culture, this initial yarn was originally collected as a hardback in 2011 with subsequent volumes in both luxury and trade paperback editions. All are available digitally.<\/p>\n

Winningly, there are also wonderful extras included in this first tome, starting with Artifacts of Stumptown<\/em> – a photo feature of cool promotional objects (\u00e2\u20ac\u0153tchotchkes\u00e2\u20ac\u009d) released to market the series. There was an 8-page monochrome promo micro-comic (printed at the size of a business card and packaged with a magnifying glass) reprinted at full size here as ‘Dex Parios of Stumptown Investigations in \u00e2\u20ac\u0153Mustang Ranch\u00e2\u20ac\u009d’<\/em>; t-shirt designs; art prints and a poster mimicking a yellow pages ad for Stumptown Investigations deigned by Eric Trautman.<\/p>\n

If you love crime drama, detective fiction, strong female role models or just bloody great storytelling, you need to pay a visit to Stumptown<\/strong>.
\nStumptown \u00e2\u201e\u00a2 & \u00c2\u00a9 2011 Greg Rucka & Matthew Southworth. All rights reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"

By Greg Rucka, Matthew Southworth & various (Oni Press) ISBN: 978-1-93496-437-8 (HB) 978-1-62010-440-8 (TPB) eISBN: 978-1-62010-068-4 Plenty of superhero, supernatural and sci fi comics make the jump to TV and movies these days, but not so many straightforward down to earth crime sagas. One that did came from the ever-entertaining, prodigiously prolific, multi award-winning Greg … <\/p>\n

Continue reading “Stumptown volume 1: The Case of the Girl Who Took her Shampoo (But Left her Mini)”<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[75,239,215,105],"tags":[],"class_list":["post-26034","post","type-post","status-publish","format-standard","hentry","category-crime-comics","category-drama","category-lgbtqia","category-mature-reading"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4AFj-6LU","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/26034","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/comments?post=26034"}],"version-history":[{"count":1,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/26034\/revisions"}],"predecessor-version":[{"id":26038,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/26034\/revisions\/26038"}],"wp:attachment":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/media?parent=26034"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/categories?post=26034"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/tags?post=26034"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}