{"id":2604,"date":"2008-11-24T05:59:26","date_gmt":"2008-11-24T05:59:26","guid":{"rendered":"http:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=2604"},"modified":"2008-12-12T20:21:34","modified_gmt":"2008-12-12T20:21:34","slug":"dreams-of-the-rarebit-fiend","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2008\/11\/24\/dreams-of-the-rarebit-fiend\/","title":{"rendered":"Dreams of the Rarebit Fiend"},"content":{"rendered":"
\"Rarebit<\/a>
Rarebit Fiend<\/figcaption><\/figure>\n

By Winsor McCay<\/strong> (Dover)
\nISBN: 0-486-21347-1 ISBN-13: 978-0486213477<\/p>\n

Born in Spring Lake, Michigan, on 26th September, 1869 (or perhaps 1871- records differ) Winsor McCay was a brilliant and hugely successful cartoonist and animator who worked on strips and political cartoons from 1903 until his untimely death in 1934. The first of these was Jungle Imps<\/em> (1903), for The Enquirer<\/em><\/strong>, before moving to New York and creating Dull Care, Poor Jake, The Man from Montclair, The Faithful Employee, Mr. Bosh, A Pilgrim’s Progress, Midsummer Daydreams<\/em> and It’s Nice to be Married<\/em> for New York Herald<\/em><\/strong> publisher James Gordon Bennett between1903 and 1911.<\/p>\n

He also originated Little Sammy Sneeze<\/em> for the Herald<\/em><\/strong> in 1904 and Hungry Henrietta<\/em> in 1905 before abandoning them for two much more important features. On October 15th 1905 the most important children’s strip in the world, Little Nemo in Slumberland<\/em>, debuted in the Sunday Herald<\/em><\/strong>, but even before that\u00c2\u00a0McCay had created a version for adults entitled Dreams of the Rarebit Fiend<\/em> for The Evening Telegram<\/em><\/strong>. The editor, wishing to distance the feature from other strips, asked McCay to use a pen-name, and he complied, signing the strips \u00e2\u20ac\u0153Silas\u00e2\u20ac\u009d, reputedly after a local garbage cart driver.<\/p>\n

Where Nemo<\/em> was a beautifully clean and surreal fantasy of childish imagination, Fiend<\/em> was aimed at grown-ups and displayed a creepy, subdued tension that resonated with the fears and worries of its audience. Black, cruel and often outright sick humour pervades the series. Even the root cause of the otherworldly nightmares was salutary. Each self-contained episode, every disturbing sequence of unsettling or terrifying, incredibly realistic images was the result of overindulgence; usually in late night toasted cheese treats!<\/p>\n

Every anxiety from surreal terror to social embarrassment became grist for the fantasist’s mill and the startling perspectives, bizarre transformations and uncanny scenes \u00e2\u20ac\u201c always immaculately rendered \u00e2\u20ac\u201c made Fiend a hugely successful and well regarded strip in its day.<\/p>\n

In 1906 the American film pioneer Edwin S. Porter created a landmark seven minute live action special-effects movie entitled The Dream of a Rarebit Fiend<\/strong> and the Edison company created a cylinder recording with the same name the following year – played by the Edison Military Band. McCay himself produced four animated films in 1916-17: Dream of a Rarebit Fiend<\/strong>, Dreams of the Rarebit Fiend: The Pet<\/strong>, Dreams of the Rarebit Fiend: The Flying House<\/strong> and Dreams of the Rarebit Fiend: Bug Vaudeville<\/strong>.<\/p>\n

This book is an almost exact reproduction of Rarebit Fiend<\/strong>, a collection of the first year’s strips originally released by the Frederick A. Stokes Company in 1905. The very last strip has been excluded from this edition however, due to its content being potentially offensive and at odds with modern views on race and ethnicity.<\/p>\n

Although working more than a century ago Winsor McCay still affects every aspect of graphic narrative produced ever since. If you can’t afford Ulrich Merkl’s superb complete edition, reprinting everything from 1905-1914, this lovely package – still readily available from internet retailers \u00e2\u20ac\u201c is a superb introduction to the darker side of an absolute master of our Art-form.<\/p>\n

\u00c2\u00a9 1973 by Dover Publications, Inc. All Rights Reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"

By Winsor McCay (Dover) ISBN: 0-486-21347-1 ISBN-13: 978-0486213477 Born in Spring Lake, Michigan, on 26th September, 1869 (or perhaps 1871- records differ) Winsor McCay was a brilliant and hugely successful cartoonist and animator who worked on strips and political cartoons from 1903 until his untimely death in 1934. The first of these was Jungle Imps … <\/p>\n

Continue reading “Dreams of the Rarebit Fiend”<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-2604","post","type-post","status-publish","format-standard","hentry","category-graphic-novels"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p4AFj-G0","jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/2604","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/comments?post=2604"}],"version-history":[{"count":0,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/2604\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/media?parent=2604"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/categories?post=2604"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/tags?post=2604"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}