{"id":27677,"date":"2023-03-13T19:21:56","date_gmt":"2023-03-13T19:21:56","guid":{"rendered":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=27677"},"modified":"2023-03-13T19:21:56","modified_gmt":"2023-03-13T19:21:56","slug":"frida-kahlo-her-life-her-work-her-home","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2023\/03\/13\/frida-kahlo-her-life-her-work-her-home\/","title":{"rendered":"Frida Kahlo &#8211; Her Life, Her Work, Her Home"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-27678\" src=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2023\/03\/Frida-Kahlo-frt.jpg\" alt=\"\" width=\"1871\" height=\"2560\" srcset=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2023\/03\/Frida-Kahlo-frt.jpg 1871w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2023\/03\/Frida-Kahlo-frt-150x205.jpg 150w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2023\/03\/Frida-Kahlo-frt-250x342.jpg 250w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2023\/03\/Frida-Kahlo-frt-768x1051.jpg 768w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2023\/03\/Frida-Kahlo-frt-1123x1536.jpg 1123w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2023\/03\/Frida-Kahlo-frt-1497x2048.jpg 1497w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><br \/>\nBy <strong>Francisco de la Mora<\/strong>, translated by <strong>Lawrence Schimel<\/strong> (SelfMadeHero)<br \/>\nISBN: 978-1-914224-10-2 (HB)<\/p>\n<p>The creation and crafting of an image is infinitely variable and the response to it even more so: dependant entirely upon the mood, status, attitude and temperament of the viewer. Even that interaction is absolutely certain to shift and change from moment to moment.<\/p>\n<p>The wedding of image to text is a venerable, potent and astoundingly evocative discipline that can simultaneously tickle like a feather, cut like a scalpel and hit like a steam-hammer. And again, repeated visits to a particular work will generate different reactions according to the recipient\u2019s emotional and physical snapshot state.<\/p>\n<p>The art of comics is a nigh-universal, overwhelmingly powerful medium lending itself to a host of topics and genres, but the area where it has always shone brightest is in its chimeric capacity for embracing incisive biography or autobiographical self-expression. Whether fictionalised narratives or scrupulously candid personal revelations, such forays inevitably forge the most impressive and moving connections between reader\/viewer and author.<\/p>\n<p>That alchemy is further enhanced when the subject under scrutiny is also fundamentally chimeric, fascinating, infinitely engaging and revelatory. <strong>Frida Kahlo<\/strong> was born in 1907 and died in 1954. In between those years, she lived an extraordinary life: one filled with pain, triumph, loss, silently-suffering endurance, astounding creativity and, always, passion.<\/p>\n<p>She travelled the world many times over, yet barely escaped her bed for months at a time; joined with modern legends, and added immeasurably to the culture and beauty of existence. She is at once a modern deity and icon of her beloved Mexico and a universal example of the power and perseverance of female creativity and determination. Frida is an inspirational role model whose influence grows stronger every day\u2026<\/p>\n<p>Designated part of SelfMadeHero\u2019s <em>Art Masters<\/em> imprint,<strong> Frida Kahlo &#8211; Her Life, Her Work, Her Home <\/strong>is a visually resplendent celebration of what made and shaped her, devised with great care by cartoonist Francisco de la Mora &#8211; who also gave the same treatment to her male counterpart and occasional husband in the award-winning companion volume<strong> Diego Rivera<\/strong><strong>. <\/strong><\/p>\n<p>De la Mora\u2019s other efforts include a regular monthly graphic residency in the <strong>Hackney Citizen<\/strong>, tales like <em>El Infierno: Bienvenido Paisano<\/em> and an 8-volume <strong>Brief History of Mexico<\/strong>&#8230;<\/p>\n<p>Here, the author uses Kahlo\u2019s paintings as a springboard for leaping headlong into her momentous, contradictory life. Her images become a fulcrum balanced on her beloved family home <em>Casa Azul<\/em> (\u201cthe Blue House\u201d) and her story is told in diary extracts and quotes from her biographers and the great and the good. Completed works and contemporary historical accounts reconstruct and demonstrate how a vivid and vivacious child at the centre of pivotal political events overcame a lifetime of hard knocks. Kahlo faced polio, life-altering crash injuries, untrustworthy, unfaithful men, miscarriage, constant gender iniquity and inequality, isolation and a life of constant unrelenting pain, reshaping the world of painting and restoring pride to and in her country\u2026<\/p>\n<p>Augmenting the visual odyssey is a forthright and effusive <em>Foreword<\/em> by Circe Henestrosa (Head of the School of Fashion, LaSalle College of the Arts, Singapore) preceding a range of added extras at the rear: a highly detailed and informative illustrated chronology of <em>\u2018Frida Kahlo (1907-1954)\u2019<\/em>, a full <em>\u2018Bibliography\u2019<\/em>, commentary <em>\u2018Notes\u2019<\/em> on specifics images used in the text and a fulsome <em>\u2018Acknowledgements\u2019<\/em> section.<\/p>\n<p>Kahlo has become a household name since her death and her images and life have become common cultural currency and a symbolic especially amongst women, the socially disenfranchised, fringe dwellers, outsiders fighting against ingrained toxic masculinity and in fact anyone attuned to narratives of endurance, resistance, suffering, othering and simple common cruelty. Her life of pain has blossomed into a stunning lexicon of beauty that for many will begin by picking up this colourful but challenging chronicle of coping and comfort.<br \/>\n\u00a9 2023 Francisco de la Mora\/Sara Afonso. Foreword \u00a9 Circe Henestrosa. All rights reserved.<\/p>\n<p><strong>Frida Kahlo &#8211; Her Life, Her Work, Her Home<\/strong> is published on 16<sup>th<\/sup> March 2023 and available for pre-order now.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Francisco de la Mora, translated by Lawrence Schimel (SelfMadeHero) ISBN: 978-1-914224-10-2 (HB) The creation and crafting of an image is infinitely variable and the response to it even more so: dependant entirely upon the mood, status, attitude and temperament of the viewer. Even that interaction is absolutely certain to shift and change from moment &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2023\/03\/13\/frida-kahlo-her-life-her-work-her-home\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Frida Kahlo &#8211; Her Life, Her Work, Her Home&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[81,115,170],"tags":[],"class_list":["post-27677","post","type-post","status-publish","format-standard","hentry","category-art-books","category-biography","category-non-fiction"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4AFj-7cp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/27677","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/comments?post=27677"}],"version-history":[{"count":2,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/27677\/revisions"}],"predecessor-version":[{"id":27680,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/27677\/revisions\/27680"}],"wp:attachment":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/media?parent=27677"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/categories?post=27677"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/tags?post=27677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}