{"id":27697,"date":"2023-03-18T09:00:07","date_gmt":"2023-03-18T09:00:07","guid":{"rendered":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=27697"},"modified":"2023-03-17T18:41:32","modified_gmt":"2023-03-17T18:41:32","slug":"the-art-of-ramona-fradon","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2023\/03\/18\/the-art-of-ramona-fradon\/","title":{"rendered":"The Art of Ramona Fradon"},"content":{"rendered":"

\"\"\"\"
\nBy Ramona Fradon<\/strong>; interviewed by Howard Chaykin<\/strong> (Dynamite Entertainment)
\nISBN: 978-1-60690-140-3 (HB\/Digital edition)<\/p>\n

Although present in comic books from the start, women – like so many other non-white male \u201cminorities\u201d – have been largely written out of history. One of the very few to have weathered that exclusion is Ramona Fradon. This excellent commemorative art collection celebrates not only her life and contribution, but thanks to its format – a free and unexpurgated extended interview with iconoclastic creator Howard Chaykin – offers the artist\u2019s frank and forthright views on everything from work practise to the power of fans\u2026<\/p>\n

It all begins with an Introduction<\/em> from Walt Simonson who proclaims \u2018Meet your Idol\u2026 and discover They\u2019re even Cooler than you Thought!\u2019<\/em>, before the early days are revealed in \u2018Part One: Setting the Scene\u2019<\/em> and \u2018Part Two: In the Beginning\u2019<\/em>\u2026<\/p>\n

Ramona Dom was born on October 2nd<\/sup> 1926 to an affluent Chicago family with many ties to commercial creative arts. Her father was a respected artisan, letterer and calligrapher who had designed the logos for Camel cigarettes, Elizabeth Arden and other major brands, and also formulated the fonts Dom Casual<\/em> and Dom Bold<\/em>. He had plans for his daughter, urging her to become a fashion designer\u2026<\/p>\n

The family moved to (outer) New York when Ramona was five., Ramona initially attended The Parsons School of Design, where she discovered she had absolutely no interest in creating clothes. Although she had never read comic books, she had been a voracious reader of illustrated books like the Raggedy Anne and Andy<\/strong> series by John Barton Gruelle, and a devoted fan of newspaper strips. Her favourites included Dick Tracy<\/strong>, Bringing Up Father<\/strong>, The Phantom<\/strong>, Alley Oop<\/strong>, Flash Gordon<\/strong>, Terry and the Pirates<\/strong> and Li\u2019l Abner<\/strong> (all represented here by examples from the 1930s) and she transferred to the New York Art Students League, a hotbed of cartooning\u2026<\/p>\n

There she met and married Arthur Dana Fradon, who would become a prolific illustrator, author and cartoonist and a regular contributor to The New Yorker<\/strong> between 1948-1992. They wed in 1948 and he actively encouraged her to seek work in the still young funnybook biz.<\/p>\n

\u2018Part Three: Gingerly Breaking into Comics\u2019 <\/em>reveals how her first forays at Timely Comics led to DC\/National Comics and a Shining Knight<\/em> story published in Adventure Comics<\/strong> #165 (cover-dated June 1951), ten months later taking over the long-running Aquaman<\/strong> feature in #167. Fradon was one of the first women to conspicuously and regularly illustrate comic books, drawing the strip throughout the 1950s and shepherding the sea king from B-lister to solo star and Saturday morning TV pioneer.<\/p>\n

In the first of a series of incisive and informative mini biographies, \u2018Sidebar: Murray Boltinoff\u2019 <\/em>reveals the influence of the much-neglected and under-appreciated editor. \u2018Part Four: Queen of the Seven Seas\u2019<\/em> and \u2018Part Five: Man of 1000 Elements\u2019<\/em> show how occasional stints on The Brave and the Bold<\/strong> team-ups led to her co-creation of Sixties sensation Metamorpho, the Element Man<\/strong>. However in 1965 – at the pinnacle of success – she abruptly retired to raise a daughter, only returning to the fold in 1972 for another stellar run of landmark work.<\/p>\n

\u2018Sidebar: George Kashdan\u2019<\/em> tells all about the multi-talented scripter before \u2018Part Six: Ramona Returns to Comics\u2026 At Marvel???\u2019<\/em> details how the House of Ideas lured the artist back to her board and highlights her difficulties working \u201cMarvel-style\u201d on assorted horror shorts, The Claws of the Cat<\/strong> and Fantastic Four<\/strong>, all presaging a return to DC\u2026<\/p>\n

\u2018Sidebar: Joseph Patterson\u2019<\/em> looks into the astounding strip Svengali who green lit Dick Tracy<\/strong>, Little Orphan Annie<\/strong>, Gasoline Alley<\/strong> and more before \u2018Part Seven: Back Home at DC Comics\u2019<\/em> where she was busier than ever. As well as horror and humour shorts, Fradon drew a new Metamorpho try-out, superhero spinoff Freedom Fighters<\/strong> and her twin magnum opuses: revived comedy superhero Plastic Man<\/strong> and TV tie-in Super Friends<\/strong>. The revelations are bolstered by \u2018Sidebar: E. Nelson Bridwell\u2019<\/em>, exploring the life of the man who knew everything about everything\u2026<\/p>\n

In 1980, Fradon took over Dale Messick\u2019s long-running Brenda Starr<\/strong> newspaper strip, drawing it for 15 years. \u2018Part Eight: Leaping From Books to Strips\u2019<\/em> explores the painful and unpleasant chore in sharp detail, supplemented by \u2018Sidebar: Brenda Starr\u2019<\/em> outlining the feature\u2019s history and reprinting those episodes when the ageless reporter met a certain cop, allowing Fradon to finally draw childhood idol Dick Tracy<\/strong>\u2026<\/p>\n

The most fascinating stuff is left until last as \u2018Part Nine: Ramona the Author\u2019<\/em> discusses her career post-Brenda: drawing for Bart Simpson<\/strong> and Spongebob Squarepants<\/strong> comics, returning to higher education and writing a philosophical historical mystery novel – The Gnostic Faustus: The Secret Teachings Behind the Classic Text<\/strong> – as well as illustrated kids book The Dinosaur That Got Tired of Being Extinct<\/strong>.<\/p>\n

Packed throughout with candid photos, and stunning pencil sketches, painted pictures and privately commissioned works of her stable of past assignments – like Aquaman<\/strong>, assorted Super Friends<\/strong>, Superman<\/strong>, Batman<\/strong>, Wonder Woman<\/strong>, Robin; <\/strong>the Metal Men<\/strong>, Aqualad<\/strong>, Brenda Starr<\/strong>, Black Canary<\/strong>, Shazam\/Captain Marvel<\/strong>, Shining Knight<\/strong>, The Atom<\/strong>, The Spirit<\/strong>, Metamorpho<\/strong> and cast, Marvel Girl<\/strong>, Miss America<\/strong>, Power Girl<\/strong>, Catwoman<\/strong>, Hawkman<\/strong>, numerous illustrations from The Story of Superman<\/strong> book, and convention sketches, this celebration concludes with even more fabulous sleek super art images in \u2018Part Nine: Ramona Today\u2019<\/em> and \u2018Part Eleven: Bibliography\u2019<\/em>\u2026<\/p>\n

This is an amazing confirmation of an incredible career and any nostalgiac\u2019s dream package. Amongst the gems unearthed here are complete Aquaman<\/strong> stories \u2018The Kid from Atlantis!\u2019<\/em> (Adventure Comics<\/strong> #269, 1960), \u2018A World Without Water\u2019<\/em> (Adventure Comics<\/strong> #251, 1958) and \u2018How Aquaman Got his Powers!\u2019 <\/em>(Adventure Comics<\/strong> #260, 1959), plus tales from Star Spangled War Stories<\/strong> (#184, 1975) and \u2018The Invisible Bank Robbers!\u2019<\/em> from Gangbusters<\/strong> (#30, 1952).<\/p>\n

Also on show are unpublished sample strips by Dana & Ramona Fradon and a monumental cover gallery depicting unforgettable images from Super Friends<\/strong> #3, 5-8, 10, 11, 13, 17, 19, 21, 22, 24-27, 31, 33, 36-39 & 41; Plastic Man <\/strong>#16-20; The Brave and the Bold<\/strong> #55, 57, 58, Showcase<\/strong> #30 & 33, Metamorpho, the Element Man <\/strong>#1-5, Namora<\/strong> #1 (2010), Fantastic Four<\/strong> #133 and Freedom Fighters<\/strong> #3.<\/p>\n

These are supported by selected interior pages in full colour or monochrome from Star Spangled War Stories<\/strong> #8; Adventure Comics<\/strong> #190; Metamorpho, the Element Man<\/strong> #1; 1st Issue Special<\/strong> #3; Fantastic Four<\/strong> #133; The Brave and the Bold<\/strong> #57; House of Secrets<\/strong> #116 & 136; Secrets of Haunted House <\/strong>#3 & 14; House of Mystery<\/strong> #232 & 273; Plop!<\/strong> #5; Freedom Fighters<\/strong> #3 & 5; Plastic Man <\/strong>#14; Super Friends<\/strong> #6-8, 10, 13, 16, 19, 21, 23 & 25 and the Super DC Calendar 1977<\/strong>.<\/p>\n

A truly definitive appreciation of the Comic Book Hall of Fame inductee 2006, this oversized (229 x 305 mm) hardback reproduces hundreds of pages and covers, plus a wealth of out-industry artwork and commissioned wonders, as accompaniment to an astonishingly forthright testament and career retrospective of a phenomenal and groundbreaking talent.<\/p>\n

The Art of Ramona Fradon<\/strong> will delight everyone who wants to see a master in their element showing everybody how it should be done\u2026.<\/p>\n

Marvel Characters \u00a9 and \u2122 1941-2013 Marvel Characters, Inc. DC Comics Characters \u00a9 and \u2122 DC Comics. Brenda Starr\u2122 \u00a9 2013 Tribune Media Services. All Rights Reserved<\/p>\n","protected":false},"excerpt":{"rendered":"

By Ramona Fradon; interviewed by Howard Chaykin (Dynamite Entertainment) ISBN: 978-1-60690-140-3 (HB\/Digital edition) Although present in comic books from the start, women – like so many other non-white male \u201cminorities\u201d – have been largely written out of history. One of the very few to have weathered that exclusion is Ramona Fradon. This excellent commemorative art … <\/p>\n

Continue reading “The Art of Ramona Fradon”<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[133,81,10,78,75,305,76,290,107,93],"tags":[],"class_list":["post-27697","post","type-post","status-publish","format-standard","hentry","category-aquaman","category-art-books","category-batman","category-comic-strip-classics","category-crime-comics","category-dc-horror","category-dc-superhero","category-dinosaurs","category-science-fiction","category-war-stories"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4AFj-7cJ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/27697","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/comments?post=27697"}],"version-history":[{"count":1,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/27697\/revisions"}],"predecessor-version":[{"id":27700,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/27697\/revisions\/27700"}],"wp:attachment":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/media?parent=27697"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/categories?post=27697"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/tags?post=27697"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}