{"id":27949,"date":"2023-05-08T09:00:27","date_gmt":"2023-05-08T09:00:27","guid":{"rendered":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=27949"},"modified":"2023-04-28T16:56:41","modified_gmt":"2023-04-28T16:56:41","slug":"warlock-marvel-masterworks-volume-2","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2023\/05\/08\/warlock-marvel-masterworks-volume-2\/","title":{"rendered":"Warlock Marvel Masterworks volume 2"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2023\/04\/Warlock-MM-v2-digi-bk-250x357.jpg\" alt=\"\" width=\"250\" height=\"357\" class=\"alignnone size-large wp-image-27951\" srcset=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2023\/04\/Warlock-MM-v2-digi-bk-250x357.jpg 250w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2023\/04\/Warlock-MM-v2-digi-bk-150x214.jpg 150w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2023\/04\/Warlock-MM-v2-digi-bk-768x1096.jpg 768w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2023\/04\/Warlock-MM-v2-digi-bk.jpg 1041w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/> <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2023\/04\/Warlock-MM-v2-digi-frt-250x357.jpg\" alt=\"\" width=\"250\" height=\"357\" class=\"alignnone size-large wp-image-27950\" srcset=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2023\/04\/Warlock-MM-v2-digi-frt-250x357.jpg 250w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2023\/04\/Warlock-MM-v2-digi-frt-150x214.jpg 150w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2023\/04\/Warlock-MM-v2-digi-frt-768x1097.jpg 768w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2023\/04\/Warlock-MM-v2-digi-frt-1075x1536.jpg 1075w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2023\/04\/Warlock-MM-v2-digi-frt.jpg 1085w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2023\/04\/Warlock-MM-v2-HB-covers.jpg\" alt=\"\" width=\"1449\" height=\"1014\" class=\"aligncenter size-full wp-image-27952\" srcset=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2023\/04\/Warlock-MM-v2-HB-covers.jpg 1449w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2023\/04\/Warlock-MM-v2-HB-covers-150x105.jpg 150w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2023\/04\/Warlock-MM-v2-HB-covers-250x175.jpg 250w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2023\/04\/Warlock-MM-v2-HB-covers-768x537.jpg 768w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><br \/>\nBy <strong>Jim Starlin<\/strong>, with <strong>Bill Mantlo<\/strong>,<strong> John Byrne<\/strong>,<strong> Steve Leialoha<\/strong>,<strong> Josef Rubinstein<\/strong>,<strong> Al Milgrom<\/strong>,<strong> Alan Weiss<\/strong>,<strong> Dave Hunt <\/strong>&amp; various (Marvel)<br \/>\nISBN: 978-0-7851-3511-1 (HB\/Digital edition)<\/p>\n<p>During the early 1970s the first inklings of wider public respect for the medium of graphic narratives began to blossom in English-speaking lands. This followed avid response to pioneering stories such as Denny O\u2019Neil &amp; Neal Adams\u2019 \u201crelevancy\u201d <strong>Green Lantern<\/strong> run, Stan Lee &amp; John Buscema\u2019s biblically allegorical <strong>Silver Surfer<\/strong> or Roy Thomas\u2019 ecologically strident antihero <strong>Sub-Mariner<\/strong>. These all led a procession of thoughtfully-delivered attacks on drugs in many titles, and a long running undeclared campaign to support positive racial role models and include characters of colour everywhere on four-colour pages.<\/p>\n<p>Part of a movement and situation mirrored in Europe and Japan, our comics were inexorably developing into a vibrant platform of diversity and forum for debate, engaging youngsters in real world issues germane and relevant to them.<\/p>\n<p>In 1972, Thomas had taken the next logical step: transubstantiating an old Lee &amp; Kirby <strong>Fantastic Four<\/strong> throwaway foe into a potent political and religious metaphor for the Questioning Generation\u2026<\/p>\n<p>Debuting in <strong>FF<\/strong> #66 (September 1967) mystery menace <em>Him<\/em> was re-imagined by Thomas &amp; Gil Kane as a modern interpretation of the Christ myth: stationed on an alternate Earth far more like our own than that of Marvel\u2019s fantastic universe.<\/p>\n<p>Re-presenting <strong>Strange Tales<\/strong> #178-181, <strong>Warlock<\/strong> #9-15, <strong>Marvel Team-Up<\/strong> #55, <strong>Avengers Annual <\/strong>#7 and<strong> Marvel Two-in-One Annual<\/strong> #2 &#8211; collectively spanning cover-dates February 1975 to the end of 1977, this epic astral adventure also offers a context-soaked Introduction from comics historian\/documentarian Jon B. Cook.<\/p>\n<p>For latecomers and those informed only by movies\u2026<\/p>\n<p>It all began with <strong>The Power of\u2026 Warlock<\/strong> as the artificial man\u2019s origin story &#8211; a lab experiment concocted by rogue geneticists &#8211; was goosed up after meeting man-made and self-created god <em>The High Evolutionary<\/em>. He was wrapped up in a bold new experiment to replicate planet Earth on the opposite side of the sun. He replayed &#8211; on fast-forward &#8211; the development of life, intent on creating humanity without the taint of cruelty and greed and deprived of the lust to kill\u2026<\/p>\n<p>It might well have worked, but when the Evolutionary wearied, his greatest mistake cruelly intervened. <em>Man-Beast<\/em> was a hyper-evolved wolf with mighty powers, ferocious savagery and ruthless wickedness. He despoiled humanity\u2019s rise, and ensuring the Counter-Earth\u2019s development exactly mirrored its template &#8211; with the critical exception of the superheroic ideal. This beleaguered world suffered all mankind\u2019s woes but had no extraordinary beings to save or inspire them.<\/p>\n<p>A helpless witness to desecration, Him crashed free of his life-supporting cocoon to save the Evolutionary and rout Man-Beast and his bestial cronies -a legion of similarly evolved rogue animal-humanoids dubbed \u201cNew-Men\u201d). When the despondent, furious science god recovered, he wanted to erase his failed experiment but was stopped by his rescuer.<\/p>\n<p>As a powerless observer, Him had seen the potential and value of embattled humanity. For all their flaws, he believed he could save them from the many imminent dooms caused by their own unthinking actions &#8211; pollution, over-population, wars and intolerance. His pleas convinced the Evolutionary to give this mankind one last chance\u2026<\/p>\n<p>The wanderer was hurled down to Counter-Earth, equipped with a strange gem to focus his powers, a mission to find the best in the fallen and a name of his own &#8211; <strong>Adam Warlock<\/strong>\u2026<\/p>\n<p>He battled long and hard and even gathered a band of faithful followers, but was constantly defeated and frustrated by human intransigence and Man-Beast\u2019s forces, who had infiltrated and corrupted all aspects of society &#8211; especially America\u2019s political hierarchy and the Military\/Industrial complex.<\/p>\n<p>After 8 issues of his struggle and a couple of interventions by Earth\u2019s <strong>Incredible <\/strong><strong>Hulk<\/strong><strong>, the saga apparently ended<\/strong> when messianic Adam Warlock died and was reborn, thwarting Satan-analogue Man-Beast with the aid of the Jade Juggernaut: delivering a karmic coup de grace before ascending from Counter-Earth to the beckoning stars\u2026<\/p>\n<p>When the feature returned at the end of 1974 the tone, just like the times, had hugely changed. In the wake of Vietnam and Watergate, hopeful positivity and comfortable naivety had turned to world-weary cynicism and the character was draped in precepts of inescapable doom in the manner of doomed warrior <strong>Elric<\/strong>. It was a harbinger of things to come\u2026<\/p>\n<p>The story continues in<strong> Strange Tales<\/strong> #178 as ultra-imaginative morbid maverick Jim Starlin (<strong>Captain Marvel<\/strong>, <strong>Master of Kung Fu<\/strong>, <strong>Infinity Gauntlet<\/strong>, <strong>Dreadstar<\/strong>, <strong>Batman<\/strong>, <strong>Kid Kosmos<\/strong>) turns the astral wanderer into a Michael Moorcock-inspired death-obsessed, constantly outraged but exceedingly reluctant and cynical cosmic champion.<\/p>\n<p>The slow spiral to oblivion begins in February cover-dated <strong>Strange Tales<\/strong> #178, where Starlin introduces alien Greek Chorus <em>Sphinxor of Pegasus<\/em> to recap the past by asking and answering <em>\u2018Who is Adam Warlock?\u2019<\/em><\/p>\n<p>Handling everything but lettering &#8211; that\u2019s left to Annette Kawecki &#8211; Starlin has solitary wanderer Warlock brooding on a desolate asteroid in the Hercules star cluster just as a trio of brutes attack a frightened girl. Despite his best efforts they execute her, proud of their status as Grand Inquisitors of the Universal Church of Truth and ecstatic to remove one more heathen unbeliever\u2026<\/p>\n<p>Appalled to have failed another innocent, Warlock employs the Soul Gem at his brow to briefly resurrect her and learns of an all-conquering ruthless militant religion intent on converting or eradicating all life. His search triggers a chilling confrontation as <em>\u2018Enter The Magus!\u2019 <\/em>sees the living god of the UCT attack him and crushingly reveal an awful truth: the being who has subjugated countless worlds, exterminated trillions and fostered every dark desire of sentient beings is his own future self.<\/p>\n<p>Adam Warlock than swears that he will battle this impossible situation and do whatever is necessary to prevent himself becoming his worst nightmare\u2026<\/p>\n<p>With Tom Orzechowski on words and Glynis Oliver-Wein doing colours, Starlin\u2019s pilgrimage continues as Warlock attacks an UCT war vessel transporting rebels, \u201cdegenerates\u201d and \u201cunproductives\u201d from many converted worlds. The church only deems basic humanoids as sacred and saveable, with most other shapes useful only as fodder or fuel. They make an exception for the universally deplored, vulgar and proudly reprobate race called \u201cTrolls\u201d. In the dungeon-brig of the ship Great Divide, Adam finds his gloomy mood irresistibly lifted by disgusting lout <em>Pip<\/em>: a troll revelling in his \u201cindependent manner and cavalier ways\u201d and not frightened by the imminent death awaiting them all.<\/p>\n<p>Meanwhile, mighty, enhanced true believer <em>Captain Autolycus <\/em>has received a message from the Temporal Leader of the Faithful. <em>The Matriarch<\/em> has decided to ignore The Magus\u2019 instruction to capture Warlock and keep him unharmed.<\/p>\n<p>As Adam instructs his fellow prisoners in the nature of rule, Autolycus acts on her command, losing his entire crew and perishing when Warlock breaks loose. After escaping the <em>\u2018Death Ship!\u2019<\/em>, Adam realises Pip has stowed away, keen to share a new adventure, but lets it go. He has a bigger problem: in the climactic final battle, the Soul Gem refused his commands, acting on its own to consume Autolycus\u2019 memories and persona, locking them inside the twisted champion\u2019s head\u2026<\/p>\n<p>In <strong>ST<\/strong> #180\u2019s <em>\u2018Judgment!\u2019<\/em> (with additional inking by Alan Weiss), Pip and Warlock have submerged themselves in the heaving masses of Homeworld whilst hunting the living god they oppose. Terrified of the uncontrollable spiritual vampire on his brow, Adam tries to remove it and discovers it has already stolen him: without it he will perish in seconds\u2026<\/p>\n<p>Pushed into precipitate action and living on borrowed time, Warlock invades the Sacred Palace and is offered a curious deal by the Matriarch and is captured when he refuses. Subjected to <em>\u2018The Trial of Adam Warlock\u2019<\/em>, the appalled adventurer endures a twisted view of the universe courtesy of Grand Inquisitor <em>Kray-Tor<\/em>, even as in the city, Pip thinks he scored with a hot chick. In truth, he\u2019s been targeted by public enemy number one. <em>Gamora <\/em>is called \u201cthe deadliest woman in the whole galaxy\u201d and has plans for Adam, which include him being alive and free\u2026<\/p>\n<p>Back in court, the golden man has rejected Kray-Tor\u2019s verdict and, disgusted and revolted by the proceedings, foolishly lets his Soul Gem feed. The carnage he triggers and subsequent guilt leaves him catatonic and in the hands of the Matriarch\u2019s cerebral reprogrammers\u2026<\/p>\n<p>Starlin was always an outspoken and driven creator with opinions he struggled to suppress. His problems with Marvel\u2019s working practises underpin <strong>ST<\/strong> #181\u2019s <em>\u20181000 Clowns!\u2019<\/em> as old pal Al Milgrom inks a fantastic recap and psychological road trip inside the hero\u2019s mind. None of the subtext is germane if you\u2019re just looking for a great story however, and &#8211; in-world &#8211; Warlock\u2019s resistance to mind-control is mirrored by Pip and Gamora\u2019s advance through the UCT citadel to his side.<\/p>\n<p>Embattled by the psychic propaganda assaulting him, Warlock retreats into the safety of madness, and learns to his horror that this has been what The Magus wanted all along. Now the dark messiah\u2019s victory and genesis are assured\u2026<\/p>\n<p>The triumph was celebrated by the resurrection of the hero\u2019s own title and &#8211; cover-dated October 1975 &#8211; <strong>Warlock<\/strong> #9 revealed the master plan of Adam\u2019s future self. Inked by Steve Leialoha<em> \u2018The Infinity Effect!\u2019<\/em> saw the mirror images in stark confrontation with evil ascendent, unaware that Gamora was an agent of a hidden third party and that all the chaos and calamity was part of a war of cosmically conceptual forces.<\/p>\n<p>The saga heads into the Endgame as the Magus explains in cruel detail how he came to power and that Adam\u2019s coming days are merely his past, before summoning abstract terror <em>The In-Betweener<\/em> to usher in their inevitable transformation. There is one problem however: the first time around Adam\/Magus was never attacked and almost thwarted by an invisible green warrior woman.<\/p>\n<p>Crushed by the realisation that he will become a mass-murdering spiritual vampire, Warlock reels as the hidden third element arrives to save everything\u2026<\/p>\n<p><em>\u2018How Strange My Destiny!\u2019<\/em> (#10, inked by Leialoha) finds Pip, Gamora, Adam and mad Titan <strong>Thanos<\/strong> battling 25,000 cyborg Black Knights of the Church rapturously paying <em>\u2018The Price!\u2019<\/em> of devotion in a stalling tactic until the In-Betweener arrives\u2026<\/p>\n<p>Kree Captain Mar-Vell narrates a handy catch-up chapter detailing <em>\u2018Who is Thanos?\u2019 <\/em>as the beleaguered champions escape, before <em>\u2018Enter the Redemption Principle!\u2019<\/em> explores some of the Titan\u2019s scheme and why he opposes the Magus and his Church, even as the victorious dark deity realises that Thanos\u2019 time probe is the only thing that can upset his existence\u2026<\/p>\n<p><em>How Strange My Destiny<\/em> &#8211; with finished art by Leialoha from Starlin\u2019s layouts &#8211; continues and concludes in #11 as <em>\u2018Escape into the Inner Prison!\u2019<\/em> sees the Magus and his Black Knight death squads brutally board Thanos\u2019 space ark. A combination of raw power and the Soul Gem buy enough time for Warlock and the troll to use the time probe, which dumps them in the future, just as In-Betweener arrives to convert the hero and supervise <em>\u2018The Strange Death of Adam Warlock!\u2019<\/em>, resulting in a reshuffling of chronal reality and Thanos\u2019 triumph\u2026<\/p>\n<p>After months of encroaching and overlapping Armageddons, <strong>Warlock<\/strong> #12 diverts and digresses in <em>\u2018A Trollish Tale!\u2019<\/em> as Pip\u2019s addiction to hedonism and debauchery entraps him in professional harlot <em>Heater Delight<\/em>\u2019s plan to escape a life on (non)human sexual trafficking in a star-roaming pleasure cruiser. He\u2019s happy with the promised reward for his efforts, but hadn\u2019t considered that her pimp might object to losing his meal ticket\u2026<\/p>\n<p>Drama returns with a bang in #13 as <em>\u2018\u2026Here Dwells the Star Thief!\u2019<\/em> introduces a threat to the entire universe stemming from a hospital bed on Earth. New England\u2019s Wildwood Hospital houses <em>Barry Bauman<\/em>, whose life is blighted by a total lack of connection between his brain and nerve functions. Isolated and turned inward for his entire life, Barry has discovered astounding psychic abilities, the first of which was to possess his nurse and navigate an unsuspected outer world. His intellect also roams the endless universe and brooding, doomed Warlock is there when Barry consumes an entire star just for fun\u2026<\/p>\n<p>Outraged at the wilful destruction, Warlock uses his own powers to trace the psionic force and resolves to follow it back to the planet of his original conception and construction even as <em>\u2018The Bizarre Brain of Barry Bauman\u2019<\/em> explores the Star Thief\u2019s origins and motivations before formally challenging Adam to a game of \u201cstop me if you can\u201d\u2026<\/p>\n<p>Spitefully erasing stars and terrorising the Earth as Warlock traverses galaxies at top speed, Bauman knows a secret about his foe that makes his victory assured, but still lays traps in his interstellar path. The <em>\u2018Homecoming!\u2019<\/em> is accelerated by a shortcut through a black hole but when Adam arrives at the Sol system, he receives a staggering shock: his journeys and simple physics have wrought physical changes making it impossible to ever go home again\u2026<\/p>\n<p>Sadly for Barry, his gleeful frustration of his foe distracts him just when he should be paying close attention to his physical body\u2026<\/p>\n<p>As the series abruptly ended again (November 1976), Starlin returned to full art &amp; story chores in #15\u2019s <em>\u2018Just a Series of Events!\u2019<\/em> Exiled from Earth, Adam rants as elsewhere, Thanos moves on his long-term plans. Without the threat of The Magus, his desire for total stellar genocide can proceed, but he worries that his adopted daughter Gamora might be a problem. He should be more concerned about his own nemesis-by-design <em>Drax the Destroyer<\/em>\u2026<\/p>\n<p>The saga then pauses with Adam, confronting a host of plebian injustices and seemingly gaining dominance over his Soul Gem\u2026<\/p>\n<p>Vanished again, Adam Warlock only languished in limbo for a few months. In mid-December 1976, <strong>Marvel Team-Up<\/strong> #55 (cover-dated March 1977) addressed his altered state as Bill Mantlo, John Byrne &amp; Dave Hunt crafted <em>\u2018Spider, Spider on the Moon!\u2019<\/em><\/p>\n<p>For reason too complicated to explain here, <strong>Spider-Man<\/strong> had been trapped in a rocket and blasted into space and was happily intercepted and left in the oxygenated-and heated Blue Area. Warlock then assisted the Arachnid and mysterious alien <em>The Gardener<\/em> against overbearing ephemera collector <em>The Stranger<\/em>. He sought possession of the Golden Gladiator\u2019s life-sustaining Soul Gem, but soon discovered an equally fascinating alternate choice\u2026<\/p>\n<p>Despite his sporadic and frankly messy publishing career, <strong>Warlock<\/strong> has been at the heart of many of Marvel\u2019s most epochal and well-regarded cosmic comic classics, and ending this compendium is probably the very best: an extended epic spanning two summer annuals and seemingly signalling the end on an era\u2026<\/p>\n<p><em>\u2018The Final Threat\u2019<\/em> (by Starlin &amp; Joe Rubinstein) comes from <strong>Avengers Annual<\/strong> #7, which sees Protector of the Universe <em>Mar-Vell<\/em> AKA <strong>Captain Marvel <\/strong>and Titanian ultra-mentat <em>Moondragon <\/em>return to Earth with vague anticipations of impending catastrophe. Their premonitions are confirmed when galactic wanderer Adam Warlock arrives with news that death-obsessed Thanos has amassed an alien armada and built a soul gem-fuelled weapon to snuff out stars like candles\u2026<\/p>\n<p>Spanning interstellar space to stop the scheme, the united heroes forestall alien invasion and prevent the Dark Titan from destroying the Sun, but only at the cost of Warlock\u2019s life\u2026<\/p>\n<p>Then <em>\u2018Death Watch!\u2019<\/em> (Starlin &amp; Rubinstein, <strong>Marvel Two-in-One Annual<\/strong> #2) finds <em>Peter Parker<\/em> plagued by prophetic nightmares. These disclose how Thanos had snatched victory from defeat and now holds the <strong>Avengers <\/strong>captive whilst again preparing to extinguish Sol.<\/p>\n<p>With nowhere else to turn, the anguished, disbelieving webspinner heads for the Baxter Building, hoping to borrow a spacecraft, and unaware that <strong>The Thing<\/strong> also has a history with the terrifying Titan.<\/p>\n<p>Although utterly overmatched, the mismatched Champions of Life subsequently upset Thanos\u2019 plans for long enough to free the Avengers before the Universe\u2019s true agent of retribution ends the Titan\u2019s threat forever\u2026 at least until next time\u2026<\/p>\n<p>The sidereal saga seemingly done, this collection also offers bonus treats in the form of 16 pages of unused pencils by Alan Weiss. The photostats come from an issue lost in transit, and are supplemented by before-&amp;-after panels judged unsuitable by the Comics Code Authority, the various production stages of Starlin &amp; Weiss\u2019 cover art for <strong>Warlock<\/strong> #9, with sketches, designs, frontispieces and full pages of original art.<\/p>\n<p>Also on view are Starlin\u2019s wraparound covers from 1983 reprint series <strong>Warlock Special Edition<\/strong> #1-6 and 1992-1993\u2019s <strong>Warlock<\/strong> reruns (#1-6) in support of the <strong>Infinity Gauntlet<\/strong>, plus pertinent house ads and full biographies.<\/p>\n<p>Ambitious, unconventional and beautiful to behold, Warlock\u2019s adventures are very much a product of their tempestuous, socially divisive times. For many, they proved how mature comics might become, but for others they were simply pretty pictures and epic fights with little lasting relevance. What they unquestionably remain is a series of crucial stepping stones to greater epics: unmissable appetisers to Marvel Magic at its finest.<br \/>\n\u00a9 2017 Marvel Characters, Inc. All rights reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Jim Starlin, with Bill Mantlo, John Byrne, Steve Leialoha, Josef Rubinstein, Al Milgrom, Alan Weiss, Dave Hunt &amp; various (Marvel) ISBN: 978-0-7851-3511-1 (HB\/Digital edition) During the early 1970s the first inklings of wider public respect for the medium of graphic narratives began to blossom in English-speaking lands. This followed avid response to pioneering stories &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2023\/05\/08\/warlock-marvel-masterworks-volume-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Warlock Marvel Masterworks volume 2&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[278,94,18,182,79,39,231],"tags":[],"class_list":["post-27949","post","type-post","status-publish","format-standard","hentry","category-adam-warlock","category-avengers","category-captain-marvel","category-guardians-of-the-galaxy-graphic-novels","category-marvel-superheroes","category-spider-man","category-the-thing"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4AFj-7gN","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/27949","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/comments?post=27949"}],"version-history":[{"count":6,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/27949\/revisions"}],"predecessor-version":[{"id":27958,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/27949\/revisions\/27958"}],"wp:attachment":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/media?parent=27949"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/categories?post=27949"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/tags?post=27949"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}