{"id":29190,"date":"2024-01-03T09:00:15","date_gmt":"2024-01-03T09:00:15","guid":{"rendered":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=29190"},"modified":"2024-01-02T18:43:08","modified_gmt":"2024-01-02T18:43:08","slug":"lucky-luke-volume-40-phil-wire","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2024\/01\/03\/lucky-luke-volume-40-phil-wire\/","title":{"rendered":"Lucky Luke volume 40 &#8211; Phil Wire"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2024\/01\/Lucky-Luke-40-Phil-Wire.jpg\" alt=\"\" width=\"382\" height=\"522\" class=\"alignnone size-full wp-image-29191\" srcset=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2024\/01\/Lucky-Luke-40-Phil-Wire.jpg 382w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2024\/01\/Lucky-Luke-40-Phil-Wire-150x205.jpg 150w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2024\/01\/Lucky-Luke-40-Phil-Wire-250x342.jpg 250w\" sizes=\"auto, (max-width: 382px) 100vw, 382px\" \/><br \/>\nBy<strong> Morris<\/strong>, translated by <strong>Erica Jeffrey <\/strong>(Cinebook)<br \/>\nISBN: 978-1-84918-155-6 (Album PB\/Digital edition)<\/p>\n<p>Doughty, dashing and dependable cowboy \u201cgood guy\u201d <strong>Lucky Luke<\/strong> is a rangy, implacably even-tempered do-gooder able to \u201cdraw faster than his own shadow\u201d. He amiably ambles around the mythic Old West, enjoying light-hearted adventures on his petulant and rather sarcastic wonder-horse <em>Jolly Jumper<\/em>. Over nine decades, his exploits have made him one of the top-ranking comic characters in the world, generating upwards of 85 individual albums and many, many spin-off series (like <strong>Kid Lucky<\/strong> and <strong>Ran-Tan-Plan<\/strong>), with sales thus far totalling in excess of 300 million in 30 languages. That renown has translated into a mountain of merchandise, toys, games, animated cartoons, TV shows and live-action movies and even commemorative exhibitions. No theme park yet, but you never know\u2026<\/p>\n<p>Originally the brainchild of Belgian animator, illustrator and cartoonist Maurice de B\u00e9v\u00e8re (\u201cMorris\u201d) and first officially seen in <strong><em>Le Journal de Spirou<\/em><\/strong><em>\u2019<\/em>s seasonal <strong><em>Annual L\u2019Almanach Spirou 1947<\/em><\/strong>, Luke actually sprang to (un-titled) laconic life in mid-1946, before inevitably ambling into his first weekly adventure<em> \u2018Arizona 1880\u2019 <\/em>on December 7<sup>th<\/sup> 1946. Morris was one of \u201c<em>la Bande des quatre\u201d<\/em>&#8211; The Gang of Four &#8211; comprising Jij\u00e9, Will and Franquin: leading proponents of a fresh, loosely free-wheeling artistic style known as the \u201cMarcinelle School\u201d. It came to dominate <strong><em>Le Journal de Spirou<\/em><\/strong> in aesthetic contention with the \u201cLigne Claire\u201d style favoured by Herg\u00e9, E.P. Jacobs and other artists in <strong><em>Le Journal de Tintin<\/em><\/strong>.<\/p>\n<p>In 1948 said Gang (all but Will) visited America, meeting US creators and sightseeing. Morris stayed for six years, encountered Goscinny, scored work at newly-formed EC sensation <strong>Mad<\/strong> and constantly, copiously noted and sketched a swiftly vanishing Old West.<\/p>\n<p>Working solo until 1955 (with early script assistance from his brother Louis De Bevere), Morris produced nine initial albums &#8211; of which today\u2019s was #8 &#8211; of affectionate sagebrush spoofery before teaming with old pal and fellow trans-American \u00e9migr\u00e9 Ren\u00e9 Goscinny. With him as his regular wordsmith, Luke attained dizzying, legendary, heights starting with <strong><em>Des rails sur la Prairie<\/em><\/strong> (<strong>Rails on the Prairie<\/strong>) which began serialisation on August 25<sup>th<\/sup> 1955. In 1967, the six-gun straight-shooter switched sides, joining Goscinny\u2019s own magazine <strong><em>Pilote<\/em><\/strong> in <strong><em>La Diligence<\/em><\/strong> (<strong>The Stagecoach<\/strong>). Goscinny co-created 45 albums with Morris before his untimely death, whereupon Morris soldiered on both singly and with other collaborators. He went to the Last Roundup in 2001, having drawn fully 70 adventures, plus numerous sidebar sagebrush sagas crafted with Achd\u00e9 &amp; Laurent Gerra, Benacquista &amp; Pennac, Xavier Fauche, Jean L\u00e9turgie, Jacques Pessis and more, all taking their own shot at the venerable vigilante.<\/p>\n<p><strong>Lucky Luke<\/strong> has a long history in Britain, having first pseudonymously amused and enthralled young readers during the late 1950s, syndicated to weekly anthology <strong>Film Fun<\/strong>. He later rode back into comics-town in 1967 for comedy paper <strong>Giggle<\/strong>, using nom de plume <em><strong>Buck Bingo<\/strong><\/em>. And that\u2019s not counting the many attempts to establish him as a book star starting with Brockhampton Press in 1972 and continuing via Knight Books, Hodder Dargaud UK, Ravette Books and Glo\u2019Worm, until Cinebook finally and thankfully found the right path in 2006.<\/p>\n<p>As <em><strong>Lucky Luke contre Phil Defer<\/strong><\/em> (<strong>Lucky Luke: Phil Wire<\/strong> in Britain) this classic collection comprises a brace of tales taken from the company\u2019s general entertainment periodical<strong> <em>Le Moustique<\/em><\/strong>. The saga of deadly gunslinger <em>Phil Wire -\u201cThe Spider\u201d <\/em>is visually based on the early western works of based on legendary cinematic bad man <strong>Jack Palance<\/strong> in a strip taken from issues #1464-1494 (14<sup>th <\/sup>February-12<sup>th<\/sup> September 1954) of the celebrated periodical.<\/p>\n<p>It begins in the booze-soaked Badlands when <em>Phil Defer &#8211; LE FAUCHEUX <\/em>sells his lethal talents to sinister saloon owner <em>O\u2019Sullivan<\/em>. He\u2019s looking to remove a rival entrepreneur&#8230;<\/p>\n<p>Fate &#8211; or perhaps the gods of comedy &#8211; instead decree that another tall guy extremely good with guns gets to Bottleneck Gulch first, where he\u2019s naturally mistaken for the rather idiosyncratic, notoriously superstitious killer for hire. You know, the tall guy\u2026<\/p>\n<p>Lucky and Wire have already clashed once before and &#8211; despite all the hero\u2019s efforts to deter O\u2019Sullivan &#8211; meet once more after all \u201cthe Spider\u2019s\u201d schemes to remove rival barkeep <em>O\u2019Hara<\/em> are foiled. Ultimately, as ever, it comes down to a showdown on main street with only one tall man walking away\u2026<\/p>\n<p>The album also features a second but shorter serial from <em><strong>Le Moustique<\/strong><\/em> #1508-1516 (19<sup>th<\/sup> December 1954 to 13<sup>th<\/sup> February 1955): originally entitled <em>Lucky Luke et Pilule<\/em>. As <em>Lucky Luke and The Pill<\/em>, it here details a campfire tale told by our rangy wanderer, relating how a short-sighted, diminutive hypochondriac tenderfoot with no discernible fighting ability or action acumen became a true gun-toting town-<em>tamer\u2026<\/em><\/p>\n<p>Ideal for older kids with a bit of historical perspective and social understanding &#8211; although the action and slapstick situations are no more contentious than any <strong>Laurel and Hardy<\/strong> film, <strong>Chuckle Brothers<\/strong> skit and whatever TikTok clip the waifs of the coming generation (Gen Eric?) titter to &#8211; these early exploits are a grand old hoot in the tradition of <strong>Destry Rides Again<\/strong> or <strong>Support Your Local Sheriff<\/strong>, superbly executed by a master storyteller, and a wonderful introduction to a unique genre for modern kids who might well have missed the romantic allure of the Wild West that never was\u2026<br \/>\n\u00a9 Dupuis 1956 by Morris. \u00a9 Dargaud Editeur Paris 1971 \u00a9 Lucky Comics. English translation \u00a9 2013 Cinebook Ltd.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Morris, translated by Erica Jeffrey (Cinebook) ISBN: 978-1-84918-155-6 (Album PB\/Digital edition) Doughty, dashing and dependable cowboy \u201cgood guy\u201d Lucky Luke is a rangy, implacably even-tempered do-gooder able to \u201cdraw faster than his own shadow\u201d. He amiably ambles around the mythic Old West, enjoying light-hearted adventures on his petulant and rather sarcastic wonder-horse Jolly Jumper. &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2024\/01\/03\/lucky-luke-volume-40-phil-wire\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Lucky Luke volume 40 &#8211; Phil Wire&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[191,113,63,122,125,192,111],"tags":[],"class_list":["post-29190","post","type-post","status-publish","format-standard","hentry","category-adventure","category-comedy","category-european-classics","category-historical","category-humour","category-lucky-luke","category-satirepolitics"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4AFj-7AO","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/29190","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/comments?post=29190"}],"version-history":[{"count":1,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/29190\/revisions"}],"predecessor-version":[{"id":29192,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/29190\/revisions\/29192"}],"wp:attachment":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/media?parent=29190"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/categories?post=29190"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/tags?post=29190"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}