{"id":29306,"date":"2024-01-27T13:29:56","date_gmt":"2024-01-27T13:29:56","guid":{"rendered":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=29306"},"modified":"2024-01-27T13:29:56","modified_gmt":"2024-01-27T13:29:56","slug":"fantastic-four-epic-collection-volume-9-the-crusader-syndrome-1974-1976","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2024\/01\/27\/fantastic-four-epic-collection-volume-9-the-crusader-syndrome-1974-1976\/","title":{"rendered":"Fantastic Four Epic Collection volume 9: The Crusader Syndrome &#8211; 1974-1976"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-29307\" src=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2024\/01\/Fantastic-Four-Epic-collection-9-bk-250x387.jpg\" alt=\"\" width=\"250\" height=\"387\" srcset=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2024\/01\/Fantastic-Four-Epic-collection-9-bk-250x387.jpg 250w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2024\/01\/Fantastic-Four-Epic-collection-9-bk-150x232.jpg 150w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2024\/01\/Fantastic-Four-Epic-collection-9-bk-768x1189.jpg 768w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2024\/01\/Fantastic-Four-Epic-collection-9-bk-992x1536.jpg 992w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2024\/01\/Fantastic-Four-Epic-collection-9-bk.jpg 997w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-29308\" src=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2024\/01\/Fantastic-Four-Epic-collection-9-frt-250x385.jpg\" alt=\"\" width=\"250\" height=\"385\" srcset=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2024\/01\/Fantastic-Four-Epic-collection-9-frt-250x385.jpg 250w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2024\/01\/Fantastic-Four-Epic-collection-9-frt-150x231.jpg 150w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2024\/01\/Fantastic-Four-Epic-collection-9-frt-768x1184.jpg 768w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2024\/01\/Fantastic-Four-Epic-collection-9-frt-996x1536.jpg 996w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2024\/01\/Fantastic-Four-Epic-collection-9-frt.jpg 1002w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><br \/>\nBy <strong>Gerry Conway<\/strong>, <strong>Roy Thomas<\/strong>, <strong>Len Wein<\/strong>, <strong>Tony Isabella<\/strong>, <strong>Steve Englehart<\/strong>, <strong>Marv Wolfman<\/strong>, <strong>Chris Claremont<\/strong>, <strong>Rich Buckler<\/strong>, <strong>John Buscema<\/strong>,<strong> George P\u00e9rez<\/strong>, <strong>Sal Buscema<\/strong>, <strong>Bob Brown<\/strong>, <strong>Joe Sinnott<\/strong>, <strong>Jim Mooney<\/strong>, <strong>Joe Staton<\/strong>, <strong>Frank Giacoia, Mike Esposito, Chic Stone, Vince Colletta with <\/strong><strong>Stan Lee<\/strong>, <strong>Dick Ayers<\/strong>, <strong>Paul Reinman<\/strong> &amp; various (MARVEL)<br \/>\nISBN 978-1-3029-4875-7 (TPB\/Digital edition)<\/p>\n<p>Monolithic modern Marvel truly began with the adventures of a small super-team who were as much squabbling family as coolly capable costumed champions. Everything the company is now stems from the quirky quartet and the groundbreaking, inspired efforts of Stan Lee &amp; Jack Kirby\u2026<\/p>\n<p>Cautiously bi-monthly and cover-dated November 1961, <strong>Fantastic Four<\/strong> #1 &#8211; by Stan, Jack, George Klein &amp; Christopher Rule &#8211; was raw and crude even by the ailing company\u2019s standards: but it seethed with rough, passionate and uncontrolled excitement. Thrill-hungry kids pounced on its dynamic storytelling and caught a wave of change starting to build in America. It and succeeding issues changed comics forever. As seen in the premier issue, maverick scientist <em>Reed Richards<\/em>, his fianc\u00e9e <em>Sue Storm<\/em>, their close friend <em>Ben Grimm<\/em> and Sue\u2019s bratty teenaged brother <em>Johnny<\/em> survived an ill-starred private space-shot after Cosmic Rays penetrated their ship\u2019s inadequate shielding.<\/p>\n<p>All four permanently mutated: Richards\u2019 body became elastic, Sue became (even more) invisible, <em>Johnny Storm<\/em> burst into living flame and tragic Ben shockingly devolved into a shambling, rocky freak. After the initial revulsion and trauma passed, they solemnly agreed to use their abilities to benefit mankind. Thus was born <strong>The Fantastic Four<\/strong>.<\/p>\n<p>Throughout the 1960s it was indisputably the key title and most consistently groundbreaking series of Marvel\u2019s ever-unfolding web of cosmic creation: a forge for new concepts and characters. Kirby was approaching his creative peak: continually unleashing his vast imagination on plot after spectacular plot, whilst Lee scripted some of the most passionate superhero sagas ever seen. Both were on an unstoppable roll, at the height of their powers and full of the confidence only success brings, with The King particularly eager to see how far the genre and the medium could be pushed\u2026 which is rather ironic since it was the company\u2019s reticence to give the artist creative freedom which led to Kirby\u2019s moving to National\/DC in the 1970s.<\/p>\n<p>Without Kirby\u2019s soaring imagination the rollercoaster of mind-bending High Concepts gave way to more traditional tales of characters in conflict, with soap-opera leanings and super-villain-dominated Fights \u2018n\u2019 Tights dramas. This stripped-down, compelling compilation gathers <strong>Fantastic Four <\/strong>#147-167, <strong>Giant-Size Fantastic Four<\/strong> #2-4 and <strong>Avengers<\/strong> #127: collectively covering June 1974 to February 1976 and heralding a change of pace and partial return of The King &#8211; even if only on covers\u2026<\/p>\n<p><strong>Fantastic Four<\/strong> #147 offers action-tinged melodrama with <em>Gerry <\/em>Conway, Rich Buckler &amp; Joe Sinnott in how <em>\u2018The Sub-Mariner Strikes!\u2019<\/em> as long-sidelined and neglected Susan Richards starts divorce proceedings against Reed whilst seemingly taking comfort in the arms of long-time admirer\/stalker <em>Prince Namor<\/em> of Atlantis. When Reed, Johnny, Ben and <strong>Inhuman<\/strong> substitute teammate <em>Medusa<\/em> try to \u201crescue\u201d her, the Atlantean ruler thrashes them before Sue sends them packing\u2026<\/p>\n<p>To add insult to injury, the dejected men return home to find the Baxter Building once more invaded by the <em>Frightful Four<\/em> and are forced to fight a <em>\u2018War on the Thirty-Sixth Floor!\u2019<\/em> Sadly <em>The Sandman<\/em>, <em>Wizard<\/em> and <em>Trapster<\/em> have no idea their newest ally <em>Thundra<\/em> is secretly smitten with the Thing. <strong>FF<\/strong> #149 resolves the scandalous <strong>Sub-Mariner<\/strong> storyline as the undersea emperor invades New York in <em>\u2018To Love, Honour, and Destroy!\u2019<\/em> Happily, his awesome attack is merely a cunning plan to trick Sue into reconciling with her husband. It almost works\u2026<\/p>\n<p>Courtesy of Conway, John Buscema &amp; Chic Stone, <strong>Giant-Size Fantastic Four<\/strong> #2 reveals a time-twisting <em>\u2018Cataclysm!\u2019<\/em>, wherein cosmic voyeur <em>The Watcher<\/em> warns of a hapless innocent who has inadvertently altered history, thanks to <strong>Dr. Doom<\/strong>\u2019s confiscated time platform. Once again the supposedly non-interventionist extraterrestrial expects the FF to fix a universal dilemma\u2026<\/p>\n<p>With more than one temporal hot-spot, Reed and Johnny head for Colonial America to rescue the Father of the Nation in <em>\u2018George Washington Almost Slept Here!\u2019<\/em>, whilst Ben and Medusa crash into the \u201cRoaring Twenties\u201d and save the time-lost wanderer from being rubbed out by racketeers in <em>\u2018The Great Grimmsby\u2019<\/em>. Thinking their mission accomplished, the heroes are astounded to then find themselves trapped in timeless Limbo, battling monstrous giant <em>Tempus<\/em> before escaping to their restored origin point in <em>\u2018Time Enough for Death!\u2019<\/em><\/p>\n<p>For months lovelorn Johnny had fretted and fumed that his first true love <em>Crystal<\/em> was to marry super-swift mutant <strong>Quicksilver<\/strong>. That plot-thread finally closed in a 2-part crossover tale opening in <strong>Avengers<\/strong> #127 (September 1974). Crafted by Steve Englehart, Sal Buscema &amp; Joe Staton,<em> \u2018Bride and Doom!\u2019<\/em> sees the Assemblers travel to <em>Attilan<\/em> (hidden homeland of the Inhumans) for the wedding of aforementioned speedster <em>Pietro<\/em> to elemental enchantress\/Royal Princess, only to meet an uprising of the genetic slave-race designated <em>Alpha Primitives<\/em>. Once again, sinister robotic colossus <em>Omega<\/em> has incited revolt, but this time it isn\u2019t insane usurper <em>Maximus<\/em> behind the seditious skulduggery but an old Avengers enemy who reveals himself in the concluding chapter from in <strong>Fantastic Four<\/strong> #150.<\/p>\n<p><em>\u2018Ultron-7: He\u2019ll Rule the World!\u2019<\/em> (Conway, Buckler &amp; Sinnott) finds both teams joining <em>Black Bolt<\/em>\u2019s Inhumans against the malign A.I., but only saved by a veritable Deus ex Machina after which, at long last, <em>\u2018The Wedding of Crystal and Quicksilver\u2019<\/em> finally closes events on a happy note &#8211; for everybody but the Torch, that is\u2026<\/p>\n<p>The dramatic tensions resume with <strong>Giant-Size Fantastic Four<\/strong> #3 as plotter Gerry Conway, scripter Marv Wolfman and illustrators Rich Buckler &amp; Joe Sinnott deliver an epic tale of global import. The extra-special quarterly <strong>Giant-Size range<\/strong> was devoted to offering blockbuster thrills, and herein reveal<em> \u2018Where Lurks Death\u2026 Ride the Four Horsemen!\u2019<\/em> as cosmic aliens arrive, intent on scourging the Earth.<\/p>\n<p>Forewarned after the team stumble across the first horror in <em>\u2018\u2026There Shall Come Pestilence\u2019<\/em>, our harried heroes split up with Inhuman stand-in <em>Medusa<\/em> and Johnny striving against international madness in <em>\u2018\u2026And War Shall Take the Land!\u2019<\/em> whilst Reed and Ben fight to foil the personification of <em>Famine<\/em> in <em>\u2018\u2026And the Children Shall Hunger!\u2019<\/em>, before all reunite to wrap up the final foe in <em>\u2018\u2026All in the Valley of Death!\u2019<\/em><\/p>\n<p>In <strong>FF<\/strong> #151 Conway, Buckler &amp; Sinnott begin revealing the truth about the mysterious \u201cFemizon\u201d stalking the Thing. <em>\u2018Thundra and Lightning!\u2019<\/em> introduces male-dominated alternate Future Earth Machus and its brutal despot <em>Mahkizmo, the Nuclear Man<\/em>, who explosively invades the Baxter Building in search of a mate to dominate and another world to conquer\u2026<\/p>\n<p>Inked by Jim Mooney, #152 exposes <em>\u2018A World of Madness Made!\u2019<\/em> with the team captive in the testosterone-saturated side-dimension whilst Medusa seemingly flees, whilst actually seeking reinforcements from the diametrically-opposed Femizon future\/alternity, resulting in two universes crashing together in the concluding <em>\u2018Worlds in Collision!\u2019<\/em> by Tony Isabella, Buckler &amp; Sinnott.<\/p>\n<p>Rapidly reworked by Len Wein, <strong>Fantastic Four<\/strong> #154 featured <em>\u2018The Man in the Mystery Mask!\u2019<\/em>: a partial reprint from <strong>Strange Tales <\/strong>#127 in which Stan Lee, Dick Ayers &amp; Paul Reinman pitted Ben and Johnny against <em>\u2018The Mystery Villain!\u2019<\/em>. Here, however, Bob Brown, Frank Giacoia &amp; Mike Esposito\u2019s revisions depict how Reed\u2019s early lesson in leadership has been hijacked by another old friend with explosive and annoying results\u2026<\/p>\n<p>Meanwhile over in <strong>Giant-Size Fantastic Four<\/strong> #4, Wein, Chris Claremont, John Buscema, Chic Stone &amp; Sinnott unite to introduce <em>\u2018Madrox the Multiple Man\u2019<\/em>: a young mutant who grew up on an isolated farm unaware of the incredible power he possessed. When his parents pass away, the kid is inexplicably drawn to New York City, where the hi-tech suit he wears to contain his condition malfunctions. Soon the boy devolves into a mobile fission device that can endlessly, lethally replicate himself. Thankfully the FF are aided by mutant Moses <em>Charles Xavier<\/em> who dutifully takes young <em>Jamie<\/em> under his wing\u2026<\/p>\n<p>A minor classic from Wein, Buckler &amp; Sinnott follows s seen in <strong>Fantastic Four<\/strong> #155-157 when the long dormant <strong>Silver Surfer<\/strong> resurfaces in <em>\u2018Battle Royal!\u2019 &#8211; <\/em>apparently a murderous thrall of <strong>Doctor Doom<\/strong>. The Iron Dictator commands the Stellar Skyrider because he holds the alien\u2019s lover <em>Shalla Bal<\/em> \u2013-even cruelly threatening to take her in marriage. However, as seen in <em>\u2018Middle Game!\u2019<\/em> (with Roy Thomas joining as co-writer and Editor) the Surfer cannot kill and merely delivers the defeated FF as prisoners to the Devil Doctor\u2019s citadel. Naturally, there are schemes within schemes unfolding and Doom is playing a waiting game whilst covertly siphoning the Surfer\u2019s \u201c<em>Power Cosmic\u201d<\/em> to fuel a deadly <em>Doomsman<\/em> mechanoid\u2026<\/p>\n<p>With Thomas in full authorial control <em>\u2018And Now\u2026 the Endgame Cometh!\u2019<\/em> sees the heroes fight back to conquer the Lethal Latverian, blithely unaware the entire charade has been a crafty confection of malignly manipulative demon-lord <em>Mephisto<\/em>\u2026<\/p>\n<p>The furore is followed by another nostalgia-tinged 2-part epic beginning with <strong>FF<\/strong> #158\u2019s <em>\u2018Invasion from the 5<sup>th<\/sup> (Count it, 5<sup>th<\/sup>!) Dimension\u2019<\/em> by Thomas, Buckler &amp; Sinnott. When one of the Torch\u2019s earliest solo scourges returns to occupy the homeland of the Inhumans, extra-dimensional dictator <em>Xemu<\/em> opens his campaign of vengeance by dispatching <em>Quicksilver <\/em>to lure his sister-in-law Medusa back to <em>Attilan<\/em>. The intention is to force defiant King <strong>Black Bolt<\/strong> to utilise his doomsday sonic power on the invaders\u2019 behalf, for which the conqueror needs the silent king\u2019s true love as a bargaining chip. However, when the FF accompany her into the blatant trap, they bring a hidden ally who turns the tables on Xemu, unleashing <em>\u2018Havoc in the Hidden Land!<\/em>\u2019, coincidentally and at last reuniting the First Family of comic book fiction\u2026<\/p>\n<p>More pan-dimensional panic ensues when a multiversal conflict is cunningly concocted by a hidden mastermind orchestrating Armageddon for a trio of dimensionally-adjacent planets for <em>\u2018In One World\u2026 and Out the Other!\u2019 <\/em>Devised by Thomas, John Buscema &amp; Stone, the initial chapter sees shapeshifting Reed Richards sell his patents to a vast corporation, even as in the streets his counterpart from another universe is kidnapped by barbarian warlord <em>Arkon the Magnificent<\/em>. That abduction is investigated by a very Grimm Thing who has uncomfortable suspicions about what\u2019s occurring\u2026<\/p>\n<p>With Buckler &amp; Sinnott doing the depicting <em>\u2018All the World Wars at Once!\u2019<\/em> expands the saga as Johnny Storm visits the recently liberated 5<sup>th<\/sup> Dimensional Earth to discover it under assault by androids from yet another slightly different one. As the Thing teams up with his other-earth counterpart to quell a dinosaur invasion, \u201cour\u201d world is assaulted by an army from the 5<sup>th<\/sup> dimension led by the Torch. With each realm believing itself provoked by trans-terrestrial aggressors, the divided team only knows one thing: each invading force is using weaponry invented by Richards\u2026<\/p>\n<p>The crises peaks in <em>\u2018The Shape of Things to Come!\u2019<\/em> as the mastermind is exposed and the scheme to annihilate three worlds come close to fruition, necessitating a voyage to a cosmic nexus point and a devastating battle with yet another twisted alternate-reality hero to save existence in a spectacular and poignant <em>\u2018Finale <\/em>\u00a0#163.<\/p>\n<p>A new direction began with #164 (part 1 of a reconditioned yarn originally intended for <strong>Giant-Size Fantastic Four<\/strong>), courtesy of Thomas and then-neophyte illustrator George P\u00e9rez, backed up by Sinnott. <em>\u2018The Crusader Syndrome!\u2019<\/em> sees the team battling a veteran superhero gone bad since his last outing as Atlas-Era champion <em>Marvel Boy<\/em>. Now as <em>The Crusader<\/em> he wages savage war on financial institutions whose self-serving inaction doomed his adopted Uranian race in the 1950s. However, his madness and savagery are no match for the FF and #165\u2019s <em>\u2018The Light of Other Worlds!\u2019<\/em> details his apparent demise. It also sparks many successful additions to Marvel Continuity, such as new hero <strong>Quasar<\/strong>, the <strong>1950s Avengers<\/strong> and <strong>Agents of Atlas <\/strong>whilst introducing <strong>Galactus<\/strong>\u2019 herald-in-waiting <em>Frankie Raye<\/em> as Johnny\u2019s new girlfriend\u2026<\/p>\n<p>This formidable high-tension Fights \u2018n\u2019 Tights tome terminates in a titanic tussle as Vince Colletta inks #166 as<em> \u2018If It\u2019s Tuesday, This Must be the Hulk!\u2019<\/em> as the team hunts the Gamma Goliath with a potential cure for <em>Bruce Banner<\/em>. Sadly, aggressive and insulting military treatment of their target enrages fellow-monster Ben Grimm who unites with The Hulk to menace St. Louis, Missouri as <em>\u2018Titans Two!\u2019 <\/em>(with Sinnott back on inks). Following a mighty struggle with his old friends and constantly bathed in Hulk\u2019s Gamma radiation, Ben is permanently reduced to human form and contemplates a whole new life\u2026<\/p>\n<p>To Be Continued\u2026<\/p>\n<p>With covers by Buckler, Gil Kane, John Romita, Ron Wilson, Kirby, Sinnott and more this power-packed package also includes the covers to all-reprint <strong>Giant-Sized<\/strong> <strong>Fantastic Four<\/strong> #5 &amp; 6 and the original unused cover for <strong>GSFF<\/strong> #5 (which contents became <strong>FF<\/strong> #158-159); house ads and the new material from <strong>The Fabulous Fantastic Four Marvel Treasury Edition<\/strong> #2 (December 1975). This bombastic oversized tabloid edition featured a bevy of classic yarns and is represented here by front-&amp;-back cover art from John Romita, a Marie Severin frontispiece and Stan Lee Introduction, contents page and double-page pin-up of the team and supporting cast by John Buscema &amp; Giacoia.<\/p>\n<p>Also on view are extracts from <strong>F.O.O.M.<\/strong> #8-10 (comedic exploits of <em>Doctor Foom<\/em> by Charley Parker), pertinent pages by Buckler &amp; Sinnott from <strong>The Mighty Marvel Calendar 1975<\/strong>, cover plus splash page by Dave Cockrum &amp; Sinnott from November 1977\u2019s <strong>Marvel Super Action<\/strong> #4 which reprinted Marvel Boy stories from the early 1950s and a gallery of original art pages and a colour guide.<\/p>\n<p>Although Kirby had taken the unmatched imagination and questing sense of wonder with him on his departure, the sheer range of beloved characters and concepts he had created with Lee carried the series for years afterwards. So once writers who shared their sensibilities were crafting the stories a mini-renaissance began. Although the \u201cWorld\u2019s Greatest Comics Magazine\u201d didn\u2019t quite return to the stratospheric heights of yore, this period offers fans a tantalising taste of the glory days. These honest and extremely capable efforts will still thrill and enthral the generous and forgiving casual browser looking for an undemanding slice of graphic narrative excitement.<br \/>\n\u00a9 2023 MARVEL.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Gerry Conway, Roy Thomas, Len Wein, Tony Isabella, Steve Englehart, Marv Wolfman, Chris Claremont, Rich Buckler, John Buscema, George P\u00e9rez, Sal Buscema, Bob Brown, Joe Sinnott, Jim Mooney, Joe Staton, Frank Giacoia, Mike Esposito, Chic Stone, Vince Colletta with Stan Lee, Dick Ayers, Paul Reinman &amp; various (MARVEL) ISBN 978-1-3029-4875-7 (TPB\/Digital edition) Monolithic modern &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2024\/01\/27\/fantastic-four-epic-collection-volume-9-the-crusader-syndrome-1974-1976\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Fantastic Four Epic Collection volume 9: The Crusader Syndrome &#8211; 1974-1976&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[94,290,317,54,98,189,117,79,174,219,107,157,155,70],"tags":[],"class_list":["post-29306","post","type-post","status-publish","format-standard","hentry","category-avengers","category-dinosaurs","category-doctor-doom","category-fantastic-four","category-hulk","category-inhumans","category-jack-kirby","category-marvel-superheroes","category-nick-fury","category-s-h-i-e-l-d","category-science-fiction","category-silver-surfer","category-sub-mariner","category-x-men"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4AFj-7CG","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/29306","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/comments?post=29306"}],"version-history":[{"count":2,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/29306\/revisions"}],"predecessor-version":[{"id":29310,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/29306\/revisions\/29310"}],"wp:attachment":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/media?parent=29306"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/categories?post=29306"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/tags?post=29306"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}