{"id":29360,"date":"2024-02-09T09:00:56","date_gmt":"2024-02-09T09:00:56","guid":{"rendered":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=29360"},"modified":"2024-02-07T18:42:24","modified_gmt":"2024-02-07T18:42:24","slug":"glorious-summers-volume-2-the-calanque-1969","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2024\/02\/09\/glorious-summers-volume-2-the-calanque-1969\/","title":{"rendered":"Glorious Summers volume 2: The Calanque 1969"},"content":{"rendered":"

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\nBy Zidrou<\/strong> & Jordi Lafebre<\/strong>, with additional colour by Mado Pe\u00f1a<\/strong>, translated by Lara Vergnaud<\/strong> (Europe Comics)
\nNo ISBN: Digital edition only<\/p>\n

It\u2019s close (OMG! LESS THAN A WEEK!) to the most stressful and commercialised event of the singleton calendar for unattached people who wish they weren\u2019t, so let\u2019s look at what all that amorous manoeuvring and romantic strategizing is supposed to lead to as perfectly depicted in a sublime and delightful family feast of \u201cHappy Ever Afters\u201d\u2026<\/p>\n

Until comparatively recently, comics in the English-speaking world mostly countenanced comedic or numerous adventure sub-genres (crime, superhero, horror, sci fi), with only a small but vital niche of \u201cmundane world\u201d ventures, usually depicted via graphic biographies and autobiographies like They Called Us Enemy<\/strong>, Breakwater<\/strong>, Love on the Isle of Dogs<\/strong>, Wage Slaves<\/strong> or Sour Pickles<\/strong> offering a different feel and flavour. Even historical sagas were treated as extraordinary moments with larger-than-life characters whenever possible.<\/p>\n

What we have never had – and still largely don\u2019t – is a comics equivalent to general fiction, drama and melodrama. That\u2019s not so in Japan, South Korea or Europe, where a literal \u201canything goes\u201d attitude has always accommodated and nurtured human-scaled, slice-of-life tales depicting ordinary people in as many quiet as extraordinary moments. Surely it can\u2019t be that hard to tell engaging stories in pedestrian, recognisably ordinary settings? Medical traumas, love stories, school tales and family tragedies about common folk seem to play well on various-sized screens around the world, so why not in English language comics? The closest we seem to get are comedies like John Allison\u2019s superb Giant Days <\/strong>(which I really must review soon)\u2026<\/p>\n

People being people is more than enough for Europeans. There apparently is an insatiable appetite for everyday events aimed at properly \u201cmature readers\u201d, joyfully sans vampires, aliens or men in tights. These even have sub-genres of their own. For example, there\u2019s a wealth of superb material just about going on holiday. So, since our own Government-in-Absentia have ensured that it\u2019s now all-but-impossible for any UK-based citizens to pop across and have une petite vacances<\/em> in Europe, let\u2019s stare & glare covetously at them having a good time. After all, over there holidays are an inalienable right, and they have some simply fabulous tales about a simple break. This one is probably amongst the best you\u2019ll ever see\u2026<\/p>\n

An absolute exemplar of fantasy vacations made real, Glorious Summers: Southbound! (1973)<\/a><\/strong> was a nostalgia-drenched confection by Zidrou and regular collaborator Jordi Lafebre: a sublime example of idyllic group memory made into graphic sorcery in an everyday account utterly unafraid to temper humorous sweetness and light with real-world tragedy and suspense.<\/p>\n

Perhaps some context is in order. Summer holidays – \u201cMidi\u201d – are a big deal in France and Belgium. The French divide into two tribes over the annual rest period, which generally lasts an entire month. Juilletistes<\/em> only vacation in July, wielding dogmatic facts like rapiers to prove why it\u2019s the only way to take a break. They are eternally opposed, heart, soul, and suntan lotion, by majority faction the Ao\u00fbtiens<\/em>, who recharge their batteries in August whilst fully reciprocating the suspicion, disdain and baffled scorn of the early-leavers. Many European sociologists claim the greatest social division today is not race, religion, gender, political affiliation or whether to open boiled eggs from the top or the bottom, but when summer holidays begin and end\u2026<\/p>\n

Les Beaux \u00c9t\u00e9s 1: Cap au Sud!<\/strong><\/em> was first in a string of family visits that began in 2015 courtesy of scripter Beno\u00eet \u201cZidrou\u201d Drousie and Spanish illustrator Jordi Lafebre. Drousie is Belgian, Brussels-born in 1962 and was a school teacher prior to quitting marking books in 1990 to begin making them. His main successes include school dunce series L\u2019El\u00e8ve Ducobu<\/strong><\/em>, Petit Dagobert<\/strong><\/em>, Scott Zombi<\/strong>, <\/em>La Ribambelle<\/em><\/strong>, <\/em>Le Montreur d\u2019histoires<\/em><\/strong>, the revival of Ric Hochet<\/strong>,<\/em> African Trilogy<\/strong><\/em>, L\u00e9onardo<\/strong><\/em>, Shi<\/strong><\/em> and many more. His most celebrated and beloved stories are this memorable sequence and 2010\u2019s Lydie<\/strong><\/em>,<\/em> both illustrated by Lafebre.<\/p>\n

That gifted, empathically sensitive illustrator and art teacher was born in Barcelona in 1979 and has created comics professionally since 2001, first for magazines like Mister K<\/strong><\/em>, where he limned Toni Font\u2019s El Mundo de Judy<\/em>. He found regular work at Le Journal de Spirou<\/strong><\/em>, creating the romance Always Never<\/strong><\/em> and collaborated with Zidrou on La vieille dame qui n\u2019avait jamais jou\u00e9 au tennis et autres nouvelles qui font du bien<\/strong><\/em>, Lydie<\/strong><\/em>, and La Mondaine<\/strong><\/em>.<\/p>\n

A combination of feel-good fable and powerful comedy drama, Glorious Summers<\/strong> depicts memories of an aging couple recalling their grandest family moments, beginning with a momentous vacation in 1973 where their four kids nearly lost their parents\u2026.<\/p>\n

Here however, second volume The Calanque<\/strong> focuses on August 1969 as pregnant Maddie<\/em> Fald\u00e9rault<\/em> (soon to deliver precociously hyperactive Paulette<\/em> AKA Peaches<\/em>) tries to amuse her three impatient kids whilst hubby Pierre<\/em> frantically puts finishing touches to his latest comic strip. It\u2019s a regular ritual before his month off, but this time less annoying as it\u2019s also his first work as a named creator rather than an anonymous ghost artist for others. Apparently the world is finally ready for a four-armed cowboy gunfighter\u2026<\/p>\n

Their kids are immune to bedtimes and indulge in time-honoured holiday rituals like shouting, fighting and singing odd songs, before Pierre downs his brushes. Now the annual Fald\u00e9rault escape from gloomy Brussels for a month in sun-drenched France can start.<\/p>\n

Only\u2026 on the way they need to see his dad. P\u00e9p\u00e9 Buelo <\/em>moved to Brussels when General Franco<\/em> took over Spain. He made a good life as bricklayer and husband, but now he\u2019s on his own and a little lonely\u2026<\/p>\n

Eventually, the family set off with introspective toddler Louis<\/em> reading, drawing and constantly sharing his far from limited knowledge of where babies come from, even as self-conscious oldest girl Jolly-Julie<\/em> anxiously ponders life without bathrooms and in-betweener Nicole<\/em> tells everyone they meet that mummy is going to be a mummy again. As they motor south in the dark – they left really, really late – they play their annual game of deciding where they\u2019re going by solving riddles because planned destinations and pre-booked rooms are for wimps\u2026<\/p>\n

True free spirits, they pick up a hippie hitchhiker and scare him witless with their laid back attitudes – especially teasing Jolly-Julie\u2019s reticence to use nature as a restroom. When he drops out they resume southern roaming and finally decide to camp in a shady wood for the night. In the morning the family Fald\u00e9rault<\/em> realise their error as elderly French couple Rufus<\/em> and Ramona<\/em> discover they have Belgians in the back garden\u2026<\/p>\n

After a few lovely days as guests who can\u2019t politely escape, Pierre and Maddie learn that Rufus knows the perfect spot for travellers to enjoy their break, directing them to a hidden cove on the sea coast. It\u2019s beautiful: an idyllic cliff-screened rustic paradise with a ramshackle fishing hut just ready to be temporarily occupied. Rufus even provides a guide in the form of his exuberant older brother – aging fisherman Marius<\/em>.<\/p>\n

What follows is timeless weeks of wonder and unforgettable explorations on endlessly sunny days, with local villagers taking the wanderers to heart and welcoming them to a taste of rustic heaven. Even the Americans landing on the moon or the Tour de France victory of Belgian Eddie Merckx can\u2019t compare\u2026<\/p>\n

Ultimately the real world calls them back and the holidaymakers pack up for home. Awaiting them is bad news for Pierre, a new job for Maddie and a rainy grey hometown. One clear sign of normality resuming comes as they find a dog abandoned by the roadside, but brilliantly and boldly they turn that traumatic event into a lasting positive\u2026<\/p>\n

This tale is another beautifully rendered and realised basket of memories stitched seamlessly together. It\u2019s funny, sweet and charming whilst delivering painful blows you never see coming. There aren\u2019t any spectacular events and shocking crises and that\u2019s the whole point\u2026<\/p>\n

If you\u2019re British – and old enough – this series (six translated albums thus far, plus a French omnibus edition) will echo revered family sitcoms like Bless This House<\/strong> or Butterflies<\/strong> and generational ads starring the \u201cOxo Family\u201d. (If that description doesn\u2019t fit you, I pity your browsing history if you look up any of that\u2026). The rest of you in need of an opening (but unfair) comparator could break out the Calvin and Hobbes<\/strong> collections and re-examine the bits with his embattled parents when the kid\u2019s out of the picture\u2026<\/p>\n

Lyrical, laconic, engagingly demure, and debilitatingly nostalgic, this holiday romance is sheer visual perfection wrapped in sharp dialogue and a superbly anarchic sense of mischief. Vacations are built of moments and might-have-beens, packaged here in compelling clips making the mundane marvellous.
\n\u00a9 2018 -DARGAUD BENELUX (Dargaud-Lombard s.a.) \u2013 ZIDROU & LEFEBRE, LLC. All rights reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"

By Zidrou & Jordi Lafebre, with additional colour by Mado Pe\u00f1a, translated by Lara Vergnaud (Europe Comics) No ISBN: Digital edition only It\u2019s close (OMG! LESS THAN A WEEK!) to the most stressful and commercialised event of the singleton calendar for unattached people who wish they weren\u2019t, so let\u2019s look at what all that amorous … <\/p>\n

Continue reading “Glorious Summers volume 2: The Calanque 1969”<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[115,113,239,63,122,125,127,148],"tags":[],"class_list":["post-29360","post","type-post","status-publish","format-standard","hentry","category-biography","category-comedy","category-drama","category-european-classics","category-historical","category-humour","category-nostalgia","category-romance"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4AFj-7Dy","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/29360","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/comments?post=29360"}],"version-history":[{"count":2,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/29360\/revisions"}],"predecessor-version":[{"id":29364,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/29360\/revisions\/29364"}],"wp:attachment":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/media?parent=29360"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/categories?post=29360"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/tags?post=29360"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}