{"id":29493,"date":"2024-03-07T09:00:29","date_gmt":"2024-03-07T09:00:29","guid":{"rendered":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=29493"},"modified":"2024-03-06T18:04:11","modified_gmt":"2024-03-06T18:04:11","slug":"yoko-tsuno-volume-17-the-exiles-of-kifa","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2024\/03\/07\/yoko-tsuno-volume-17-the-exiles-of-kifa\/","title":{"rendered":"Yoko Tsuno volume 17: The Exiles of Kifa"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2024\/03\/Yoko-Tsuno-17-the-Exiles-of-Kifa.jpg\" alt=\"\" width=\"1134\" height=\"1500\" class=\"alignnone size-full wp-image-29494\" srcset=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2024\/03\/Yoko-Tsuno-17-the-Exiles-of-Kifa.jpg 1134w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2024\/03\/Yoko-Tsuno-17-the-Exiles-of-Kifa-150x198.jpg 150w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2024\/03\/Yoko-Tsuno-17-the-Exiles-of-Kifa-250x331.jpg 250w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2024\/03\/Yoko-Tsuno-17-the-Exiles-of-Kifa-768x1016.jpg 768w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><br \/>\nBy <strong>Roger Leloup<\/strong>, coloured by <strong>Studio Leonardo<\/strong> &amp; translated by <strong>Jerome Saincantin<\/strong> (Cinebook)<br \/>\nISBN: 978-1-80044-065-4 (Album PB)<\/p>\n<p>In 1970, indomitable intellectual adventurer and \u201celectronics engineer\u201d <strong>Yoko Tsuno<\/strong> began her career in <strong><em>Le Journal de Spirou<\/em><\/strong>. She is still delighting readers and making new fans to this day in astonishing, action-packed, astoundingly accessible adventures which are amongst the most intoxicating, absorbing and broad-ranging comics thrillers ever created. The globe-girdling mysteries and space-&amp;-time-spanning epics were devised by multitalented Belgian maestro Roger Leloup who &#8211; from 1953 &#8211; truly started his own solo career after working as a studio assistant and technical artist on Herg\u00e9\u2019s <strong>Adventures of Tintin<\/strong>.<\/p>\n<p>Compellingly told, superbly imaginative and &#8211; no matter how implausible the premise of any individual yarn may seem &#8211; always firmly grounded in hyper-realistic settings underpinned by authentic, unshakably believable technology and scientific principles, Leloup\u2019s illustrated escapades were at the vanguard of a wave of strips revolutionising European comics.<\/p>\n<p>That long-overdue sea-change heralded the rise of competent, clever, brave and formidably capable female protagonists taking their rightful places as heroic ideals and not romantic lures; elevating Continental comics in the process. Such endeavours are as engaging and empowering now as they ever were, none more so than the exploits of Miss Tsuno.<\/p>\n<p>Her first outings (the STILL unavailable <strong><em>Hold-up en hi-fi<\/em><\/strong><em>, <strong>La belle et la b\u00eate<\/strong><\/em> and <strong><em>Cap 351<\/em><\/strong>) were mere introductory vignettes in a more cartoonish style before authenticism took hold in 1971 and the unflappable troubleshooter met valiant but lesser male comrades <em>Pol Paris<\/em> and <em>Vic Van Steen<\/em> and properly hit her stride in premier full-length saga <strong><em>Le trio de l\u2019\u00e9trange<\/em><\/strong> (beginning in <strong><em>Le Journal de Spirou<\/em><\/strong><strong>\u2019<\/strong>s May 13<sup>th<\/sup> edition). From that point Yoko\u2019s cases would include explosive exploits in exotic corners of our world, sinister deep-space sagas and even time-travelling jaunts. There are 30 European albums to date but only 19 translated into English thus far (ironically, none of them digitally).<\/p>\n<p>First serialised in <strong><em>LJd<\/em><\/strong><em><strong>S<\/strong><\/em> #2736-2760, <em><strong>Les Exil<\/strong><\/em><strong><em>\u00e9<\/em><\/strong><em><strong>s de Kifa<\/strong><\/em> was crafted in 1990: a tense race against time and hidden agendas far across the universe where our terrestrial trouble-shooters toil beside the disaster-prone lethally pragmatic alien colonists of planet Vinea. Their most trusted ally is <em>Khany<\/em>: a competent, commanding single mother combing parenting her toddler <em>Poky<\/em> with saving worlds, leading her people, averting continual cosmic catastrophe and &#8211; with Yoko &#8211; trying to restore some kind of moral compass to those ancient survivors ruthlessly rebuilding their fallen civilisation and permanently undermining and gaslighting the upstarts who slept out the apocalypse on another planet\u2026<\/p>\n<p>In their initial adventure together, Yoko, Vic and Pol had discovered an enclave of dormant aliens hibernating for eons in the depths of the Earth. After saving the sleepers from robotic\/AI subjugation, the humans occasionally helped the refugees (who had fled their planet two million years previously) to rebuild their lost sciences. Ultimately, they accompanied the Vineans when they returned to their own star system and presumed long-dead homeworld. In the years Vineans slept, their primary civilisation collapsed, and the world they have begun to reclaim is much changed, with isolated pockets of the former inhabitants evolved beyond recognition\u2026<\/p>\n<p>They are constantly hostile to their returned descendants. As the re-migrants gradually restore the decadent, much-debased civilisation and culture, the human trio become regular guests and helpers against sabotage and skulduggery\u2026<\/p>\n<p>On a previous visit (<strong><a href=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2022\/07\/25\/the-archangels-of-vinea-yoko-tsuno-volume-14\/\" rel=\"noopener\" target=\"_blank\">The Archangels of Vinea<\/a><\/strong>) Yoko had established a unique psychic link with robotic intelligence <em>Queen Hegora<\/em>: one granting her certain technophilic abilities. On this excursion, the humans &#8211; including Tsuno\u2019s adopted daughter <em>Morning Dew<\/em> (<strong><a href=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2016\/06\/24\/yoko-tsuno-volume-5-the-dragon-of-hong-kong\/\" rel=\"noopener\" target=\"_blank\">The Dragon of Hong Kong<\/a><\/strong>) are exploring another region of the recovering orb: the non-rotating planet\u2019s frozen northern hemisphere where they briefly encounter a derelict space probe before it is (mostly) destroyed under mysterious circumstances\u2026<\/p>\n<p>As Khany investigates a space laser planetary defence station, Yoko receives a vision from Hegora revealing the crashing probe carried a passenger who needs the humans\u2019 help. Guided into high orbit and the upper limits of Khany\u2019s spacecraft, they retrieve a sentient toy robot instants before station commander <em>Balky <\/em>blasts the probe remnants.<\/p>\n<p>Khany reveals how its kind were constant companions to children until the parents abruptly deemed them too smart and dangerous, subsequently banishing them to distant asteroid Kifa. Needing to know more, Yoko returns to the subsea Archangel City over her human allies\u2019 strident warnings, where the presumed-defunct Queen secretly repairs the adorable toy creature &#8211; <em>\u201cMyna\u201d<\/em> &#8211; who reveals Kifa holds many more like her, and has been diverted from its orbit to crash into Vinea. The evil mastermind behind the impending cataclysm is <em>Gobol<\/em>: the ancient genius who caused so many of primordial Vinea\u2019s woes by granting independence and sentience to robots and computing systems\u2026<\/p>\n<p>As the conference ends, Hegora also gives Yoko her own hyper-advanced deep space ship\u2026<\/p>\n<p>As Myna begs for help, her new friends learn Kifa is Balky\u2019s next target for obliteration and her rapid response sees humans and Vineans blast off for Kifa, with betrayal, incredible scientific secrets, terror, tragedy and malign immortal intelligence Gobol awaiting them\u2026<\/p>\n<p>Once more, however, overwhelming digital malevolence proves inadequate in the face of Yoko Tsuno\u2019s passionate humanity, bold imagination and quick thinking, but her ultimate success comes at great cost and cannot be called a triumph\u2026<\/p>\n<p>Rocket-paced, deviously twisted and terrifying plausible, this race against time and battle with bigotry is superbly mesmerising, proving once more how smarts and combat savvy are pointless without compassion. As always, the most potent asset of these edgy outer space dramas is the astonishingly authentic settings, as ever benefitting from Leloup\u2019s diligent research and meticulous attention to detail.<\/p>\n<p><strong>The Exiles of Kifa<\/strong> is a magnificently wide-screen thriller, tense and compelling, and surely appealing to any fan of blockbuster action fantasy or breathtaking derring-do.<br \/>\nOriginal edition \u00a9 Dupuis, 1991 by Roger Leloup. All rights reserved. English translation 2022 \u00a9 Cinebook Ltd.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Roger Leloup, coloured by Studio Leonardo &amp; translated by Jerome Saincantin (Cinebook) ISBN: 978-1-80044-065-4 (Album PB) In 1970, indomitable intellectual adventurer and \u201celectronics engineer\u201d Yoko Tsuno began her career in Le Journal de Spirou. She is still delighting readers and making new fans to this day in astonishing, action-packed, astoundingly accessible adventures which are &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2024\/03\/07\/yoko-tsuno-volume-17-the-exiles-of-kifa\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Yoko Tsuno volume 17: The Exiles of Kifa&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[191,239,63,107,229],"tags":[],"class_list":["post-29493","post","type-post","status-publish","format-standard","hentry","category-adventure","category-drama","category-european-classics","category-science-fiction","category-yoko-tsuno"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4AFj-7FH","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/29493","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/comments?post=29493"}],"version-history":[{"count":1,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/29493\/revisions"}],"predecessor-version":[{"id":29495,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/29493\/revisions\/29495"}],"wp:attachment":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/media?parent=29493"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/categories?post=29493"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/tags?post=29493"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}