{"id":34035,"date":"2025-10-15T17:20:28","date_gmt":"2025-10-15T17:20:28","guid":{"rendered":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=34035"},"modified":"2025-10-15T17:20:28","modified_gmt":"2025-10-15T17:20:28","slug":"galveston-2","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2025\/10\/15\/galveston-2\/","title":{"rendered":"Galveston"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2025\/10\/Calveston-bk-250x400.jpg\" alt=\"\" width=\"250\" height=\"400\" class=\"alignnone size-large wp-image-34038\" srcset=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2025\/10\/Calveston-bk-250x400.jpg 250w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2025\/10\/Calveston-bk-150x240.jpg 150w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2025\/10\/Calveston-bk-768x1229.jpg 768w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2025\/10\/Calveston-bk.jpg 800w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/> <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2025\/10\/Galveston-frt-250x375.jpg\" alt=\"\" width=\"250\" height=\"375\" class=\"alignnone size-large wp-image-34039\" srcset=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2025\/10\/Galveston-frt-250x375.jpg 250w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2025\/10\/Galveston-frt-150x225.jpg 150w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2025\/10\/Galveston-frt.jpg 348w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><br \/>\nBy <strong>Johanna Stokes<\/strong>, <strong>Ross Richie<\/strong>, <strong>Todd Herman<\/strong> &amp; various (Boom! Studios)<br \/>\nISBN: 978-1-93450-668-4 (TPB)<\/p>\n<p><em>This book includes <strong>Discriminatory Content<\/strong> produced for dramatic effect.<\/em><\/p>\n<p>At the beginning of the 19<sup>th<\/sup> century, <em>Jean Baptiste Lafitte<\/em> was a French privateer and slave trader based in New Orleans &#8211; and later Barataria Bay &#8211; who famously turned down a huge bribe from the British and instead stood beside the Americans during the War of 1812. His alliance with General <em>Andrew Jackson<\/em> at the Battle of New Orleans is the stuff of American mythology.<\/p>\n<p>When the victorious Americans then started cracking down on piracy, Jean and his older brother <em>Pierre<\/em> became spies for the Spaniards during the Mexican War of Independence (1810-1821). Relocating to Galveston Island, Texas they continued their trade as freebooting privateers targeting Central American ports. After they established a pirate colony called <em>Campeche<\/em> to facilitate their maritime activities, Jean died &#8211; or at least dropped from sight &#8211; sometime around 1823.<\/p>\n<p><em>Jim Bowie<\/em> is more myth than man. Born in Kentucky around 1796, he was a pioneer, frontiersman, law officer, land speculator and quintessential warrior. After accruing wealth and a certain reputation in New Orleans, he eventually relocated to Texas (whilst it was still part of Mexico), married and settled down. Of all the legends surrounding him the two truest are his proficiency with the lethal \u201cBowie knife\u201d (created from the fearless fighter\u2019s design by bladesmith James Black) and that he died in Texas at the Battle of the Alamo in 1836.<\/p>\n<p>With such a historic pedigree and so little verifiable fact, it\u2019s perfectly natural somebody should place these two bellicose American icons together, and that\u2019s exactly what scripter Johanna Stokes (with input from Ross Richie, Tom Peyer &amp; Mark Rahner) and illustrator Todd Herman &#8211; ably assisted by colourists Digikore Studios &amp; Andres Lozano and letterer Marshall Dillon &#8211; did in this light-hearted action-romp which is as much buddy\/road movie as pirate yarn or western&#8230;<\/p>\n<p>Originally released as a 4-issue miniseries in 2009, <strong>Galveston<\/strong> begins in the Gulf of Mexico in 1817, where the infamous Jean Lafitte\u2019s crew are trying to kill him. It\u2019s not personal: they simply heard that he\u2019s hidden a huge stash of gold donated by the Emperor Napoleon for helping him escape from France. Lafitte\u2019s only ally is a wiry American he\u2019d recently befriended: a man named Bowie. The greed-inciting gold story was circulated by <em>Cyrus Wesley<\/em>, an old acquaintance from New Orleans and no friend of the pirate captain&#8230;<br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2025\/10\/Galveston-illo.jpg\" alt=\"\" width=\"800\" height=\"1200\" class=\"alignnone size-full wp-image-34037\" srcset=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2025\/10\/Galveston-illo.jpg 800w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2025\/10\/Galveston-illo-150x225.jpg 150w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2025\/10\/Galveston-illo-250x375.jpg 250w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2025\/10\/Galveston-illo-768x1152.jpg 768w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><br \/>\nAfter escaping certain doom through quick-wittedness and a certain amount of chicanery, Lafitte brings Bowie to the pirate colony he\u2019s built in Galveston, introducing him to the glories of the <em>Maison Rouge<\/em> and the light of his life: a fiery tongued and ferociously independent woman named <em>Madeline Ragaud<\/em>&#8230;<\/p>\n<p>She seems welcoming enough, but also brings news of a ship full of spies masquerading as traders. All too soon Bowie is experiencing first-hand how his pirate pal deals with real threats to his people&#8230;<\/p>\n<p>A bigger worry is Wesley. Acting on behalf of vengeful Louisiana <em>Governor Claiborne<\/em>, the old enemy has brought a small army of bought-&amp;-paid-for lawmen into the shady new town, ready to deal with Lafitte on the slightest pretext. A man of absolutely no principles, Cyrus is, however, quite prepared to let the mission slide if Lafitte gives him Napoleon\u2019s gold&#8230;<\/p>\n<p>It would be a sound bargain if there actually was any bullion, but Lafitte swears all he got for his services was a brace of ornamental cannon. They don\u2019t even work&#8230;<\/p>\n<p>Temporarily escaping his problems, the wily pirate accompanies Bowie on his own mission to set up trading ties with the Comanches, but Cyrus\u2019 threat to harm Madeline lingers, prompting Jean to bicker with his buddy and storm off in a fury. By the time Jean gets back to Galveston the settlement is in flames and Wesley is ensconced aboard a warship in the bay.<\/p>\n<p>It\u2019s time for old war-hero Lafitte to rally his piratical troops for a showdown, but he might be less fired up if he knew that his aggravating paramour has despatched a message to even the odds. Hopefully, Madeline\u2019s young courier can find Bowie and his Indian friends before it\u2019s too late&#8230;<\/p>\n<p>With it all culminating in a classic and epic underdog vs. bad guys showdown whilst delivering a marvellously traditional twist in the tale, this rowdy, raucous riot of fun is a sheer delight for all lovers of straightforward, no-nonsense matinee thrills.<br \/>\n\u00a9 2009 Boom Entertainment Inc. and Johanna Stokes. All rights reserved.<\/p>\n<p>Today was big for comics and strips. in 1905 <strong>Winsor McCay\u2019s<\/strong> sublime landmark Little Nemo first appeared. I must do that again. In the meantime why not look up <strong><a href=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2023\/11\/26\/daydreams-and-nightmares-the-fantastic-visions-of-winsor-mccay-second-edition\/\" target=\"_blank\">Daydreams and Nightmares \u2013 The Fantastic Visions of Winsor McCay<\/a><\/strong>?<\/p>\n<p>In 1938 the UK greeted anthology weekly <strong>Radio Fun<\/strong> for the first time, and three years later Americans met Archie Andrews in his first out in <strong>Pep Comics<\/strong> #22.<\/p>\n<p>In 2004, the marvellous <strong>Irv Novick<\/strong> laid down his tools for the last time. Examples of his work span the length of the artform and can be found all over this blog. Go look, you\u2019ll be impressed&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Johanna Stokes, Ross Richie, Todd Herman &amp; various (Boom! Studios) ISBN: 978-1-93450-668-4 (TPB) This book includes Discriminatory Content produced for dramatic effect. At the beginning of the 19th century, Jean Baptiste Lafitte was a French privateer and slave trader based in New Orleans &#8211; and later Barataria Bay &#8211; who famously turned down a &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2025\/10\/15\/galveston-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Galveston&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[191,239,122,242,93,99],"tags":[],"class_list":["post-34035","post","type-post","status-publish","format-standard","hentry","category-adventure","category-drama","category-historical","category-pirates","category-war-stories","category-westerns"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4AFj-8QX","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/34035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/comments?post=34035"}],"version-history":[{"count":2,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/34035\/revisions"}],"predecessor-version":[{"id":34040,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/34035\/revisions\/34040"}],"wp:attachment":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/media?parent=34035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/categories?post=34035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/tags?post=34035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}