{"id":5254,"date":"2010-07-26T06:00:59","date_gmt":"2010-07-26T06:00:59","guid":{"rendered":"http:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=5254"},"modified":"2010-07-29T18:58:15","modified_gmt":"2010-07-29T18:58:15","slug":"the-classic-pin-up-art-of-jack-cole","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2010\/07\/26\/the-classic-pin-up-art-of-jack-cole\/","title":{"rendered":"The Classic Pin-Up Art of Jack Cole"},"content":{"rendered":"

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\nBy Jack Cole<\/strong>, edited by Alex Chun (Fantagraphics Books)
\nISBN: 978-1-60699-284-5<\/p>\n

Jack Cole was one of the most uniquely gifted talents of American Comics’ Golden Age, crafting landmark tales in horror, true crime, war, adventure and especially superhero genres. His incredible humour-hero Plastic Man remains an unsurpassed benchmark of screwball costumed Hi-jinks: frequently copied but never equalled. As the Golden Age faded, Cole could see the writing on the wall and famously jumped into gag and glamour cartooning, becoming a household name when his brilliant watercolour saucy pictures began running in Playboy<\/strong> with the fifth issue.<\/p>\n

Ever-restless, Cole eventually moved into the lofty realms of newspaper strips and in May 1958, achieved a life-long ambition by launching the syndicated domestic comedy Betsy and Me<\/strong>. On August 13th<\/sup> 1958, at the moment of his biggest break he took his own life.<\/p>\n

The unexplained reasons for his death are not as important as the triumphs of Cole’s artistic life and this captivating paperback (reprinting a rare hardback compilation from 2004) provides a fascinating insight into a transitional moment in his artistic development.<\/p>\n

When Cole began his move from comic-books into the \u00e2\u20ac\u0153adult world\u00e2\u20ac\u009d of cartooning, he adopted the nom-de-plume<\/em> \u00e2\u20ac\u0153Jake\u00e2\u20ac\u009d whilst he honed his dormant gag-skills (sequential narrative being so far removed from the \u00e2\u20ac\u0153quintessential moment\u00e2\u20ac\u009d illustration needed for a single picture telling an entire story). Working in beautiful ink and wash creations he began submitting to the cheaper end men’s magazines: ubiquitous little throwaway digests with titles such as Romp<\/strong>, Stare<\/strong>, Joker<\/strong>, Laugh Riot<\/strong> and Breezy<\/strong>, packed with photos of saucy vixens like Betty Page and her cheesecake ilk – and lots and lots of debatably risqu\u00c3\u00a9 gags.<\/p>\n

Nor was he the only artist making the pilgrimage: other funnybook stars on the move included Bill Ward, Jefferson Machamer, Dan DeCarlo, Bill Wenzel and Basil Wolverton.<\/p>\n

This charmingly innocent compendium of Lush Ladies, Willing Wantons, Savvy Sirens, Naive Nymphs (always stunningly beautiful women) collects his 100 or so published sales, divided into Line Art<\/em>, Washes<\/em> and an astounding selection of Originals<\/em> – images shot from the actual artwork and not printed pages, revealing all the detail and unedited work a budding creator could need or desire.<\/p>\n

This beguiling glimpse into a major artist’s processes and the sexual mores of an entire generation are an intoxicating treat and that the work is still utterly addictive is a treasure beyond compare.<\/p>\n