{"id":5371,"date":"2010-08-20T06:00:33","date_gmt":"2010-08-20T06:00:33","guid":{"rendered":"http:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=5371"},"modified":"2010-08-19T15:13:55","modified_gmt":"2010-08-19T15:13:55","slug":"belt-up-thelwell%e2%80%99s-motoring-manual","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2010\/08\/20\/belt-up-thelwell%e2%80%99s-motoring-manual\/","title":{"rendered":"Belt Up: Thelwell&#8217;s Motoring Manual"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2010\/08\/Belt-Up-150x233.jpg\" alt=\"\" title=\"\" width=\"150\" height=\"233\" class=\"alignnone size-medium wp-image-5372\" srcset=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2010\/08\/Belt-Up-150x233.jpg 150w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2010\/08\/Belt-Up-250x389.jpg 250w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2010\/08\/Belt-Up.jpg 315w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><br \/>\nBy <strong>Norman<\/strong> <strong>Thelwell<\/strong> (Magnum\/Eyre Methuen)<br \/>\nISBN: 0-413-37320-7<\/p>\n<p>Norman Thelwell (3<sup>rd<\/sup> May 1923 &#8211; 7<sup>th<\/sup> February 2004) is one of Britain&#8217;s greatest and most beloved cartoonists. His superbly gentle cartooning combined mannered abstraction with a keen and accurate eye for background detail, not just on the riding and countryside themes that made him a household name, but on all the myriad subjects he turned his canny eye and subtle brush upon. His compositions are an immaculate condensation of everything deprecatingly; resolutely Baby-Booming British &#8211; without ever becoming parochial or provincial. He also had a gently vicious, charmingly sardonic sensibility that enabled him to repeatedly hit home like a mink cosh\u00e2\u20ac\u00a6<\/p>\n<p>His work has international implications and scope, displaying the British to the world for decades. There are 32 books of his work and every aficionado of humour &#8211; illustrated or otherwise -could do much worse than possess them all.<\/p>\n<p>From 1950 when his gag-panel <em>Chicko<\/em> began in <strong>the<\/strong> <strong>Eagle<\/strong>, and especially two years later with his first sale to <strong>Punch<\/strong>, he built a solid body of irresistible, seductive and always funny work. He appeared in innumerable magazines, comics and papers ranging from <strong>Men Only<\/strong> to <strong>Everybody&#8217;s Weekly<\/strong>. In 1957 his first collection of published cartoons <strong><em>Angels on Horseback<\/em><\/strong> was released and in 1961 he made the rare reverse trip by releasing a book of all-new cartoons that was subsequently serialised in the <strong>Sunday Express<\/strong>.<\/p>\n<p>His dry, sly, cannily observed drawings were a huge success and other books followed to supplement his regular appearances in a variety of newspapers and magazines. Every so often an extra edge of refined bile entered his work, as can be seen in this splendidly spiteful collection of reworked ideas from <strong>Punch<\/strong> with new, specially created material on that bane of the modern world, the Motor Car.<\/p>\n<p>Within these pages is a bombastic barrage of car-themed cartoon experiences so nearly universal in range and breadth that any poor fool who has ever put pedal to metal cannot help but cringe in sympathy.<\/p>\n<p>From the wonderfully silly to the pitch-blackly trenchant, created by a man who has come to epitomise middle-class values, aspirations and self-delusions, Thelwell dismantled our love affair with the infernal combustion engine and manufacturers&#8217; style over substance, but, knowing human nature never really evolves, didn&#8217;t expect to alter a single point of view&#8230; just blow off steam at the extremes of daftness and pigheadedness we can resort to whilst trying to get somewhere in comfort and good time\u00e2\u20ac\u00a6<\/p>\n<p>Broken down into the hilarious <em>Diagram of Controls<\/em>, followed by such sections as <em>Technical Terms<\/em>, <em>Men and Their Motors<\/em>, <em>Women at the Wheel<\/em>, <em>Children&#8217;s Corner<\/em>, <em>How to Have an Accident<\/em>, <em>You Have Been Warned<\/em>, <em>How to Give a Driving Lesson<\/em>, <em>Do&#8217;s and Don&#8217;ts for Drivers<\/em>, <em>Drivers Frantic<\/em> and <em>How to Get Rid of Your Car<\/em> this brilliantly vitriolic visual thesis is still bitingly funny today: another startling exhibition of the artist&#8217;s fantastic, funny foresight and the British motorist&#8217;s beloved intransigence.<\/p>\n<p>The roads may have become an even more frustrating arena than Thelwell could have imagined, but the lure of the open highway or a coveted parking space still obsesses us all and these superb cartoons are simply the most effective cure to traffic jam whim-whams that I can imagine. Timeless and delightful, why not idle your racing engine and pick up this book\u00e2\u20ac\u00a6?<br \/>\n\u00c2\u00a9 1974, 1978 Norman Thelwell.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Norman Thelwell (Magnum\/Eyre Methuen) ISBN: 0-413-37320-7 Norman Thelwell (3rd May 1923 &#8211; 7th February 2004) is one of Britain&#8217;s greatest and most beloved cartoonists. His superbly gentle cartooning combined mannered abstraction with a keen and accurate eye for background detail, not just on the riding and countryside themes that made him a household name, &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2010\/08\/20\/belt-up-thelwell%e2%80%99s-motoring-manual\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Belt Up: Thelwell&#8217;s Motoring Manual&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[42,88],"tags":[],"class_list":["post-5371","post","type-post","status-publish","format-standard","hentry","category-best-of-british","category-british-cartooning"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4AFj-1oD","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/5371","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/comments?post=5371"}],"version-history":[{"count":0,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/5371\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/media?parent=5371"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/categories?post=5371"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/tags?post=5371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}