{"id":5816,"date":"2010-11-16T06:00:06","date_gmt":"2010-11-16T06:00:06","guid":{"rendered":"http:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=5816"},"modified":"2010-11-21T15:11:56","modified_gmt":"2010-11-21T15:11:56","slug":"vlad-the-impaler-the-man-who-was-dracula-paperback-edition","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2010\/11\/16\/vlad-the-impaler-the-man-who-was-dracula-paperback-edition\/","title":{"rendered":"Vlad the Impaler: the Man Who Was Dracula (paperback edition)"},"content":{"rendered":"

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\nBy Sid Jacobson<\/strong> & Ernie Col\u00c3\u00b3n<\/strong> (Plume\/Penguin Group USA)
\nISBN: 978-0-452-29675-2<\/p>\n

Win’s Christmas Gift Recommendation: 8\/10: Perfect spin on the seasonal traditional terror tales <\/strong><\/p>\n

Here’s a handy \u00e2\u20ac\u0153heads-up\u00e2\u20ac\u009d Horrible History hint if you’re looking for an ideal Christmas gift for your horrors at home: an economical softcover edition of one of the best graphic biographies of 2009 unleashed just in time to read in front of the Yule Log.<\/p>\n

As writer and editor, Sid Jacobson masterminded the Harvey Comics monopoly of strips for younger American readers in the 1960s and 1970s, co-creating Richie Rich<\/strong> and Wendy, the Good Little Witch <\/strong>among others, before working the same magic for Marvel’s Star Comics imprint, where he oversaw a vast amount of family-friendly material; both self created – such as Royal Roy<\/strong> or the superb Planet Terry<\/strong> – and a huge basket of licensed properties.<\/p>\n

In latter years he has worked closely with fellow Harvey alumnus Ernie Col\u00c3\u00b3n on such thought-provoking graphic enterprises as The 9\/11 Report: a Graphic Adaptation <\/strong>(2006) and its 2008 sequel, After<\/strong> 9\/11: America’s War on Terror<\/strong>. In 2009 their epic Che: a Graphic Biography<\/strong> was released: separating the man from the myth of Ernesto Guevara de la Serna, universal icon of cool rebellion.<\/p>\n

Ernie Col\u00c3\u00b3n was born in Puerto Rico in 1931: a creator whose work has been loved by generations of readers. Whether as artist, writer, colourist or editor his contributions have benefited the entire industry from the youngest (Monster in My Pocket<\/strong>, Richie Rich <\/strong>and Casper the Friendly Ghost <\/strong>for Harvey Comics, and many similar projects for Marvel’s Star Comics), to the traditional comicbook fans with Battlestar Galactica<\/strong>, Damage Control <\/strong>and Doom 2099<\/strong> for Marvel, Arak, Son of Thunder<\/strong> and Amethyst: Princess of Gemworld, <\/strong>the Airboy <\/strong>revival for Eclipse, Magnus: Robot Fighter<\/strong> for Valiant and so very many others.<\/p>\n

There are also his sophisticated experimental works such as indie thriller Manimal, <\/strong>and his seminal genre graphic novels Ax<\/strong> and the Medusa Chain. <\/strong>Since 2005 he’s been hard at work on the strip SpyCat <\/em>for Weekly World News<\/strong>.<\/p>\n

Jacobson and Col\u00c3\u00b3n together are a comics fan’s dream come true and their bold choice of biography and reportage as well as their unique take on characters and events always pays great dividends. Vlad the Impaler<\/strong> is by far their most captivating project to date: a fictionalised account of the notorious Wallachian prince who was raised by his enemies as a literal hostage to fortune, only to reconquer and lose his country not once, but many times.<\/p>\n

The roistering, bloody, brutal life of this Romanian national hero and basis of Bram Stoker’s Count Dracula<\/strong>, is a fascinating, baroque, darkly funny yarn, capturing a troubled soul’s battle with himself as much as the Muslim and Christian superpowers that treated his tiny principality as their plaything.<\/p>\n

With startling amounts of sex and violence this book makes no excuses for a patriot and freedom fighter who was driven by his horrific bloodlust and (justifiable?) paranoia to become a complete beast: clearly the very worst of all possible monsters – a human one.<\/p>\n

Sharp, witty, robust and engaging, with a quirky twist in the tale, this is a good old-fashioned shocker that any history-loving gore-fiend will adore.<\/p>\n