{"id":6359,"date":"2011-03-21T06:00:44","date_gmt":"2011-03-21T06:00:44","guid":{"rendered":"http:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=6359"},"modified":"2011-03-20T17:50:18","modified_gmt":"2011-03-20T17:50:18","slug":"beowulf-first-graphic-novel-1","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2011\/03\/21\/beowulf-first-graphic-novel-1\/","title":{"rendered":"Beowulf – First Graphic Novel #1"},"content":{"rendered":"

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\nBy Jerry Bingham<\/strong>, <\/strong>with Ken Bruzenak<\/strong> (First Comics)
\nISBN: 978-0-915419-00-5<\/p>\n

The mid-1980s were a great time for comics creators. It was as if an entire new industry had opened up with the proliferation of the Direct Sales market and dedicated specialist retail outlets; new companies were experimenting with format and content, and punters had a bit of spare cash to play with. Moreover much of the \u00e2\u20ac\u0153kid’s stuff\u00e2\u20ac\u009d stigma had finally abated and the country was catching up to the rest of the world in acknowledging that sequential narrative might just be an actual art-form\u00e2\u20ac\u00a6<\/p>\n

Consequently many new companies began competing for the attention and cash of punters who had grown accustomed – or resigned – to getting their four-colour kicks from DC, Marvel Archie and\/or Harvey Comics. European and Japanese styled material had been creeping in but by 1983 a host of young companies such as WaRP Graphics, Pacific, Eclipse, Capital, Now, Comico, Dark Horse, First and many others had established themselves and were making impressive inroads.<\/p>\n

New talent, established stars and fresh ideas all found a thriving forum to try something a little different both in terms of content and format. Chicago based First Comics was an early frontrunner, with Frank Brunner’s Warp<\/em>, Mike Grell’s Starslayer<\/em> and Jon Sable<\/em> and Howard Chaykin’s Landmark American Flagg!<\/em>, as well as an impressive line of titles targeting a more sophisticated audience.<\/p>\n

In 1984 they followed Marvel and DC’s lead with a line of impressive, European-styled over-sized graphic albums featuring new and out-of-the-ordinary comics sagas (see Time Beavers<\/a><\/strong>, Mazinger<\/a><\/strong> and two volumes of Time2<\/sup><\/a><\/strong> <\/sup>to see just how bold, broad and innovative the material could be). The premier release was a stunning and subsequently award-winning (1985 Kirby Award for Best Graphic Album) fantasy epic by Jerry Bingham.<\/p>\n

Beowulf is a thrilling, compulsive and intensely visceral visualisation of the Anglo-Saxon epic poem committed to parchment sometime between the 8th<\/sup> and 11th<\/sup> century AD, and recently the subject of many screen iterations and interpretations (from The 13th<\/sup> Warrior<\/strong> to the three \u00e2\u20ac\u0153straight\u00e2\u20ac\u009d Beowulf movies in 1999, 2005 and 2007 and even the outrageously fun Outlander<\/strong> from 2008).<\/p>\n

Need a plot summary? In the far North noble King Hrothgar built a mighty Mead-hall for heroes, but incurred the malignant enmity of the monster Grendel who would raid the citadel and slaughter some of the noble warriors every night. After twelve years of horror a valiant band of heroes led by Beowulf, Prince of the Geats, came to their aid seeking glory and battle\u00e2\u20ac\u00a6<\/p>\n

The clash of Beowulf and Grendel is spectacularly handled as is the succeeding exploit wherein the stalking Horror’s demon mother comes seeking revenge, dragging Beowulf to her hideous lair beneath an icy lake, but the most effective and moving chapter is the very human-scaled Twilight of the Gods as, after fifty years of ruling his Geatish kingdom, aged Beowulf goes to his final glorious battle, dying heroically whilst destroying a ravening firedrake which threatens to eradicate his people: the only proper end for a Northman hero\u00e2\u20ac\u00a6<\/p>\n

Bingham’s raw and fiercely realistic art-style perfectly captures the implacable sense of doom and by employing Prince Valiant<\/a><\/strong>‘s text and picture format he imparts the tale with a grandeur often as mythic as Hal Foster’s masterpiece, whilst leaving the art gloriously free of distracting word-balloons.<\/p>\n

Letterer\/calligrapher Ken Bruzenak’s particular facility perfectly enhances the artistic mood by carefully integrating captions filled with Bingham’s free-verse transliterations of the original 3182 long-poem into this classic interpretation of the epic. This is a wonderful and worthy piece of work that will delight any fan of the medium.<\/p>\n

And for a perfect all-ages prose telling of the timeless tale I also heartily recommend Rosemary Sutcliff’s magnificent<\/em> Beowulf:<\/strong> Dragonslayer<\/strong>: <\/strong>first released in 1961 and captivatingly illustrated by <\/strong><\/em>Charles Keeping; \u00c2\u00a0it is still readily available and one of the books that changed my life<\/em>. <\/em>
\n\u00c2\u00a9 1984 First Comics, Inc. All rights reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"

By Jerry Bingham, with Ken Bruzenak (First Comics) ISBN: 978-0-915419-00-5 The mid-1980s were a great time for comics creators. It was as if an entire new industry had opened up with the proliferation of the Direct Sales market and dedicated specialist retail outlets; new companies were experimenting with format and content, and punters had a … <\/p>\n

Continue reading “Beowulf – First Graphic Novel #1”<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[80,102,105],"tags":[],"class_list":["post-6359","post","type-post","status-publish","format-standard","hentry","category-adaptations","category-fantasy","category-mature-reading"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4AFj-1Ez","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/6359","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/comments?post=6359"}],"version-history":[{"count":0,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/6359\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/media?parent=6359"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/categories?post=6359"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/tags?post=6359"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}