{"id":7194,"date":"2011-08-28T06:00:59","date_gmt":"2011-08-28T06:00:59","guid":{"rendered":"http:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=7194"},"modified":"2011-08-25T16:59:06","modified_gmt":"2011-08-25T16:59:06","slug":"the-hunting-party","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2011\/08\/28\/the-hunting-party\/","title":{"rendered":"The Hunting Party"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2011\/08\/hunting-party-150x189.jpg\" alt=\"\" title=\"\" width=\"150\" height=\"189\" class=\"alignnone size-medium wp-image-7195\" srcset=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2011\/08\/hunting-party-150x189.jpg 150w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2011\/08\/hunting-party-250x315.jpg 250w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2011\/08\/hunting-party.jpg 637w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/> <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2011\/08\/Hunting-Party-HB-150x150.jpg\" alt=\"\" title=\"\" width=\"150\" height=\"150\" class=\"alignnone size-medium wp-image-7196\" srcset=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2011\/08\/Hunting-Party-HB-150x150.jpg 150w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2011\/08\/Hunting-Party-HB-250x250.jpg 250w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2011\/08\/Hunting-Party-HB.jpg 300w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><br \/>\nBy <strong>Enki Bilal<\/strong> &amp; <strong>Pierre Christin<\/strong> translated by Elizabeth Bell (Les Humanoid\/Titan Books)<br \/>\nISBN: hardback 978-0-96724-017-6,\u00c2\u00a0\u00c2\u00a0 softcover 978-1-85286-289-3<\/p>\n<p><strong>To highlight the <em>Memoirs of a Cold Utopia<\/em> exhibition plugged in our <a href=\"http:\/\/www.comicsreview.co.uk\/nowreadthis\/now-read-this-noticeboard\/\">Noticeboard<\/a> section here&#8217;s a fascinating graphic novel long overdue for a thorough revisit\u00e2\u20ac\u00a6 <\/strong><\/p>\n<p>Here&#8217;s a masterpiece of subtle moody comics storytelling criminally out of print and long overdue for rediscovery in the frankly incomprehensible modern English language comics marketplace.<\/p>\n<p>Enes Bilalovi\u00c4\u2021 AKA Enki Bilal was born in Belgrade in 1951 and broke into French comics in 1972 with <em>Le Bal Maudit<\/em> for <strong><em>Pilote<\/em><\/strong>. Throughout the 1970s he grew in skill and fame and achieved English-language celebrity once his work began appearing in America&#8217;s <strong>Heavy Metal<\/strong> magazine.<\/p>\n<p>Although best known for his self-scripted <strong>Nikopol Trilogy<\/strong> (<em>Gods in Chaos<\/em>, <em>The Woman Trap<\/em> and <em>Cold Equator<\/em>) I&#8217;ve always felt that his most effective art appeared in this contemplative Cold War drama. <em>Partie de chasse<\/em> &#8211; <strong>The Hunting Party<\/strong> &#8211; scripted by old comrade Christin is arguably Bilal&#8217;s most powerful and heartfelt effort. In recent years Bilal returned to contemporary political themes with his much-lauded self-penned <em>Hatzfeld<\/em> <em>tetralogy\u00e2\u20ac\u00a6<\/em><\/p>\n<p>As if writing one of the most successful and significant comics series in the world (the groundbreaking and influential <strong><a href=\"http:\/\/www.comicsreview.co.uk\/nowreadthis\/2011\/05\/29\/valerian-and-laureline-book-1-the-city-of-shifting-waters\/\">Val\u00c3\u00a9rian and Laureline<\/a><\/strong> series) was not enough, full-time Academician Pierre Christin has still found time over the years to script science-fiction novels, screenplays and a broad selection of comics, beginning in 1966 with <em>Le Rhum du Punch<\/em> with Val\u00c3\u00a9rian co-creator Jean-Claude M\u00c3\u00a9zi\u00c3\u00a8res.<\/p>\n<p>Christin has produced stellar graphic stories with such artistic luminaries as Jacques Tardi, Raymond Po\u00c3\u00afvet, Annie Goetzinger, Fran\u00c3\u00a7ois Boucq, Jij\u00c3\u00a9 and many others, but whenever he collaborated with the brilliant Bilal, beginning in 1975 with their exotic and surreal <em>L\u00c3\u00a9gendes d&#8217;Aujourd&#8217;hui<\/em> or in later classic tales such as <strong>The City That Didn&#8217;t Exist<\/strong> or <strong>The Black Order Brigade<\/strong>, the results have never been less than stunning.<\/p>\n<p>In this, their best work, idealism and human nature have never been more coldly and clearly depicted\u00e2\u20ac\u00a6<\/p>\n<p>As the Soviet system begins to crack, ten old men of the Party gathered at an exclusive Polish estate for an extended winter holiday of reminiscing and shooting. Stars and survivors in their own Warsaw Pact countries, the guests are all linked in deed and indebted to one charismatic man\u00e2\u20ac\u00a6<\/p>\n<p>He is legendary figure and hard-line apparatchik Vassili Alexandrovich Chevchenko who has given his long life to the pursuit of the Communist ideal, but is now a doomed man; half-paralysed, rendered mute by a stroke and sidelined by the Politburo which is again repurposing itself, as it has so many times during Chevchenko&#8217;s life.<\/p>\n<p>The aged politician&#8217;s long career has been one of surrendering self and sacrificing personal desire to serve the State and now he has gathered his closest colleagues about him for one last diverting weekend of vodka, chess, hunting and history\u00e2\u20ac\u00a6<\/p>\n<p>As the festivities proceed the silent grandee is plagued with red-handed memories of the things he has done and the love he&#8217;d lost for the sake of the Dream, but his internal colloquy is balanced by the na\u00c3\u00afve questions and attitudes of the young and anonymous French Communist hired to translate for the other interloper among the old Comrades &#8211; reforming go-getter Sergei Shavanidze, who has been appointed Chevchenko&#8217;s successor and can&#8217;t wait to start pruning dead wood and outmoded ideas\u00e2\u20ac\u00a6<\/p>\n<p>The entire history of the Movement is examined via the personal reminiscences of these creaking remnants of the system recalling past glories, old horrors and narrow escapes, but the bemused and bewildered Frenchman has no inkling as he absorbs the secrets of their socialist past of the part he will unwittingly play in its future\u00e2\u20ac\u00a6<\/p>\n<p>This mesmerising, beguiling and utterly chilling thriller methodically skins the hide from an idealistic dream and spills the dark hot guts of guilt, arrogance and the pursuit of power in a sublime example of graphic narrative&#8217;s unique facility to tell a story on a number of levels.<\/p>\n<p>In 1990 Titan Books released <strong>The Hunting Party<\/strong> in a captivating softcover album as part of their push to popularise European comics classics and in 1992 Humanoids Publishing published a sturdy oversized (12.6 x 9.4inches) hardback edition for the US market, either of which will delight any fan in search of a more mature and thought-provoking reading experience.<br \/>\n\u00c2\u00a9 1990 Les Humanoides Associes. English language edition \u00c2\u00a9 1990 Titan Books. All Rights Reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Enki Bilal &amp; Pierre Christin translated by Elizabeth Bell (Les Humanoid\/Titan Books) ISBN: hardback 978-0-96724-017-6,\u00c2\u00a0\u00c2\u00a0 softcover 978-1-85286-289-3 To highlight the Memoirs of a Cold Utopia exhibition plugged in our Noticeboard section here&#8217;s a fascinating graphic novel long overdue for a thorough revisit\u00e2\u20ac\u00a6 Here&#8217;s a masterpiece of subtle moody comics storytelling criminally out of print &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2011\/08\/28\/the-hunting-party\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The Hunting Party&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[63,105],"tags":[],"class_list":["post-7194","post","type-post","status-publish","format-standard","hentry","category-european-classics","category-mature-reading"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4AFj-1S2","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/7194","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/comments?post=7194"}],"version-history":[{"count":0,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/7194\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/media?parent=7194"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/categories?post=7194"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/tags?post=7194"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}