{"id":8763,"date":"2012-08-14T08:00:37","date_gmt":"2012-08-14T08:00:37","guid":{"rendered":"http:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=8763"},"modified":"2012-08-13T15:09:13","modified_gmt":"2012-08-13T15:09:13","slug":"usagi-yojimbo-yokai","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2012\/08\/14\/usagi-yojimbo-yokai\/","title":{"rendered":"Usagi Yojimbo: Yokai"},"content":{"rendered":"

\"\"
\nBy Stan Sakai<\/strong> (Dark Horse)
\nISBN: 978-1-59582-362-5<\/p>\n

One of the very best and most adaptable survivors of the 1980s black and white comicbook explosion\/implosion is a truly bizarre and wonderful synthesis of historical Japanese samurai fiction and anthropomorphic animal adventure, as well as a perfect example of the versatility and strengths of a creator-owned character.<\/p>\n

Usagi Yojimbo<\/em> (which translates as \u00e2\u20ac\u0153rabbit bodyguard\u00e2\u20ac\u009d) first appeared as a background character in multi-talented creator Stan Sakai’s anthropomorphic peripatetic comedy feature The Adventures of Nilson Groundthumper and Hermy<\/em>, which launched in furry ‘n’ fuzzy folk anthology Albedo Anthropomorphics<\/strong> #1 (1984) subsequently appearing there on his own terms as well as in Critters<\/strong>, Amazing Heroes<\/strong>, Furrlough<\/strong> and the Munden’s Bar<\/em> back-up in Grimjack<\/strong>.<\/p>\n

Sakai was born in 1953 in Kyoto, Japan before the family emigrated to Hawaii in 1955. He attended University of Hawaii, graduating with a BA in Fine Arts, and pursued further studies at Pasadena’s Art Center College of Design after moving to California.<\/p>\n

His first comics work was as a letterer, most famously for the incredible Groo the Wanderer<\/strong>, before his nimble pens and brushes, coupled with a love of Japanese history and legend and hearty interest in the filmic works of Akira Kurosawa and his peers, combined to turn a proposed story about a historical human hero into one of the most enticing and impressive \u00e2\u20ac\u201c and astoundingly authentic \u00e2\u20ac\u201c fantasy sagas of all time.<\/p>\n

The deliciously rambling and expansive period fantasy series is nominally set in a world of sentient animals and specifically references the Edo Period of Feudal Japan (how did we cloth-eared Westerners ever get \u00e2\u20ac\u0153Japan\u00e2\u20ac\u009d from Nihon\u00e2\u20ac\u009d anyway?) as well as classic cultural icons as varied as Lone Wolf and Cub<\/em>, Zatoichi<\/em> and even Godzilla<\/em> whilst detailing the exploits of Miyamoto Usagi<\/em>, a Ronin (masterless, wandering freelance Samurai) whose fate is to be drawn constantly into a plethora of incredible situations.<\/p>\n

And yes, he’s a rabbit – a brave, sentimental, gentle, long-suffering, honourable, conscientious and heroic bunny who cannot turn down any request for help\u00e2\u20ac\u00a6<\/p>\n

The Lepine Legend appeared in Albedo<\/strong> #2-4, The Doomsday Squad <\/strong>#3 and seven issues of Critters<\/strong> (1, 3, 6-7, 10-11 and 14) before leaping into his own series which, as usual, I haven’t got around to yet, but really, really will\u00e2\u20ac\u00a6<\/p>\n

The Sublime Swordsbun has changed publishers a few times but has been in continuous publication since 1987 – with over 25 graphic novel collections to date – and has guest-starred in numerous other series, such as Teenage Mutant Ninja Turtles <\/strong>and its TV incarnation – he even almost made it into his own small-screen show but there’s still time yet and fashions can revive as quickly as they die out\u00e2\u20ac\u00a6<\/p>\n

There are high-end collectibles, art prints, computer games and RPGs, a spin-off sci fi comics serial and lots of toys.<\/p>\n

Sakai and his creation have won numerous awards both within the Comics community and amongst the greater reading public and in 2009 current publisher Dark Horse Comics commissioned an all-new, fully painted anniversary tale which allowed the creator to hone his considerable skills with watercolours.<\/p>\n

Yokai<\/strong> is a generic term that translates (as required) as ghosts, phantoms, spirits or even strange, otherworldly apparitions, all of whom hold a peculiarly eclectic place in Japanese folklore, being simultaneously mischievous and helpful, malevolent and miraculously beneficial. Generally they have animal heads or are amalgams of diverse objects or body parts\u00e2\u20ac\u00a6<\/p>\n

This scintillating scary story occurs over one night – an Oborozuki-Yo<\/em> (\u00e2\u20ac\u0153Night of the Hazy Moon\u00e2\u20ac\u009d) – when the assorted Yokai are particularly restless, and this is a tale that grippingly explores the Japanese equivalent of our Halloween as the noble, gloom-shrouded Ronin wanders lonely roads in search of a bite to eat and a place to sleep.<\/p>\n

Seeing a light in the nearby woods, Miyamoto leaves the path hoping to find a welcoming peasant hearth for the evening but is harassed by a taunting Kitsune<\/em> (trickster-fox spirit) and becomes lost. Soon however he hears sobbing and is drawn to a weeping noblewoman\u00e2\u20ac\u00a6<\/p>\n

The lovely distressed lady is Fujimoto Harumi<\/em> whose pilgrimage to a temple was disrupted when a Kitsune stole her young daughter Hanako away. Pleading with the wisely reluctant Ronin, the lady convinces the wayfarer to plunge deeper into the wild woods to rescue the lost girl, leading to an epic series of contests against a horde of fantastic hostile creatures. The valiant warrior almost succumbs until he is unexpectedly saved by an old comrade, the mystic demon-queller Sasuke<\/em>\u00e2\u20ac\u00a6<\/p>\n

It seems that this very evening is the dreaded Hyakki Yako<\/em>, \u00e2\u20ac\u0153Night Parade of a Hundred Demons\u00e2\u20ac\u009d, when the haunts and horrors of the netherworld form a procession into the world of people, seeking to subjugate all mortals. They simply need a living soul to lead them, a final sacrifice to light their way here\u00e2\u20ac\u00a6<\/p>\n

Terrified for the stolen waif, the Ronin and the devil-slayer engage with an army of horrific, shape-shifting, fire-spitting, tentacle-wielding monstrosities to save an innocent and the entire world, but there are forces in play the rapidly-tiring Miyamoto is painfully unaware of and, without the luck of the gods and the tragedy of an old friend, all will be inescapably lost\u00e2\u20ac\u00a6<\/p>\n

Fast-paced yet lyrical, funny, thrilling and stuffed with spooky, all-ages action and excitement, Yokai<\/strong> is a magical tribute to and celebration of the long-lived Lepus’ nigh-universal irresistible appeal that will delight devotees and make converts of the most hardened hater of \u00e2\u20ac\u0153funny animal\u00e2\u20ac\u009d stories. This petite but power-packed chronicle also contains a fascinating behind-the-scenes look at how the artist created the stunning visuals in ‘The Real Magic Behind Yokai: an interview with Stan Sakai’ <\/em>that will further beguile any prospective creators and cartooning hopefuls in the audience.<\/p>\n

Sheer comicbook poetry: the good kind, not mere doggerel\u00e2\u20ac\u00a6
\nText and illustrations \u00c2\u00a9 2009 Stan Sakai. All rights reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"

By Stan Sakai (Dark Horse) ISBN: 978-1-59582-362-5 One of the very best and most adaptable survivors of the 1980s black and white comicbook explosion\/implosion is a truly bizarre and wonderful synthesis of historical Japanese samurai fiction and anthropomorphic animal adventure, as well as a perfect example of the versatility and strengths of a creator-owned character. … <\/p>\n

Continue reading “Usagi Yojimbo: Yokai”<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[102,97],"tags":[],"class_list":["post-8763","post","type-post","status-publish","format-standard","hentry","category-fantasy","category-kids-all-ages"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4AFj-2hl","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/8763","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/comments?post=8763"}],"version-history":[{"count":0,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/8763\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/media?parent=8763"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/categories?post=8763"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/tags?post=8763"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}