{"id":8799,"date":"2012-08-25T08:00:37","date_gmt":"2012-08-25T08:00:37","guid":{"rendered":"http:\/\/www.comicsreview.co.uk\/nowreadthis\/?p=8799"},"modified":"2012-08-22T16:05:50","modified_gmt":"2012-08-22T16:05:50","slug":"both","status":"publish","type":"post","link":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2012\/08\/25\/both\/","title":{"rendered":"Both"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2012\/08\/Both-150x150.jpg\" alt=\"\" title=\"\" width=\"150\" height=\"150\" class=\"alignnone size-medium wp-image-8800\" srcset=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2012\/08\/Both-150x150.jpg 150w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2012\/08\/Both-250x250.jpg 250w, https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-content\/uploads\/2012\/08\/Both.jpg 300w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><br \/>\nBy <strong>Tom Gauld<\/strong> &amp; <strong>Simone Lia<\/strong> (Bloomsbury)<br \/>\nISBN: 978-1-77046-065-2<\/p>\n<p>Tom Gauld is a Scottish cartoonist whose works have appeared in <strong>Time Out<\/strong> and <strong>the Guardian<\/strong>. He has illustrated such children&#8217;s classics as Ted Hughes&#8217; <strong>The Iron Man<\/strong> and his own books include <strong>Guardians of the Kingdom<\/strong>, <strong>3 Very Small Comics<\/strong>, <strong>Robots, Monsters etc.<\/strong>, <strong>Hunter and Painter<\/strong> and <strong>The Gigantic Robot<\/strong>.<\/p>\n<p>At the prestigious RCA he met fellow genetically-predisposed scribbler Simone Lia &#8211; author of <strong>Please God, Find me a Husband! <\/strong>and <strong>Fluffy<\/strong> (a Bunny in Denial), kids books <strong>Billy Bean&#8217;s Dream<\/strong>, <strong>Follow the Line<\/strong>, <strong>Red&#8217;s Great Chase<\/strong> and <strong>Little Giant<\/strong> and she produced the strips &#8216;<em>Sausage and Carrots<\/em> for <strong>The DFC<\/strong> and <em>&#8216;Lucie&#8217;<\/em> for <strong>Phoenix Comic <\/strong>as well as <strong>the Guardian <\/strong>and<strong> Independent<\/strong>.<\/p>\n<p>Clearly comics kindred spirits, Gauld and Lia formed Cabanon Press in 2001and began self-publishing quirky, artily surreal strips and features. Their first two publications enigmatically entitled <strong>First<\/strong> and <strong>Second<\/strong> were collected in 2002 as <strong>Both<\/strong> and serve as a shining example of the kind of uniquely authorial\/literary cartoon creativity and wonderment British pen-jockeys excel at.<\/p>\n<p>Likened to the works of Edward Gorey, their studied, intense tirades, animorphic escapades and meanderingly perambulatory excursions are more Stream of subtly steered Consciousness than plotted stories: eerily mundane progressions mesmerisingly manufactured and\u00c2\u00a0 rendered in a number of styles to evoke response if not elicit understanding.<\/p>\n<p>Which is a long-winded and poncey way of saying: \u00e2\u20ac\u0153This stuff is great! You&#8217;ve got to see this\u00e2\u20ac\u00a6\u00e2\u20ac\u009d<\/p>\n<p>Within these digest sized, hard-backed monochrome pages you will encounter a talking table lamp, sensitive sentient food, quarrelsome knights, and socially inept and incompatible astronauts, and discover the human tragedy of contracting <em>&#8216;Road Leg&#8217;<\/em>.<\/p>\n<p>There are of course bunnies, big bugs, sheep, steamrollers, the frustrations of <em>&#8216;Outside&#8217;<\/em>, love poems, comedy feet and a belligerent, outraged sweetcorn kernel, plus vignettes like <em>&#8216;I&#8217;m in Love&#8217;<\/em> before the low-key domestic serial <em>&#8216;End of Season Finale&#8217;<\/em> introduces off-duty Mexican Wrestlers, as well as political insight from the &#8216;<em>Bread and Bhagi Show&#8217;<\/em> and psychological thrills courtesy of <em>&#8216;Monkey Nut and Harrowed Marrow&#8217;<\/em>. There are, however, no ducks\u00e2\u20ac\u00a6<\/p>\n<p>Some comics pretty much defy description and codification &#8211; and a good thing too.<\/p>\n<p>The purest form of graphic narrative creates connections with the reader that occur on a visceral, pre-literate level, visually meshing together on a page to produce something which makes feelings &#8211; if not necessarily sense.<\/p>\n<p>When creators can access that pictorially responsive area of our brains as well as these two by ricocheting around the peripheries of the art form with such hilariously enticing and bizarrely bemusing concoctions, all serious fans and readers should sit up and take notice.<\/p>\n<p>No more hints: go find this fabulously funny book now.<\/p>\n<p>\u00c2\u00a9 2003 Tom Gauld and Simone Lia. All rights reserved.<br \/>\nYou can see more of their work at <a href=\"http:\/\/www.tomgauld.com\/\">www.tomgauld.com<\/a> and <strong><a href=\"http:\/\/simonelia.com\/\">simonelia.com<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Tom Gauld &amp; Simone Lia (Bloomsbury) ISBN: 978-1-77046-065-2 Tom Gauld is a Scottish cartoonist whose works have appeared in Time Out and the Guardian. He has illustrated such children&#8217;s classics as Ted Hughes&#8217; The Iron Man and his own books include Guardians of the Kingdom, 3 Very Small Comics, Robots, Monsters etc., Hunter and &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.comicsreview.co.uk\/nowreadthis\/2012\/08\/25\/both\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Both&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[42,88,90,125],"tags":[],"class_list":["post-8799","post","type-post","status-publish","format-standard","hentry","category-best-of-british","category-british-cartooning","category-cartooning-classics","category-humour"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/s4AFj-both","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/8799","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/comments?post=8799"}],"version-history":[{"count":0,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/posts\/8799\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/media?parent=8799"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/categories?post=8799"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comicsreview.co.uk\/nowreadthis\/wp-json\/wp\/v2\/tags?post=8799"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}