Category: Animal Antics

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Deadpool Corps volumes 1 & 2: Pool-Pocalypse Now and You Say You Want a Revolution


By Victor Gischler, Rob Liefeld, Marat Mychaels, Adelso Corona, Jaime Mendoza, Cory Hamscher, Matt Yackey & various (MARVEL)
ISBN: 978-0-7851-4825-8 (v1 TPB/Digital edition): 978-0-7851-4827-2 (v2 TPB/Digital edition)

These books include Discriminatory Content included for dramatic effect.

Stylish killers and mercenaries craving more than money have long been popular fictional protagonists, and light-hearted, exuberant bloodbath comics always find an appreciative audience so in anticipation of a certain movie mash up let’s look again at what those tendencies can lead to…

Deadpool is Wade Wilson : an inveterate, unrepentant hired killer who survived cancer and rogue experiments that left him a grotesque bundle of scabs, scars and physical abnormalities as well as practically immortal, invulnerable and capable of regenerating from any wound.

He is also a certifiable loon…

The wisecracking high-tech “Merc with a Mouth” was created by Rob Liefeld & Fabian Nicieza, for New Mutants #97: another product of the Weapon X project which created Wolverine, Garrison Kane and many more mutant/cyborg super-doers. Wade got his first shot at solo stardom with a brace of miniseries in 1993 (Deadpool: the Circle Chase & Sins of the Past) but it wasn’t until 1997 that he finally won his own title, which increasingly blended fourth-wall-busting absurdist humour (a la Ambush Bug and Warner Brothers cartoons) into the mix and secured his place in Marvel’s top rank.

Since then he has become one of Marvel’s iconic, nigh-inescapable characters, perennially undergoing radical rethinks, identity changes, reboots and more before always – inevitably – reverting and resetting to irascible, irreverent, intoxicating type in the end…

Here, following events too ludicrous to mention, Wilson has linked up with a quartet of alternate Deadpools from very different alternate Earths and formed the strangest team in Marvel’s history (and yes, that includes The Pet Avengers).

Collecting Deadpool Corps #1-6 (June-November 2010) manic mayhem begins in 6-part saga Pool-Pocalyse as ‘Disrespect Your Elders’ by Victor Gischler, penciller Liefeld and inker Adelso Corona sees new comrades Wilson, strikingly buxom Lady Deadpool, errant pre-teen killer bad boy Kidpool, floating masked cranium from Marvel’s Zombiverse Headpool and a costumed mutt answering to Dogpool (or sometimes “Cujo”) hired by an Elder of the Universe. Disturbingly, The Contemplator needs them to expunge a horrific threat to creation…

From a universe preceding our Big Bang one, an unstoppable force that absorbs intelligence has manifested. Thousands if not millions of planets have succumbed to the power of The Awareness, all their sentience and independence subsumed into a slavish nullity. Protected as they are by innate, intrinsic imbecility, Contemplator tells these Deadpools to go kill it…

In a bit of a dudgeon over their selection is another Elder. The Champion is the mightiest physical specimen in existence and feels the honour of saving universal intellect should be his, but although he’s no big brain either, he just isn’t in the Wilson squad’s league…

Whizzing across the cosmos in the super ship Bea Arthur with plenty of pit-stops in the skeeviest bars, cantinas and dives for information and violent recreation, the team soon confront and readily outwit their brawny rival…

Forced to take a different tack, Champion teams up with fellow Elder The Gardener to remove his insufferable rivals, but is utterly astounded by their response. Somehow elected their leader, “Championpool” readies himself for glorious combat before again finding himself humiliatingly outsmarted by the Terran morons and stranded on a dead-end world whilst they fly off to reap all the glory…

Tracking the threat involves going undercover, drinking, beating up lots of aliens, shopping and even colluding and cohabiting with legendary star smuggler The Broken Blade, but eventually they near the end of their quest…

More a superb succession of sharp gags than a plot, the adventure follows the Crazy Corps as they bumble and smart-mouth their way across the universe until finally confronting The Awareness and despite – or rather because of – their uniquely skewed mentalities, triumph in the strangest way possible…

Rewarded with wishing rings by the exultant Contemplator, the Silly Squad stay in space where this initial compilation concludes with the bombastic ballad of ‘The Blue Buccaneer’ (illustrated by Marat Mychaels & Jaime Mendoza).

Trading on their intergalactic reputation as badasses-for-hire, the Deadpool Corps accept a commission to wipe out a pirate band wrecking interstellar commerce, necessitating Lady Deadpool going undercover in the most shocking – to her at least – of disguises, uncovering the most unexpected of old acquaintances leading the perilous privateers…

Surreal, wickedly irreverent and excessively violent in the grand Bugs Bunny/Road Runner tradition, Deadpool Corps is frat boy foolish and frequently laugh-out-loud spit-take funny: a wonderfully antidote to cosmic angst and emotional Sturm und Drang of most contemporary Fights ‘n’ Tights comics.

The saga continues in sequel volume You Say You Want a Revolution with Wade still working in unison with four Deadpools from very different parallel Earths. The bizarre concatenation of circumstances resulting in Deadpool & Co saving creation from the sentience-sucking Awareness led to them scoring a starship and set of one-use only wishing rings. Now they’re having so much fun and don’t want to go home, but as card-carrying mercenaries these unlikely champions realise you can never have enough spending money either…

Collecting Deadpool Corps #7-12 (December 2010-May 2011 by Gischler, pencillers Liefeld & Mychaels with inkers Adelso Corona & Cory Hamscher) the mayhem continues with a wickedly cruel and potently justified spoof of blockbuster movie Avatar. Framed through insanely clever fiddling with the narrative technique of flashbacks, the story sees the carnival of killer fools accepting a huge commission from the vast and unscrupulous Omega Confederation.

Paradise planet Kagan 7 is a beautiful wonderland of flora and fauna inhabited – or possibly safeguarded – by deeply spiritual, jungle-dwelling, blue-skinned warrior-race the Krook. Sadly, to cost-effectively access the planet’s mineral wealth, the Confederation had to enslave the Krook and make them miners. Now the ungrateful sods are rebelling and demanding their planet back so the Omega Board would like somebody to go and quietly remove all the ringleaders so the peons can get back to digging up all that lovely platinum…

Taking out an alien legion of mercs hired by the rebels is no problem, but the natives themselves – especially the extremely hot daughter of their bombastic king – proves too much for the Crazy Corps. Soon they are desperately bargaining for their own lives…

Said deal boils down to the Deadpools switching sides and running the revolution against the Confederation. The murderers from a multiplicity of Earths have no qualms about turning turncoat: the problems only occur after Wade starts boinking mercilessly manipulative Princess Teela, who also convinces her highly sceptical dad that to survive as an independent free world, their unspoiled Arcadian Eden needs to modernise and commercialise…

Wade’s thinking something reserved and classy, properly in tune with the environment: Hospitals, swish eateries, a complex of skyscraper hotels, spa resorts and golf courses: y’know, kind of like Las Vegas in space…

As Deadpool commences a crass telethon campaign to raise galactic awareness of the Krooks’ plight, from across the universe a tsunami of tree-huggers converge on the endangered paradise to support the latest cause celébre. Elsewhere, the Omega Confederation board decide something nasty needs to be done to the contractors who took their cash and failed to deliver. On Kagan 7, so many donations come in that the Imperial Senate recognises the new world: inducting it into the Galactic Economic Community. The first part of that procedure is to set up a Central Bank of Krook and advance several thousand tons of gold so the latest member of the club can suitably set up a proper trading profile…

Wade is so stunned with loot-shock he doesn’t even notice when Omega death-squads start shooting. Luckily, old girlfriend/legendary arms-smuggler The Broken Blade arrives to save they day whilst stocking the newborn world’s defences with her latest super-ordinance.

She’s a little less than ecstatic when she learns Wade’s been making time with a plush and primitive princess…

The social evolution of the Krook isn’t going smoothly either. Whilst Teela ruthlessly embraces everything flashy, sparkly, new and civilised, dear old dad just wants his world back the way it was before all the outworlders came. Soon father and daughter are spearheading two separate armies in a savage civil war – beamed live into quintillions of homes all over known space – and the Deadpool Corps have picked opposing sides to help keep the slaughter quotient high.

All poor Wade can think about, however, is several thousand tons of gold just waiting to be salvaged and taken back to Earth… And in the background the Omega Confederation are still looking at ways to take back their mining operation and kill everybody who defied them…

Displaying with extreme clarity how the cure can be worse than the disease, the last hurrah of the Deadpool Corps blends a minimum of plot with an overabundance of edgy gags, snappy one-liners, shtick, shlock and slapstick as the trans-dimensional terrorisers bumble, fumble stumble and smart-mouth their way across the galaxy and over a mountain of oddly-shaped corpses until finally they at last go their separate ways…

Surreal, wickedly irreverent and excessively is perfect counterattack to po-faced heroic tales and holds the secret of keeping you amused until the next movie milestone comes on line.
© 2010, 2011 Marvel Characters, Inc. All rights reserved.

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Gomer Goof volume 8: A Giant Among Goofs


By Franquin, translated by Jerome Saincantin (Cinebook)
ISBN: 978-1-80044-021-0 (PB Album/Digital edition)

Like so much else in Franco-Belgian comics, it all started with Le Journal de Spirou, which debuted on April 2nd 1938, with its iconic lead strip created by François Robert Velter AKA Rob-Vel. In 1943, publisher Dupuis purchased all rights to the comic and its titular star, and comic-strip prodigy Joseph Gillain (Jijé) took the helm for the redheaded kid’s further exploits as the magazine gradually became a cornerstone of European culture.

In 1946, Jijé’s assistant André Franquin was handed creative control and slowly abandoned short gag vignettes in favour of extended adventure serials. Franquin introduced a broad, engaging cast of regulars and created the phenomenally popular Marsupilami. Debuting in 1952 (Spirou et les héritiers) the beast became a spin-off star of screen, plush toy stores, console games and albums in his own right. Franquin continued crafting increasingly fantastic tales and absorbing Spirou sagas until his resignation in 1969. He was born in Etterbeek, Belgium on January 3rd 1924. Drawing from an early age, the lad only began formal art training at École Saint-Luc in 1943. When WWII forced the school’s closure a year later, he found work at Compagnie Belge d’Animation in Brussels and met Maurice de Bévére (Lucky Luke creator “Morris”), Pierre Culliford (Peyo, creator of The Smurfs and Benny Breakiron) and Eddy Paape (Valhardi, Luc Orient). In 1945 all but Peyo signed on with Dupuis, and Franquin began his career as a jobbing cartoonist and illustrator, producing covers for Le Moustique and scouting magazine Plein Jeu.

During those early days, Franquin and Morris were being tutored by Jijé, who was the main illustrator at LJdS. He turned the youngsters – and fellow neophyte Willy Maltaite (AKA “Will” – Tif et Tondu, Isabelle, Le jardin des désirs) – into a smoothly functioning creative team known as La bande des quatre or “Gang of Four”. They ultimately revolutionised and reshaped Belgian comics with their prolific and engaging “Marcinelle school” graphic style.

Over two decades he had enlarged Spirou & Fantasio’s scope and horizons, until it became purely his own. Constantly, fans met startling new characters as the strip evolved into the saga of globetrotting journalists who visited exotic places, exposed crimes, explored the incredible and clashed with bizarre and exotic arch-enemies. Throughout it all, Fantasio remained a full-fledged – albeit entirely fictional – reporter for Le Journal de Spirou: regularly popping back to the office between cases. Sadly, lurking there was an arrogant, accident-prone, junior tasked with minor jobs and general dogs-bodying. He was Gaston Lagaffe – Franquin’s other immortal invention…

There’s a hallowed tradition of comics personalising fictitiously mysterious creatives and the arcane processes they indulge in, whether it’s Marvel’s Bullpen or DC Thomson’s lugubrious Editor and underlings at The Beano and Dandy – it’s a truly international practise. At first cameos in Spirou yarns and occasional asides on text pages featured well-meaning foul-up and ostensible office gofer “Gaston” who debuted in issue #985, cover-dated February 28th 1957. The affable conniving dimwit grew to be one of the most popular and perennial components of the comic, whether as guest in Spirou’s adventurous comics cases or his own comedy strips and faux reports on the editorial pages he was supposed to paste up.

In terms of actual schtick and delivery, older readers will recognise favourite beats and timeless elements of well-intentioned self-delusion as seen in Benny Hill and Jacques Tati and recognise recurring riffs from Some Mothers Do Have ’Em and Mr Bean. It’s slapstick, paralysing puns, infernal ingenuity and inspired invention, all to mug smugness, puncture pomposity, lampoon the status quoi? (there’s some of that punning there see?) and ensure no good deed going noticed, rewarded or unpunished…

As previously stated, Gaston/Gomer obtains a regular salary (let’s not dignify what he does as “earning” a living) from Spirou’s editorial offices: reporting to top journalist Fantasio, or complicating the lives of office manager Léon Prunelle and the other, more diligent, staffers, whilst effectively ignoring those minor jobs he’s paid to handle. These include page paste-up, posting (initially fragile) packages and editing readers’ letters… and that’s the official reason fans’ requests and suggestions are never acknowledged or answered…

Gomer is lazy, over-opinionated, ever-ravenous, impetuous, underfed, forgetful and eternally hungry, a passionate sports fan and animal lover, with his most manic moments all stemming from cutting work corners and stashing or consuming contraband nosh in the office. This leads to constant clashes with colleagues and draws in seemingly notionally unaffiliated bystanders like traffic cop Longsnoot and fireman Captain Morwater, as well as many simple passers-by who should know by now to keep away from this street.

Through it all our office oaf remains eternally affable, easy-going and incorrigible. Only three questions really matter here: why everyone keeps giving him one last chance, what can gentle, lovelorn Miss Jeanne possible see in the self-opinionated idiot, and will ever-outraged capitalist financier De Mesmaeker ever get his perennial, pestiferous contracts signed?

In 1972 Gaston – Le géant de la gaffe became the 10th European album and in 2021 was Cinebook’s 8th translated compilation: again focussing on non-stop, all-Franquin comics gags in single-page bursts. Our well-meaning, overconfident, overly-helpful know-it-all office hindrance invents more stuff making life unnecessarily dangerous and continues his pioneering and perilous attempts to befriend and boost fauna and flora alike and improve the modern mechanised world…

Despite resolute green credentials and leanings, Gomer is colour-blind to the problems his antiquated automobile causes, even after numerous attempts to soup up, cleanse, and modify and mollify the motorised atrocity he calls his car. The decrepit, dilapidated Fiat 509 is more in need of merciful execution than his many well-meant engineering interventions as seen here in a range of cold weather exploits proving the indomitable optimism of office editor Léon Prunelle who really should know by now the cost of accepting lifts from his incorrigible subordinate… especially in light of Gomer’s pioneering seat belt invention and obsession with solving road pollution.

…And when not actually the cause of automotive disasters, Gomer’s car attracts the Ahab-like attentions of increasingly obsessed traffic cop Longsnoot…

At the office, work avoidance is masked as “improving” perfectly functional equipment, speeding up these newfangled copiers, printers and the like, but his monorail messaging system – adjusted to average head height – proves to be the next best thing in concussion causation…

One evergreen strand of anarchic potential is a subgenre of strips involving “guest-shots” by other LJdS stars. Previously falling foul of the fool were creators such as Lambil (Bluecoats) and Roba (Billy & Buddy), and here the gofer’s disturbing tendency to don mascot costumes and paying heavily for it continues as Gomer garbs himself as (cartoonist Charles DeGotte’s) big yellow bird The Flagada and rapidly regrets it…

Just as much fun if not actually safer are the feral creatures Gomer’s big heart compels him to adopt. These include a sassily savage alley cat and nastily nefarious black-headed gull to accompany illicit studio companions Cheese the mouse and goldfish Bubelle.

Here the combined critter chaos factor repeatedly lands the oaf in hot water… and swamp mud and potholes and wild woodland paths and rooftops and… Gomer almost adds a skunk to the menagerie before animal instinct and nature convince him otherwise…

However, their hyperactive gluttonous presences are as nothing compared to the spiky depredations of a rapidly mutating cactus Gomer rescued from his Aunt Hortense’s home and which is increasingly dominating the Spirou offices. It doesn’t fit there either, but at least has plenty of fresh victims to puncture and terrify. When he also introduces Hortense’s creeper, it soon becomes a case for applying the un-soothing, discomforting tones of his manic musical WMD the Brontosaurophone…

Heavily featured are episodes of (imagined) sporting glory, dalliances with fishing and clay pigeon shooting plus an extended run of strips with Gomer and opposite number Jules-from-Smith’s-across-the-street seeking to smuggle a radio into work to follow the football. Old habits die hard however and there are still moments of culinary catastrophe and inventive debacle – like when he beefs up the office chainsaw or creates tomato soup gas…

The holidays and Year’s End festivities offer their own hazards, generating much mayhem but still prevent benighted business bod De Mesmaeker getting an even break whenever he brings contracts for poor Prunelle to sign.

Far better enjoyed than described, these strips let Franquin flex his sardonically whimsical creative muscles and subversively propound his views on environmentalism, pacifism and animal rights. These gags are sublime examples of all-ages comedy: wholesome, barbed, daft and incrementally funnier with each re-reading.

So… fancy a bit of Goofing off yet?
© Dupuis, Dargaud-Lombard s.a. 2009 by Franquin. All rights reserved. English translation © 2021 Cinebook Ltd.

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Billy & Buddy volume 9: Symphony in Buddy Major


By Christophe Cazenove & Jean Bastide, in the style of Roba, coloured by Luc Perdriset & Bastide: translated by Jerome Saincantin (Cinebook)
ISBN: 978-1-80044-129-3 (Album PB/Digital)

Known as Boule et Bill in Europe (at least the French speaking bits – the Dutch and Flemish call them Bollie en Billie or perhaps Bas et Boef if readers first glimpsed them in legendary weekly Sjors), this evergreen, immensely popular cartoon saga of a dog and his boy first debuted at Christmas in 1959. Bon anniversaire 65th, mes braves!

The perennial family favourite resulted from Belgian writer-artist Jean Roba (Spirou et Fantasio, La Ribambelle) putting his head together with Maurice Rosy: the magazine’s Artistic Director/Ideas Man, who had also ghosted art and/or scripts on Jerry Spring, Tif et Tondu, Bobo and Attila during an astoundingly productive decades-long career at the periodical. Intended as an Old World answer to Charles Schulz’s Peanuts, Boule et Bill quickly went its own way, developing a unique style and personality to become Roba’s main occupation for the next 45 years. He had launched the feature as a mini-récit (32-page, half-sized freebie inserts) in the December 24th edition of Le Journal de Spirou.

Like Dennis the Menace in The Beano, the strip was a monster hit from the start, and for 25 years held the coveted and prestigious back-cover spot. It was even syndicated to competitor publishers and a popular feature in Le Journal de Mickey, rubbing shoulders with Walt Disney’s top stars. Older Brits might recognise the art as early episodes – retitled It’s a Dog’s Life – ran in Fleetway’s Valiant weekly from 1961 to 1965…

A cornerstone of European life, B&B has generated a live-action movie, four animated TV series, computer games, permanent art exhibitions, sculptures and even postage stamps. As with a select few immortalized Belgian comics creations, Bollie en Billie were awarded a commemorative plaque and have a street named after them in Brussels…

Large format album compilations began immediately, totalling 21 volumes throughout the 1960s & 1970s from publisher Dupuis. These were completely redesigned and re-released in 1985 when Roba moved to Dargaud and became his own editor. The standard albums (44 to date) are supplemented by a range of early-reader books for toddlers. Assorted collections are available in 15 languages, selling well in excess of 25 million copies.

Roba crafted over a thousand pages of gag-strips in his beguiling, idealised domestic comedy setting, all about a little lad and the exceedingly smart Cocker Spaniel he shared his endless days with. Long before his death in 2006, the auteur wisely appointed successors for the strip, which has thus continued to this day. He began by surrendering the art chores to his long-term assistant Laurent Verron in 2003, and the successor subsequently took on the scripting upon Roba’s passing. Verron was soon joined by gag-writers Veys, Corbeyran, Chric & Cucuel whilst this relatively recent tome (2017’s volume 38, Symphonie en Bill majeur) comes courtesy of Christophe Cazenove & Jean Bastide. In this collection Verron is again present as illustrator of the “cabochons”: illustrated icons at the top of each strip. They’re what old folks like us employed before emoticons…

Redesignated Billy and Buddy, the strip returned to British eyes in 2009: stars of enticing Cinebook compilations introducing 21st century readers to an endearingly bucolic sitcom-styled nuclear family set-up consisting of one bemused, long-suffering dad, a warmly compassionate but constantly wearied and distracted mum, a smart, mischievous son and a genius dog with a penchant for finding bones, puddles and trouble.

Primarily a selection of musically themed single gags, Symphony in Buddy Major opens preceded by a handy character catch-up chart offering briefings on Billy, Buddy, their close human associate Pat and sultry mysterious tortoise Caroline. Thereafter the old magic resumes in the approved manner, further exploring the evergreen relationship of a dog and his boy (and tortoise) via the usual mix of events comprising school, home, pals, play, parties and chores, each packed with visual puns, quips, slapstick and jolly jests and japes. These affirm the gradual socialisation and behaviour of little Billy measured in carefree romps with four-footed friends in an even split between parental judgements and getting away with murder…

Buddy is the perfect pet for our imaginative boy, although the manipulative mutt is overly fond of purloined or “found” food, buried bones (ownership frequently disputed), and – as seen often in this volume – sleeping where he really shouldn’t in a war that can only end one way. When not being the problem, Buddy’s ferociously protective of his boy, tortoise and ball but simply cannot understand why everyone wants to constantly plunge him into foul-tasting soapy water, but it’s just a sacrifice he’s prepared to make to be with Billy…

Buddy’s propensity for burying and digging up stuff remains paramount, as does his relationship with canine cohort Scamp, Brice and Chips. The mutt’s fondly platonic relationship with Caroline is refined and extended here but when Billy learns how dogs express affection that goes badly wrong…

Principally these episodes focus on Billy getting his first musical instrument (called a “flute” here but I’m not fooled – I know a thrice-bedamned recorder when I see one!) and early lessons in how to make pleasant sounds. Of course, Dad prides himself on his own musical youth and when he’s not frantically whittling instruments he’s regaling Billy with tales of his expertise on the provincial bagpipes of horror called a “bodèga”.

Nobody appreciates Buddy’s attempts to join the family chorus – even though he’s proficient (at least on his own terms) on drums, cymbals, maracas. the flute and vocals…

Happily, the pooch is adept at clearing off whenever Dad has one of his explosive emotional meltdowns, generally to coach Billy and Pat on how to talk to human girls like Celia and Hazel, but he draws the line at intervening whenever hostile neighbour Madame Stick and her evil cat Corporal are on the warpath. Buddy’s a pretty good life coach, and his grooming tips quickly make his human the most popular boy in school, but strangely, not on St Valentine’s day…

The revels end for the meanwhile with an extended vacation yarn that sees the family on a hiking tour where the biggest bone of contention is exactly what the definition of Hiking entails…

Roba was a master of this cartoon art form and under his successors the feature remains genially paced, packed with wry wit and potent sentiment: enchantingly funny episodes running the gamut from heart-warming to hilarious, silly to surreal and thrilling to just plain daft.

This collection is exactly what fans would expect and deserve: another charming tribute to and lasting argument for a child for every pet and vice versa. This is a supremely engaging family-oriented compendium of cool and clever comics no one keen on introducing youngsters to the medium should be without.

Original edition © Dargaud, 2017 by Cazenove & Bastide in the style of Roba. © Studio Boule & Bill 2017. English translation © 2023 Cinebook Ltd.

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Jamie Smart’s Looshkin: Honk If You See It!


By Jamie Smart with Sammy Borass & John Cullen (David Fickling Books)
ISBN: 978-1-78845-313-4 (TPB)

Since launching in 2012, The Phoenix has offered humour, adventure, quizzes, puzzles and educational material in a traditional-seeming weekly comics anthology for girls and boys. The vibrant parade of cartoon fun and fantasy has won praise from the Great and the Good, child literacy experts and the only people who really count – a dedicated, growing legion of totally engaged kids and parents who read it avidly…

Devised by Jamie Smart (Fish Head Steve!; Bunny vs. Monkey, Corporate Skull and bunches of other brilliant strips for The Beano and more) from what I assume is close-hand observation and meticulous documentation comes another outing for Looshkin – a brilliantly bonkers addition to that vast feline pantheon of horrifying hairballs infesting cartoondom – featuring further “adventures of the Maddest Cat in the World!!” This new magnum (sweet, dark, nutty, creamy and constantly making your fillings hurt) opus shares fresh nuggets in the life of a totally anarchic kitty just like yours: cute, innocently malign and able to twist the bounds of credibility and laws of physics whenever the whim takes hold…

Once upon a time Mrs Alice Johnson brought home a kitten from the pet shop. Not one of the adorable little beauties in the window though, but an odd, creepy, lonely little fuzzy hidden at the back of the store.

The Johnsons are not an average family – even for Croydon. Firstborn son Edwin watches too many horror films and keeps a book of spells in his room. Dad is a brilliant inventor who needs peace and quiet to complete his fart-powered jet-packs or potato-powered tractors. With a new cat now, those days are gone for good…

That sweet little daughter isn’t all she seems either: when kitten Looshkin attended her tea party in the garden, the toys all warned the cat of horrors in store. Making allies of teddy bear Bear and glove-puppet Mister Frogburt Looshkin was soon in his element and even escalated the carnage and chaos. He has found his natural home even though it’s surrounded by weirdoes like Great (and so very rich) Auntie Frank and her precious ultra-anxious prize-winning panic poodle Princess Trixibelle and neighbour/former TV host Sandra Rotund whose own cat Mister Buns is a force to be reckoned with.

Reality is notional at best around here, and many episodes adopt the conceit of being excerpts, articles or ads from magazines: frequently interspersed by hilarious pin-ups…

This outing spans a week – which is a long time in cat reality – and quite naturally begins with a recap/origin of sorts as ‘Looshkin: A Comprehensive Catalogue of His Rise to Infamy!!’ reminds the regulars and forewarns the new fools and curious what the feline is like via newspaper clippings from The Daily Pickles before ‘Beef’ sees kitty in full-annoy mode and testing the force of an unblinking stare, before triggering traffic conniptions, wedding woes, acting anarchy and another trip to the Society of Cat Brain Doctors…

Oddly, hypnotising the cat to think he’s a chicken is not the major therapeutic breakthrough everyone hopes it would be and results in a riot of farm vehicle spawned carnage…

With the media mad to find out ‘Who is Tractor Cat?’ neighbour Arnold Johnson is driven to distraction when Looshkin affixes ‘Fried Egg Wheels on my Bottom’ and plays kidnapper in ‘Family Ties’, after which a day dream of deadly ‘Danger Sausage!’ prompts the fuzzy blue fool to start ‘Piggy Piggle’ races and play ‘Hide n Seek’ with a 15 trillion year old dinosaur egg…

All intent to be good in his alternate ego of cosmic champion ‘Johnny Rad’ is doomed from the get-go, so the cat dials back and tries to help party performer Billy Crabs retrain for better jobs in ‘Tears of a Clown’. Shame about the guinea pigs though…

The dangers of Dress-Up-Like-Your-Favourite-Character-From-a-Book day manifest with a vengeance when Jonty-kins kits up like the krazy kitty in ‘Reluctant Reader’ before Frogburt announces ‘I hereby declare Looshkin to be an enemy of Frogtopia!!’ in a daring nautical tale before angry Arnold Johnson declares a poster war and more when Looshkin goes looking for his lost love ‘Sharon!’

More fabulously funny faux mag articles and ads segue swiftly into the cat and the bear auditioning a scatological skit in ‘Musical Number Two’ whilst time runs wild in ‘Eloh Kcalb Eht’ and a brief biography of ‘Bear – Treasure Hunter of the Sahara!’ broadcasts how to fight mummies, vampires and zombies with chicken nuggets and other party treats before feline goes fowl in ‘Metamorphoduck’…

When the cat goes missing we discover why one must ‘Honk if You See It!’ and discover more shocking stuff about pigs ‘In Which Looshkin Tries to do a Thing but it doesn’t work out and as ever Bear is the One Who Suffers’ after which Who is the Best Cat is determined by a ‘Big Race’ that doesn’t end well…

Massive amounts of money and power prove no hindrance or help to our cat and his family when they take a turn as ‘City Types’ before soap spoofery becomes Weird – and offensive – Science when the cat adopts some ‘Bum Angels’ prior to a little literary sabotage and cunning catfishing in maritime madcappery ‘The Old Man and Harold’…

Looshkin’s love of melody and his bear overcome him in ‘Sing Da Song’ before he dabbles with bodybuilding in ‘Bros!’ whilst Frogburt whips up nothing like ‘A Lovely Dinner’ and that sweet little girl goes one step beyond with the class bunny ‘Dongles’ even as Looshkin evolves into ‘The Gigantic Head in the Sky!!’

It all gets a bit cosmic on Sunday when the teddy reveals he’s actually ‘Bear X’ on a secret space mission before the cat spoofs Speed driving a hijacked passenger vehicle and doing ‘Bus Stuff’ after which you’ll learn nothing useful but embrace full daftness in ‘How a Looshkin Comic is Written – A step-by-step guide!’ and enjoy a fake excerpt from a book that doesn’t exist in ‘The Cat with a Light Shining out of its Bottom.’

The cat faces replacement media property ‘Marmalade!!’ as this tome terminates, fighting off corporate ineptitude and media manipulation with one last murder-mitten Halloween swipe at ‘Telly!’ and, Fun Done, surrenders to a selection of handy previews of other treats and wonders available in The Phoenix to wind us down from all that angsty satirical furore…

Utterly loony and inescapably addictive, Looshkin: Honk if you See It! is a fiendishly surreal glimpse at the insanity hardwired into certain cats and other critters (probably not yours, but still…) and another unruly, astoundingly ingenious romp from a modern master of that rebellious whimsy which is the very bedrock of British humour.
Text and illustrations © Fumboo Ltd. 2024. All rights reserved.

Looshkin: Honk if you See It! will be released on April 4th 2024 and is available for pre-order now.

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Pucky, Prince of Bacon – A Breaking Cat News Adventure


By Georgia Dunn (Andrews McMeel)
ISBN: 978-1-5248-7128-4 (PB) eISBN: 978-1-5248-8295-2

There’s a burgeoning trend amongst certain men – mostly hiding on the internet – to think their threat of replacing women they can’t “get” with sex-bots that don’t exist is in some way a deterrent to being turned down by people they don’t have the ability to ask nicely in the first place. These uncouth, mis-evolved oafs also warn that if the “females” don’t wise up and lower their standards they will be stuck with living with cats…

Guys, wise up yourselves. Neither of those propositions are unwelcome outcomes. Cats already rule the world and you just can’t compete.

On any level.

In 2016, illustrator and cartoonist Georgia Dunn found a way to make her hairy housemates (the ones with more than two feet) earn their keep after watching them converge on a domestic accident and inquisitively, interminably poke their little snouts into the mess. That incident led to Breaking Cat News as a hilariously beguiling webcomic strip detailing how her forthright felines operate their own on-the-spot news-team, with studio anchor Lupin, and field reporters Elvis (investigative) and Puck (commentary) delivering around-the-clock reports on the events that really resonate with cats – because, after all, who else matters?

On March 27th 2017, a suitably modified (for which read fully redrawn and recoloured) version began newspaper syndication, alternating with new material designed expressly for print consumption. As the strip and cast grew, print publication led to books like these – also a far more enticing prospect than any night out with the boys…

If you’re a returning customer or already follow the strip, you’re au fait with the constantly expanding cast and its ceaselessly surreal absurdity, but this stuff is so welcoming even the merest neophyte can jump right in with no confusion other than that which is intentional…

Be warned though, Dunn is a master of emotional manipulation and never afraid to tug heartstrings. Always keep hankies close. You too, lads…

In this volume the cast return to episodic riffs as the Dunn’s toddler – under the guidance of the scoop-starved kitties – becomes mobile and adventurous. Moreover, the strips slowly and gleefully trace the events leading to the addition of his new baby sister, with the news team in the moment and in the wrong every step of the way.

You will see here said literal manchild learning to negotiate potential problems like toilets, sudden onset “sleepies”, furniture, The Man’s new job and interview attire, cat hair tagging and big family events like Christmas, New Years, Easter and The Woman’s sister coming to stay. When a fad for new year’s resolutions grips the cats, the kid is there to watch the fallout…

As always Rolling News episodes revisit favourite themes like things that don’t need to be on shelves, climbing into bags, the right packaging to play with (packing peanuts or tissue paper), helping The People exercise, getting more kibble, rainbows in the kitchen and whether mailmen exist, although new crises erupt and are covered in depth as they occur.

Of particular importance are how slow The Man is at cleaning the litter box and extended reports covering a cat war with the vacuum cleaner only ending when diligent feline investigations uncover maternal instinct behind the roaring beast’s increased rampages…

Breaking events are backed up by In-Depth packages and segments on whiskers, boxes for napping, crinkly candy wrappers, the quickest way to wake The People, new house plants (edible or not?), string & floss, how much The Woman sleeps, is sick or watches British cosy mysteries about crime-solving clerics.  In other news, an inherited cuckoo clock, a sustained campaign known as “Operation Second Breakfast”, and sudden leak of Elvis’ baby pictures from when he was adopted offer once in a lifetime opportunities for mockery and teasing…

When not reporting, our moggy mob – and outdoors cat Tommy – are happy to advise and comment on removing spiders, drying out phones, talking to skunks, cuteness, bathing, baby food, sweeping up, cat portraits, bad food, “booping” superglue, BCW (Best Cat Wrestling), Wet Food Wednesday, toys, spiffy moustaches, tuna water (proper cat persons call it “fishy-ssoise”),  books for sleeping in, snow and spring planting, and girl guide cookies. …And then everything changes with a new tiny People and the cats need to adapt – and report…

We pause our programme here with another Christmas and the explanation for why this book is called what it is…

Outrageous, alarming, occasionally courageous and always charming – and probably far too autobiographical for comfort – the romps, riffs and occasional sad bits about a fully integrated multi-species family is a growing necessity of life for many folk – just like men simply Are Not. Smart, witty, imaginative and deliciously whimsical, Breaking Cat News is fabulously funny infinitely re-readable feel-good fun rendered with artistic elan and a light and breezy touch to delight not just us irredeemable cat-addicts but also anyone in need of a good laugh.
Pucky, Prince of Bacon © 2022 Georgia Dunn. All rights reserved.

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Behind the Scenes with Burt – A Breaking Cat News Adventure


By Georgia Dunn (Andrews McMeel)
ISBN: 978-1-5248-7127-7 (TPB) eISBN: 978-1-5248-7769-9

Win’s Christmas Gift Recommendation: Joys of the Season – and Some Cats… 10/10

Cats rule the world. Everybody knows it. Just ask social media and the internet. In fact, just ask your cat – if you dare. Those of us “blessed” with designated feline overlords also learn pretty quickly that they run the house too. In 2016, illustrator and cartoonist Georgia Dunn found a way to make her hairy housemates (the ones with more than two feet) earn their keep after watching them converge on a domestic accident and inquisitively – and interminably – poke their little snouts into the mess.

Breaking Cat News began as an irresistibly beguiling web comic strip detailing how her forthright felines form their own on-the-spot news-team with studio anchor Lupin, and field reporters Elvis (investigative) and Puck (commentary) delivering around-the-clock reports on the events that really resonate with cats – because, after all, who else matters?

And now they’re all over books like this recapitulating delight, as well as a slew of delightful merchandise…

Here then, after far too long an interlude, is the fifth collection of outrageous, alarming, occasionally courageous but always charming – and probably far too autobiographical for comfort – romps, riffs and devastatingly debilitating sad bits starring a growing family of people and the cats and assorted critters they share space with.

If you’re a returning customer or already follow the strip, you’re au fait with the ever-expanding cast and its ceaselessly surreal absurdity, but this stuff is so welcoming even the merest neophyte can jump right in with no confusion other than that which is intentional…

Be warned though, Dunn is a master of emotional manipulation and never afraid to tug heartstrings. Keep hankies close.

Under the conceit that the BCN station needs technical upgrades, this collection revisits earlier evergreen episodes (more on that later) but – professionally unable to simply coast – Dunn kicks off with an extended special saga pulling together plotlines from the in-world telenovela/soap opera Our IX Lives Christmas Special: an outrageous, hilariously histrionic sequence of episodes piling up millionaire skulduggery, murder, nuns, piracy, abductions, romance and forced marriages upon unsuspected siblings and secret parents, medical crises, legal shenanigans, warring families, ghosts and prophecies. The non-stop dramady culminates in a many aborted weddings, and a multi-vehicle ambulance chase in a snowstorm. Pretty much any day at Viejo Gato, in fact…

Accompanied by deliciously whimsical behind the scenes commentary, such as how Puck “changing colour”, and plenty of cartoon interjections and graphic stage whispers about how and when the strip moved from pixels to print, the recollections then commence. On March 27th 2017, a suitably modified (for which read fully redrawn and recoloured) version of the web wild world began newspaper syndication, alternating with new material designed expressly for print consumption: a situation mirrored in this tabby tinged tome…

(Re)Drawing attention on the home front are items such as ‘The Woman is Cooking Bacon’, The Woman is in a Room We Can’t Get Into’, ‘The People Bought Some Stupid-Looking Thing For the Dining Room’, ‘The Woman is Trying to Use a Laptop’, and expansionist future tearjerker ‘That Cat is in the backyard again, Elvis’ – opening salvo in a lengthy but subtle discussion on lost cats that would pay off in many hankies over the years ahead…

Rolling news was backed up by In-Depth packages devoted to moving house (‘The People are building box forts’, and ‘Packing tape: Dangerous Hazard?’) and the entire household undertook a lengthy brush with maternity as seen in ‘The Woman is Slowing down’, ‘The Woman is Trying to Make the Bed’ and ‘The People are Awake in the Middle of the Night’…

Perennial favoured topics include animals who aren’t cats, the war with vacuum cleaners, weather and changing seasons, vet visits, what constitutes food, lamps and house plants and Puck’s lifelong efforts to prove the existence of fabled cryptid “The Mailman”…

Most crucially you’ll also learn the derivation of household boon the “bellywarmer”, how trees fall apart, see the traditional ‘Bi-monthly 2 AM “Running of the Cats”’, the joy and wonder of takeout, how cats enjoy Halloween and Christmas and why kale must be eradicated…

We pause (tee hee) for now with Breaking Cat News More to Explore: presenting a selection of the first strips reformatted for newspaper consumption in ‘Digitally Colored BCN Strips’ (as opposed to Dunn’s preferred and now restored method of hand water-colouring her artwork.

Smart, witty, imaginative and deliciously whimsical, Breaking Cat News is a fabulously funny infinitely re-readable feel-good feature rendered with artistic elan and a light and breezy touch to delight not just us irredeemable cat-addicts but also anyone in need of a good laugh.

Felis Navidad, y’all.
Behind the Scenes with Burt © 2022 Georgia Dunn. All rights reserved.

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Breaking Cat News: Cats Reporting on the News That Matters to Cats


By Georgia Dunn (Andrews McMeel)
ISBN: 978-1-4494-7413-3 eISBN: 978-1-4494-7927-5

As I eagerly await the imminent release of the next feline frenzy fact file from Georgia Dunn (Gosh! When willit bee Septemphber?) I feel the need to revisit how it all began… 

Cats rule the world. Just ask the internet. Now, now, now. Those of us with moggies also learn pretty quickly that they run the house too. However, illustrator and cartoonist Georgia Dunn found a way to make her indolent furry overlords earn their keep after watching them converge on a domestic accident and inquisitively and interminably poke their little snouts into the mess.

Thus was born Breaking Cat News: a hilariously beguiling series of strips detailing how – when no-one’s looking – her forthright flurry of felines form their own on-the-spot news-team with studio anchor Lupin, and field reporters Elvis (investigative) and Puck (commentary) delivering around-the-clock reports on the events that really resonate with cats – because, after all, who else matters?

The history and development of the feature is covered in Dunn’s Introduction (which you can read if your own murder-mittened mates give you some time off) before this superbly engaging full-colour digest-sized (165 x 203 mm) paperback concentrates on crucial domestic and foreign issues.

Drawing attention on the home front are items such as ‘Everything is Broken and We Don’t Know Who Did It’, ‘The Food Bowl is Still Empty’, ‘The People Bought Some Stupid-Looking Thing For the Dining Room’, ‘The Woman is Cooking Bacon’, ‘The Woman is Trying to Use a Laptop’, ‘The Woman is Trying to Make the Bed’ and ‘The People Bought a Different Kind of Kibble’ whilst long-range outside broadcasts confirm ‘The Man is in the Backyard’, ‘The Neighborhood is Under Attack’ and ‘The Trees are Falling Apart’…

The rolling news is backed up by In-Depth packages devoted to ‘The People Are Going Insane’ (moving house to us two-foots) and the entire team undertake a dedicated series on a lengthy brush with maternity (‘The Woman is Feeling Under the Weather’, ‘The Spare Room is Filled With New Cat Furniture’, ‘The Woman has a Hair Ball’ and ‘The People are Awake in the Middle of the Night’) to prove that cats don’t just want vapid snippets of information for mayfly attention spans, but can also handle complex issues with no simple solutions…

Smart, witty, imaginative and deliciously whimsical, Breaking Cat News is a fabulously funny regularly re-readable feel-good feature rendered with great artistic elan and a light and breezy touch that will delight not just us irredeemable cat-addicts but also anyone in need of good laugh.
© 2016 Georgia Dunn. All rights reserved.

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Tails of the Super-Pets


By Jerry Siegel, Robert Bernstein, Otto Binder, Leo Dorfman, Bill Finger, Edmond Hamilton, William Moulton Marston, Jim Shooter, Curt Swan, Jim Mooney, Pete Costanza, John Forte, Ramona Fradon, Sheldon Moldoff, George Papp, Harry G. Peter, Sy Barry, Stan Kaye, George Klein, Charles Paris & various (DC Comics)
ISBN: 978-1779513397 (TPB/Digital edition)

Once upon a time, comics embraced whimsy as much as angst, spectacle, sex and violence – so much so, that superheroes had pets for partners. Now there’s a movie about super-pets. You don’t have to like the notion, but plenty of us do.

Once upon another time, in the far future, a band of super-powered kids from dozens of alien civilisations took inspiration from the legend of the greatest champion of all time and formed a club of heroes. One day, those Children of Tomorrow came back in time and invited that legend to join them…

That’s how the tomorrow teen superstars started, courtesy of writer Otto Binder and artist Al Plastino in early 1958. The monumental assemblage’s popularity waxed and waned over decades and they were regularly reimagined and rebooted, but that core dream of empowered children was evergreen and proliferated. As their fame grew, the squad diversified, adding a Legion Espionage Squad, an evil Legion of Super-Villains, a Legion of Substitute Heroes ad infinitum…

DC had long exploited the attractions of bestial stars of fang and claw. Many Golden Age heroes had animal assistants and allies (like Dr. Mid-Nite‘s owl Hooty, Airwave‘s parrot Static and canine champions Elmo (Doll Man), and Thor (the Dan Richards Manhunter) among too many to mention. Streak the Wonder Dog actually ousted the original Green Lantern from his own comic book.

In the 1950s, Rex the Wonder Dog had his own long-running, astonishingly daft but beautifully illustrated title, with the majority of issues also featuring beloved hairy gumshoe Detective Chimp. Moreover, every newly-popular western star (and a few war heroes) who took the place of the declining superhero population had weaponised dogs, birds and especially horses to aid and augment their crusades for justice.

However, not all mystery men and women faded away. Wonder Woman and Batman and Robin weathered the hostile environment, and the Superman franchise grew exponentially -thanks to a hit movie, landmark TV series and continued radio and newspaper presence.

…And one day someone at National/DC said, “you what else kids like? Animals…”

That led to a slow trickle of empowered animals popping up across the Kryptonian end of DC’s landscape, and a few other incidental animal antics in the lives of many superheroes who survived on the coattails of the “Trinity” – particularly Aquaman (who’s cruelly underrepresented here, since his whole schtick was underwater “stupid pet tricks”…)

If you are a purist, there’s a lot you won’t like here – not the stories: those are still immaculately conceived and delivered, but the running order (not chronological, leading to some jarring moments, especially for Supergirl who seemingly goes from orphan to adopted back to the institution), and possibly the fact that – technically – many of the critters romping here were not in the actual Legion of Super-Pets (or in fact the forthcoming movie, which remakes the brilliant beasts into a “League”). I guess that just means we can look forward to a 75-year Celebration archival edition just for Krypto in 2025….

Here Endeth the Lesson: let’s talk about fun now.

What we do have on offer today is a joyously bright and bold compendium of charming adventure and repercussion-free thrills comprising mad moments from Action Comics #261, 266, 277, 292, 293, Adventure Comics #210, 256, 293, 322, 364, Batman #125, Superboy #76, Superman #176 and Wonder Woman #23, spanning 1947-1968 and adorned where applicable with covers by Curt, Swan with Stan Kaye & George Klein and H.G. Peter.

I’ve rambled on and indulged myself because there’s no introduction or context-delivering text so you can start well-briefed with the truly delightful Supergirl short from Action Comics #277 (June 1961) Crafted by Jerry Siegel & Jim Mooney, ‘The Battle of the Super-Pets!’ finds her cat Streaky typically envious of attention the teenager pays to sneaky ingratiating mutt Krypto. When Superman suggests they compete for her attentions to prove who’s best (no, really!), they choose the most unlucky locale for their arena…

That’s followed by Siegel & Mooney’s debut tail (sorry, not sorry) from Action Comics #261 (February 1960) which introduces the homeless earth stray, revealing how Streaky becomes, at irregular intervals ‘Supergirl’s Super-Pet!’…

The next tale is where we should have started as Adventure Comics #210 (March 1955) introduces ‘The Super-Dog from Krypton!’

After the Man of Tomorrow had made his mark as Earth’s premier champion, his originators took a long look and reasoned that a very different tone could offer a fresh look. What would it be like for a fun-loving lad who could do literally anything?

The answer came as Jerry Siegel & Joe Shuster – after years of agitating the publisher – unleashed the concept of Superboy: fleshing out doomed Krypton, Kal-El‘s early years, foster parents and a childhood full of fun and incident. The experiment was a huge hit and the lad swiftly bounced into the lead slot of Adventure Comics and – in 1949 – his own title: living a life forever set 20 years behind his adult counterpart.

Encountering crooks, monsters, aliens, other super kids, school woes and the suspicions of girl-next-door Lana Lang, Superboy enjoyed an eventful, wonderful life which only got better in Adventure Comics #210 (March 1955), as Otto Binder, Swan & Sy Barry introduced a waywardly mischievous and dangerously playful canine companion who had survived Krypton’s doom due to a freak accident. Krypto had been Kal-El’s pet on Krypton and used by Jor-El in desperation as a test animal for the space rocket he was building.

The dog’s miraculous arrival on Earth after years heralded a wave of survivors from the dead world over the latter part of the decade: all making Superboy feel less lonely and unique. Every boy needs a dog…

One of those latter additions debuted in Superboy #76, (December 1958) wherein by Binder & George Papp introduced ‘The Super Monkey from Krypton!’: one of Jor-El’s lab animals who had escaped and hidden in the baby’s spaceship. Hey, the world was ending: who had time to police lab specimens?

Dubbed “Beppo”, the super-monkey spent months in Earth’s jungles before accidentally finding Smallville and making life uncomfortable for toddler Clark Kent…

Set after she had been adopted and become a public hero rather than clandestine secret weapon, Action Comics #292 and 293 (September & October 1963) saw Supergirl acquire a mysterious new animal accomplice in the first two chapters of a trilogy by Leo Dorfman & Mooney. The extended storyline began when the typical (albeit invulnerable) teen got a new “pet”. ‘The Super-Steed of Steel!’ was a beautiful white horse who helped her stave off an alien invasion, but the creature had a bizarre and mysterious past, revealed in ‘The Secret Origin of Supergirl’s Super-Horse!’ as his being a magically transformed centaur from ancient Greece. Sadly, the resolution of this this tryptic (‘The Mutiny of Super-Horse’) is not included here…

Briefly digressing, what follows is a short saga of a non-powered animal marvel as Batman #125 (August 1959) details ‘The Secret Life of Bat-Hound!’ by Bill Finger, Sheldon Moldoff & Charles Paris. For no reason I could possibly speculate upon, Ace the Bat-Hound debuted in Batman #92 (June 1955), by Bill Finger, Sheldon Moldoff & Charles Paris: a distinctive German shepherd temporally adopted by Bruce Wayne when John Wilker (Ace’s owner) was abducted. A skilled tracker with distinctive facial markings, the pooch inserted himself into the case repeatedly, forcing the Dynamic Duo to mask him up whilst they sought his abducted master and foiled a criminal plot. Like Krypto, Ace reappeared intermittently until Wayne stopped borrowing him and just adopted the amazing mutt.

Here, the original creative team have Ace narrate how that adoption happened in ‘The Secret Life of Bat-Hound’ (Batman #125, August 1959), and include his crucial part in capturing the nefarious gold-obsessed Midas Gang…

William Moulton Marston & Harry G. Peter convey us to Princess Diana’s childhood as Wonder Woman #23 (June 1947) reveals – via home movies of her seventh birthday – how mighty space-hopping marsupials migrated to Paradise Island and changed Amazon battle tactics forever in ‘Wonder Woman and the Coming of the Kangas!’ after which Adventure Comics #256 (January 1959) details  ‘The Ordeal of Aquaman’ as he is trapped in a desert and saved from dehydrating doom by his faithful octopus Topo in a smartly inventive yarn from Robert Bernstein & Ramona Fradon.

The Supergirl tale in Action Comics #266 (July 1960, by Siegel, & Mooney) sees ‘The World’s Mightiest Cat!’ Streaky inadvertently contribute to the isolation of an orphan boy with a reputation for tall tales before Krypto and the Maid of Might make everything right whilst Adventure Comics #293 (February 1962) delivers a gripping landmark thriller from Siegel, Swan & George Klein.

‘The Legion of Super-Traitors’ posits human Legionnaires abruptly turning evil, prompting Saturn Girl to recruit a Legion of Super-Pets comprising Krypto, Streaky, Beppo and Comet to save the world from mind-controlling alien brains in floating glass jars – and yes, I typed all that with a reasonably straight face…

After the human Legion won their own regular series, the animal brigade were ratified and rewarded with their own branch, and Adventure Comics #322 (July 1964, by Edmond Hamilton, John Forte & Moldoff) saw them expand their roster in ‘The Super-Tests of the Super-Pets!’: a sheer bonkers slice of fun-filled futurism wherein the animal companions were left to guard Earth as the biped players pursued the elusive Time Trapper.

When Chameleon Boy‘s shapeshifting (and fully sapient) pet Proty II applied to join the bestial bunch, they gave him a series of extremely difficult qualification tasks …which they breezed through…

A long-neglected tale follows as ‘The Revenge of the Super-Pets!’ (Superman #176, April 1965 by Dorfman, Swan & Klein) sees the a beast brood join the Human of Steel in a time travel jaunt that solves a legal mystery and explains how the growth of modern animal rights began!

Wrapping up with a more dramatic romp from Adventure Comics #364 (January 1968), ‘The Revolt of the Super-Pets!’ is by Jim Shooter & Pete Costanza: a gripping two-parter that depicts how the crafty rulers of planet Thanl attempted to seduce animal adventurers Krypto, Streaky, Beppo, Comet and amorphous telepathic blob Proty II from their rightful – subordinate – positions with sweet words and palatial new homes.

Of course, the aliens had a cunning scheme in play, but failed to realise these were not dumb animals…

Brilliantly reviving the beguiling innocence of the Silver Age for new, fun-seeking generations, this article of animalistic arcana is an unadulterated frolic to stir the elderly like me and enchant the newest DC disciples. Fetch!
© 1947, 1955, 1958, 1959, 1960, 1961, 1962, 1964, 1965, 1968, 2022 DC Comics. All Rights Reserved.