A Secret History of Coffee, Coca & Cola


By Ricardo Cortés (Akashic Books)
ISBN: 978-1-61775-134-9

Win’s Christmas Gift Recommendation: potent, punchy and thought-provoking fodder to enjoy after overindulging… 9/10

The astounding power of graphic narrative to efficiently, potently and evocatively disseminate vast amounts of information in layered levels has always been best utilised in works with a political or social component. That’s seldom been better demonstrated than in this stunning and scholarly new picture book from Ricardo Cortés.

Born in 1973, illustrator and artistic intellectual activist Cortés has had a sublimely seditious career thus far. He has made waves in Vanity Fair, Entertainment Weekly, The New York Post, The Village Voice, San Francisco Chronicle, and been challenged on CNN and FOX News after his controversial  children’s book Marijuana: It’s Just a Plant – written by Marsha Rosenbaum – was mentioned in Congress. He followed up by illustrating Adam Mansbach’s Times Best-Selling Go the F**k to Sleep and its sequel Seriously, Just Go to Sleep, and created the colouring book I Don’t Want to Blow You Up! about famous Muslims who aren’t terrorists.

In 2011 the artist received a grant from the Department of Cultural Affairs’ Greater New York Arts Development to create Jury Independence Illustrated – a public booklet dealing with Jury Nullification produced with the intention of educating potential jurors about their powers to acquit if they disagree with specific laws or judicial rulings. Clearly a born troublemaker…

His latest project is a brilliantly engrossing exploration of acceptable addictions blending scrupulously scholarly reportage with a seductively beautiful selection of captivating images and historical reproductions.

The story starts with the origins and history of ‘Coffee‘ from its mythic discovery as a berry fruit for goats in Ethiopia, through being taken up by Yemeni traders who disseminated “qahwah” throughout the Islamic world. A proven intoxicant, concerns over its salubrity, morality and legality grew and it was soon being trafficked by desperate men. In the 16th century the beverage was banned in Mecca, Cairo and elsewhere, but its taste and effects were impossible to resist.

By the time “kahveh” reached Turkeytrading in the beans carried the death penalty. As “Coffee” it reached Europein the 17th century, touted as a miracle cure-all for everything from headache to miscarriage and grew explosively into an intellectual’s seditious vice. In 1675 Charles II ordered it suppressed and closedEngland’s Coffee Houses by Royal Edict.

Things got even stranger in 1820 after the alkaloid “Caffe-ine” was finally distilled from the coffee cherry…

The rest of caffeine’s turbulent and torturous legal and commercial progress to today’s status as the world’s most popular stimulant is followed by the story of ‘Cola and Coca’ in which caffeine’s other singularly popular method of natural dissemination is examined.

The Kola Nut of West Africa is amazingly high in the stimulant alkaloid and has been used for centuries – if not millennia – as a energy-intensifying fortifier by the various tribes and nations either by chewing the raw nut or brewing a drink called “cola”.

Cola is one of the most popular ancient beverages on Earth and when in 1886 Dr. John Pemberton devised his own formulation – dubbed Coca-Cola – by adding a dash of coca leaves, his medicinal tonic, after an initial shaky start, grew to become the most monolithic drinks brand on Earth.

…But not, apparently, without a little government help…

Coca originally came from the Andes of South America where for centuries indigenous peoples used the herbal bounty as a pick-me-up. The Indios chewed coca leaves the way we do gum in the west and in 1499 explorer Amerigo Vespucci brought back tales of the wonder herb’s propensity to promote feats of concentration and endurance.

In 1859 Dr. Karl Scherzer returned to Austria after a two-year scientific voyage aboard the Frigate Novara with sixty pounds of coca, as previously requested by German pharmacologists. Soon after doctoral student Albert Niemann isolated from the samples a new alkaloid which he dubbed “Coca-ine”.

This fresh medical marvel, its transparent crystals easily derived from coca leaves, was from 1884 enthusiastically prescribed by the likes of Sigmund Freud for melancholia and oculist Carl Koller discovered it to be an incredible regional (or as we now know them “local”) anaesthetic, allowing unprecedented new surgical procedures to be performed. It was also used as a commonplace treatment for toothache, labour pains, nervousness, fatigue, impotence, asthma and as a cure for morphine addiction – hence Pemberton’s inclusion of the stuff in his health tonic.

By 1889 cases of compulsive use and abuse began to be reported, leading to heated medical debate, and when the era’s obsessive racial concerns were added to the mix (“cocaine made negroes insane” and it was peddled by “greedy Jewish doctors”) the writing was on the puritanical wall for the foreign import.

On a rising tide of public disapproval the 1914 Harrison Narcotics Act prohibited Cocaine use and coca importation in theUSA. However due to some truly unbelievable backroom dickering, the already powerful Coca-Cola Company secured a constant supply of the banned substance – re-designated “Merchandise No. 5” – for their Schaefer Alkaloid Works in New Jersey – still thriving today as the Stepan Chemical Company.

This mercantile miracle was all due to diligent work of Commissioner Harry J. Anslinger of the Federal Bureau of Narcotics and Ralph Hayes, a former aide to theUS Secretary of War and from 1932, a vice President of the Coca-Cola Company.

Anslinger was a rabid anti-drug zealot, so just why did he spend 40 years – under seven different US Presidents – enforcing draconian and often expensive, nigh-impossible bans on a vast number of natural pharmaceutical products whilst actively securing and defending Coca-Cola’s uninterrupted supply of cocaine?

He even facilitated clandestine schemes to grow coca on American soil and his campaign was so successful that American policy became UN and global norms, forcibly negating all the proven scientific benefits of resources which grew naturally in countries which could never afford Western drugs and chemical advances.

Trust me; you only think you know the answer…

Astonishingly addictive and intoxicatingly revelatory, Coffee, Coca & Cola offers an impressively open-minded history lesson and an incredible look at the dark underbelly of American Capitalism. Exposed here through telling research and beguiling illustrations is a catalogue of hypocrisy wherein successive political administrations and big business always found ways to place commercial interests ahead of any specious moral imperative ingenuously forwarded by the “World’s Cop”.

Learn here how corporations and statesmen conspired to ruthlessly crush the traditions, customs and rituals of other nations and cultures (as recently as 2010, America acted to suppress many sovereign South American countries’ social, spiritual, medicinal and nutritional use of coca) and continue to prevent poor countries utilisation of such ancient natural resources as caffeine and cocaine whilst peddling products inescapably wedded to both American Expansionism and Ideology…

A stunning, hard cover coffee-table book for concerned adults, this captivating chronicle is a true treasure – or perhaps in the parlance of the idiom I might just say – lip-smacking, trust-quenching, cool looking, stimulating, motivating, hard talking, fool busting, fast thinking, hard quizzing… and unmissable.
© 2012 Ricardo Cortés. All rights reserved.

The Brain Eaters Bible – Sound Advice for the Newly Reanimated Zombie


By J. D. McGhoul with Pat Kilbane, Brian Ulrich, Dean Jones, Neil D’Monte & others (St. Martin’sGriffin)
ISBN: 978-1-250-02401-5

Win’s Christmas Gift Recommendation: an ideal antidote for adult over-indulgence… 8/10

With the world in the dry, dusty grip of a Zombie Apocalypse and at least oneAmericanUniversityoffering Zombie Studies as part of its curriculum, it was only a matter of time before the perhaps misunderstood flesh-addicted revenants gained their own advocate for their particular post-lifestyle.

I’ve never been the biggest fan of zombie stories but occasionally something really tasty comes along and I’m forced to re-evaluate my position. Such an item is this wryly outrageous almanac from comedian, author and actor Pat Kilbane (Mad TV, Seinfeld, Semi-Pro, My Name Is Earl), a vast production team of artists, designers, photographers, make-up and FX folk, actors, models, martial artists, stuntmen and armourers, and ex-lab technician J.D. McGhoul who, since his passing, has worked tirelessly as an activist and educator for the burgeoning population of meat-seeking martyrs whose only hope is for a little piece – preferably of frontal, temporal or parietal lobe…

Together this dedicated group have merrily compiled a deliciously morbid foundation class in everything the newly-infected but so much more than brain-dead “walker” needs to keep unfit, unwell and full…

Although nobody living really knows the origins of the PACE (Postmortem Ambulation with Cannibalistic Encephalophilia) virus – the unsavoury savant here attributes it to stem-cell research gone wonky – the effects are obvious, apparent and permanent.

Thus there are plenty of sagacious asides about the worthlessness of moisturisers but extreme necessity of Febreze™, the commonsense of keeping your head covered, the pros and cons of working in groups and the necessity of never, ever underestimating the cunning and nastiness of the “Freshies” who constitute your preferred fodder…

Following the introspective Introduction and ‘Mouthful of Mud’ – the first of seven insightful Journal Entries about the unlife of the undead from Mr. McGhoul – the first comprehensive chapter Eat Brains describes in piercing detail ‘A Way of Life’, the ‘Reasons for Eating Brains’, ‘Only Live Brains; Only Human’, mind you, and then advises ‘Listen to your Cravings’, ‘Types of Brains’, ‘A Tough Nut’, ‘Brain Bits for the Connoisseur’ and ‘Health Concerns’ before discoursing ‘On Cannibalism’ and recommending ‘Just Love It’…

Know Your Body deals with ‘A New You’, ‘The PACE Infection’, how ‘A Plague is Born’, ‘Infection’, ‘Zombie Organs’, ‘Bodily Capacities’ and ‘Other Anatomical Facts’ whilst Hunt deals with ‘Brain Acquisition’, ‘Our Right to Make People Extinct’, ‘Pack Hunting’, ‘Ambush Hunting’, ‘New Principles of Combat’, ‘Close Combat Attack Techniques’, ‘Using Firearms’, ‘Using Other Weapons’ and offers some ‘Final Thoughts on Hunting & Combat’.

Interspersed with and following more plangent Journal Entries‘Hell’s Ragged Edge’, ‘Bitter and Raw’ and ‘Headhunter Laureate’, chapter 4 details how to Know Your Enemy: categorising the types and tactics of ‘Your Opposition in War’, ‘Sizing Them Up’ and pictorially detailing ‘Human Weaponry’‘Handguns’, ‘Submachine Guns’, ‘Rifles and Carbines’, ‘Shotguns’, ‘Bows and Arrows’, ‘Thrown Weapons’, ‘Swung Weapons’ and ‘Thrusting Weapons’, before demonstrating ‘Human Combat Training’, ‘The Human Fear Response’, ‘Human Vulnerabilities’ and how in the end they are ‘Their Own Worst Enemy’.

‘Whom Shall I Fear’ is another inspiring extract from the author’s Journal Entries after which Move Your Head offers ‘A Defensive Mantra’, ‘Protective Stances’, ‘Self-Defense Techniques’, what is best when ‘Fighting Multiple Foes’, the merits of ‘Zombie Headgear’, ‘Serpentining’, ‘The Invisible Hunter’, how to be ‘The Elusive Traveller’ and why one must learn to ‘Stop, Look, Listen, Smell’, ‘Destroy Captured Assets’ and ‘Leave No Witnesses’…

From the Journal Entries comes the philosophy of ‘Self-Knowledge’ whilst the spiritual aspect and overarching mission of the Zombie Way is detailed in Infect Others as ‘The Four I’s’‘Ingest’, ‘Infect’, ‘Inject’ and ‘Instruct’ before the final Journal Entry‘My Brother’s Maker’ reveals the aspirational hope that one day the world can be theirs…

Ostensibly written by erudite undead philosopher J.D. McGhoul, and with a savagely detached tongue firmly embedded in a torn and ragged cheek, this tome delivers a devilishly sly and hilarious fresh take on the undead, told with devastating, deadpan delivery and Goriously illustrated with photos, diagrams and drawings: a uproarious, marvellously authentic treat for every mordantly shambling horror fanatic and bleakly black humourist…

And if you can’t sleep at night just wear a steel crash helmet and keep telling yourself “Zombies don’t exist”.  You’ll be fine.

Probably.
© 2010 Mythodrome Inc. All Rights Reserved.

Demeter & Persephone: Spring Held Hostage – A Greek Myth


By Justine & Ron Fontes, Steve Kurth & Barbara Schulz (Graphic Universe)
ISBN: 978-1-58013-318-0,     978-0-82256-570-3

The heroic tales and legends of older cultures have, for centuries formed an integral part of children’s educational development – and a good thing too. These days though, those magnificently inspiring and memorably visual yarns are as likely to be disseminated in graphic novel form as through the illustrated prose books which had such a formative influence on my early days.

Demeter & Persephone: Spring Held Hostage was released in 2007, one self-contained tome in a larger series which also retold in comics other Hellenic myths such as the Labours of Hercules, Jason’s journey with the Argonauts as well as other cultures’ founding fables like Isis & Osiris or King Arthur.

Packaged as full-colour, 48 page, card-cover booklets they – hopefully – introduced a wealth of kids to the magical riches of human imagination.

They also read very well as comics in their own right.

All religious stories are devised to explain away contemporary unsolved questions and unknowable mysteries. The liturgical lesson retold here was one people’s attempt to rationalise the progress of the seasons and the man-made miracle of agriculture, opening in the paradisiacal golden age of ‘A Winterless World’ where, thanks to the joyful bounty of the goddess Demeter, plants bloomed all year long and the Earth was bathed in perpetual warmth. The harvest goddess’ greatest joy was her glorious daughter Persephone, offspring of one of Zeus’ constant infidelities with any deity, supernatural creature or mortal he took a fancy to…

The supreme god ruled over the skies and Earth whilst his brothers Poseidon and Hades controlled the seas and underworld respectively. However, when the dolorous, lonely Lord of the Dead saw Persephone he wanted her for his wife – and callous, unthinking Zeus told him to just steal her and take her down to ‘The Dark Domain’ he ruled…

Despite her plight, Demeter’s daughter found a great deal that was admirable about Hades and his vast kingdom of judgement, punishment and reward. However, knowing how perilous her fate was, Persephone refused to eat anything that her embarrassed abductor offered, knowing that to do so would bind her to him forever…

In the bright lands above, Demeter frantically searched for her child. Discovering how Persephone had been taken, the Harvest Goddess pleaded with Zeus who refused to intervene, prompting her to abandon the pantheon’s home on MountOlympus. She wandered the Earth as ‘A Worried Mother’ and in the guise of a broken old woman became the nurse to Prince Demophoon of Eleusis, infant son of King Celeus.

Months passed whilst Demeter neglected the world’s lush abundance, defiantly ignoring the desperate pleas of man and god alike. Plants withered and starvation gripped the Earth, and on Olympus the crisis at last forced Zeus to act. He despatched messenger god Hermes to the underworld to negotiate with Hades and a compromise was reached.

‘The Seeds of Change’ saw a now reluctant Persephone leave the abductor she had come to care for. In all that time she had eaten nothing but as they parted she swallowed a few pomegranate seeds from a fruit Hades offered as final gesture…

Even whilst back in the clean air above, this caused great consternation as their consumption gave Hades a legitimate claim to Persephone. Moreover, she had come to love him but as her mother refused to be separated from her, her marriage to Hades would have doomed mankind to starvation.

‘The Pomegranate Problem’ was only solved by Rhea, mother of all gods, who suggested that the lovers should marry but that Persephone must spend two thirds of each year with her mother who would then cause the world’s plants to germinate, blossom, grow and ripen. After that the daughter would spend four months with her husband in the underworld, with Earth consequently becoming temporarily cold, dark and bleakly barren…

Satisfied with the solution but plagued by guilt, Demeter eventually returned to Eleusis where the baby Demophoon had grown to manhood. Here she taught her human charge the secrets of cultivation and plant improvement and the prince travelled the Earth, sharing his divinely-bestowed knowledge of agriculture to a grateful and eager humanity…

Engrossing, dynamic, pretty and blessed with a light touch, this splendid introduction to mythology is designed for kids with a reading age of nine or above – that’s Year 4, I suspect – and also contains a full glossary, a Further Reading and relevant websites list, and an index as well as fact-features on Creating Demeter & Persephone and biographies of the creators.
© 2007 Lerner Publishing Group, Inc. All rights reserved.

Philosophy – A Discovery in Comics


By Margreet de Heer with Yiri T. Kohl (NBM)
ISBN: 978-1-56163-698-3

There’s no use denying it: Annual Gift-Giving Season isn’t far off and it’s never too early to think of the ideal item for that troublesome family/friend unit. So here’s something that might fit the bill for any argumentative soul fed up with socks, pants and pen-sets…  

It has long been a truism of the creative arts that the most effective, efficient and economical method of instruction and informational training has been the comic strip.

Advertising mavens have for over a century exploited the easy impact of words wedded to evocative pictures, and public information materials frequently use sequential narrative to get hard messages over quickly and simply. Additionally, since World War II, carefully crafted strips have been constantly used as training materials in every aspect of adult life from school careers advice to various branches of military service – utilising the talents of comics giants as varied as Milton Caniff, Will Eisner (who spent decades producing reams of comic manuals for the US army and other government departments), Kurt Schaffenberger and Neil Adams.

These days the educational value and merit of comics is a given. Larry Gonick in particular has been using the strip medium to stuff learning and entertainment in equal amounts into the weary brains of jaded students with such tomes as The Cartoon History of the Universe, The Cartoon History of the United States and The Cartoon Guide to… series (Genetics, Sex, Computers, Non-Communication, Physics, Statistics, the Environment and more).

Japan uses a huge number of manga text books in its schools and universities and has even released government reports and business prospectuses as comic books to get around the public’s apathy towards reading large dreary volumes of public information.

So do we, and so do the Americans.

I’ve even produced one or two myself.

Now the medium has been used to sublimely and elegantly tackle the greatest and most all-consuming preoccupation and creation of the mind of Man…

Margreet de Heer was born in 1972 into a family of theologians and despite some rebellious teen forays to the wild side of life – fascinatingly covered in the ‘Know My Self’ section of this fabulous graphic primer – studied Theology for 9 years at the University of Amsterdam. After graduating in 1999 she decided to become a cartoonist – and did – but also worked at the wonderful comics and cool stuff emporium/cultural icon Lambiek in Amsterdam.

Whilst there she collaborated with industry expert Kees Kousemaker on a history of Dutch comics before becoming a full-time professional in 2005, with commissions in publications as varied as Yes, Zij aan Zij, Viva Mama, Flo’, Jippo, Farfelu and NRC.Next.

In 2007 she began a series of cartoon philosophical reports for the newspaper Trouw, which prompted a perspicacious publisher to commission a complete book on this most ancient of topics. Filosofie in Beeld was released in 2010 and translated into English by NBM this year as Philosophy – a Discovery in Comics.

This gloriously accessible tome, crafted by a gifted writer with a master’s grasp of her subject, opens with the core concept ‘What is Thinking?’ examining the processes of mind through a number of elegantly crafted examples before moving onto ‘Who Do We Think We Are?’

Those paradigms of ‘Self-Awareness’, ‘Logical Thinking’, ‘Language’, ‘Symbols’, ‘Abstract Thinking’ and ‘Humor’ are captivatingly covered before the history and cognitive high points of civilisation are disclosed with ‘The Foundation of Western Philosophy’.

This potted history of ‘Dualism’ relates the life stories, conceptual legacies and achievements of ‘Socrates’ and the ‘Socratic Discourse’, his star pupil ‘Plato’ and the universal man ‘Aristotle’, all winningly balanced with a balancing sidebar autobiography in ‘Know My Self’ plus some cogent observations and a few comparisons with the Eastern philosophy of ‘Unity’…

‘Medieval Philosophy’ deals with the influence of the Christian Church on ‘Augustine’ and ‘Thomas Aquinas’, the “Great Thinkers” of early Europe, examining the warring concepts of ‘Free Will’ and ‘Predestination’ and exploring the lives of ‘Erasmus’ and ‘Humanism’, ‘Descartes’ and his maxim ‘Cogito Ergo Sum’ and ‘Spinoza’ whose consummate faith-based dictum was ‘Know Thyself’…

The charming, beguiling foundation course continues with ‘What is Reality?‘ bringing us up to the modern age with ‘And Now’ with another brilliantly clever diversion as de Heer includes the ‘Personal Philosophies’ of families and friends.

Her husband – and this book’s colourist – Yiri bases his outlook on the incredible life of outrageous comedian ‘George Carlin’, her aged friend Gerrit looks to ‘Nietzsche’, mother-in-law Yolanda modelled herself on Cambridge lecturer and intellectual ‘George Steiner’ whilst De Heer’s little brother Maarten prefers to shop around picking up what he needs from thinkers as varied as ‘Aldous Huxley’ to cartoonist ‘Marten Toonder’ as well as bravely putting her money where her mouth is and revealing her own thoughts on Life, the Universe and Everything and asking again ‘What Do You Think?’…

This is a truly sharp and witty book – and the first of a trilogy that will also deal with Religion and Science – which splendidly reduces centuries of contentious pondering, violent discussion and high-altitude academic acrimony to an enthralling, utterly accessible experience any smart kid or keen elder would be happy to experience. Clear, concise, appropriately challenging and informatively funny Philosophy – A Discovery in Comics is a wonder of unpretentious, exuberant graphic craft and a timeless book we can all enjoy.

© @2010 Uitgeverij Meinema, Zoetermeer, TheNetherlands. English translation © 2012 Margreet de Heer & Yiri T. Kohl.

Win’s Christmas Gift Recommendation: Perfect for anybody with a brain or heart… 9/10