Fantastic Four versus the X-Men

By Chris Claremont, John Bogdanove & Terry Austin (Marvel)
ISBN: 0-87135-650-3

Here’s a good solid yarn from simpler times which serves as the perfect introduction to two fully developed franchises, but still won’t leave you reeling under an avalanche of new names and concepts. Originally released as a four issue miniseries in 1987, this intriguing mystery looks deep into the character of possibly the oldest character in the Marvel universe and turns its most trusted hero into a potential monster.

Everybody knows that Reed Richards is the smartest man on the planet, and how he took his three most trusted companions on a trip into space. Once there the ever-present cosmic rays mutated the quartet into the super-powered freaks now known as the Fantastic Four. How could such a colossal intellect forget something as basic as radiation shielding?

This tale takes place at a time when the mutant heroes and public fugitives called X-Men are being led by Magneto, and is the culmination to a story-arc where young Kitty Pryde is dying: her ability to pass through matter out of control and her body gradually drifting to unconnected atoms.

When Sue Richards finds an old journal belonging to her husband the trust and loyalty that bind the FF together is shattered. The book reveals that the younger Reed had in fact deduced the transformative power of cosmic rays and manufactured the entire incident to create a team of super-warriors. All the years of misery and danger have been a deliberate, calculated scheme by a ruthless mind that could only see life in terms of goals and outcomes.

When the X-Men bring their medical emergency to the FF, Reed, protesting his innocence to a family and team who no longer trust him and with his confidence shattered, falters. He knows that he didn’t plan to mutate his team, but he did make a mistake that altered their lives forever. What if he makes another blunder with Pryde’s cure?

And then Doctor Doom steps in…

This is a superb adventure stuffed with guest-stars that moves beyond gaudy costumes and powers to display the core humanity of Reed Richards and the true depths of evil his greatest enemy can sink to. As an example of sensitive character writing it has few equals and the stylish illustration of Jon Bogdanove is captivating to behold. Long overdue for reprinting this is a tale for all drama lovers, not just the fights ‘n’ tights crowd.
© 1987, 1990 Marvel Entertainment Group, Inc. All Rights Reserved.

Essential Fantastic Four volume 3

By Stan Lee, Jack Kirby, Joe Sinnott & various (Marvel)
ISBN: 978-0-7851-2625-6

This third collected black-and-white volume of the “World’s Greatest Comic Magazine!” certainly lives up to its own hype as it re-presents those tales wherein Jack Kirby finally unleashed his vast imagination and Stan Lee scripted some of the most passionate superhero sagas that Marvel – or any publisher, for that matter – has ever produced. Both were at the height of their creative powers, and full of the confidence that only success brings, with Kirby in particular eager to see how far the genre and the medium could be pushed.

The wonderment begins with the first part of a tense and traumatic trilogy (inked by Vince Colletta) in which the Frightful Four – Wizard, Sandman, Trapster and the enigmatic Madame Medusa – brainwash The Thing and turn him against his former team-mates. It started in Fantastic Four # 41 (August 1965) with ‘The Brutal Betrayal of Ben Grimm!’, continued in rip-roaring fashion with ‘To Save You, Why must I Kill You?’ and concluded in bombastic glory with #44’s ‘Lo! There Shall be an Ending!’

After that Colletta signed off by inking one of the most crowded Marvel stories ever. Fantastic Four Annual #3 featured every hero, most of the villains and lots of ancillary characters (such as teen-romance stars Patsy Walker & Hedy Wolf and even Stan and Jack themselves) in the company pantheon. In ‘Bedlam at the Baxter Building!’ Reed Richards and Sue Storm finally wed, despite being attacked by an army of baddies mesmerised by the diabolical Doctor Doom. In its classical simplicity it signalled the end of one era and the start of another…

FF #44 was a landmark in many ways. Firstly it saw the arrival of Joe Sinnott as regular inker, a skilled brush-man with a deft line and a superb grasp of anatomy and facial expression, and moreover an artist prepared to match Kirby’s greatest efforts with his own. Some inkers had problems with just how much detail the King would pencil in; Sinnott relished it and the effort showed. What was wonderful now became incomparable.

‘The Gentleman’s Name is Gorgon!’ introduced a mysterious powerhouse with metal hooves instead of feet, a hunter implacably stalking Madame Medusa, who embroiled the Human Torch and thus the whole team in her frantic bid to escape, and that’s before the monstrous android Dragon Man showed up to complicate matters. All this was merely a prelude: with the next issue we were introduced to a hidden race of super-beings that had secretly shared the Earth with us for millennia. ‘Among us Hide… the Inhumans’ revealed that Medusa was part of the Royal Family of Attilan, a race of paranormal beings on the run ever since a coup deposed the true king.

Black Bolt, Triton, Karnak and the rest would quickly become mainstays of the Marvel Universe, but their bewitching young cousin Crystal and her giant teleporting dog Lockjaw were the real stars here. For young Johnny Storm it was love at first sight, and Crystal’s eventual fate would greatly change his character, giving him a hint of angst-ridden tragedy that resonated greatly with the generation of young readers who were growing up with the comic…

‘Those Who Would Destroy Us!’ and ‘Beware the Hidden Land!’ (FF #46 and 47) saw the team join the Inhumans as Black Bolt regained his throne from his brother Maximus the Mad, only to stumble into the usurper’s plan to wipe humanity from the Earth.

Ideas just seem to explode from Kirby at this time. Despite being halfway through one storyline, FF #48 trumpeted ‘The Coming of Galactus!’ and the first Inhumans saga was swiftly wrapped up by page 6, with the entire race sealed behind an impenetrable dome called the Negative Zone (later retitled the Negative Barrier to avoid confusion with the gateway to sub-space that Reed worked on for years).

Meanwhile a cosmic entity approached Earth, preceded by a gleaming herald on a surfboard of pure cosmic energy. I suspect this experimental – and vaguely uncomfortable – approach to narrative mechanics was calculated and deliberate, mirroring the way that TV soap operas were increasingly delivering their interwoven storylines, and a way to keep the readers glued to the series.

They needn’t have bothered. The stories and concepts were enough…

‘If this be Doomsday!’ saw the planet-eating Galactus set up shop above the Baxter Building despite the team’s best efforts, whilst his cold and shining herald had his humanity rekindled by simply conversing with the Thing’s blind girlfriend Alicia. Issue #50’s ‘The Startling Saga of the Silver Surfer!’ concluded the epic in grand style as the reawakened humanity of the Surfer and heroism of the FF bought enough time for Richards to literally save the World. Once again the tale ended in the middle of the issue, and the remaining half concentrated on the team getting back to “normal”. To that extent Johnny Storm enrolled at Metro College, desperate to forget his lost love Crystal and his unnerving jaunts to the ends of the universe. On his first day, the lad met the imposing and enigmatic Native American Wyatt Wingfoot, destined to become his greatest friend…’

Fantastic Four #51 is considered by many the greatest single FF story ever. ‘This Man… This Monster!’ found the Thing’s body usurped by a vengeful and petty scientist who subsequently discovered the true measure of a man, whilst another innovation and great character debuted in the next issue.

‘The Black Panther!’ was an African monarch whose secretive kingdom was the only source of a vibration-absorbing alien metal. These mineral riches had enabled him to turn his country into a technological wonderland. He attacked the FF as part of an extended plan to gain vengeance on the murderer of his father. He was also the first Negro superhero in American comics (Fantastic Four #52, cover-dated July 1966). His origin was revealed in ‘The Way it Began..!’, which also introduced sonic super-villain Klaw. Johnny and Wyatt then embarked on a quest to find Crystal but discovered instead the lost tomb of Prester John in #54’s ‘Whosoever Finds the Evil Eye…!’

Imprisoned on Earth the brooding ex-herald of Galactus had become an instant fan-favourite, and his regular appearances were always a guarantee of something special. ‘When Strikes the Silver Surfer!’ found him in uncomprehending, brutal battle with the Thing, whose insecurities about Alicia had turned into searing jealousy, whereas it was business as unusual when ‘Klaw the Murderous Master of Sound!’ attacked again in # 56.

Throughout all the issues since their imprisonment a running sub-plot with the Inhumans had been slowly building, whilst the on the other side of the Great Barrier, Johnny and Wyatt wandered the wilds also seeking a method of liberating the Hidden City. Their quest led directly into the landmark tale ‘The Torch that Was!’: lead feature in the fourth FF Annual (1966), in which The Mad Thinker resurrected the original Human Torch (actually the World’s first android) to battle destroy the flaming teenager…

Fantastic Four #57-60 displayed Lee and Kirby at their very best; with incredible drama and action on a number of fronts as the most dangerous man on Earth stole the Silver Surfer’s power, the Inhumans finally won their freedom and we discovered the tragic secret of Black Bolt in all its awesome fury. It all began with a jailbreak by the Sandman in #57’s ‘Enter… Dr. Doom!’, continued in ‘The Dismal Dregs of Defeat!’ and ‘Doomsday’ culminating in brains saving the day and humanity in magnificent manner with ‘The Peril and the Power!’

But there was never a dull moment: no sooner had they relaxed than a new and improved foe resumed his aborted attack in #61’s ‘Where Stalks the Sandman?’, another explosive multi-part tale wherein Johnny and Crystal were reunited, the Surfer regained his stolen power and Reed was lost to the anti-matter hell of the Negative Zone’s sub-space corridor.

‘…And One Shall Save Him!’ guest-starred Triton and the newly liberated Inhuman Royal Family, and saw the introduction of another unique enemy, who followed Reed back from the anti-matter universe and straight into partnership with the Sandman. The battle against ‘Blastaar, the Living Bomb-Burst!’ (FF #63, June 1967), concludes the incredible run of superb stories in this volume, but there was still room to include some fascinating freebies in the form of pages of original art, the initial designs for Coal Tiger (who became Black Panther) and an unused cover for #52.

These are the stories that cemented Marvel’s reputation and enabled the company to overtake all its competitors. They’re also still some of the best stories ever produced and as exciting and captivating now as they ever were. This is a must-have book for all fans of graphic narrative.

© 1965, 1966, 1967, 2007 Marvel Characters, Inc. All Rights Reserved.

Fantastic Four Pop-Up

By Stan Lee, Jack Kirby & various (Marvel/Templar Publishing)
ISBN: 978-1-84011-670-0

Here’s a hunk of sheer comic extravagance that will appeal to the great, big kid so inadequately buried in us all. Part of a line of publications first released in 2008 (and just now making it into book remainder stores around the country, but also still available online) I got this masterpiece of “paper technology” or pop-up book as part of my recent 50th birthday commiserations.

By selecting pages and scenes from the glory days of Stan and Jack, such as the cover of Fantastic Four #1, the origin of Doctor Doom, the battle against the Molecule Man (FF#20) and many others, the creators have produced a startling, quite literally three-dimensional dossier of the World’s Greatest Magazine heroes and their most dastardly foes. These snippets of King Kirby at his bombastic best include Victor Von Doom, Mole Man, Puppet Master, Sub-Mariner, Super-Skrull, Mad Thinker, and even the incredible Fantasticar, all augmented by the very latest in folding, spindling, sliding and even plastic enhancing techniques.

Delightfully ingenious, fabulously fun and capable of reducing sour old coots to fits of gleeful burbling this is just plain fun and you really, really need it…

TM and © 2008 Marvel Characters inc. All Rights Reserved.

Essential Fantastic Four volume 2

By Stan Lee, Jack Kirby & various (Marvel)
ISBN 0-7851-0731-2

This second big value, low priced compendium starring the World’s most popular adventure quartet collects Fantastic Four #21-40, the second (1964) Annual and includes a seldom seen team-up of the Human Torch and Spider-Man from Strange Tales Annual #2.

By this juncture the FF were firmly established and creators Stan Lee and Jack Kirby were well on the way to toppling DC/National Comics from their decades-held top spot with their brash, folksy and consciously contemporaneous sagas, blending high concept, low comedy, trenchant melodrama and breathtaking action.

The first tale here is from Fantastic Four #21 (cover-dated December 1963) guest-starring Nick Fury, then the lead character in Marvel’s only war comic Sgt. Fury and his Howling Commandos but eventually to metamorphose into the company’s answer to James Bond. Here he’s a CIA agent seeking the team’s aid against a sinister demagogue called ‘The Hate-Monger’ in a cracking yarn with a strong message, inked by comics veteran George Roussos, under the protective nom-de-plume George Bell.

Unseen since the premiere issue, #22 finally saw ‘The Return of the Mole Man!’ by the same creative team; another full-on fight-fest, chiefly notable for the debut of the Invisible Girl’s new powers of projecting force fields and “invisible energy” – which would eventually make her one of the mightiest characters in the company’s pantheon.

Number #23 heralded ‘The Master Plan of Doctor Doom!’, which introduced his frankly mediocre minions the Terrible Trio of Bull Brogin, Handsome Harry and Yogi Dakor, although the eerie menace of “the Solar Wave” was enough to raise the hackles on my five year old neck. Issue #24’s ‘The Infant Terrible!’ was a sterling yarn of extra-galactic menace and innocence, followed by a two-part epic that truly defined the inherent difference between Lee and Kirby’s work and everybody else at that time.

Fantastic Four #25 and #26 featured a cataclysmic clash that had young heads spinning in 1964 and lead directly to the Emerald Behemoth finally regaining a strip of his own. In ‘The Hulk Vs The Thing’ and ‘The Avengers Take Over!’ – a fast-paced, all-out Battle Royale resulted when the disgruntled man-monster came to New York in search of side-kick Rick Jones, and only an injury-wracked FF stood in the way of his destructive rampage.

A definitive moment in the character development of the Thing, the action was ramped up when a rather stiff-necked and officious Avengers team horned in claiming jurisdictional rights on “Bob” Banner (this tale is plagued with pesky continuity errors which would haunt Stan Lee for decades) and his Jaded Alter Ego. Notwithstanding the bloopers, this is one of Marvel’s key moments and still a visceral, vital read.

The creators had hit on a winning formula by including their other stars in guest-shots – especially as readers could never anticipate if they would fight with or beside the home team. ‘The Search for Sub-Mariner!’ again found the sub-sea anti-hero in amorous mood, and when he abducted Sue Storm the boys called in Doctor Strange, Master of the Mystic Arts, to aid them. Issue #28 is a superb team-up tale too, most notable (for me at least) for the man who replaced George Roussos.

‘We Have to Fight the X-Men!’ found the teams battling due to the machinations of the Puppet Master and the Mad Thinker, but the inclusion of Chic Stone, Kirby’s most simpatico and expressive inker, elevates the art to indescribable levels of quality.

‘It Started on Yancy Street!’ (FF#29) may start low-key in the slum where Ben Grimm grew up but with the reappearance of the Red Ghost and his Super-Apes the action quickly goes Cosmic, and the next issue introduced evil alchemist ‘The Dreaded Diablo!’ who nearly broke up the team while conquering the world from his spooky Transylvanian castle.

Next up is Fantastic Four Annual #2 from 1964, which boldly led off with ‘The Fantastic Origin of Doctor Doom!’, before storming into the climactic adventure epic ‘The Final Victory of Dr. Doom!’ The monthly wonderment resumes with #31’s ‘The Mad Menace of the Macabre Mole Man!’ which balanced a loopy plan to steal entire streets of New York City with a portentous sub-plot featuring a mysterious man from Sue’s past, as well as renewing the quartet’s somewhat fractious relationship with the Mighty Avengers.

The secret of that mystery man was revealed in the next issue’s ‘Death of a Hero’, a powerful tale of tragedy and regret that spanned two galaxies, and which starred the uniquely villainous Invincible Man who was not at all what he seemed…

‘Side-by-Side with Sub-Mariner!’ brought the aquatic anti-hero one step closer to his own series when the team lent surreptitious aid to the embattled undersea monarch as the deadly barbarian Attuma made his debut in FF #33, whilst in ‘A House Divided!’ the team were nearly destroyed by Mr. Gideon, the Richest Man in the World.

‘Calamity on the Campus!’ saw the team visit Reed Richard’s old Alma Mater in a tale designed to pander to the burgeoning college fan-base Marvel was cultivating (there’s even a cameo role for Peter Parker), but the rousing yarn that brought back Diablo and introduced the monstrous homunculus Dragon Man easily stands up as a classic on its own merits. Fantastic Four #36 introduced the team’s theoretical nemeses with ‘The Frightful Four’ a team of villains comprising The Wizard, Sandman, Trapster (he was still Paste Pot-Pete here, but not for long) and an enigmatic new character called Madame Medusa, whose origin would have a huge impact on the heroes in months to come. Also notable in this auspicious but inconclusive duel was the announcement after many months of Reed and Sue’s engagement – in itself a rare event in the realm of comic books.

Issue #37 found the team spectacularly travelling to the homeworld of the shape-shifting Skrulls in search of justice in ‘Behold! A Distant Star!’ and they returned only to be ‘Defeated by the Frightful Four!’ in FF# 38, a momentous tale with a startling cliff-hanger that marked Chic Stone’s departure in landmark manner.

Frank Giacoia, under the pseudonym Frank Ray, stepped in to ink #39’s ‘A Blind Man Shall Lead Them!’ wherein a powerless Fantastic Four were attacked by an enraged Doctor Doom and only the sightless vigilante Daredevil had a chance to keep them alive. The tale concluded in #40 with ‘The Battle of the Baxter Building as Vince Colletta assumed the ink chores for a bombastic conclusion that perfectly displays the indomitable power and inescapable tragedy of the brutish Thing.

There’s pin-ups galore scattered throughout this volume and as an added bonus a Spider-Man/Human Torch clash from Strange Tales Annual #2 in 1963, a period when the Flaming Kid had his own solo series (see Essential Human Torch, ISBN 0-7851-1309-6).

‘On the Trail of the Amazing Spider-Man’ is a mediocre story at best, blessed with superb art from Kirby inked by Steve Ditko, but sadly even that saving grace is marred here by some pretty amateurish application of grey-tones, which reduce too many pages to monochromatic mud (hopefully just a glitch that can corrected in later editions).

Despite this last cavil this is still a magnificent book to read and these are the tales that built a comics empire. The verve, imagination and sheer enthusiasm shines through and the wonder is there for you to share. If you’ve never thrilled to these spectacular sagas then this black and white book of marvels is your best and most economical key to another world and time.

© 1963, 1964, 1965, 2003, 2007 Marvel Characters, Inc. All Rights Reserved.

Fantastic Four: World’s Greatest

By Mark Millar & Bryan Hitch with Paul Neary, Andrew Currie and Matt Banning (Marvel/Panini UK)
ISBN: 978-1-84653-404-1

If you’re new to the first family of comic books, or worse yet returning after a sustained absence, you might have a few problems with this otherwise superb selection of high-concept hi-jinks featuring Mister Fantastic, Invisible Woman, The Thing and the Human Torch. However if you’re prepared to ignore a lot of unexplained references to stuff you’ve missed there’s two magically enthralling tales on offer in this chunky tome.

Collecting the contents of Fantastic Four #554-561, the wonderment begins when Reed Richard’s old college girlfriend reappears with a request and proposition he simply cannot refuse. Alyssa Moy is as smart as Richards but she need help finishing her latest project – a fully working replica of planet Earth for the entire race to escape to when (not if) the original is destroyed by climate change and humanity’s abuse.

Designed as the ultimate gated community, disaster strikes when its robotic police/peacekeeper unit “Cap” escapes into the real world. Created to deal with any sign of conflict it goes on a rampage, destroying superheroes and armies alike. Nothing can stop it, but Mister Fantastic has an idea…

Doctor Doom returns for the next mini epic, only to be humbled and abducted by a new team of super-beings who seem linked to the Torch’s new girlfriend. As the body count and collateral damage rises, Reed discovers he’s been betrayed by Alyssa Moy and events spiral to a climax that could wipe-out reality itself…

Tense and gripping with superb art from Hitch and inkers Neary, Currie and Banning, plus evocative colouring by Paul Mounts, these super-science sagas revolve heavily around the FF’s roles as a tight-knit family and the human dramas seldom play second fiddle to simple tights ‘n’ fights action.

Potentially confusing at first, but a cautious, conscious perusal will deliver great rewards for fans of the genre.

© 2008 Marvel Entertainment, Inc. and its subsidiaries. All Rights Reserved. (A BRITISH EDITION BY PANINI UK LTD)


By Stan Lee, Jack Kirby & various (Marvel)
ISBN: 978-0-7851-3302-5

I love a bit of controversy so I’m going start off by saying that Fantastic Four #1 is the third most important American comicbook of the last sixty years, behind Showcase #4, which introduced the Flash and therefore the Silver Age, and The Brave and the Bold #28, which brought superhero teams back via the creation of the Justice League of America. Feel free to disagree…

After a troubled period at DC Comics (National Periodicals as it then was) and a creatively productive but disheartening time on the poisoned chalice of the Sky Masters newspaper strip (for details see our Complete Sky Masters of the Space Force review or better yet get your own copy – ISBN: 1-56685-009-6) Jack Kirby settled into his job at the small outfit that used to be the publishing powerhouse Timely/Atlas, churning out mystery, monster, romance and western material in a market he suspected to be ultimately doomed.

But his fertile imagination couldn’t be suppressed for long and when the JLA caught the reader’s attention it gave him and writer/editor Stan Lee an opportunity that changed the industry forever.

Depending upon who you believe a golfing afternoon led publisher Martin Goodman to order his nephew Stan to try a series about super-characters like the JLA, and the resulting team quickly took the industry and the fans by storm. It wasn’t the powers: they’d all been seen since the beginning of the medium. It wasn’t the costumes: they didn’t even have any until the third issue.

It was Kirby’s compelling art and the fact that these characters weren’t anodyne cardboard cutouts. In a real and recognizable location – New York City – imperfect, rather touchy people banded together out of tragedy and disaster to face the incredible.

In many ways The Challengers of the Unknown (Kirby’s prototype quartet is available in two wonderful DC Archives – ISBN’s 1-56389-997-3 and 1-4012-0153-9, as well as in a single economical, black and white compendium similar to this FF volume: ISBN13: 978-1-4012-1087-8) laid all the groundwork for the wonders to come, but the staid, almost hide-bound editorial strictures of National would never have allowed the, undiluted energy of the concept to run all-but unregulated.

Fantastic Four #1 (bi-monthly and cover-dated November 1961, by Lee, Kirby and an uncredited inker whose identity remains a topic of much debate to this day) is raw: rough, passionate and uncontrolled excitement, Thrill-hungry kids pounced on it.

‘The Fantastic Four’ saw maverick scientist Reed Richards summon his fiancé Sue Storm, their friend Ben Grimm and Sue’s teenaged brother before heading off on their first mission. They are all survivors of a private space-shot that went horribly wrong when Cosmic rays penetrated their ship’s inadequate shielding and mutated them all.

Richards’ body became elastic, Sue gained the power to turn invisible, Johnny Storm could turn into living flame and tragic Ben turned into a shambling, rocky freak. In ‘The Fantastic Four meet the Mole Man’ they foil a plan by another outcast who controls monsters and slave humanoids from far beneath the Earth. This summation of the admittedly mediocre plot cannot do justice to the engrossing wonder of that breakthrough issue – we really have no awareness today of how different in tone, how shocking it all was.

“Different” doesn’t mean “better” even here, but the FF was like no other comic on the market at the time and buyers responded to it hungrily. The brash experiment continued with another old plot in #2. ‘The Skrulls from Outer Space’ were shape-changing aliens who framed the FF before the genius of Mister Fantastic bluffed them into abandoning their plans for conquering Earth.

Issue #3, with inks by Sol Brodsky, featured ‘the Menace of the Miracle Man’ whose omnipotent powers had a simple secret, but is more notable for the first appearance of their uniforms, and a shocking line-up change, which lead directly into the next issue (continued stories were an innovation in themselves) which revived a golden-age great.

‘The Coming of the Sub-Mariner’ reintroduced the all-powerful amphibian Prince of Atlantis, who had been lost for decades, a victim of amnesia. Recovering his memory thanks to the Human Torch, Namor returned to his sub-sea home only to find it destroyed by atomic testing. A monarch without subjects, he swore vengeance on humanity and attacked New York City with a gigantic monster. This saga is when the series truly kicked into high-gear…

Until now the creative team, who had been in the business since it began, had been hedging their bets. Despite the innovations of a contemporary superhero experiment their antagonists had relied heavily on the trappings of popular trends in the media – and as reflected in their other titles. Aliens and especially monsters played a major part in the earlier tales but Fantastic Four #5 took a full-bite out of the fight n’ tights apple and introduced the first full-blown super-villain to the budding Marvel Universe.

No, I haven’t forgotten Mole Man: but that tragic little gargoyle, for all his plans of world conquest wouldn’t truly acquire the persona of a costumed foe until his more refined second appearance in #22.

‘Prisoners of Doctor Doom’ (July 1962, and inked by the subtly slick Joe Sinnott) has it all. An attack by a mysterious enemy from Reed’s past, magic and super-science, lost treasure, time-travel – even pirates. Ha-haar, me ‘earties!

Sheer magic! And the creators knew they were on to a winner as the deadly Doctor returned the very next issue, teamed with a reluctant Sub-Mariner to attack our heroes as ‘The Deadly Duo!’ inked by new regular embellisher Dick Ayers.

Alien kidnappers were the motivating force when the team became ‘Prisoners of Kurrgo, Master of Planet X’, a dark and grandiose off-world thriller in FF#7 (the first monthly issue), and a new villain plus the introduction of a love-interest for the monstrous Ben Grimm were the breakthrough high-points in #8: ‘Prisoners of the Puppet Master!’

The December issue, #9, trumpeted ‘The End of the Fantastic Four’ as the Sub-Mariner returned to exploit another brilliant innovation in comic storytelling. When had a super-genius, superhero ever messed up so much that the team had to declare bankruptcy? When had costumed crimefighters ever had money troubles at all? The eerily prescient solution was to “sell out” and make a blockbuster movie – giving Kirby a rare chance to demonstrate his talent for caricature…

1963 was a pivotal year in the development of Marvel. Lee and Kirby had proved that their new high concept -human heroes with flaws and tempers – had a willing audience. Now they would extend that concept to a new pantheon of heroes. Here is where the second innovation would come to the fore.

Previously, super-heroes were sufficient unto themselves and shared adventures were rare. Here, however was a universe where characters often tripped over each other, sometimes even fighting each other’s enemies! The creators themselves might turn even up in a Marvel Comic! Fantastic Four #10 featured ‘The Return of Doctor Doom!’ wherein the arch villain used Stan and Jack to lure the Richards into a trap where his mind is switched with the bad Doctor’s.

The innovations continued. Issue #11 had two short stories instead of the usual book-length yarn; ‘A Visit with the Fantastic Four’ and ‘The Impossible Man’, with a behind-the-scenes travelogue and a baddie-free, compelling, comedic tale. FF #12 featured an early crossover as the team were asked to help the US army capture ‘The Incredible Hulk’.

This was followed by ‘Versus the Red Ghost and his Incredible Super Apes!’ a cold war thriller pitting them against a soviet scientist in the race to reach the Moon: a tale notable both for the moody Steve Ditko inking (replacing the adroit Ayers for one month) of Kirby’s artwork and the introduction of the cosmic voyeurs called The Watchers.

Issue #14 featured the return of ‘The Sub-Mariner and the Merciless Puppet Master!’ and was followed by ‘The Mad Thinker and his Awesome Android!’ a chilling war of intellects with plenty of room for all-out action. FF #16 revealed ‘The Micro-World of Doctor Doom!’ in a spectacular romp guest-starring new hero Ant-Man, yet the villain promptly returned with infallible, deadly traps next month in ‘Defeated by Doctor Doom!’

A shape-changing alien with all their powers was next to menace our heroes when ‘A Skrull Walks Among Us!’ and issue #19 introduced another of the company’s top-ranking super-villains as the FF became ‘Prisoners of the Pharaoh!’ This time travel tale has been revisited by so many writers that it is considered one of the key stories in Marvel history.

Fantastic Four #20 introduced ‘The Mysterious Molecule Man!’ and the next guest-starred Nick Fury (fresh from his own World War II comicbook and soon to be the company’s answer to James Bond) to battle ‘The Hate-Monger!’ (inked by veteran George Roussos, using the protective nom de plume George Bell).

The rest of this terrific book is taken up with reprinting the first summer Annual: a spectacular thirty-seven page epic battle as, reunited with their wandering prince the warriors of Atlantis invaded New York City, and presumably the rest of the world, in ‘The Sub-Mariner versus the Human Race!’.

Also included is the charming short tale ‘The Fabulous Fantastic Four meet Spider-Man!’, a re-interpretation of the first meeting between the two most popular Marvel brands from the premiere issue of the wall-crawlers own comic. Pencilled this time by Kirby, Ditko once more applied his unique inking for a truly novel look. To close out the book there’s also a large selection of pin-ups and information pages illustrated by Kirby and chums to accompany earlier pages that dot the book and even the un-used, alternative cover for the annual.

Although possibly – just, perhaps – a little dated in tone, these are still classics of comic story-telling illustrated by one of the world’s greatest talents just approaching his mature peak. They are fast, frantic fun and a joy to read or re-read. This comprehensive, joyous introduction (or even reintroduction) to these characters is a wonderful reminder of just how good comic books can – and should be.

© 1961, 1962, 1963, 2008 Marvel Characters, Inc. All Rights Reserved.