Catwoman: Crime Pays


By Will Pfeiffer, David Lopez & Alvaro Lopez (DC Comics)
ISBN: 978-1-84576-972-7

Even the most resonant characters handled by the very best creators have bad patches, especially when tumbled into the destabilising chaos of company crossover events and so much more so when said creators are labouring under the cosh of knowing that the title they’re working on has already been cancelled.

So it is with this compilation of Catwoman (collecting issues #73-77 of her done-and-dusted monthly comic) as the urban defender of the downtrodden, freshly returned from a debilitating role in the Wonder Woman: Amazons Attack! storyline, having given up her daughter and abandoned her old secret identity, only narrowly escapes being blown up in her own apartment mere moments after discovering that somebody has stolen every stick and stitch she possessed…

Determined to discover who took the last remnants of her life, Selina Kyle has to steal one of her old costumes and gear from a demented collector before she goes after The Thief, only to be shanghaied by the Suicide Squad: a clandestine government penal battalion of super-villains, working black ops in return for eventual pardons… She awakens on another planet: a hellworld used as Devil’s Island of Space, where the government has been secretly dumping Earth’s villains without due process… and with no way back.

A world chock-full of metahuman psychopaths, thugs and megalomaniacs is bad enough, but when the likes of Luthor, the Joker, Vandal Savage and Gorilla Grodd start competing for the right to lead it’s going to get a little fraught. How long can Selina last before somebody remembers that she’s been fighting for the other side? And then she falls into a booby-trapped alien device that seems to send her somewhere even weirder and more dangerous…

For a fuller understanding of this tale you will have to read the collected miniseries Salvation Run, and yet again this book ends on a cliffhanger but regardless of those niggles this is still a good solid read and the end is finally in sight, with only one more book to come.

The great shame is that even though creators Pfeifer, Lopez and Lopez knew they were on clean-up detail, and compelled to add material not necessarily of their choosing, they still pulled out all the stops to make this a superbly engaging and compelling experience, and such artistic integrity shouldn’t go unnoticed or un-remarked.

Enjoyable and thrilling for established fans, this isn’t the book to start with if you’re a new reader. Those lucky latecomers should aspire to buy the complete series and indulge in the luxury of reading the lot all at one sitting…

© 2008 DC Comics. All Rights Reserved.

Catwoman: Crooked Little Town


By Ed Brubaker, Brad Rader, Cameron Stewart, Rick Burchett& various (DC Comics)
ISBN13: 978-1-84023-736-8

Seamlessly progressing from her reinvention in Selina’s Big Score (ISBN: 1-84023-773-3) and Catwoman: the Dark End of the Street (ISBN: 978-1-84023-567-8) the new, socially conscious defender of the underclass inhabiting Gotham City’s down-market East End District finds herself battling another gang pushing drugs in her preserve. This time however, the very guilty parties responsible seem to come from Gotham’s wealthy aristocracy. Also hungry to finger a few expensive collars is the relentless old gumshoe Slam Bradley and even Selina’s protégé Holly Robinson.

The crusade takes a dark turn when an undercover cop is murdered by his own dirty colleagues and Holly is framed for the deed. Selina and Bradley have their work cut out to survive the dirty, violent, twilight world to save the young ingénue, but behind even the artistos there’s another mastermind at work, familiar and chillingly deadly…

The four part ‘Disguises’ by Ed Brubaker, Brad Rader, Cameron Stewart and Rich Burchett is book-ended by the prequel ‘Trickle Down Theory’ and the splendidly cathartic glimpse into Selina’s past ‘Joy Ride’ (originally published as Catwoman #5-10) and complemented by the excellent and revelatory closing tale ‘The Many Lives of Selina Kyle’ by Brubaker, Michael Avon Oeming and Mike Manley, taken from Catwoman Secret Files #1.

As grim and gritty as a comic can get without become “adults only”, yet still finding room for breakneck fun and adventure, the ongoing transition from sleek, sexy cat-burglar to tarnished champion of the forgotten is a masterpiece of skillful storytelling whilst the moody, stylish art made this particular cat’s life (her fourth, I think) a series to cherish. Irresistibly readable, this is superhero shtick at its finest. Fans of caper movies, Noir thrillers and just plain literate thrill-seekers should take note…

© 2002 DC Comics. All Rights Reserved.

CATWOMAN: THE DARK END OF THE STREET


By Ed Brubaker, Darwyn Cooke, Cameron Stewart & Mike Allred (DC Comics)
ISBN13: 978-1-84023-567-8

Reinvigorated and transformed by her return to Gotham City and the shucking of her sleazy, buxom, “bad-Grrl” status, (See Selina’s Big Score ISBN: 1-84023-773-3 for the full details and another rollickin’ good read) Catwoman began a more socially conscious career as a vigilante; extending her own brand of succour to the shady denizens of Gotham City’s sleazy East End District. This book collects the back-up series that ran in Detective Comics #759-762 and the first four issues of her 2001 series (volume 2, I rather suspect you’d call it).

Technically a Slam Bradley story, the ‘Trail of the Catwoman’ serial by Ed Brubaker, Darwyn Cooke and Cameron Stewart sees the grizzled old private eye hired by the Mayor to find the legendary super-thief even though all evidence indicates that she’s dead. In true film noir tradition a convoluted trail leads to lots of sordid situations and hairsbreadth escapes for the world-weary gumshoe as he unravels her life, the tension increasing as he realizes he’s falling for a girl he’s never met and hunting her for the worst cutthroats in Gotham…

For greater clarity you should read Catwoman: Selina’s Big Score (ISBN: 1-84023-773-3) before continuing with this book which then picks up a few months later as Selina Kyle moves into the East End of Old Gotham and finds renewed meaning when she determines to stop a serial killer preying on prostitutes and street girls.

‘Anodyne’ by Brubaker, Cooke and Mike Allred, reintroduces Holly Robinson, first seen in Batman: Year One (ISBN 1-84576-158-8) and the follow-up Catwoman (1989) miniseries by Mindy Newell and JJ Birch (collected as Her Sister’s Keeper ISBN: 978-0-44639-366-9). Reunited, the old friends decide to solve the case that Gotham’s corrupt authorities won’t touch.

The transition from sleek, sexy cat-burglar to tarnished champion of the underclass is a masterpiece of slick storytelling, and the cutting-edge art from Cooke et al pushed this series to a level few could touch.

Even after all this time this is probably the best incarnation of Catwoman ever – and that’s including Eartha Kitt purring away in that outfit! Fans of caper movies, Noir thrillers and just plain fun-seekers should make this book their own forever.

© 2001, 2002 DC Comics. All Rights Reserved.

Catwoman: Selena’s Big Score

Selina's Big Score
Selina's Big Score

By Darwyn Cooke & various (DC Comics)
ISBN: 1-84023-773-3

I suspect this started life as a miniseries and for best effect it should be read in conjunction with Catwoman: The Dark End of the Street (ISBN13: 978-1-84023-567-8), but still this wonderful homage to the caper-tales of Elmore Leonard, set firmly on the other side of the tracks, is a sheer delight all on its own as Selina Kyle, basking in the comfortable anonymity that comes when the World thinks you’re dead, gets lured into a robbery from the Mob that’s just too big and too exciting to ignore.

Reuniting with the crime-legend who taught her all the tricks – and whom she subsequently betrayed – a team is assembled to steal the cash. But in this murky world of cross, double cross and treble cross anything that can go wrong probably will…

And how does grizzled PI Slam Bradley fit into the mix?

Set between the Slam Bradley back-up feature in Detective Comics #759-762 and the beginning of Catwoman’s current comic series, this is a slick, absorbing and unique exploit from one of the industries most talented creators: a superhero story for readers who hate fights ‘n’ tights stories.

This splendid stylish, ever-so-retro yarn is augmented by a pin-up gallery from some of comics’ most individual artists: to wit Mike Mignola, Michael Allred, Shane Glines, Kevin Nowlan, Adam Hughes, Daniel Torres, Jaime Hernandez and the inimitable Steranko. Even if you hate all that super-stuff, take a chance and track down this book. It really is something very special…

© 2002 DC Comics. All Rights Reserved.

Catwoman: Catwoman Dies

Catwoman Dies

By Will Pfeifer, David Lopez & Alvaro Lopez (DC Comics)
ISBN: 978-1-84576-774-7

This action-heavy compilation starts the clean-up process as the current series prepares for cancellation by taking a number of the key premises of this incarnation and negating them. Rather than go for the favoured comics ploys of re-writing reality the creators have opted for Selina Kyle enlisting the aid of trusted friends to cover her tracks and “disappear” her.

Collecting issues #66-72, and featuring a somewhat muddled and misguided cross-over with the DC Universe Event Amazons Attack!, super-thief, single mum, and unelected guardian of Gotham’s East Side Catwoman is driven to finally forsake her life due to her increasingly high profile on the radar of such villains as Lex Luthor, the Calculator, Blitzkrieg and especially the relentless, revenge-obsessed Soviet superhumans Hammer and Sickle.

Although still a good solid read, the end is in sight and creators Pfeifer, Lopez and Lopez know they’re on clean-up detail. Necessary and enjoyable for established fans, but this isn’t the book to start with if you’re a new reader.

© 2007 DC Comics. All Rights Reserved.

Catwoman: It’s Only a Movie

Catwoman: It's Only a Movie

By Will Pfeifer, David Lopez & Alvaro Lopez (DC Comics)
ISBN 1-84576-565-6

During the year she was “missing” from the DC universe Selina Kyle changed her name and had a baby. When she resurfaced it was business as usual for the self-appointed guardian of the Gotham City district known as The East End (See Catwoman: The Replacements ISBN 1-84576-426-9). Her friend and replacement Holly was arrested when she stopped a crime involving the bizarre movie-obsessed psychopath known as the Film Freak.

Now in custody for a murder that Selina actually committed, Holly can only await rescue. Film Freak is free and recreating classic movie scenes with murderous improvisations which the original Catwoman must stop before the final curtain takes all of Gotham with it.

Also included are an extraordinary side-trip to Metropolis to burgle Lex Luthor’s science-vault, a foreboding prelude of the next story-arc and the long-awaited revelation of just who fathered her baby.

Fast-paced and frenetic, this tale (originally released as issues #59-#65 of the Catwoman comicbook) constantly delivers quality action adventure that can’t fail to delight thrill junkies who don’t mind the odd bit of wit and style with their adrenaline.

© 2006, 2007 DC Comics. All Rights Reserved.

Catwoman: When in Rome

Catwoman: When in Rome 

By Jeph Loeb & Tim Sale (DC Comics)
ISBN: 1-4012-0432-5

Jeph Loeb and Tim Sale continue their continuity reworking shenanigans with this vivid, if lightweight, piece of eye-candy that discloses what Selina Kyle got up to between the end of Batman: The Long Halloween (ISBN: 1-5389-469-6) and Batman: Dark Victory (ISBN: 1-56389-738-5).

Confused, and on the run, Catwoman and the Riddler fly to Italy to escape the wrath of the Gotham City Mob and to track down a new lead into the secret of the slinky one’s (and that would be Selina, OK?) lost and anonymous parentage, only to find themselves co-opted into a major heist whilst trying to avoid being killed by what seems to be Batman’s (other) worst villains.

It’s a stylish homage to Film Noir and Gangster chic, with the odd overtone of late Hitchcock, and readable enough, but lacks the strength and vivacity of the regular Catwoman books, especially those by Brubaker and Stewart, and is not a patch on The Long Halloween.

Such a long-lived and well-rounded character is worthy of more than tinsel and whips, surely?

© 2005 DC Comics. All Rights Reserved.

Catwoman: Wild Ride

Catwoman: Wild Ride 

By Ed Brubaker & Cameron Stewart (DC Comics)
ISBN: ISBN: 1-84576-190-1

This last collection of tales (taken from Catwoman Secret Files #1 and issues #20 – 24 of her monthly comic) before a major redefinition of the character, sees Selina Kyle take her long time associate (“Don’t call me side-kick”) Holly on a mysterious road-trip across DC Universe America, having adventures in the home cities of other heroes.

After a brief stopover in up-state New York with Wildcat for some self-defence lessons for Holly and a rooftop fight with some Egyptian Cat Cultists, our four-color Thelma and Louise arrive in Keystone City and become involved with Captain Cold’s plan to burglarize the Flash Museum.

As octogenarian Shamus (and sometime paramour) Slam Bradley keeps an eye on Catwoman’s home turf for her, she and Holly hijack a mob hijacking at a diner on the way to Opal City, meeting up with the fondly remembered Bobo Bennetti (from James Robinson’s Starman series), before ending up Down South in St Roch for a team-up with Hawkman and Hawkgirl.

They finally reveal the origins of those cat cultists who have been popping up ever since paragraph two. Most brilliant moment comes as Bradley and Batman have a bitchfight over who gets to be Selina’s boyfriend.

This sassy, thrilling and charming ramble is Brubaker at his streetwise best and the retro styling of Cameron Stewart captures the joy and horror of these extraordinary characters lives in an mesmerisingly subversive way. Utterly recommendable, fun comics.

© 2005 DC Comics. All Rights Reserved.

Catwoman: Relentless

Catwoman: Relentless  

By Ed Brubaker & Cameron Stewart (DC Comics)
ISBN: 1-84023-821-6

The latest revamping of the Catwoman continues in this third volume, collecting issues #12-19 of her comic series plus the Secret Files one-shot. The transition from slinky villainess to bad-girl super-thief to anti-hero continues with her making one district of Gotham City her own protectorate, earning the enmity of crime-lord Black Mask.

Apparently, when you annoy a gangster he comes after not only you, not only all your loved ones but even anybody who might have stood next to you on a bus once, and Selina Kyle has to defeat a ruthless and obsessive foe determined to make her an object lesson to all.

This is work that avoids the formula writing of many comic series, and the deceptively simple art style hones that storytelling until it’s like a sleek ice-pick for the eyes – but in a good way. Brubaker and Stewart have fully adapted a classic Noir sensibility to the flash and dazzle of super-hero comics and the resulting feel of grimy authenticity permeates these stories. If this had been the stuff of the film, we’d all still be sitting in those gum smeared seats.

© 2005 DC Comics. All Rights Reserved.

Catwoman: Nine Lives of a Feline Fatale

Catwoman: Nine Lives of a Feline Fatale 

By Various (DC Comics)
ISBN 1-84023-833-X

It feels odd to plug a book that is so obviously a quick and cheap cash-cow tie-in to a movie (and a bad movie, at that), but the Catwoman volume has a great deal to recommend it. For a start it is quaintly cheap’n’cheerful. The references to the film are kept to an absolute minimum. The selection of reprints, purporting to signify nine distinct takes on the near seventy year old character, are well considered in terms of what the reader hasn’t seen as opposed to what they have. There are also some rare and stunning art pieces selected as chapter heads, too, from the likes of George Perez, Dave Stevens, Alan Davis and Bruce Timm.

The stories themselves obviously vary in quality by modern standards, but serve as an intriguing indicator of taste in the manner of a time capsule. From her first appearance as a mysterious thief (Batman #1 1940), through ‘The Crimes of the Catwoman’ (Detective #203 1954), the wonderfully absurdist ‘The Catwoman’s Black Magic’ (Superman’s Girl Friend Lois Lane #70-71 1966), to the cringingly painful ‘Catwoman Sets Her Claws For Batman’ (Batman #197 1967) one can trace a gradual decline from sexy object of pursuit to imbecilic Twinkie.

In the nonsensical ‘The Case of the Purr-Loined Pearl’ (Batman #210 1969), Frank Robbins slowly (and oh, so terribly gradually) begins her return to major villain status, ‘A Town on the Night’ (Batman #392 1986), shows one of her innumerable romantic excursions onto the right side of the law before ‘Object Relations’ (Catwoman #54 1998), shows us the ghastly Bad-girl version of the glamorous thief.

Mercifully, we then get to the absolutely enthralling ‘Claws’ (Batman: Gotham Adventures #4 1998), produced in the tie-in comic based on the television cartoon but probably the best piece of pure comic book escapism in the whole package. The volume closes with the new, current origin ‘The Many Lives of Selina Kyle’ (Catwoman Secret Files #1 2002), by Ed Brubaker and Michael Avon Oeming and Mike Manley.

Catwoman is possibly one of the few female comic characters that the real world has actually heard of, so it’s great that the whole deal is such a light, frothy outing, as well as having some rarity appeal for the dedicated fan. Go get her, Tiger!

©1940-1955, 1956-2002, 2004 DC Comics. All Rights Reserved