Ultimate Comics Hawkeye


By Jonathan Hickman, Rafa Sandoval, Jordi Tarragona & Brad Anderson (Marvel/Panini UK)
ISBN: 978-1-84653-464-5

Marvel’s Ultimates imprint launched in 2000 with major characters and concepts re-imagined to bring them into line with the presumed different tastes of modern readers.

Eventually the alternate, darkly nihilistic universe became as continuity-constricted as its predecessor and in 2008 the cleansing event “Ultimatum” culminated in a reign of terror which apparently (this is comics, after all) killed dozens of super-humans and millions of lesser mortals.

The era-ending event was a colossal tsunami triggered by Magneto which inundated the superhero-heavy island of Manhattan and devastated the world’s mutant population. The X-Men as well as many other superhuman heroes and villains died and in the aftermath anybody classed as a ‘”Homo Superior” had to surrender to the authorities or be shot on sight. Understandably most survivors as well any newly emergent X-people kept themselves well hidden. The world quickly became a far more deadly and fast-changing place with science and paranoia running rampant…

Before the Deluge S.H.I.E.L.D. director Nick Fury ran an American Black Ops team of super-humans called the Avengers, but he was eventually toppled from his position for sundry rule-bending antics – and being caught doing them.

Now Fury’s back, once more running the Federal Security Agency: firmly re-established and in charge of both secret agents and the official superhero team for public consumption whilst running another clandestine super-squad doing stuff the officially sanctioned Ultimates wouldn’t dream of…

As well as the pick of remaining and new superhumans, Fury’s sometime secret army consists of James Rhodes: a fanatical soldier wearing devastating War Machine battle armour; the Hulk, ruthless super-spy Black Widow, resurrected WWII super soldier Captain America (part of the bright and shiny public Image company but always happy to slum it when necessary) and the infallible professional fixer Hawkeye – the man who never misses…

This compilation collects the Ultimate Comics: Hawkeye four part miniseries from August to November 2011, which acted as prelude and sidebar to yet another relaunch of the constantly-changing grim and gritty alternate universe. Also on view in this tale is a new take on mainstream Marvel’s hidden race concepts of metahumans and monsters The Eternals, Deviants and Celestials and offers a big tip of the hat to Jack Kirby’s other paranormal alien-nation the Inhumans…

In this apocalyptic modern world individual metahumans can be Weapons of Mass Destruction and personal superpowers are now the focus of a terrifying new global arms race. When the new nation SEAR (SouthEast Asian Republic) devolves into civil war the outside world learns that they have developed a serum that will randomly spark fantastic abilities in anybody dosed with it.

To achieve a monopoly in metahuman resources the SEAR rulers have also released an artificial virus to eradicate the X-Gene: as it spreads around the planet it destroys the potential for any more mutants to be born. There will never again be naturally occurring challengers to “The People”…

Unfortunately for the SEAR government – and thus their ally America – the insurrectionists rampaging through the ambitious new nation comprise the now uncontrollable unwilling first test subjects of the chemical trigger they have dubbed “The Source”…

When S.H.I.E.L.D. is ordered to assist the beleaguered SEAR authorities, Fury sends his very best and most trusted agent but events too quickly spiral out of control as a race of belligerent New Gods go wild in the streets. Moreover, Hawkeye’s true mission is not to save some tin pot dictators from their own folly but to secure a sample of the source for the good old USA…

When the situation becomes irretrievable Fury dispatches covert Ultimate-X and the Hulk but even these formidable fighting forces are ill-equipped to halt the carnage; especially since the “The People of the Source” have decimated the capital city and already fractionated into two philosophically opposed sub-groups led by two feuding brothers Zorn and Xorn: the vengefully aggressive Eternals and pacific, philosophical Celestials.

Sadly for humanity, the former far outnumber the latter…

However one thing both factions agree on is that Earth now belongs to their kind and anybody – powered or merely human – are lowly “Deviants”…

Featuring some valuable hints on the history and abilities of Olympic champion and reformed felon Clint Barton and his close association with Fury, this intriguing tome is a terse and straightforward do-or-die action rollercoaster and classy “gathering doom” tale in its own right but was only ever intended as an introduction to bigger events in the core title The Ultimates.

However the always entertaining Jonathan Hickman and cruelly underrated Rafa Sandoval (augmented by the inks of Jordi Tarragona and colourist Brad Anderson) make this a sleek and glossy simple pleasure for older Fights ‘n’ Tights fans and the impressive cover gallery by such stars as Neal Adams, Adam Kubert and Kaare Andrews add immeasurably to the book’s visual appeal.

Even though far more upbeat and exuberant that the usual Ultimate fare, the trademark post-modernity and cynical, dark action is still here to deliver the visceral punch fans insist on, so this is a pretty good book for anybody thinking on jumping on to the decidedly different world of Wonder: one which will resonate with older readers who love the darkest side of superheroes and casual readers who know the company’s movies better than the comic-books.

A British edition licensed and published by Panini UK, Ltd. ™ & © 2012 Marvel Entertainment LLC and its subsidiaries. Licensed from Marvel Characters B.V. All Rights Reserved.

Ultimate X: Origins


By Jeph Loeb, Arthur Adams & various (Marvel/Panini UK)
ISBN: 978-1-84653-464-5

Marvel’s Ultimates imprint launched in 2000 with major characters and concepts re-imagined to bring them into line with the presumed different tastes of modern readers.

Eventually the alternate, darkly nihilistic universe became as continuity-constricted as its predecessor and in 2008 the cleansing event “Ultimatum” culminated in a reign of terror which apparently (this is still comics, after all) killed dozens of super-humans and millions of lesser mortals.

The era-ending event was a colossal tsunami triggered by Magneto which inundated the superhero-heavy island of Manhattan and devastated the world’s mutant population. The X-Men as well as many other superhuman heroes and villains died and in the aftermath anybody classed as a ‘”Homo Superior” had to surrender to the authorities or be shot on sight. Understandably most survivors as well any newly emergent X-people kept themselves well hidden…

This collection, re-presenting the long-delayed and much awaited Ultimate Comics: Ultimate X: Origins five part miniseries opens with the story of sixteen year-old wild-boy Jimmy Hudson, who terrifyingly discovers his true origins when he inexplicably survives a street-racing car-crash and is visited by a mysterious girl named Kitty Pride. She comes bearing a hologram message from the dead mutant-hero Wolverine which explains the boy’s incredible healing ability and the bony claws that keep inconveniently popping out of Jimmy’s knuckles…

“Karen Grant” finds all her carefully completed precautions to stay anonymously under the radar are for nought when her wannabe-boyfriend posts her picture on the internet, drawing the attention Tsunami-survivor Jean Grey was desperately trying to avoid…

When evil mutants Mystique and Sabretooth confront her in the mall where she works the result is spectacular destruction. Karen flees again, only to be found by Jimmy Hudson…

In Chicago winged vigilante Derek Morgan can’t escape his troubled past or hard-ass cop brother who wants to turn him in to the Mutant regulators. Fortunately that’s when jimmy and super-psionic Karen Grant show up…

In California Liz Allen thinks she’s sacrificed enough. Leaving New York, discovering she’s a mutant and having to put up with a half-brother dubbed “Tubby Teddy” who’s the spitting image of their deadbeat dad Fred Dukes – better known as the monstrous Blob – should be enough grief for any girl, but when Teddy’s only friend brings a gun to school and starts using it the siblings’ secret powers are exposed all over the TV News. Moreover his invulnerability is nothing compared to the fiery conflagration her own abilities spark off…

Before long the Allens are separated forever when she joins Karen’s runaways and Teddy trudges off to join the revenge-obsessed Quicksilver’s Brotherhood of Mutants…

The volume concludes as Karen’s “X” gang is forced to recruit some heavy-hitting power after Sabretooth almost kills Jimmy. Her solution is overwhelming overkill and she gets Bruce Banner to deliver a Hulk-sized lesson in punitive retribution, spurns Quicksilver’s offer to join forces against humanity and instead allies with one of the most powerful and Machiavellian men in the world…

Originally designed to form part of the post-Ultimatum stable of titles, X suffered perennial delays (five issues between February 2010 and July 2011) and the story instead became a prelude to a new Ultimate X-Men series, none of which is germane to the enjoyment of this classy “gathering of heroes” tale by the always impressive Jeph Loeb and the phenomenally impressive Arthur Adams (augmented by the digital inks of Aspen MLT’s Mark Roslan and colourist Peter Steigerwalt).

Even though far more upbeat and exuberant that the usual Ultimate fare, the trademark post-modernity and cynical, dark action is still here to deliver the grim ‘n’ gritty punch fans insist on, so this is a pretty good book for anybody thinking on jumping on to decidedly different world of Wonder: one which will resonate with older readers who love the darkest side of superheroes and casual readers who know the company’s movies better than the comic-books.
™ & © 2011 Marvel Entertainment LLC and its subsidiaries. Licensed by Marvel Characters B.V. All Rights Reserved. A British edition published by Panini UK, Ltd.

Ultimate Spider-Man: Death of Spider-Man


By Brian Michael Bendis, Mark Bagley, Andy Lanning, Andrew Hennessey & various (Marvel/Panini UK)
ISBN: 978-1-84653-498-0

There’s no way around this and Spoiler-Warnings are pointless so you’ll just have to bear up. It even made the papers…

The Ultimate Comics Spider-Man dies. It says so on the cover. However Writer Brian Michael Bendis and returning artist Mark Bagley end the adventures and young adventurer they began in 2000 in a spectacular, thoroughly action-packed and deeply moving manner and Marvel promises that a new hero will arise from the ashes of this tale…

Marvel’s Ultimates imprint began in 2000 with major characters and concepts re-imagined to bring them into line with the tastes of modern readers – a different market from the baby-boomers and their descendents content to stick with the delights sprung from founding talents Jack Kirby, Steve Ditko and Stan Lee – or possibly – one unable or unwilling to deal with the five decades (seven if you include the Golden Age Timely tales retroactively co-opted into the mix) of continuity baggage conglomerated around the originals.

Eventually this darkly nihilistic alternate universe became as continuity-constricted as its predecessor and in 2008 the cleansing event “Ultimatum” culminated in a reign of terror which apparently (this is still comics, after all) killed dozens of super-humans and millions of lesser mortals.

The era-ending event was a colossal tsunami which inundated Manhattan after which a number of new compendia continued the superhero soap-opera of young Peter Parker and his fellow survivors daily readjusting to a braver, cleaner new world.

Parker is the perennial hard-luck loser kid: a secretive yet brilliant geek just trying to get by in a world where daily education is infinitely more trouble than beating monsters and villains. Between High School and slinging fast food he still finds time to fight crime although his very public heroics during the crisis made him a beloved hero of police and citizenry alike – which is the creepiest thing he has ever endured.

He lives in a big house with his Aunt May and despite his low self-esteem has stellar lovelies like Gwen Stacy, Mary Jane Watson and others seemingly hungry for his scrawny tuchus. He even briefly dated mutant babe Kitty Pride…

Many kids were homeless after the deluge, with schools and accommodation stretched to breaking point. May Parker opened her doors to a select band of orphaned super-kids like the Human Torch, Iceman and even Gwen, all living anonymously in the relatively unaffected borough of Queens.

Oversight agency S.H.I.E.L.D and their representatives Iron Man, Thor and Captain America, were assigned to teach Parker how to be a proper hero, whilst once-nemesis Jonah Jameson became an unexpected ally. With so many fortuitous events in place it could only be a prelude to disaster for the original hard luck hero…

This volume collects the five-part conclusion to the Ultimate Spider-Man saga from 2011 with issues #156-160 of the monthly comicbook and then defuses the tragedy somewhat by ending with a reprinting of the 2002 Ultimate Spider-Man Super Special.

The main story is basic, primal and unforgettable: Norman Osborn, the Green Goblin, escapes from S.H.I.E.L.D. custody whilst the Ultimates and Avengers are otherwise occupied and, freeing fellow prisoners Electro, Doctor Octopus, Kraven the Hunter, Sandman and the Vulture – all of whom know Spider-Man’s civilian identity and address – rampage their way across New York determined to slaughter Parker and everyone who knows him.

After a cataclysmic conflict with echoes of Gotterdammerung and the fall of Beowulf the young warrior sacrifices everything and goes out the way a hero should…

Tense, breathtaking, evocative and even funny in the right places, this is the way a true champion should fight his final battle…

With a gallery of alternate covers by Kaare Andrews, Ed McGuiness & Morry Hollowell, Steve McNiven, Frank Cho, Michael Kaluta and Joe Quesada this epic volume concludes with a giant collaborative and life-affirming venture both in terms of Ultimate Comics co-stars and impressive guest artists from happier, more hopeful times.

Ultimate Spider-Man Super Special was basically a travelogue of the alternate Marvel Universe held together by Spider-Man examining his motives for being a hero. If you’re not that bothered by who drew things, feel free to skip the next paragraph and jump to the summing up.

Working on a pretty ultimate jam-session, a number of creators all drew a slice of the story. In order of presentation they were Alex Maleev, Dan Brereton, John Romita Sr. & Al Milgrom, Frank Cho, Jim Mahfood, Scott Morse, Craig Thompsom, Michael Avon Oeming, Jason Pearson, Sean Phillips, Mark Bagley & Rodney Ramos, Bill Sienkiewicz, P. Craig Russell, Jacen Burrows & Walden Wong, Leonard Kirk & Terry Pallot, Dave Gibbons, Michael Gaydos, James Kochalka, David Mack, Brett Weldele, Ashly Wood and Art Thibert illustrating cameos from the other Blade the Vampire Hunter, Elektra, Daredevil, Captain America, Fantastic Four and Human Torch, the Ultimates/Avengers, Doctor Strange, Iron Man, Black Widow, S.H.I.E.L.D., X-Men, Wolverine and Punisher.

Although not the edgiest of tales or most effective in respect of story-telling, the bold creative choices make it an art connoisseur’s delight and, of course, most dyed-in-the-woollen-long-johns comics fans will love all the hitting and kicking.

Comics as a medium and superheroes as a genre are infamous for raising the dead, so if you are inconsolable about the demise of a minor legend there’s comfort to be had there, if you wish. However if you like a little closure with your drama and spectacle this is a modern epic to wallow in and thoroughly adore…

™ & © 2002 and 2011 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A., Italy. All rights reserved. A British Edition published by Panini UK, Ltd.

Ultimate Comics Captain America


By Jason Aaron & Ron Garney (Marvel/Panini UK)
ISBN: 978-1-84653-489-8

In 2000, when Marvel hived off portions of their established continuity into a separate, darker, grittier universe more relevant to the video game-playing, movie-watching 21st century readers than the 1960s Lee/Kirby/Ditko ongoing monolith, they started with the most popular characters – Spider-Man and the X-Men – only gradually adding analogues for the remaining characters and trademarks.

Even when the Mighty Avengers finally appeared, renamed the Ultimates in 2002, readers were only sparingly brought up to speed on the assorted back-stories of the alternative heroes and villains – including a remarkably familiar yet staggeringly different “Living Legend of World War II”.

Frail Steve Rogers still underwent radical experimentation to become America’s first super-soldier and after a brief stellar career as the living symbol of his war-beleaguered nation, disappeared in a blazing explosion. He was resurrected from a block of ice in modern times and re-assumed his place at the forefront of masked heroes. However, this Sentinel of Liberty was no costumed boy-scout, but rather a deadly and remorseless warrior: a master strategist and supremely skilled street-fighter always ready to apply the ultimate sanction. In short: a conscienceless killer.

In Ultimate Comics Captain America the eternal soldier is on the trail of rogue states seeking to duplicate the super-soldier serum which created him at the behest of his new government masters, when he is captured and subjected to horrendous torture and indoctrination by a living ghost…

Whilst Steve Rogers slept in the ice, America continued its march to global dominance and when the Vietnam conflict escalated the Military sought to recreate Captain America by transforming starry-eyed patriotic kid Frank Simpson into a living embodiment of the American war machine…

Tragically Vietnam was a different kind of war and Simpson (an iteration of the deeply troubled villain Nuke created by Frank Miller & David Mazzucchelli in Daredevil: Born Again) broke under the weight of the dirty jobs and corrupt missions he was assigned to carry out. One day he walked into the jungle and was never seen again…

Now Simpson is back and has clearly discovered how to duplicate the serum that empowers him; selling it to North Korea, Iran and anybody else dedicated to the downfall of the “the Land of the Free”…

Ignoring official orders to stand down, Steve Rogers hunts his successor – who has already thoroughly defeated him once – only to stumble on the USA’s greatest nightmare. Overmatched, outfought and easily captured by Simpson, Rogers is subjected to a terrifying re-education program that opens his eyes to what his country became whilst he slept and the kind of nation Captain America now stands for…

The stark, savage and nihilistically modern Ultimates Comic universe is well-stocked with dark-and-gritty doppelgangers of the gleaming pantheon crafted by Stan Lee, Jack Kirby and Steve Ditko, but since its inception at the turn of the century, the imprint has resolved into something which can easily stand on its own merits, as seen in this wonderful tale (originally published as Ultimate Comics Captain America #1-4).

With the impending imminent release of the latest Captain America movie, a large number of graphic novel collections starring the Sentinel of Liberty have been commissioned and this brutal, beautiful fable of frustrated idealism and corrupted patriotism is one of the very best of recent vintage, in this, that or any other universe.

Written by Jason (Scalped) Aaron, revisiting the source material of his Vertigo classic The Other Side and stunningly illustrated by Ron Garney, whose art on the mainstream hero (see Captain America: Operation Rebirth) returned the Star-Spangled Avenger to dizzying heights of popularity after decades in the doldrums, Ultimate Comics Captain America is a breathtaking, thought-provoking examination of duty and honour and a fabulously entertaining rollercoaster ride of action and adventure for older readers. It’s also a gloriously accessible tale for anybody approaching the character for the very first time…

Tense, compelling, morally challenging and explosively cathartic, this saga of conjoined yet eternally antagonistic ideologies in savage confrontation is absolute comics gold of the very highest quality: challenging, compelling and wildly satisfying.

™ and © 2011 Marvel Entertainment LCC and its subsidiaries. All rights reserved. A British edition released by Panini UK Ltd.

Ultimate Spider-Man: Death of Spider-Man: Prelude


By Brian Michael Bendis, David LaFuente, Sara Picheli, Joёlle Jones, Jamie McKelvie, Skottie Young & Chris Samnee (Marvel/Panini UK)
ISBN: 978-1-84653-486-7

Marvel’s Ultimates sub-imprint began in 2000 with key characters and concepts retooled to bring them into line with the tastes of modern readers – a potentially discrete and fresh new market from the baby-boomers and their descendents content to stick with the universe which had sprung from the fantastic founding talents of Jack Kirby, Steve Ditko and Stan Lee – or most likely – one unable or unwilling to deal with the five decades (seven if you include the Golden Age Timely tales retroactively co-opted into the mix) of continuity baggage that had accumulated around the originals.

Eventually this darkly nihilistic alternate universe became as continuity-constricted as its predecessor and in 2008 the cleansing event “Ultimatum” culminated in a reign of terror which apparently (this is still comics, after all) killed dozens of super-humans and millions of lesser mortals.

Although a huge seller (for modern comics at least) the saga was largely slated by the fans who bought it. The ongoing new “Ultimatum Comics” line quietly back-pedalled on its declared intentions, quietly soldiering on without “mentioning the war…”

The key and era-ending event was a colossal wave that inundated the superhero-heavy island of Manhattan and this latest compendium (assembling issue #15 of the post-Tsunami Ultimate Comics Spider-Man series and #150-155 of the same comicbook after it reverted to its original pre wash-rinse-reset-spin-cycle numbering) continues the superhero soap opera of young survivors readjusting to their altered state.

However time is a great reconciler and now the revitalised imprint is slowly gaining ground and winning favour as this third collection of the other Wallcrawler surely attests.

Peter Parker is fifteen (but looks 12), the perennial hard-luck loser kid: a secretive yet brilliant geek just trying to get by in a world where daily education is infinitely more trouble than beating monsters and villains. Between High School and slinging fast food (Burger Frog is his only source of income since the Daily Bugle drowned) he still finds time to fight crime although his very public heroics during the crisis have made him a beloved hero of police and citizenry alike – which is the creepiest thing he has ever endured.

He lives in a big house with his Aunt May and despite his low self-esteem inexplicably has stellar lovelies such as Gwen Stacy, Mary Jane Watson (his ex-squeeze) and others seemingly hungry for his scrawny bod. He even briefly dated mutant babe Kitty Pride: remember when not having a girlfriend was the very definition of “loser”?

Many kids were made homeless after the deluge and with schools and accommodation stretched to breaking point, May Parker opened her doors to a select band of orphaned super-kids like the Human Torch, Iceman and even the troubled – and tempting – Gwen, all living anonymously in the relatively unaffected borough of Queens.

At the end of the previous volume a shapeshifting villain replaced Parker, virtually assaulting both Mary Jane and Gwen and committing crimes as Spider-Man whilst the real Peter and J. Jonah Jamison languished in captivity. During their eventual escape the ruthless publisher deduced Parker’s Arachnid identity and got shot in the head. Now with super-spy organisation S.H.I.E.L.D taking charge of the aftermath Peter finds his fate in the hands of a bunch of take-charge adults who think they know what’s best for him…

The grown-ups, including Government super-team Ultimates Iron Man, Thor and Captain America, decide to teach him how to be a proper hero, so not only does the poor kid have to untangle the mess the Chameleons made of his turbulent love-life, but Peter has to go to a “summer school” where he’s the only pupil…

Meanwhile at his regular school old enemy Bombshell – another jailbait hottie – enrols in his class, claiming she’s turning over a new leaf just as Mary Jane and Gwen face off resulting in one of them running away from home…

Meanwhile extreme burglar Black Cat and criminal mastermind Mysterio have come to an impasse regarding a piece of property previously owned by the recently murdered Kingpin. Unfortunately the Zodiac Key is an extinction-level artefact activated by thought so as they struggle for it whole chunks of New York are vaporised.

Having drawn the short-straw Iron Man is Spidey’s reluctant mentor when the disaster hits and the two supremely outclassed science-geeks are all that’s available to save the day in a crisis which could end the Earth itself…

In the aftermath Peter and once nemesis Jonah Jamison strike an unexpected deal and all Peter’s girl problems converge as Gwen, Mary Jane and Kitty Pryde attend his sixteenth birthday party. It all ends on a remarkably happy note but this volume is, after all, only a prelude…

As ever these stories are as much about the tribulations of growing up as saving the world and writer Bendis superbly blends comedy, teen angst, melodrama and frantic action in a seamless stream of clever scenes and thrilling set pieces, all superbly illustrated by David LaFuente, Sara Picheli, Joёlle Jones, Jamie McKelvie, Skottie Young & Chris Samnee to produce one of the most enjoyable takes on the wall-crawler in decades.

This series is constantly improving and always offers marvellously compelling and enjoyable costumed drama that easily overcomes its opportunistic origins. An absolute must for every fun-loving jaded superhero fan…

™ and © 2011 Marvel Entertainment LCC and its subsidiaries. All rights reserved. A British edition released by Panini UK Ltd.

Ultimate Avengers volume 3: Blade versus the Avengers


By Mark Millar, Steve Dillon & Andy Lanning (Marvel/Panini UK)
ISBN: 978-1-84653-478-2

Marvel’s Ultimates sub-imprint began in 2000 with key characters and concepts retooled to bring them into line with the tastes of modern readers – a potentially discrete market from the baby-boomers and their descendents, who were apparently content to stick with the universe which had sprung from the fantastic founding talents of Jack Kirby, Steve Ditko and Stan Lee – or most likely -  one unable or unwilling to deal with the five decades (seven if you include the Golden Age Timely tales retroactively co-opted into the mix) of continuity baggage that had accumulated around the originals.

Eventually this darkly nihilistic new universe became as continuity-constricted as its predecessor and in 2008 the cleansing event “Ultimatum” culminated in a reign of terror which apparently (this is still comics, after all) killed dozens of super-humans and millions of lesser mortals. Although a strong seller the saga was largely trashed by the fans who bought it and the ongoing new “Ultimatum Comics” line quietly back-pedalled on its declared intentions…

The key and era-ending event was a colossal tsunami that drowned the superhero-heavy island of Manhattan and this third post-tsunami collection (re-presenting Ultimate Comics Avengers 3, #1-6) focuses on a more or less dried out world with the diminished global populations adapted to the new status quo.

Before the Deluge Nick Fury ran an American Black Ops team of super-humans called the Avengers, but he was eventually toppled from his position for sundry rule-bending antics – and being caught doing them. Now he’s firmly re-established, running a black ops team doing stuff the officially sanctioned Ultimates wouldn’t dream of…

His secret army consists of  Hawkeye – the man who never misses, James Rhodes: a fanatical soldier wearing devastating War Machine battle armour; Gregory Stark, Iron Man’s smarter, utterly immoral older brother, Nerd Hulk, a cloned gamma-monster with all the original’s power but implanted with Banner’s brain and milksop character, size changing insect queen Red Wasp and ruthless super-spy Black Widow. Also popping in when nobody’s looking is resurrected WWII super soldier Captain America – part of the bright and shiny squad but always happy to slum it when necessary…

This time the dark-side heroes stumble into a secret war that has gone on uninterrupted by the end of the world, and kicks off with the half-human vampire-hunter Blade on the unaccustomed defensive. The Bloodsuckers he has generally picked off with ease are suddenly more organised, more effective and even more dangerous and as the story unfolds it transpires they have a new king with a new plan…

This mysterious mastermind is wearing Iron Man’s armour and ignoring ordinary mortals, preferring to turn super-heroes into a vampiric army. The situation starts bad and gets exponentially worse with metahuman heroes and guest-stars dropping like flies. With all possible saviours succumbing to the unstoppable plague, it looks hopeless when only Blade, Fury, Black Widow and Hawkeye are left untainted and only the greatest miracle or boldest masterstroke can save humanity…

Which it does in spectacular fashion in this dark, moody and rocket-paced thriller by Mark Millar and Steve Dillon: wry, violent and powerfully scary, this grim-and-gritty fan-fest is engrossing and eminently readable

This spooky, cynical, sinister shocker is another breathtakingly effective yarn that could only be told outside the Marvel Universe, but one that will resonate with older fans who love the darkest side of superheroes and casual readers who know the company’s movies better than the comic-books.
™ & © 2010 Marvel Entertainment LLC and its subsidiaries. All Rights Reserved. A British edition published by Panini.

Ultimate Comics New Ultimates: Thor Reborn


By Jeph Loeb & Frank Cho (Marvel/Panini UK)
ISBN: 978-1-84653-475-1

The stark, savage and nihilistically modern Utimates Comic universe is stocked with dark and gritty analogues of the shiny dynasty crafted by Stan Lee, Jack Kirby and Steve Ditko, but since its inception at the turn of this century has resolved into something which can easily stand on its own merits.

With the Norse hero Thor very much in the public eye at the moment a number of his Ultimately alternative adventures have quickly found themselves translated into graphic novels and Thor Reborn, although certainly not the easiest to begin your acquaintance with, is probably the most action-packed and definitely the best illustrated.

Written by Jeph Loeb and captivatingly depicted by Frank Cho the saga is actually a tale of the alternate Avengers (originally published as Ultimate Comics New Ultimates #1-5) which opens with the Thunderer trapped in the land of the dead, and mourned on Earth by his fellow heroes – especially his devoted lover Valkyrie; a mortal woman artificially empowered by clandestine means who now wields Thor’s hammer.

When her old team the Defenders attacks Ultimates HQ, Iron Man, Hawkeye, Captain America, Valkyrie and mystery goddess Zarda are easily defeated and the attackers steal the mystic mallet, setting off a disastrous chain of deadly events…

Meanwhile the lost Thor has been granted a chance to escape his dolorous prison: all he has to do is impregnate his captor: Hela, Queen of Death…

Ka-Zar, Shanna the She-Devil and Black Panther are just strolling through the park when Loki, god of Madness and Mischief, with Amora the Enchantress in tow, leads an invasion of trolls and monsters to Earth. In his hand is Thor’s dimension-traversing hammer…

Before the assembled champions can muster a defence Amora mesmerises all the female Ultimates including S.H.I.E.L.D. Commander Carol Danvers, and inevitably the indomitable, hard-pressed heroes fall…

But at the moment of triumph a secret weapon turns the tide and the Ultimates escape to fight another day, whilst in Valhalla, bargain fully carried out, Thor readies himself to return, only to discover that one small detail has been neglected. For him to return to life once more, somebody on the other side must die…

Tense, compelling and explosively cathartic, the saga of the Thunderer’s return is pure comics hokum of the very highest quality: unassuming but wildly satisfying.

™ and © 2010 Marvel Entertainment LCC and its subsidiaries. All rights reserved. A British edition released by Panini UK Ltd.

Ultimate Thor


By Jonathan Hickman, Carlos Pacheco & Dexter Vines (Marvel/Panini UK)
ISBN: 978-1-84653-484-3

In 2000, when Marvel retooled their traditional continuity into a separate, darker, grittier universe more relevant to the video game-playing, movie-watching 21st century readers than the 1960s Lee/Kirby/Ditko ongoing monolith, they started with the most popular characters and only gradually added analogues for the established characters and trademarks.

Even when the Avengers finally appeared as the Ultimates, readers were only sparingly brought up to speed on the assorted back-stories of the alternative heroes and villains – especially the wild, hammer-wielding warrior who couldn’t decide if he was Thorlief Golmen, mental patient, psychiatric nurse and anti-American radical protester or Thor, ancient Norse god of Thunder and battle.

After many struggles against his malicious, reality-warping brother Loki, the immensely powerful Thor is found here as a patient under the care of the European Union Super Soldier program. When his doctors call in linguistic expert and psychotherapist Donald Blake the true and fantastic story of his origins unfold…

Eons ago Asgard was a fantastic place of adventure and glory; an ideal paradise for the young warrior-brothers Balder, Thor and Loki to fight, carouse and enjoy life. But even gods grow older and apart…

The time is just prior to the start of World War II Nazi Occult scientist: Baron Zemo leads an army against Asgard, having already allied himself with the gods’ greatest enemies, the Frost Giants…

All is not as it seems however, and Zemo is no mortal invader. Moreover his intention is to end all the gods and bring about Ragnarok… and despite the magnificent heroics of the Norse deities he succeeds. But now it is revealed that the brothers did not die and were reborn in mortal form on Earth…

Now as an Age of Supermen begins the brothers awake… and one of them is mad…

Compellingly scripted by Jonathan Hickman and beautifully illustrated by Carlos Pacheco & Dexter Vines this lovely yarn (originally released as miniseries Ultimate Comics Thor #1-4) could probably be a mite confusing for readers who haven’t seen Thor’s other Ultimate appearances and certainly is quite choppy in delivery as it in-fills the missing portions of those stories. Even so, this is still a hugely engaging adventure that could easily act as an introduction to those other epics and is well worth your attention.

™ and © 2010 Marvel Entertainment LCC and its subsidiaries. All rights reserved. A British edition released by Panini UK Ltd.

Ultimate Spider-Man book 2: Chameleons


By Brian Michael Bendis, Takeshi Miyazawa & Davis LaFuente (Marvel/Panini UK)
ISBN: 978-1-84653-466-9

The Marvel Ultimates project began in 2000 with a drastically modernizing refit of key characters and concepts to bring them into line with contemporary consumers – perceived to be a separate market to the baby-boomers and their declining descendents who seemed content with the assorted efforts which sprang from the hearts and minds of Kirby, Ditko and Lee.

Eventually the stripped-down new universe became as overcrowded and continuity-constricted as the original, leading to the 2008 “Ultimatum” publishing event which thinned the new herd – and millions of ordinary mortals into the bargain.

Although a commercial success the epic was largely slated by the fans who had bought it, and the ongoing “Ultimatum Comics” quietly soldiered on without “mentioning the War…”

The key and era-ending event was actually a colossal tsunami that drowned the superhero-heavy island of Manhattan and this second post-tidal wave collection (assembling issues #7-14 of the relaunched Ultimate Comics Spider-Man) picks up the story of young Peter Parker and his unique house-guests all slowly readjusting to their altered state.

Parker is sixteen (but looks 12), the perennial hard-luck loser kid: a brilliant geek just trying to get by in a world where daily education is infinitely more scary than monsters and villains. Between High School and slinging fast food (Burger Frog is his only source of income since the Daily Bugle drowned) he still finds time to fight crime although his very public heroics during the crisis have made him a beloved hero of police and citizenry alike – which is the creepiest thing he has ever endured.

He lives in a big house with his Aunt May, and despite his low self-image has stellar hottie Gwen Stacy for a devoted girlfriend, but perpetually endures the teen-angsty situation of equally stellar hottie Mary Jane Watson (his ex-squeeze) hanging around and acting all grown-up about it. He briefly dated mutant babe Kitty Pride: remember when not having any girlfriend was the textbook definition of “loser”?

Many kids are homeless after the deluge, with schools and accommodation stretched to breaking point, so feisty May Parker has opened her doors to a select band of orphaned super-teens like the Human Torch and Iceman, as well as Gwen. Peter’s secret identity was constantly threatened before; how can he possibly conceal his adventurous life when two such famous characters are suddenly sharing the bathroom and his exploits…?

This second delightful collection opens with a new presence in the Ultimate Universe as near-neighbour Rick Jones is possessed by an ancient intergalactic presence. Cool Youngbloods Spidey, Torch and Iceman befriend the bewildered lad and are dragged along on a tumultuous fact-finding mission to secret base Project Pegasus just in time to clash with the sexy sirens of the all-girl Serpent Squad and discover that poor Rick – now calling himself “Nova” – is a cosmic “Chosen One” destined to save the World…

That two-part, laugh-packed thriller leads into decidedly darker territory in #9 as shallow jerk Johnny Storm finds the girl of his dreams in a new mysterious Spider-Girl whilst anti-mutant feeling grows and Kitty Pryde is almost snatched from school by brutally heavy-handed government agents.

On the run, Kitty goes dangerously rogue whilst her friends attempt to go public with the Authorities’ quasi-legal black-bag operation, enlisting the Fourth Estate in the form of the newly-restored Daily Bugle…

Unfortunately whilst trying to break the story of the Government’s anti-mutant agenda Peter Parker is abducted by an enigmatic shapechanger who borrows his form, his powers and his life. Issues #11-14 detail the Chameleon’s vindictive campaign to trash Spidey’s private life whilst using his stolen powers to go on a highly profitable, very public crime spree.

Meanwhile the real Peter is the prisoner of a second psychotic shapeshifter, who also has J. Jonah Jameson under wraps. In close proximity with Pete for days, the wily veteran newsman has deduced the boy’s greatest secret… The climax is breathtaking and portentous. Although temporarily safe, Parker’s life is about to go very badly wrong…

Combining smart dialogue and teen soap opera dynamics with spectacular action – beautifully rendered by artists Takeshi Miyazawa, David Lafuente and colourist Justin Ponsor – Brian Michael Bendis blends hilarious hi-jinks with staggering tension and shocking plot-twists to produce one of the most enjoyable takes on the wall-crawler in decades.

This series goes from strength to strength: a marvellously compelling and enjoyable costumed drama that easily overcomes its troubled origins. Absolutely worth any jaded superhero fan’s time and money Ultimate Spider-Man is well on the way to becoming an unmissable hit…
™ and © 2010 Marvel Entertainment LCC and its subsidiaries. All rights reserved. A British edition released by Panini UK Ltd.

Ultimate Avengers 2: Crime and Punishment


By Mark Millar, Lenil Francis Yu & various (Marvel/Panini UK)
ISBN: 978-1-84653-465-2

Marvel Ultimates began in 2000 as a reconfiguration of key characters and concepts to bring them into line with the tastes of modern readers – perceived as a potentially separate buying public from the baby-boomers and their descendents, who were content to stick with the various efforts that had sprung from the fantastic originating talents of Kirby, Ditko and Lee – and one unable or unwilling to deal with the decades of continuity baggage that had accumulated around the originals.

Eventually this darkly nihilistic new universe became as continuity-constricted as its predecessor and in 2008 the cleansing event “Ultimatum” culminated in a reign of terror which apparently (this is still comics, after all) killed three dozen odd heroes and villains plus millions of lesser mortals. Although a good seller (in contemporary terms, at least) the saga was largely trashed by the fans who bought it, and the ongoing new “Ultimatum Comics” line quietly back-pedalled on its declared intentions…

The key and era-ending event was a colossal tsunami that drowned the superhero-heavy island of Manhattan and this second post-tidal wave collection (assembling issues #7-12 of Ultimate Avengers 2) finds the survivors fully adapted to their dried-out world and back in business.

Before the Deluge Nick Fury ran an American Black Ops team of superhumans called the Avengers, but he was eventually toppled from his position for sundry rule-bending antics – and being caught doing them. Now he’s back, running another black ops team doing stuff real heroes wouldn’t dream of…

His far from happy band of brothers consists of Hawkeye – the man who never misses, James Rhodes: a fanatical soldier wearing devastating War Machine battle armour; Gregory Stark, Iron Man’s smarter, utterly immoral older brother, Nerd Hulk, a cloned gamma-monster with all the original’s power but implanted with Banner’s brain and milksop character and ruthless super-spy Black Widow. You can never have enough super-stooges though, and Fury is actively recruiting…

First on his wish-list is the Punisher, a vengeance-crazed vigilante carving his way through the underworld of three continents. It’s hard to imagine an even colder stone-killer than the standard Marvel Universe Frank Castle but creators Mark Millar, Lenil Francis Yu, Gerry Alanguilan & Laura Martin just about manage. However, his campaign of retribution is promptly stopped cold by Captain America.

Imprisoned by Federal authorities, the Punisher never makes it to prison, and soon after a new masked hero with loads of guns and a big skull on his chest reluctantly joins Fury’s death-squad…

The other newbie is super-gangsta Tyrone Cash, whose recruitment causes a lot more collateral damage. Before being blackmailed onto the team the violence-addicted, invulnerable superhuman had another life: a college professor who researched how to maximise human physical potential. One day he just vanished, leaving a pile of rubble and some very instructive data that his student Bruce Banner developed to its ultimate end… much to the world’s eternal regret.

Though not as strong as the Hulk, Cash is homicidally violent and aggressive, and enjoys breaking stuff and hurting people. Only the greatest threat imaginable could force Fury to keep such a dangerous tool around…

And that happens to be a flaming-skulled mutant biker called Ghost Rider who is relentlessly hunting and killing the Vice President’s oldest buddies and has now set his eyeless sights on the Veep himself… Carving a swathe of fiery destruction that leads to the White House itself, the Ghost Rider is utterly unstoppable. No mutant has ever been as powerful. If the press-ganged team didn’t know better, it would seem that the blazing biker is a real ghost… but there’s no such thing, right?

Trenchant, sardonic and incredibly violent, the traditional super-science scenario takes a big, bold step into the realm of satanic, supernatural horror and, as always, the grim-and-gritty heroes are almost indistinguishable from the genuine bad-guys in this stunningly engrossing, anti-heroic epic. No shining knights here, but plenty of dark ones…

Given some distance and far removed from market hype and the frantic, relentless immediacy of the sales arena there’s a far better chance to honestly assess these tales on merit alone, and given such an opportunity you’d be daft not to take a long hard look at this spectacular, beautifully cynical thriller: another breathtaking, sinisterly effective yarn that could only be told outside the Marvel Universe, but it’s also one that should solidly resonate with older fans who love the darkest side of superheroes and especially those casual readers who know the company’s movies better than the comic-books.

™& © 2010 Marvel Entertainment LLC and its subsidiaries. All Rights Reserved. A British edition published by Panini.